My 90yr old Irish Catholic grandpa doesn’t miss with my gender. He’s never gotten my name wrong, or my pronouns, never even faltered over it.
It’s all so natural too: son, big man, young man…
We’ve never talked about it. He’s the only one who hasn’t pushed for details. He just accepted it and carried on because it’s not a huge deal.
It’s so comforting.
The Left Hand of Darkness went on to win both the Nebula and Hugo Awards, among others, has been reprinted more than 30 times, and is considered a groundbreaking work of science fiction.
It’s also a bloody good read.
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Surviving #TSS changed me. But one turn that I have never talked about is in my politics.
#WhenIWas is trending today on Twitter, and while that is about sexual assault and harassment, it strikes me as particularly, I don’t know, fateful that it would be today, April 19, 2016. When I was 21, my world changed. When I was 21, I died. And when I was 21, I became alive again. And everything that happened on April 19, 2011, everything that has happened in the five years since, so much…
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Now that we have gone over the four simple plot-problems (1, 2, 3, 4) and how they are solved through try-fail cycles, we’ll take a look at how to make complex, compound, and compound-complex plots through the same devices as sentence creation.
The first way we’ll try complicating a plot is by making the solution of the first noted plot-problem dependent on the solution of a second plot-problem, which stands in for easy solution prevention. We’re typically going to use dependent plots to strengthen audience satisfaction when the character is finally able to succeed. Or, like in the case-study we’ll look at today, they can be used to draw what appeared to be disparate plots together in longer works.
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‘River of Fish’ stair runner by The Rug Company. Designed by Barber & Osgerby.
If you have a difficult time plotting, try writing or outlining your story backwards—from the end to the beginning. Writers who have a difficult time outlining, plotting, and planning their stories often benefit from this technique. You’ll need a general idea of what your story is about for this to work, and of course you need to know the ending, but you might be amazed how helpful this trick can be.
Why is writing backwards easier? Basically, instead of answering the question “this happened… now what comes next?,” you’ll be answering the question “this happened… so what would come right before that?” which narrows the possibilities for your next move and can help keep your story on track. (Incidentally, it’s also the way Joseph Gordan-Levitt’s character comes out on top in the film The Lookout.)
Writing backwards can also help you more tightly weave together your subplots, themes, and character relationships, and keep you from going too far down any irrelevant rabbit holes.
If you don’t want to write or outline completely backwards, remember that you’re free to jump around! If you’re feeling stuck in your story or novel, jump to the middle or end and write a few scenes. Many writers get stuck because they feel they have to write their story linearly from beginning to end, which results in an overdeveloped (and often irrelevant) beginning and an underdeveloped ending.
So go work on that ending! It’s much more likely that you will need to change your beginning to fit your ending than the other way around, so spend time on your ending sooner rather than later!
Welcome to Writing from Scratch!
I’ve been writing a long time, and sometimes it feels like I lose the trees for the forest. Writing from Scratch is a chance for me (and you!) to get back to the basics of storytelling.
If you’ve never written a story before, if you’ve never felt like you could come up with one that would be worth writing, my hope is that if you follow along with me here, you will have the confidence and know-how to come up with an idea, build it into a story, and share it with the world.
These posts will be little, easy-to-digest nuggets. At the end of every post, look for a prompt and share your response in the comments!
What Is a Story?
A story can be defined by what it contains: at least one plot, character, and setting, and a style through which it is told.
Story Bits
To begin, let’s take a look at the second smallest unit of a story – the sentence. A sentence is a set of words that conveys a complete thought. And communication is fractal, meaning each part shares the same pattern as the whole. A story and its components, therefore, will also convey a Complete Thought.
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Are there any works in the post-apocalyptic genre with post-apocalyptic librarians? People who worked in the public library and after the Bad Thing decide to stay and keep the library clean, safe and available for anyone who needs it. People can’t remove books from the premises anymore, because they’re too precious, but you can stay as long as you want and read them or copy them out–the librarians encourage making copies, so that the information can circulate beyond the physical boundaries of the library.
After a while it becomes an unspoken reality of the post apocalyptic society that you Just Don’t fuck with the library. You don’t fight there, you don’t steal from it, you don’t allow harm to come to librarians when they have to leave the building for supplies.
People donate food and books and paper with no expectation of reciprocity, because the librarians don’t ask for anything when you need a place to hide or information or, fuck, to read a schlocky crime novel because you need to escape reality in some purple prose.
How fucking annoying is it when you feel so restless with creative energy but you can’t decide what to do with it and when you finally try to create something it comes out shit so you just give up and sit there being all creatively annoyed and jittery.
Is Dumbledore actually evil or is he way more tragic than anyone realized? So I’ve been thinking recently about Harry Potter, and by recently I mean for the past decade and a half. But recently, as “since Thursday, February 11,” I’ve been thinking about a very specific thing in Harry Potter. Over at Tor.Com, Emily Asher-Perrin has a fabulous reread going on (that’s almost over *sob*), and in her…
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OCEAN’S EIGHT (2018) dir. Gary Ross
check out my main blog www.theferalcollection.wordpress.com and find fandoms and funstuff on www.theferalcollection.tumblr.com
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