Latest Posts by drakethog - Page 2

I'm doing another one of these because why not

please reblog for a larger sample size, especially if you haven't watched (all of) dimension 20!!

Because I remember disinformation being spread around the last few elections and I’m sure assholes will bring it back:

YOU CAN’T VOTE ONLINE.

YOU CAN’T VOTE FROM YOUR PHONE.

IN MANY STATES THERE ARE LEGAL CONSEQUENCES FOR PHOTOGRAPHING YOUR BALLOT.

DO NOT WEAR CAMPAIGN GEAR TO THE POLLS.

DO NOT TRY TO PERSUADE PEOPLE TO VOTE FOR A CANDIDATE AT THE POLLS.

DO NOT ENGAGE IN ANY KIND OF POLITICAL DISCOURSE AT THE POLLS.

NO ELECTION IS EVER A SURE THING, EVEN IF YOU’RE IN THE BLUEST OR REDDEST OF STATES.  IF SOMEONE TRIES TO TELL YOU THAT YOU CAN SIT THIS ONE OUT, THEY ARE EITHER IGNORANT OR MALICIOUS.

VOTE.

Hey, wait! Please stop scrolling for a sec!

Please bear with me and read to the end! I promise it'll be worth it.

My name is Nexys, and I am queer and disabled. For years I have been striving to create the most tight-knit safe space (that's ACTUALLY safe) on the internet, using content creation as common ground. And we're really starting to take off!

But I need your help. Please reblog this post so that I may meet new people and make new friends! My community has been lifechanging, both to myself and to the people within it. I really feel like my Twitch, YouTube, and Discord communities have been making a difference in the lives of some of the most disadvantaged and marginalized people in the LGBT and neurodiverse communities.

We often play games like Minecraft, Stardew Valley, Harvest Moon, and Pokémon, with the occasional challenges and other genres thrown in. Sometimes we even invite our chat to play the games with us! So if this sounds like the sort of community you'd be interested in, please join our Discord Server so you don't miss out!

I'm a small creator, and due to my disabilities cannot hold down a normal 9-5 job, so any support and engagement from you—time or money—is a lifechanging opportunity that could potentially alter the course of my life and the lives of my loved ones. Even just dropping in to say hello would mean the world to me!

But I know time is a precious resource, so if you're too busy to sit in with us but still want to support the cause, for as little as $1/month you can become a Patron! And depending on the tier you choose, there may even be some free artwork and other fun perks in it for you!

Thank you so much for your time! Me and my community really hope to meet you, and we hope that you, dear reader, have a fantastic rest of your day/night! Happy Pride!

❤️🧡💛💚🩵💙💜🩷🤍🩶🖤🤎

Spring and summer for a drow can be hard, but not if you're as well dressed as Essek.

All of my free Dimension 20 fan sculpts are painted!!!! doing a hairy baby dance about it

id: a video showing three painted, 3d printed sculptures of Dimension 20 characters: mary ann skuttle and baby/wretchrot from Fantasy High, and skip riding handy annie from A Starstruck Odyssey.

Staff have done their best to hide this post, OP's blog has been deleted to hide it. Spread this post as much as you can (ideally through screenshots to avoid it being nuked)

Second Place episode of Gamechanger feat the Aguefort staff aka Aguefort heaven is Porter hell. It’s a very efficient system

Bonus:

hi pack of pixies!!! ✨ 

@rowzeoli replied to your post “Do you think part of the D20 journalistic bias...”:

I rarely go on tumblr so sorry if you see me spamming your posts tonight, but I really enjoy your perspective and thoughts! I think I'm the journalist you're referencing in regards to the Fantasy High Junior Year article and unfortunately 1) journalists only get access to interview subjects at very specific junctions (usually press day before the series goes out or halfway through) 2) most publications are honestly Going Through It and cutting freelance rates and just not paying to cover AP

​So I'll be totally honest - I post on Tumblr because I assume it is far more unlikely to be seen and so I can vent freely (hence the fairly harsh tone of the criticism in the original post), but I guess this is a chance to clarify. I don't expect anything to change, nor do I expect you to respond; indeed, I wouldn't blame you if you block me after this. But if readership is down (and who knows? maybe it's not and I'm the outlier), this may be illuminating.

The issue with your specific article - which I brought up relatively tangential to the larger point of "at this point I think Polygon's AP/TTRPG coverage is a waste of time to read" isn't really that it's only an early look at the series; and because Fantasy High Junior Year is at this time ongoing, it's honestly entirely valid that there hasn't been a follow-up. It's, well, the "surface-level and factually wrong" issue.

