Yeah You're Probably Right Tbh

I spent way too much time on this

I'll be real it sounds like jean wrote it himself.

I can hear him say that shit word for word.

completely losing my shit over sexypedia's entry on Jean Vicquemare

Happy 10th bloodborne anniversary everyone ! On a scale of 1 to "sony lost the source code" how are we feeling ?

The most interesting part with Leda for me, is that for all of the murder she does, she doesnt seem to enjoy it in any way. When she fights Ansbach, the Hornsent, Thiollier or you, she always seems to express some form of regret at having to kill you. Of course, she doesnt actually have to kill anyone, she is just very quick to use murder as a solution, but it doesnt seem to stem from a desire to hurt others, it feels like she genuinely believes this is the only way forward.

She says she is mistrustful of others, and while that convo is kinda funny, it really does feel like she has lost all trust in mankind. In the dialogue about Hornsent's crusade, while most people remember the "they were never saints" part, I mostly remember "Man is by nature a creature of conquest". It really does speak to how she views people, and it seems like she believes Miquella's forced age of compassion is the only way to change things for the better, that without his control, everyone would just constantly be at each other's throats. It almost makes me wonder about the needle kights. Did she kill them for the same reason ? Were they actually disloyal to Miquella ? Was there already infighting before she came along ? Whatever the case, Leda is now utterly convinced of Miquella's cause, and is ready to do anything to bring him to power.

It's a very interesting dynamic with Miquella, who is always portrayed as a very hopeful figure, always trying to create a kind and compassionate world, while Leda is a very pessimistic one. She seems to almost embody his "through whatever means necessary" philosophy. Had Miquella succeeded, i could almost see her taking on a role similar to the one Messmer took for Marika, an enforcer, someone who does the dirty jobs so their god can keep their hands clean. Hell, she's almost started to do it by herself, Miquella wouldn't even need to ask her.

Alia Atreides written in the style of Disco Elysium with the skills being represented by her ancestors in Other Memory, hit post

Fun fact about Emma's fighting style : she has one of, if not the cleanest looking renditions of the Ashina cross anyone ever performs in-game.

Sekiro and the Ashina elites that can do it only relly do the bare minimum that could theoretically be called an Ashina cross : the movement is somewhat there but the two arcs are almost parallel.

Isshin, who has either invented or mastered the technique, has a much cleaner looking version. Where Sekiro and the elites' versions looked like two nondescript slashes, Isshin's actually looks like a cross. But even still, there is a fairly noticeable obtuse/acute angle.

Meanwhile, if we look at Emma's version, it's an almost perfect cross. I'm talking like 75 degrees angle, that shit is almost perpendicular. It is, without a doubt, the most cross like of any rendition performed in the game . And honestly, it's kinda fitting she'd know that move so well.

After all, Isshin does boast it is fast enough to sever a shura's arm...

I need a moment to yell about what a tragic and interesting character Emma is.

Yes, she's been placed in a stereotypically female role as the healer and the guide for the male protagonist. She's a doctor, a caregiver, yes, but there is so much more to her. She is integral to so much of the heartbreak in this story and not because she isn't trying. She just can't escape it.

She's not a fighter, but she has a sword, and the reason she learned how to use it is specifically because she is waiting for a man who means the world to her to turn into a demon so she can kill him.

The Sculptor rescued her from a battlefield when she was a small child and starving. He helped raise her and eventually placed her in Dogen's care.

She visits him often, she asks for his advice on some really difficult, delicate matters.

This is her father in all the ways that matter (and he's actually a good father compared to some other fathers in this story). She clearly respects and loves him.

And she also knows that he is turning into a demon and the only thing she can do about it is make sure she is ready to kill him when the time comes.

Her relationship with Isshin is also tied up in this. Isshin is her lord. He is also her teacher, since he is the one who trained her in swordsmanship.

Isshin's skill with the sword is so fabled they call him the Sword Saint. This guy lives to swordfight. His greatest achievement (according to him) isn't killing a tyrant and freeing his country, it's developing his own fighting style and never stopped trying to improve it (and handing out pamphlets about it).

That's the guy Emma got to train her.

Isshin got a tutor to train his beloved grandson (as is proper), but he trained Emma himself and it doesn't come as a surprise once you learn that Isshin was the one who stopped the Sculptor from turning into Shura before.

