Tomorrow A Certain Group Of A Certain Thing Of Arcane Will Not Be Happy…

Orchiette

FIRST POST OF 2025!!!

I drew Dr Black and Mrs White being romantic or something. (They’re married)

Count Caitlyn Tepes

A Palestinian lawyer wearing his official robes kicks a tear gas canister back toward Israeli soldiers during a demonstration by scores of Palestinian lawyers called for by the Palestinian Bar Association in solidarity with protesters at the Al-Aqsa mosque compound in Jerusalem’s Old City, near Ramallah, West Bank

please tell me I’m not the only one with a cluesona

Nonoy, for @ / gosh_golly_yall_ (Instagram)

Based on the cover of 1932 Collier's by Scott Evans.

Let's talk about that CaitVi Scene

For me, what made this scene impactful has to do more with the fact that the prison cell is the physical representation of Vi's mind more than the fact that it's where they first met. (Although the latter does add merit to Fortiche's capacity for telling circular narratives.)

We know this because we see Fortiche use this same motif in S108, where we see half of Vi behind bars and the other half unobstructed, which signifies how Vi is torn between going back to help her sister and helping Caitlyn take the gemstone back.

In this context, though, Vi is shackled by the mantra, “Whatever happens, it’s on you,” and we know this because Vi admits it herself, “I choose wrong every time. And because of it, I’ve lost everyone.” 

And the implication of Caitlyn unlocking this cell and entering this space—this space filled with emotional and physical scars, this space haunted by phantom pains and memories with teeth—was just like an “I got you” moment, the perfect affirmation that finally releases Vi from the shackles of this inherited responsibility. 

Caitlyn not only predicted it, but she actively took measures that enabled Vi to free Jinx safely. By doing this, Caitlyn implicitly confirmed that Vi didn't choose wrong this time and that she wasn't alone in the decision to offer Jinx a second chance.

I know some people have their own opinions about them doing it in a jail cell without explicitly talking about what happened between them in Act 1, but as much as I appreciate the idea of open communication, romance, and making love in a bed, I understand why they saved the talking for later. After all, facing imminent doom and Armageddon can influence people to rush into things. 

All jokes aside, there is one thing about this scene that makes my heart ache with joy: that Vi finally has one memory that outshines all that was made in the prison cell. And that memory is of warmth, a gentle touch, and soft eyes—the only memory that matters.

And for me, that's enough.

Study of a barn owl

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My friend convinced me to draw the Clue(do) characters after my Lust-Pride drawings featured a lady who she said looked like Miss. Peacock!! Behold!! Miss Scarlet, Colonel Mustard, Mrs. White, Reverend Green, Miss Peacock and Professor Plum I think some edition of clue had Mr. Green as a priest, I just thought that'd add some variety! 

art tag // commission info