Dimension 20 was by no means the pioneer of remote recording as you claim in your article; that had long been the default of smaller recorded AP shows well before pandemic lockdown for the simple reason that if you're not a media company the overhead is very low - no need to have a dedicated space or even cameras beyond decent laptops. Burrow's End's puppetry? Critical Role's Call of Cthulhu: Shadow of the Crystal Palace did shadow puppets in 2019. They had diagetic audio on the main campaign as early as 2016. I don't even like Kollok, but that's had complex set design since 2019. Meanwhile premise of the article is yet another rehash of Polygon's "Dimension 20 is CHANGING THE GAME" constant drumbeat, while your actual pull quotes from Brennan Lee Mulligan are him musing that this is simply an entry in an ancient tradition of storytelling and isn't, in fact, terribly novel. The interview fails utterly to back up your point and indeed contradicts it; I get that the timeline was probably tight but this is outright incorrect in multiple places and your argument isn't just unsupported; it's outright dismissed by the very person you claim is proving it. If the premise came before the interview, it needed to be reworked afterwards, and if it came after the interview…I'm not sure what to say, really.

This isn't your article, and I'm putting it here to illustrate that this has been a pattern for Polygon's AP coverage specifically. This article about Worlds Beyond Number is perhaps my favorite example of "this is not serious journalism:" Rusty Quill Gaming, The Adventure Zone, Friends at the Table, and NADDPod are all theater of the mind long-running podcasts (RQG's campaign lasted a whopping 7 years of real time) and that's just off the top of my head; the idea of a long-running edited audio podcast being novel is laughable. RQG and TAZ both started at level 1; I'm not personally familiar with Friends at the Table. I don't actually think starting at level 1 vs. 2 is terribly important in storytelling in the first place other than that a few D&D classes pick their subclass at L2 and that choice can be narratively relevant, which it was in TAZ; however, some classes pick a subclass at L3 so you can still achieve this with a level 2 start (as Critical Role's second campaign does). Both Emily Axford of NADDPod and Griffin McElroy of TAZ have long been composing their own music and RQG is heavily sound designed. These are not obscure pulls, either; these are some of the more well-known names in the space.

At this point, Polygon AP/TTRPG articles - by multiple different writers - simply feel like madlibs: "(actual play show) is groundbreaking in its (thing that other shows have been doing for 5+ years); I especially liked (visual effect) and (incorrect understanding of TTRPG mechanics)."

The people I allude to in the post you responded to as having egregiously uncharitable and sanctimonious takes on Daggerheart (within, again, hours of its publication) are a frequent Polygon contributor and a Rascal editor and they further my mistrust of those publications: There is this constant insistence that everything they like be "groundbreaking" and "innovating" and they will claim this even when it's demonstrably not the case, as the above examples note. As Mulligan says in your article "it’s important to keep new artists with new experiences and backgrounds flowing in," and yet by focusing intensely on high production values (difficult for smaller indie upstarts to have) and by incorrectly claiming that a well-established media company within the space like D20 invented a number of things it flat out did not, this journalism is actively, if unintentionally, working against that goal. As I put it elsewhere, Polygon's bizarre pedestaling of Dimension 20 and simultaneous putdowns of Critical Role (which turn into wild contortions when D20 mainstays like Mulligan or Aabria Iyengar collaborate with CR; for that matter others besides me have observed that Polygon acts like Spenser Starke is two different people, the genius who created Alice is Missing and the knuckle-dragging moron who put out Candela Obscura and Daggerheart) coupled with the obsession with production values over story has the whiff of claiming they're the champion of the little guy for sticking it to the 700 lb gorilla in the space and then focusing on 500 lb gorillas while making it impossible for smaller monkeys to compete because most brand new shows without the name recognition of someone like Mulligan involved can't exactly hire Rick Perry to do their models or Taylor Moore to do sound design.

