CHARACTER INSTRUMENTS:

CHARACTER INSTRUMENTS:

Nausicaa is a flute.

Athena is a piano with a mix of strings.

Telemachus is a lyre mixed with a viola.

Artemis is woodwind instrument. (Flute or Oboe)

Odysseus: Cello

Penelope: A harp.

Peisistratus: Trombone

The others are still being decided but these are the ideas!

More Posts from Definitelynotluffy and Others

3 months ago
From An Animation Meme I Posted That Sprung This Idea 😭😭😭
From An Animation Meme I Posted That Sprung This Idea 😭😭😭

from an animation meme I posted that sprung this idea 😭😭😭

3 months ago
HOLD THEM DOWN!!!
HOLD THEM DOWN!!!
HOLD THEM DOWN!!!
HOLD THEM DOWN!!!
HOLD THEM DOWN!!!
HOLD THEM DOWN!!!
HOLD THEM DOWN!!!

HOLD THEM DOWN!!!

40% done :D the animation process is taking tis sweet time but I present to you my favorite frames from this awful (very passion driven) animatic hehehe

2 months ago

Odysseus is a very feminine character, now that I think about it...

Alright, let’s get something straight before anyone comes at me with a ā€œbUt tHiS iS gEnDeR eSsEnTiAlIsMā€ take. I’m not saying Odysseus is literally a woman or that masculinity and femininity are these rigid, unchanging constructs. I’m talking about how the ancient Greeks perceived these traits. This is about Homeric gender coding, not modern gender politics.

Ancient Greek society had clear ideas about what was ā€œmasculineā€ and ā€œfeminine.ā€ Men fought, conquered, and sought kleos (glory). Women used cunning, patience, and endurance to survive. Odysseus? He embodies the latter far more than the former. That’s the point. That’s what makes him interesting. I’m not slapping modern labels on him; I’m analyzing how he would’ve been understood in his own time.

Got it? Got it. Then let me explain.

Greek heroism is all about kleos (glory), right? You charge into battle, fight, die gloriously, and get immortalized in song. Odysseus? Not his style. His whole thing is survival. Achilles, the epitome of warrior masculinity, chooses an early death in exchange for undying fame. Odysseus chooses life, no matter what it takes. He hides, deceives, and grovels when necessary...all acts that a traditionally ā€œheroicā€ warrior wouldn’t be caught dead doing.

Take the Cyclops episode: a classic strongman hero would just fight Polyphemus. Odysseus? He outsmarts him with wordplay, drugs his enemy (like a sneaky witch would), and escapes by disguising himself under sheep. You’re telling me this is masculine? If anything, it aligns him with figures like Circe and Penelope. Women who survive through wit and deception rather than brute strength.

This man’s mouth is his deadliest weapon. He doesn’t win with a spear; he wins with stories, persuasion, and trickery. The word polytropos (Ļ€ĪæĪ»ĻĻ„ĻĪæĻ€ĪæĻ‚), used to describe him in the very first line of The Odyssey, literally means ā€œmany-turnedā€ or ā€œtwisting,ā€ evoking the way a woman might spin or weave. The metaphor of weaving is all over his character, and weaving is, of course, the domain of women in Greek thought.

Even his lies are textile-like. He spins tales, unravels them, and reweaves them as necessary. And let’s not ignore that his narrative mirrors Penelope’s: she weaves and unweaves her shroud, delaying the suitors; he spins and unspins his identity to survive. He and Penelope are two sides of the same coin, both manipulating reality to stay in control.

If we take ancient Greek gender norms seriously, dominance in sex = masculinity, and submission = femininity. And Odysseus? The man spends years being kept by women. Calypso and Circe both hold him as a sex slave, reducing him to an object of desire rather than an active agent. That’s not exactly Achilles ravaging BriseĆÆs, is it? He’s literally lying in bed (λέχος) while these women rule over him.

Even in Ithaca, his return isn’t some macho takeover. He sneaks in, disguises himself, and watches before making his move. Unlike Agamemnon, who storms into Mycenae post-Troy and gets murked by his wife, Odysseus waits, gathering intel like a patient, calculating woman.

He also cries...like...a lot.

Masculine heroes go out into the world to conquer (Iliadic energy). Feminine figures are more often concerned with the home. Odysseus’s entire goal? To get back to Ithaca, to his oikos, to his wife. He’s not seeking new conquests or greater glory. He wants stability, family, domesticity. He longs for the space traditionally occupied by women.

Odysseus is basically the Greek epic’s answer to the trickster woman trope. He’s wily, verbal, emotionally expressive, and constantly using the strategies of metis, not brute strength, to survive. While Homeric masculinity typically means fighting, dying, and achieving kleos, Odysseus thrives through deception, patience, and endurance. Traits that the ancient Greeks more often ascribed to women.

4 months ago
BRACE FOR THE STORM!

BRACE FOR THE STORM!

3 months ago

epic the musical brainrot

Epic The Musical Brainrot
3 months ago

Friend: if Odysseus was an scp anomaly what would his whole deal be

Me: hehe oar quest

4 months ago

600 strikes simplified

600 Strikes Simplified

A bit rushed

3 months ago

10 likes and I'll draw Odysseus pregnant

3 months ago

may I request some couple hugs, if you have any?

May I Request Some Couple Hugs, If You Have Any?

Dunno if counts as an hug

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definitelynotluffy - If your hungry, eat.
If your hungry, eat.

I'm in love with Luffy rn Currently hyperfixating: One Piece Main fandoms I'm in: Rottmnt, Transformers Prime, One Piece, The Mandalorian and AOT āš ļøDNIāš ļø: Tcest, incest, proshippers, pedophiles, racists, disrespectful people, toxic bitchesā€¼ļø

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