Realized something so funny about Yusuke while playing Strikers.
1. He suggests that the Phantom Thieves go to Kyoto on their vacation because he really wants an art tour, and he immediately gets vetoed. They then plan a barbecue, and he gets excited for that but then plans change when the Metaverse returns and they go on their road trip, so he gets deprived of that too. But every single time their vacation gets brought up he acts like these things are going to happen. "What about our Kyoto excursion" "our barbecue extravaganza" he is in his own little world where the Thieves listen to him. They actually do eventually go to Kyoto and he STILL doesn't get his art tour.
2. Zenkichi tells them that Alice Hiiragi went to the same school as the Thieves and Yusuke pipes up like "SHE WENT TO KOSEI HIGH??" Even though he is the only member of the Thieves who didn't go to Shujin Academy.
3. The scene where they discuss how they're going to go on their road trip without a vehicle and he announces that he has money like it's HIS MOMENT. Like it's the moment he's been waiting for his whole life, and Futaba responds "keep your snack money, Inari". Later he makes a comment about how he's gone from "rags to riches".
Every single case of this he gets the dramatic cut-in thing, so what I'm saying is Yusuke is convinced he's the main character through all of Strikers. Like he goes through the motions assuming the world will bend at his whimsy and the other Thieves just sigh and move on.
I want to add to this. I reblogged it before I actually thought of what I wanted to say, but it finally connected in my head. I agree with all of this, but it was mainly the realization that what the fandom calls his sudden "traumadumping", as funny as it is, is literally just him attempting to make Ren feel close to him without any real vulnerability.
He talks about his mom with Ren unprompted, and says he hasn't told anyone this before, and that's true- because he hates feeling pitied. He doesn't want to feel weak, but he does want to be cared for. He wants to be supported, by anyone, but most people would react to his hardship with sympathy that he doesn't need or believe he deserves or earns. So he instead opens up to Ren because he sees them on equal footing. They're on the same page, and he wants Ren to feel a connection to him even if it's entirely fabricated and calculated. It's partially due to habit because, y'know, Detective Prince mask requires him to do this already in general, but also because so much of his real hardship is locked up so seeking a real connection requires the melodrama.
For me, I had this realization remembering when he walked into Leblanc the first time. He sees Futaba and he says "You must be Wakaba Isshiki's daughter" and then after he gets chewed out by Sojiro, he starts talking about how he doesn't feel wanted anywhere. Then seemingly unrelated, he talks about his mom. It feels to me like he's trying to say "if you can care about Futaba, then you should care about me."
He hasn't had a support system, so the need for just someone, anyone to care, even though they don't know him and what he's done, is so strong. He hates being pitied because he doesn't see himself as weak, and he doesn't think he deserves sympathy, so why would he share anything more than necessary? The third semester is the inverse of this. Everyone knows too much, so now the care he craved for so long feels way too exposed. It's too vulnerable, and he never thought he would have earned it if he shared this much, even from Ren. So ultimately the trust he earned has the opposite effect, and now his prior "see me and love me" mask has been replaced by a "leave me alone and hate me" mask.
Just said something about this on twitter but out of everything in 3rd semester that’s meant to show the contrast between akechis behavior pre-engineroom and post-engineroom I honestly think this specific change in sprite expression does it best
The first one looks directly at you because he makes this face when he’s trying to gain sympathy points / connect with whoever he’s talking to. Okay yeah he uses it when he was talking about his mother at leblanc and the bathhouse which definitely drew from a place real sadness but it was still a calculated part of his attempts to endear himself. And the second one is the exact opposite. It barely shows up and when it does it’s only for 1-2 (?) dialogue boxes a piece. It’s the expression he makes when he can’t immediately hide his emotions. The quick turning away / avoidance of eye contact is so you Don’t connect with the little hints of genuineness that manage to slip out for the two seconds that they last. Maybe so he doesn’t have to see your face if you do? Anyway. TDLR I just think it’s nice to focus less on his crazy talk and meangirlisms and acknowledge that they’re 100% also being used to rein in the fact that he’s progressively losing his grip on masking “the real akechi” from sight 100% of the time. At every point in the game he only wants his real self to be seen in tiny, entirely controlled sneak peeks, and only when he thinks it benefits him. agh
Normalize thanking your friends for not stabbing you on the Ides of March. You never know when that might change!