I suppose a good way to put this, since I've run into this in many spaces, not just AP/TTRPG or even journalism, is that bias on its own in a subjective medium isn't inherently bad; but if something is so nakedly biased against something I love, I will, naturally, turn to it with a far more critical eye, and if its arguments are not ironclad I'm going to start noticing every structural issue in every argument and every tiny mistake. Sure, as a fan of Critical Role, and as someone who feels that Kollok was nigh-unwatchable and that Burrow's End was promising in parts but deeply flawed, I disagreed with Polygon's nonstop mud-slinging towards the former and glowing, verging on fawning reviews of the latter two. But that's not entirely damning on its own; I do get that not everyone will like Critical Role and that some people will love Kollok or Burrow's End for valid reasons. What's damning is the journalism itself is riddled with factual errors and the analysis is so weak that to call the arguments a flimsy house of cards would be generous. The opposite is also true; if Polygon's lead editor were out here repeatedly misspelling the name of one of the main characters in Worlds Beyond Number (note: this has since been corrected) but the articles had compelling arguments, even ones I disagreed with, I'd be far more forgiving, but as is? It's offering me absolutely nothing: it's poorly researched, it's poorly structured, it's poorly written, it's poorly copy-edited, and it shits on things I like seemingly just for clicks. I'm done giving clicks.

I am deeply sympathetic to the pressures facing digital journalism and media and the arts in general; as someone who is fortunate enough not to personally face those pressures and has the income to be a patron, I would love to help in my small way (and I do, at least, financially support a number of the AP shows I love). But the quality of some of this journalism is truly so bad that I can't bring myself to support the institutions putting it out; it's "dead dove do not eat" until such time as someone whose analysis and opinions I do trust cites them (or, perhaps, until there is a sea change of lead editorship). I know that this won't help the crunch, and may make it worse, but I just can't because the quality is so poor. I don't have a good solution to how to write about something that takes a lot of time to watch and process and about which the articles pay very little in return, but the current strategy of bouncing between uninformed provocateur and utter sycophant depending on the show and creators; of drooling over such surface features as shiny production and falsely claiming everything is "groundbreaking" while getting the most basic facts wrong has driven me away.

They did it.

"You said that you felt alone. Never here. Not while I draw breath." Happy Valentine's Day ♥ 🌿🌸🪷🌺🌿

T-T-T-Taking over, TEENAGE REBELLION!

hear me out

my friends call me pinch

Idk how to explain but Halloween feels like acceptance and Christmas feels like toxic positivity

D&D has become so much more fun since it clicked for me that I'm not the character, I'm the writer in charge of the character

Worked on this while catching up on Burrow's End, and she swept me away yet again! [hi-res]

Hey! Are there blacksmiths in your story? I'm a hobbyist blacksmith and I'm here to help!

Blacksmithing is one of those things that a lot of people get wrong because they don't realize it stuck around past the advent of the assembly line. Here's a list of some common misconceptions I see and what to do instead!

Not all blacksmiths are gigantic terrifying muscly guys with beards and deep voices. I am 5'8, skinny as a twig, have the muscle mass of wet bread, and exist on Tumblr. Anybody who is strong enough to pick up a hammer and understands fire safety can be a blacksmith.

You can make more than just swords with blacksmithing. Though swords are undeniably practical, they're not the only things that can be made. I've made candle holders, wall hooks, kebab skewers, fire pokers, and more. Look up things other people have made, it's really amazing what can be done.

"Red-hot" is actually not that hot by blacksmith terms. when heated up, the metal goes from black, to red, to orange, to yellow, to white. (for temperature reference, I got a second degree burn from picking up a piece of metal on black heat) The ideal color to work with the metal is yellow. White is not ideal at all, because the metal starts sparking and gets all weird and lumpy when it cools. (At no point in this process does the metal get even close to melting. It gets soft enough to work with, but I have never once seen metal become a liquid.)

Blacksmithing takes fucking forever. Not even taking into account starting the forge, selecting and preparing metal, etc. etc. it takes me around an hour to make one (1) fancy skewer. The metals blacksmiths work with heat up and cool down incredibly fast. When the forge is going good, it only takes like 20 seconds to get your metal hot enough to work with, but it takes about the same time for it to cool down, sometimes even less.

As long as you are careful, it is actually stupidly easy to not get hurt while blacksmithing. When I picked up this hobby I was like "okay, cool! I'm gonna make stuff, and I'm gonna end up in the hospital at some point!" Thus far, the latter has yet to occur. I've been doing this for nearly a year. I have earned myself a new scar from the aforementioned second degree burn, and one singe mark on my jeans. I don't even wear gloves half the time. Literally just eye protection, common sense, and fast reflexes and you'll probably be fine. (Accidents still happen of course, but I have found adequate safety weirdly easy to achieve with this hobby)

A forge is not a fire. The forge is the thing blacksmiths put their metal in to heat it up. It starts as a small fire, usually with newspaper or something else that's relatively small and burns easily, which we then put in the forge itself, which is sort of a fireplace-esque thing (there's a lot of different types of forge, look into it and try to figure out what sort of forge would make the most sense for the context you're writing about) and we cover it with coal, which then catches fire and heats up. The forge gets really hot, and sometimes really bright. Sometimes when I stare at the forge for too long it's like staring into the sun. The forge is also not a waterfall of lava, Steven Universe. It doesn't work like that, Steven Universe.

