It was a privilege to welcome all the guest stars of Inside No. 9: Stage/Fright to Wyndham's Theatre, each lighting up the stage with their own brilliance.
A huge thank you to every iconic name who stepped Inside No. 9.
笑死 因为白天遇到个人没夸我 直到深夜还想起来发作对我进行外貌羞耻
给翻看旧帖的自己:千万不要再回国。记得这次回国回家的遭遇有多难受。身体+精神+work受到多少影响。
Another thing I’ve been thinking about Freddie Fox is in one of his interviews the journalist writes that Freddie refers to Stephen Fry as a family friend. But I read this interview after I had seen the clip of QI where SF did an impression of Edward Fox, and I got it mixed up and became really confused, but later when I rewatched it I realised two people did impressions of EF in that clip and it’s actually not SF who implied EF was kind of homophobic. (Btw the term used is very curious and I could never understand: ‘a fleet of berties’ ?????? Came to think about it I did a search again and found a discussion that I’ve already bookmarked but it still doesn’t seem totally clear to me: https://www.reddit.com/r/AskUK/s/4KPv0ELFuE)
Ok also please look at the TV credits mark gatiss chose to include in the program. Keep telling yourself this king but we won’t forget
uk visa is killing me
“The jewellery she displayed, the composition, her seated posture, the barely visible column with rectangular pedestal in the background (representing the pillars of Hercules, the imperial emblem found in portraits of Charles) and proffered rose, were all reminiscent of other portraiture of Habsburg brides. It fixed Mary within a traditional Habsburg iconography. The Tudor emblem, the red rose, suggestive the Virgin Mary mirrored the rose found in Titian's portrait of the Empress Isabella. The flower sacred to Venus was a metaphor of the love tendered to the husband and a symbol of the sitter's beauty. She wears the more informal loose-bodied gown, described by Soranzo as reserved for ordinary wear. The sleeves are not of the French fashion and the buttons up the front support this identification”.
The marriage of Philip of Habsburg and Mary Tudor and anti-Spanish sentiment in England : political economies and culture, 1553-1557 By Alexander Samson (pg. 222)
我还以为永远喜欢不上市松寿ゞ謡的成长版模型了 新cover怎么能这么美!
操啊 造了什么孽 看到俄罗斯人还真相信什么不投降就是不顾民众生命
屏幕出现这专辑封面时候马世芳正说道......
还有他的衣领 人民如潮涌?
I loved him at first sight. I have learned to love him more. I will love him until I die. I wish in next life I could still be in the same world which has his soul.
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