Something About How Carpenter Didn't Get To Tell Faulkner She Loves Him In The End Of S2 When She Wanted

I'm writing an analysis of gender performativity in The Silence of the Lambs for my gender and sexuality class and in the course of my research I have encountered so many bad takes!! I can't not say anything so I've come to Tumblr to rant.

The most common criticism I see is that the ending of "Hannibal" discredits, undoes, or diminishes Clarice's feminism, autonomy, or power, or that it ruins the message of SOTL. That indicates a complete misunderstanding of Clarice and the point of the books! The point of "Hannibal" is to show that it does not matter how amazing, powerful, or how much of a feminist you are: if you are a woman in a career, especially a federal career, the system is designed to put you down and keep you quiet. I think there is nothing more she could have done and nothing she could have done differently to prevent her disgrace. When the system is set up to put men in power and keep them in power, your talent and integrity do not matter if they decide they don't want/need you anymore. There is nothing she can do to prevent the label of "female officer" from haunting her credibility. Even Crawford, who respects her and fights for her, sees her with the caveat of "woman." The one man who does not consider her gender any sort of detriment or a reason to treat her differently is Hannibal Lecter. They have genuine mutual respect. When she chose to be with him, she chose respect, love, and comfort over a life of fighting to be recognized, respected, or listened to. Just as much as it is respectable for women to fight for their right to be recognized in their careers, we must also recognize that that fight should not need to exist in the first place. So, why should there be any shame about choosing not to fight that fight anymore? She spent years in an uphill battle, and she probably never would have escaped it (to no fault of her own!). The ending of "Hannibal" is Clarice raising a middle finger to the system, the FBI, misogyny, and the patriarchy by recognizing that she deserves unconditional love and respect and that the system she fought so hard for was, in fact, completely undeserving of her talent or presence. Her decision is powerful and empowered!

"She was brainwashed!" she literally wasn't. Hannibal tried that (I believe because he was so unfamiliar with the idea of love or family that he didn't know how to understand Clarice outside of the lens of Mischa) but he was unsuccessful. If she was able to resist his efforts of brainwashing while in an altered state she certainly had the strength of mind to make her own decisions. Her decision was not impulsive. Also, I think it serves as a testament to her influence and power over him. She gained control of the situation and he didn't resist that. Ultimately, Clarice chose to spend the rest of her life with the one man who ever truly saw her as more than just a woman, who admired her intellect, and who respected her enough to challenge her. That is not weak, submissive, or misogynistic. Quite the opposite. She chose to leave behind the life she put years of effort into building (because she knew it would be fruitless) in favor of being finally honored and appreciated. That takes courage! She knew her worth, and she knew the FBI didn't deserve her.

Also, anyone who paid any attention to the books saw the romantic tension throughout the story. It didn't come out of nowhere. She really just needed an opportunity or an excuse to be with him, and she was finally presented with it.

I think reading the ending to "Hannibal" as anything other than empowering is a mischaracterization of both Clarice and Hannibal and shows a lack of understanding of the message of the books. I think it reflects a shallow understanding of not only the books, but of how feminism operates IRL (especially during the 80s/90s).

I also must give the disclaimer that I do not think these books are epitomes of feminism or representation. The transmisogyny, racism, queerphobia, etc., are obviously inexcusable. Just because I interpret their message as a story of caution about how misogyny operates, and how it is respectable to choose a path that does not work within that system, does not mean I agree with everything presented in them or any of their harmful rhetorics or stereotypes. I have a STRONG love/hate relationship with these stories and I don't ever mean to undersell the "hate" part of that lol.

haiku bot where are you this is perfect for you come here haiku bot.

Thanks, Anon!

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mutuals can always dm me but be warned i talk like your coworker who is trying too hard to get to know you and my response times are akin to the response times you might get if we were communicating by letter

Today at work we were unpacking a big box, and I looked at the box and thought, huh. That box looks much smaller than me sitting on the ground, but I bet if I really scrunched down I could fit most of my body inside the box. And I had one leg fully in the box before I realized:

I am not a cat

I am work

I am wearing a nice suit and might need to appear in court later

“tumblr” “grindr” do the gays not like the letter e for some reason

°C stands for Correct temperature and °F stands for Freak temperature

not to hype up my malevolent playlist again but it is consistently so funny to me that I have this shit organized like the navy in painstaking order with attention put to every single song choice and placement with very intentional vibes per season from the chaotic rough minor key of s1 to the horror soundtracks and liminality of s2 to the grief and betrayal and hurt of s3 to the meandering and rediscovering and new faces of s4 to the lost but finally synced up and driven s5. and also bonetrousel is in there for yorick fwsjahdjahfj

and also i refuse to change the name because i think its funny