Welding and blacksmithing are not the same thing. They often go hand-in-hand, but you cannot connected two pieces of metal with traditional blacksmithing alone. There is something called forge welding, where you heat your metal, sprinkle borax (or the in-universe equivalent) on it to prevent the metal from oxidizing/being non-weldable, and hammer the pieces together very quickly. Forge welding also sends sparks flying everywhere, and if you're working in a small space with other blacksmiths, you usually want to announce that you're welding before you do, so that everyone in a five-foot radius can get out of that five-foot radius. You also cannot just stuck some random pebbles into the forge and get a decent piece of metal that you can actually make something with, Steven Universe. It doesn't work like that, Steven Universe.

Anvils are really fucking heavy. Nothing else to add here.

Making jewelry is not a blacksmithing thing unless you want jewelry made of steel. And it will be very ugly if you try. Blacksmithing wasn't invented to make small things.

If there's anything here I didn't mention, just ask and I'll do my best to answer.

look, I know I've talked about this essay (?) before but like,

If you ever needed a good demonstration of the quote "Any sufficiently advanced technology is indistinguishable from magic", have I got an exercise for you.

Somebody made a small article explaining the basics of atomic theory but it's written in Anglish. Anglish is basically a made-up version of English where they remove any elements (words, prefixes, etc) that were originally borrowed from romance languages like french and latin, as well as greek and other foreign loanwords, keeping only those of germanic origin.

What happens is an english which is for the most part intelligible, but since a lot everyday english, and especially the scientific vocabulary, has has heavy latin and greek influence, they have to make up new words from the existing germanic-english vocabulary. For me it kind of reads super viking-ey.

Anyway when you read this article on atomic theory, in Anglish called Uncleftish Beholding, you get this text which kind of reads like a fantasy novel. Like in my mind it feels like it recontextualizes advanced scientific concepts to explain it to a viking audience from ancient times.

Even though you're familiar with the scientific ideas, because it bypasses the normal language we use for these concepts, you get a chance to examine these ideas as if you were a visitor from another civilization - and guess what, it does feel like it's about magic. It has a mythical quality to it, like it feels like a book about magic written during viking times. For me this has the same vibe as reading deep magic lore from a Robert Jordan book.

Then picture it in the Ducktales universe, but it's an Appalachian hillbilly family.

the cast is very strong, so I'm going to give it a try, but I will admit, as someone who quit on Redwall after a book or two and was too old for Warrior Cats I'm real lukewarm on the latest d20 season trailer

Fanart for Dimension 20: Neverafter.

I know I’m late with this, but I’ve wanted to do portraits of the seven princesses for a while, especially Snow White and Rapunzel.

(Check it out on DeviantArt, because Tumblr fried the colors for some reason)

Worlds Beyond Number fireside chat for episode 14, about 9 minutes and 35 seconds in Brennan said in reference to the players going off the rails a bit about Eursulon's dad's penis... That his job as the GM segwaying them back into the story is like he's "the bit janitor, just mopping up bits" and this just popped into my head. Everyone here is probably too young to remember The Carol Burnett show but IYKY. Might color it sometime but wanted to get it out in a timely fashion.

@quiddie 😁

And so it was that every adventurer in the land from that day forward was bestowed 50 ft of rope, the primary industrial output of Port Talon.

Nostalgia's: serving coffee grounds, your first root beer float, warm vodka, bacon and coffee, pancake syrup, and a calzone.

The Vassal And The Veil

Beginning and end version

Little update to the last art, wanted to post them together

Very exited for the next one :}

ame & fox (& kudzu)

Guys I am begging you please read Brennan Lee Mulligan's story about the Insane Christmas Party. He does not even BEGIN to describe it in the Fireside Chat.

Brennan Lee Mulligan

This Christmas Party Was So Fun That Now I’m a Communist -

If you had guessed there would be a fortuneteller at this party you would have been dead wrong. Because there were two fortunetellers at thi

The Wizard, The Witch & The Wild One (Are they in the order of the title, no but it's very cute) I'm thinking of making it into a mini print or a bookmark for myself