Hahaha I would never do that ( @checkerstheboard @avendoki @turretangel What character do I remind you guys of? 😊)
my friends open drawing requests and i bow my head with shame and avoid eye contact as i ask for the character they Already Knew I Would Ask For
Makoto & Haru!
Y'know those people who try to be funny and always fail, but they sometimes say the funniest things that have ever graced your eardrums unironically? With a straight face? Not actually anticipating or attempting to receive laughter?
My friend fell down the stairs the other day and they said to me today: "The devil couldn't reach me so he put me in a two story house."
@avendoki is now accidentally the fourth funniest friend of mine from that one sentence ALONE.
The... blue fire head guy and the cat guy from twst... Hades and Scar...
OH MY GOD THAT'S ONE OF MY FAVORITES
Both Selfish; you each lose 2 points
You Selfish, prev Cooperative; You gain 2 points
You Cooperative, prev Selfish; You lose 1 point
Both Cooperative; You Each gain 1.5 points
(ps make sure to say what you voted)
Making this post long so you have to scroll to see prev's tags.
Artists of Tumblr, where you at?
I love how Persona 5 solved the issue of train fares. If Ren doesn't have enough money on him to travel in crucial scenes, there's special dialogue where Morgana pipes up and basically calls Ren broke and pays the rest of the fee.
I just find it hilarious because this literally means that not only does your cat have his own savings, but if you don't have enough for the Kichijoji trip with Ryuji, then Makoto literally sees your cat pay your train fare while stalking you. Think about how embarrassing it is, to be so broke that your cat has to pitch in for your transportation.
Quick rant about Akiren, because I see many different interpretations of him (some I agree with, some I don't) but one that I don't see very often is this.
Yes, he loves his friends and cares for them. But imagine this- his home life was very uneventful, and considering how his family doesn't bother to reach out after his arrest, I'd imagine they see him as a lost cause. They gave up, or his worth is conditional. They love him conditionally. Being raised like that affects you as a person, and I like to imagine that after Igor told him that he now has to fill the role of a hero preventing ruin, and his bonds with people give him the strength he needs to do so, he embraces it. He embraces feeling important and valued, being admired, being the protagonist. Suddenly he has the world on his shoulders, and these people look up to him and admire and love him for it. Every dialogue response he chooses is his own thoughts, but he chooses what gives him more points. What people want to hear. He helps people so they look up to him, because he loves the attention and filling the role of the hero.
Especially since he's not very expressive, and he's nominated as the leader just because he fills the role the best. He embraces attention but he rejects vulnerability. It really feels like he cares for the image of a leader. It takes him a long time to see his role as anything other than the hero he loves being. I would say around Futaba's palace is when he starts to truly care for the Thieves, which is why by the Casino arc he chooses to protect their identities and risk his lives for them. He does eventually come to care for them, but he's supposed to be a leader. He's important suddenly. Playing the leader is selfish, but as the same time, as the leader he doesn't GET to be selfish. Playing the hero means he has to be empathetic, and that's where the selfishness lies. The intentions. Only once he risks his life for them does his true heroism shine. It's not about people relying on him, it's about him protecting them.
It's even better because after Futaba's palace when he fully starts to care, Morgana leaves and their decision to save Morgana is purely because they value their team. Morgana is his friend, so they must protect him. It's not a prerequisite of heroism to put aside their goals for Morgana.
And this interpretation makes 2/2 even more interesting, because he's given the opportunity to get the one thing he wished for. He can make the selfish choice. Doing so would give up not only his hero role, but also would betray and abandon everyone he cares about. 2/2 is like a checkpoint where he remembers how the Thieves formed and how at some point, his priorities shifted from being the protagonist and hero admired by all, to wanting to protect the people close to him. He has to reconcile with why. He has to think "It's not about me being selfish for once by taking Maruki's deal, it's about the fact that I care for these people and I don't want to hurt and betray them."
So yeah, I love this interpretation of Akiren Kurumiya and I would love to see more of this, please and thank you.
Killian | 19 | he/him | I am opinionated and right | shuake brainrot
44 posts