Here are some thoughts about dialogue tags while I have my editor hat on:
It's fine to use said as a dialogue tag. 'Said' works the way jeans do. Jeans are so ubiquitous that they function as a neutral colour in an outfit despite the fact that they are blue. Said is so ubiquitous in fiction that it functions as a neutral tag to indicate the speaker in much the same way
Using 'said' where necessary will stand out much less than elaborate attempts to avoid it
It is possible to reduce the use of said by reducing the number of dialogue tags overall.
Other dialogue tags are not neutral; you can use them to get various effects. One of these potential effects is '4th grade English class exercise'. Sometimes that's what you're going for and I would not dream of stopping you.
"You can use dialogue tags in the middle of speech," they say, "to affect the perception of the pacing."
"Or," they add, "to give an impression of delivery and tone without resorting to direct descriptions."
"You can even..." They pause to consider how to convey this, toying with their water bottle while they think. "Break dialogue up with actions instead of tags to avoid having blocks of dialogue in which everyone stands stock still and speaks in a monotone. This also contributes to conveying tone without describing it and can add to characterisation."
here are some interesting surnames I have seen on old graves:
*they’re not inherently “weird” or “rare”, they’re just names I noted for possible future use in my writing
i know i've said this before but i'm going to say it again because the more i work with geriatric women the stronger i feel about the fact that the only anti-aging that women in their 20s/30s should be obsessed with is building strong bones and muscle mass. that's like the most important thing you can you can do right now to lay a good foundation for healthy aging. you can botox the shit out of your face but that's not going to do anything to save you from dying prematurely from a fatal hip fracture that you can't bounce back from because you didn't do anything to prevent yourself from becoming frail and breakable. like i know that sounds harsh but that is reality for a lot of older women and i don't want that to be you.
Putting books on hold at the library has the same thrill of ordering books online, but with the added benefit of not losing any money over titles I might not enjoy.
10/10 would recommend.
Me, writing alone: mwahaha. This is the best plot and greatest prose ever concocted. I’m a genius.
Me as soon as somebody else looks at my writing: please forgive me for assaulting your eyes with this drivel 😭
I’m writing scenes which are good, and I don’t know where they are going to fit in the book. But it’s what I call ‘The Valley Filled With Clouds’ technique. You’re at the edge of the valley, and there is a church steeple, and there is a tree, and there is a rocky outcrop, but the rest of it is mist. But you know that because they exist, there must be ways of getting from one to the other that you cannot see. And so you start the journey. And when I write, I write a draft entirely for myself, just to walk the valley and find out what the book is going to be all about.
-- Terry Pratchett - A Slip Of The Keyboard: Collected Non-fiction
Dear friend, if you are a writer — particularly a young writer — who is reading this right now, I want you to promise me something. Are you ready? l want you to promise me that you will stay away from epithets when you are talking about characters who know one another’s names.
You do not need to say, “the blond man.” You do not need to say “the older man,” or “the taller man,” or “the smaller man.” You definitely do not need to transform adjectives into nouns and say things like, “the older,” “the younger,” or lord forbid, “the other.” (Unless you are writing the kind of academic paper that cites Lacan or bell hooks, in which using the other/Other is allowed, and also important).
I know it might seem repetitive, but using names and pronouns is enough. They are the kinds of words that fade into the rhythm of your writing, and they will never stand out to your reader. They are the words that make sense.
When you look at your friends, you’re not thinking of them as “the red-headed woman,” or “the shorter person.” You’re probably thinking something like, “Natasha’s hair is getting so long,” or, “she looks beautiful today,” or “Jamie’s got a great shirt.” You think of people’s pronouns. You think of their names. And that is what your character does, too.
Another commission from last year, this time a teastained pair of Nanny Ogg and Granny Weatherwax from Terry Pratchett's Discworld series.
I love the witches as my first Pratchett book was Wee Free Men, so these were a joy to paint!
J. R. R. Tolkien: no, my books aren't about the war I experienced. It's just a story
J. R. R. Tolkien's works: you cannot go home, war ends entire bloodlines, you are mourning the death of your brother alone, you dug into the earth and permanently scored the land, you cannot explain what you have been through, you cannot go home, "that wound will never fully heal. He will carry it the rest of his life", leaving the women behind does not save them, the young die first, you cannot go home, the parent will bury their child, you have lost the wives and you will never connect with them again, "how shall any tower withstand such numbers and such reckless hate?", you are not the same, you cannot go home, you can never go home, your father will only side with those he sees as worthy bloodlines and you cannot change his mind, it is more meaningful Not to kill, sometimes your sacrifice accomplishes nothing, you cannot go home
how jingo went
close ups on his face, bc i like when hes holding on by a thread
via @swatercolor [insta]
I write things sometimes. she/her, but I'll take whatever pronouns suite the bit
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