Curate, connect, and discover
Persona 5,,,,,,, it got me,,,,,,,
I think all the modern persona protagonists deserve to be a little bit of a God, as a treat. We already have Makoto being a door, maybe Yu could be a wall, and Ren is a carpet. But like, a really special wall and carpet, you know? Ones that could kill God.
I finally got around to making some stickers for my laptop! I don't have a sticker maker or anything I just did the whole sandwich between two layers of tape thing but I think it still looks good and I love it.
Here's what they look like printed out and stuck on my laptop... Ish. I'm not a photographer, so they look a bit more washed out than they do in real life. Only a bit, because printers b like that.
Obligatory y'all are more than free to print these out for your own stickers if you want, just don't like.. sell them or claim you drew them.
Thoughts about Akechi because he's infected my brain
We really never see the "real akechi" in Persona 5 or even in Royal, I think. That's not to say there aren't honest moments and real emotions, but every moment we have with Akechi is him trying to get us to serve some greater goal of his. In vanilla that goal is obvious: he wants to get close to you to further his vengeance on Masayoshi Shido. In the third semester that goal is less obvious but I'd say he wants you to think he's an irredeemable monster and that you shouldn't care about him so you reject Maruki's deal. Third semester is slightly more honest with Akechi- his convictions and feelings are all real, but he portrays them in whatever way will get you to do what he wants while keeping you at an arm's distance.
I think the only moment in the whole game where Akechi isn't putting up some sort of mask is after you beat him in the engine room. Before he's kinda having a big feelings moment so while it's honest, it's an extreme. After? He has no more reason to act, he just has his one request: destroy Masayoshi Shido in his stead. And you do, for the last request of the boy you never really got to know.
So who is the real Akechi? I don't think Akechi knows himself, I think he's lived so many years with a mask as Shido's Assassin or the Detective Prince or a pleasant boy that he doesn't know which is real. I don't think we'll ever see the real Akechi, not in anything mainline, both because they better not be making another Persona 5 and because there is no 'real' Akechi without the masks, without the deception. His character is like Joker's, he's constantly tailoring himself to be what he needs to be because that's the only way a bastard child like himself can survive. It's why I like wildcard Akechi fics so much, because he's just as malleable as Joker. They're rivals, after all.
I know Ren is the player character and somewhat kinda a self insert but I will never understand fanfictions that make him hate people he clearly obviously canonically does not hate and, in fact, absolutely adores. The two biggest offenders for this are Morgana and Akechi.
Morgana and Ren are absolutely inseparable, Ren couldn't do anything when Morgana wasn't there. Ren takes care of Morgana, lets him sleep in his bed, comforts him when he has nightmares. They're brothers, your honor. If Morgana were human his last name would, in fact, be Amamiya before he inevitably gets folded into the Sakura family with Ren.
Akechi was literally Ren's greatest wish, like yeah sure you could interpret that platonically somehow, I don't know exactly how you would do it, but Ren does NOT hate Akechi. He wants Akechi to have a shot at life, he doesn't want to forget him. They are in some very complicated vaguely homoerotic rivalry and both are absolutely giving their all to it.
that one character you absolutely love and adore with all your heart and soul and every headcanon you see of them is immediately canon and you want to draw fanart of them and share you throughts on them but they keep bouncing around in your brain and they won't hold still for you to have at least one coherent thought about them and I'm going to cry let me show my love for you pls-
joker-kun
bonus:
:inhales and slams hands on the desk: akechi. palace. pitch.
disclaimer: the setting for this is all about vibes and aesthetics, it kinda got away from me when i started hashing out the plot around it two months ago so now we're here. in hell. (i'll probably have to make a secondary post i made wayyy too many concepts,)
yes i made an ost for this idea, here is a youtube playlist of chill european jazz
AU details under the cut-
Akechi Goro's palace is "Ampitheatrum Doloris”.
KEYWORDS: Akechi Goro, Tokyo Highcourt, Amphitheater
Akechi's psyche is a massive collection of locked doors, puzzles, and contradictions. He wants to be seen but not understood—heard but never known, ect. This makes his palace infiltration a waking nightmare (affectionate).
His palace is made up of five main layers. They each mirror a stage of grief:
1) There is the outer layer of with the appearance of a Venice-esque water canal maze, there is a door that must be opened to reach the entrance to infiltrate the second layer underneath the amphitheater. The puzzle's actually pretty sentimental and revolves around Akechi's interest in literature.
(This layer is depression, Goro mourns what he lost and the fact that the choices he made for the sake of revenge ultimately led to nowhere. This is reflected in how desolate/meandering the outer layer feels, it is the largest and most time consuming part of the palace for this reason. It takes weeks to finish. AKA, Akira and Morgana have a terrible, no good, very bad month of May.)
2) The Labyrinth under the amphitheater; it is full of shadows for the arena champion to use as fodder for the enjoyment of the masses. ‘Loki’ resides here—this layer’s theme loosely plays on the Minotaur myth.
The only way to escape is through a pulley/elevator mechanism which leads to the surface after shattering the Champion’s chains by force. Loki taunts in Old Norse, but gives Akira (and the party by extension) genuine hints on how to escape.
(This layer is anger, Goro is always angry, about the hand he’s been dealt, the futility of his own actions, and the fact that his life has always been a dead end, written in the stars.)
3) The Audience Stands; full of human cognitions and Akechi’s former clients and fans, despite everything, like Sae, he sees them as ‘people’ and is disgusted by them. Their compliments are shallow and empty, surface level like Goro’s facade. Cognition Sae is delegated to a middle manager-type role, and leads Akira and Co. through puzzles.
Different cognitions from Akechi’s shitshow of a childhood throw riddles based around philosophy and the nature of justice at the party, if the answer is ‘wrong’, there’s a mini-boss fight. Answering everything correctly yields a prize—a key, this process is made difficult by all of Robin’s ‘hints’ (which the Thieves can directly ask for) being lies.
(Bargaining. Goro always thought he could still salvage his revenge despite his enemy being essentially invincible, even now deep down he thinks he can salvage all the effort and sacrifices he put in.)
4) The Stage; Robin Hood appears proper instead of in cameo appearances, this is the lead actor's stage. To earn the right to stand with him, Akira has to have to prove his worth in one-on-one combat while showing the crowd a rousing show. The goal is to use the key obtained in the bargaining layer to unlock the Performer's cuffs.
(Denial, Goro doesn’t believe he needs or deserves saving or a life outside of his revenge, he believes there is no other way forward.)
Hereward and the 'treasure' are in the Imperial box area, which I'll save for part 2 of this I think! The second half of this'll have less focus on the environments and more on general plot and character design.