This is why his introduction cutscene is so hilarious to me. It starts with showing this devastating and tragic subway accident on the news, and then the next thing you know there's this silly teenage detective thoroughly disappointed that his coworker is subjecting him to conveyor belt sushi. It's so funny to me that this face is literally him right after his most recent heinous crime broke the news:
P5r has a lot of writing flaws generally But you have to admit. no matter how you view his character “highly marketable anime Pretty Boy who keeps going ‘woaww Protagonist you’re so interesting <33’ is actually a hired assassin and is acting like that because he’s actively planning your murder” is an objectively hilarious plot point
I cannot help but find this one detail in Strikers endlessly funny. The game introduces Sophia and it's all like "What is Sophia's power? Is it a persona?? Keep playing to find out :3" and it's obviously going to be some kind of reveal or mystery they solve. I haven't finished the game yet, so I still don't know- but the point is her "Persona" skills and gameplay mechanics are the same as the other actual personas, which is an obvious plot hole that leaves no room for a reveal. So you would think that the game would come up with some serious sensical way to rectify this right?
Wrong, they literally just- slap a question mark at the end of all her Persona skills and call it a day.
It's "Dia?" because we think it's Dia, since it works the same, so let's just call it Dia and stop asking questions. It's so funny though from a gameplay perspective, because they could have just left it alone and hoped nobody would question it, but instead they put in the effort to put that little reminder that it's not confirmed to be a persona- but also want the ability to integrate her into the framework seamlessly. They were like "we can't have our cake and eat it too? Watch us" and then did exactly that.
Not to mention this bit.
Originally, I thought that the reason he made this mistake in the first place is because he didn't associate the voice with Morgana. But clearly Ryuji calls Morgana a cat AFTER the pancake lines, and Morgana responds, so Akechi is responding later to Morgana's dialogue when he SHOULD know it's from the cat. Obviously this doesn't necessarily mean that he registered that this specific cat was only talking because of Metaverse hijinks, but I think that's a very reasonable conclusion for him to come to. Cats aren't supposed to talk, and I think he's cautious and intelligent enough to know that talking to this one could give him away. He could have referenced that they discussed Down Town, because it was Ryuji who said that. But no, apparently the talking cat isn't suspicious enough to be wary of. What I'm saying is every time I see this scene, I realize new things that make it funnier and more ridiculous of a fumble to make.
For the record, I love him even when he's a bit dumb
Goro "Please invite me to have pancakes with you because I'm soooo hungry, so I can decline due to scheduling issues" Akechi, walking in on a conversation that will ruin his whole career.
It's so funny to me that he rushes out because he's busy, but not before very unsubtly suggesting that they invite him to Dome Town anyway. Sir???
The... blue fire head guy and the cat guy from twst... Hades and Scar...
OH MY GOD THAT'S ONE OF MY FAVORITES
Ships from Persona 5, Twisted Wonderland, Honkai Star Rail, and Bungo Stray Dogs welcome. Do ask!
@checkerstheboard I love you very much and I'm very glad to have you as my fiance ❤️
Realized something so funny about Yusuke while playing Strikers.
1. He suggests that the Phantom Thieves go to Kyoto on their vacation because he really wants an art tour, and he immediately gets vetoed. They then plan a barbecue, and he gets excited for that but then plans change when the Metaverse returns and they go on their road trip, so he gets deprived of that too. But every single time their vacation gets brought up he acts like these things are going to happen. "What about our Kyoto excursion" "our barbecue extravaganza" he is in his own little world where the Thieves listen to him. They actually do eventually go to Kyoto and he STILL doesn't get his art tour.
2. Zenkichi tells them that Alice Hiiragi went to the same school as the Thieves and Yusuke pipes up like "SHE WENT TO KOSEI HIGH??" Even though he is the only member of the Thieves who didn't go to Shujin Academy.
3. The scene where they discuss how they're going to go on their road trip without a vehicle and he announces that he has money like it's HIS MOMENT. Like it's the moment he's been waiting for his whole life, and Futaba responds "keep your snack money, Inari". Later he makes a comment about how he's gone from "rags to riches".
Every single case of this he gets the dramatic cut-in thing, so what I'm saying is Yusuke is convinced he's the main character through all of Strikers. Like he goes through the motions assuming the world will bend at his whimsy and the other Thieves just sigh and move on.
Got banned from the Little Ceasers. Call that a little Cease-and-Desisters
Sumire/Futaba
The two characters I thought of immediately:
i love when a character has something terrible happen to them and as a result they see themself as, essentially if not literally, a ghost. and so that means they only can (and have to) do what ghosts do, ie get revenge and then cease to exist. easy as that. but then halfway through this ghost vengeance they realize hey actually i might still be a human person. with human needs. that’s incredibly inconvenient, considering how much i’ve invested in this whole ghost thing
Killian | 19 | he/him | I am opinionated and right | shuake brainrot
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