Okin

eri hit him with the uno reverse

tumblr what do we call this kind of design

I do wish they made names for other higher dimensional shapes and didn't stop at 4-polytopes because that would be sick.

'Polychoron' is the best name to be given to 4 Dimensional Polytopes, and none of the others could ever come close to it; Its competitors, 'Polycell' and 'Polyhedroid' could only ever hope to come close to it.

'Polycell' is too bland and has no imagination, it's like if we called Polyhedrons 'Polyfaces' and Polygons 'Polylines;' It's clear that whoever came up with this name just didn't care.

'Polyhedroid' is just too derivative, clearly being a play on 'Polyhedron;' Imagine living in a world where Polyhedrons are called 'Polygonoids' and Polygons are called 'Polylinoids' or some shit.

'Polychoron' is so much better than any of that; It's completely original, rolls off the tongue and, in my opinion, sounds cool as fuck.

Hello, Tumblr, I am here now.

walking 30 minutes just to suck dick call me the horseless headman

Palestinians brought this upon themselves because they voted for Hamas. Haven't you heard?

Nevermind that that election was 17 years ago, or that they won by only 44% of the vote, or that they didn't win the majority in a single district.

Nevermind that 47% of the population in Gaza is under 18, with 40% under 14, and that these people literally didn't exist to vote back then.

You won't have seen this from the news, but a survey was done earlier this year regarding public opinion on Hamas. I'm going to show you some of their findings but you should read the whole article if you have time. Here: What Palestinians Really Think of Hamas

I hope to one day acquire enough mutuals for my dash to be just like this

mutual 1: I want to turn that man's prostate into silly putty

mutual 2: here's smth i doodled during science class lol

mutual 3: pls remember that you personally can drink milk and still be a lactose intolerance ally!! anyone who tells you otherwise doesn't know their history :]

mutual 4: fucking a robot girl in the ass call that backend programming

mutual 5: holy shit I need him so fucking bad holy shit holyyy shit oh my god

mutual 6: anyone get kind of horny putting the ignition key in the car....it's so intimate....turning him on....

mutual 7: so lets talk about where scrimblo's arc is realistically going- I know a lot of people are trying to argue that he's being manipulated but this ignores the fact that there is clearly unresolved conflict between him and bleebus about their moralities

mutual 8: happy propeller penis thursday

mutual 9: "scrimblo and bleebus need to discuss their morality" god forbid a pathetic boywife does some torture 🙄🙄

mutual 10: WHO IS HYPED FOR THE NEW ALBUM LETS FUCKING GO

mutual 11: guys we're not getting a new album

mutual 12: please stop sending me death threats

mutual 13: why is my whole dash talking about this band I don't even listen to.....

mutual 14: hey boy nice knife wound can i put my tongue in it

mutual 15: i'm going to fall into lake michigan

Some spins on the "mostly male team with a token woman" trope:

The woman is trans and stayed in her old circle of bros even after transition

The woman is the only one in her circle of "girls" who didn't turn out to be a trans man

I had a weird dream about a secret fight (route?) in Undertale Yellow

SLIGHT SPOILERS FOR UTY AHEAD

So, in the dream, I found out that if you told Ceroba about reality being a game (I believe shortly before one of her fights, though I'm not sure which route it was, I think it didn't resemble any route in the game) through various dialogue options, she would suddenly become a glitchy form of herself and start a battle with you.

This Glitchy Form of Ceroba (apparently called Ceruca according to the wiki) had 4 or 5 phases, all of which had a different appearance, and all of which could be easily defeated with a single attack, and she did nothing but speak garbled gibberish.

After this fight, you would proceed into this very long horizontal pathway, whose tiles remind me of those in the original Undertale's New Home, but with some slight Bisexual lighting, though the background was completely pitch black.

After that, every time you tried to talk to Flowey, for some reason, he would also speak in Garbled Gibberish, much like Ceruca.

I don't remember anything else after that.

Hey man we're here for you

AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH HOUHUHHHH HO OHHHH AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH AGAHHHHHHHHHHHHHHHHHHHHHHOHHHHHHJHH

Hi Jerrod! I'm a college student taking a music appreciation class, and I have to use the musician I talked about on Day 1 for a project, and that so happened to be you, haha. Is there anyone who has inspired you musically for some of your horror work like Kiss Me/Kill me (which happens to be the song I chose cause honestly? A bop). Thank you so much in advance!

Hmm. Honestly, in cases like that one, I don't really have any conscious inspirations aside from the obvious song itself (as I've mentioned in the past, Kiss Me was mainly inspired by hearing the song on the radio and really listening to the lyrics for the first time and thinking "woah what if she keeps asking to be kissed next to increasingly-creepy things" lol). Started with the lyrics, then once I got the vocals back from Juliëtte I just started with "basic cover of the original song, then just see where I can take it".

The previous work "The Boys are Back (to kill you)" was a much more subdued 'remix', in that many elements were a 1:1 recreation (the backing guitar and bass are remade but mostly adhere to the original) or direct sample (that lead guitar riff) that I built up on in a more subtle way - different drums, lil blips and bloops here and there, but more of a cover than a remix in vibes. Kiss Me starts in a similar way, there's some added synths but it's mostly a close following of the original track with minor embellishments. But as part of the bait-and-switch (in that the listener was intended to assume it's the same situation as the previous one, both in terms of the remix style and the vocals being a sentence-mix), the plan was to just keep winging it in a new direction and see what happens.

Like most of my stuff, the rest kinda formed in this real hazy-to-remember bout of extreme productivity and luck. It's kinda like one of those cartoon fights where you just see a dustcloud and the occasional fist - like I'll zone out (or I guess in) into this very intensely-focused session for hours, and emerge having made a ton of progress thinking "I honestly don't remember how I got here". Sadly can't do it on command (hence my usual low output), but in this case I left everything so last-minute that the stress of the Halloween deadline was really propelling me forward, haha.

Come to think of it, is any of this useful at all? Was the project specifically just about inspirations? If so, kinda sucks that I guess I just went "huh, not really", sorry about that. Obvs not trying to claim my work is immaculate and wholly original and incomparable or whatever (it sure ain't), just that any inspirations for this one were more just my own ingrained inspirations and less conscious ones that I could pinpoint and list, yknow?

A lot of people think Boys are Back was inspired by Neil Cicierega. Which I totally get (on multiple levels, both the sentence-mixed mashup PLUS the "creepy old 90's-style computer UI" stuff are SO his bag), but tbh his work wasn't a direct inspiration in this case, it was mostly another accident. Maybe kind of a "man invents Frankenstein 200 years after Mary Shelley" vibe for sure. Though funnily enough it does take a lil conscious inspiration from one of Neil's works in a less-expected way, in that a distant memory of his track "Super Hey Ya" popped into mind while I was partway through the remix and inspired the lil bouncy chip-arps you hear from 0:50 onward. SHY came to mind on account of being what I guess I'd call an "additive remix", in which he took the whole song and put his own additions on top of it, which was only partially the case for TBaB but it was a bit of a similar process (I specifically remember thinking like "ok so I've got this pretty direct cover of the backing track, I don't want to go full capital-R Remix here but let's add some lil embellishments... oh hey, remember Super Hey Ya?").

Is any of this helpful? Sorry I couldn't really answer the question in a very satisfying way.