Emma must have told him.

Imagine Emma asking Isshin to train her in swordsmanship. Isshin, who fought Shura and lived, must have looked at this small, waifish woman and asked her why. And then he ended up teaching her anyway.

Specifically so she can kill a demon.

(And the beautiful thing about this, in terms of Sekiro being a video game, is that this is not just something we're informed of, but it's reflected in the actual gameplay. If you end up fighting her, Emma's moveset is a slimmed down, slightly less reactive version of Grandpa Isshin's. She has the same perilous attacks (including the same grab), she has Ashina cross, she does that little slash if you stick too close.

Conversely, Genichiro, despite being Isshin's heir, fights nothing like his grandfather. Because he was taught by Tomoe. Actually, the way fighting styles are used for characterisation is another thing that has me raving about this game. Like the fact that Owl is the only enemy in the entire game who can perform a Mikiri counter...).

However, Isshin isn't just her lord and her teacher. He also dresses up as a mythological figure to hunt down spies and those of his grandson's allies he doesn't approve of in his castle. Emma knows this. Isshin knows Emma knows this and she gets away with teasing her about it. They have a cute, friendly relationship.

But more importantly, Isshin is also her patient and they both know he's dying.

There's this inevitableness about all of Emma's relationships. See also Genichiro: Emma and he were childhood friends. They used to hang out with Takeru and Tomoe by the sakura tree. If you share enough sake with her she'll tell you about how she used to sneak out of the castle to watch Genichiro pratice Tomoe's Lightning (and did Genichiro taking his shirt off when he does that move have anything to do with that?)

But she's spending enough time with Isshin to know that Genichiro's days, too, are numbered. And there's that sad memory in which she tells Kuro about the sediment and how people who use it lose their humanity bit by bit.

Oh, and since I mentioned Tomoe ... if you pursue the Purification route, you find out that Emma saw Tomoe attempt Purification (which only failed because she didn't have the Mortal Blade). Emma saw Tomoe, presumably her friend, attempt suicide. To spare Takeru.

And then there's Wolf and Kuro. Who not only act as a catalyst for the Genichiro situation to finally turn to shit. She also soon realises that Wolf and Kuro find themselves in the same bind as Takeru and Tomoe.

And with the knowledge that at least one of them has to die, one of them a small child, she chooses to let the child die and save the man. Witholding the information on how to attempt Purification is one of very few choices Emma actually gets to make in this story. Everything else is ripped from her control (Sculptor's condition, Isshin's condition, Genichiro's condition, the situation the entire country is in). And it's such an interesting choice to make for her.

There's this child, who is convinced that the only way to end the curse of immortality is for him to have his head cut off with a magic sword. And her choice is whether or not to tell the depressed Shinobi looking after this boy that there's an option for the child to live but it requires the Shinobi to cut his own head off instead.

And she chooses to say nothing.

She's making her decision and in doing so, she's effectively taking the choice away from Wolf. And it eventually leads to even more heartbreak, because if you actually make Wolf kill Kuro, Wolf is miserable for the rest of his days, taking the place of the Sculptor and set to eventually turn into a demon himself.

And that's so interesting.

And every day I'm cursing the gaming gods because Fromsoft hasn't made more story games like this.

Break my heart again, I can take it.

WHAT THE FUCK DO YOU MEAN WE COULD HHAVRE HAD A CUNO ANDF CUNOESSE FOCUSED DISCO ELMYSIUM SPINOFF I WXANT LOCUST CITY INJECTED INTO MY VEINS RIGHT FUCKING NOW

I have returned from my abyss of "im too lazy to post", despite this hellsite's unwillingness to let me, and i am back to ledaposting (kinda ? Ig shes technically in the post)

Anyways, i have made the shocking realization that i own a pen and paper and decided to try my hand at sketching leda's armor. I drew the helmet but didnt finish the full armor, i switched to drawing it digitally on my phone like halfway through.

It was fun figuring out how close helms work for this

As a side note, how often do you think characters in souls games remove their armor ? Logically they should do it once in a while to keep it in good condition but some of the armors look a bit too complex to put on / remove by yourself so idk. Also theres never really a good place to do so.

😎💙  Portal between posts

Orange Portal 🧡

I just got transporter trapped into a mine that i am. Fairly certain im underleveled for.