Latest Posts by heytemporary - Page 4

hagakure is pretty but so simple as well. she looks like female izuku for me… also I’m not even surprised with her choice of “costume” lmao can’t event be myself to be disappointed and at this point I think it’s just sad that I was already expecting such things from hori

A friend pointed said they weren't surprised about this because Hori had gone back and edited his work to add more sex appeal (like the woman All Might saved in the fight against AFO who's breasts were made bigger for no reason).

I'm disappointed because it shows us that this is how he views his females: they're there for the reader to get off on. What does this magazine cover do for his work beyond being their for the male gaze? It doesn't represent Hagakure as the character she is (though barely developed because Hori has forgotten about his side cast, especially the female varients) and it doesn't represent her as a hero which in turn represents his work. It might as well be a cover for a hentai.

Hagakure's nakedness could have been included in his story too in a what that wasn't just a gag. I shared this with some friends yesterday and I stand by it:

Transcript: You know, it's made me think about how he could have included Hagakure's nakedness into the story and work it into the themes of heroes being show things: her being told that she doesn't need a costume because of her invisibility and how she feels about having to be naked to do her job (especially when she learns she never actually had to be). It could have explored women being taken advantage of in work environments and how their bodies are used to sell to an audience, especially in show business, and the advantages and disadvantages of costumes (like Midnight's debut where it was better for her to not wear one until she found an alternative or Mirio loosing his clothes and being attacked for "indecent exposure")

But she's reduced to a naked girl on the cover of a magazine to draw in views with no deeper meaning instead.

Lesser-Known BNHA Character Details

A list of things from the light novels, spin-offs, and such that I think more people should know about because they’re fun •w•

For reference on my personal canon hierarchy, with the exception of spoofs (SMASH, I’m looking at you) I consider the main manga and anime the top, and accept everything else that doesn’t contradict the information provided there—for example, I’ll accept Tsuyu’s ghost encounter as canon, but I personally believe she was with a cousin at the time since we know she doesn’t have an older sister.

Yaomomo’s mother is a very sweet person who goes out of her way to make her daughter’s friends feel welcome, adores Jirou, and has been nicknamed Yaomama. She is also a terrible cook and has the critical thinking skills of a sea cucumber (source: light novels, specifically volumes 2 and 3)

There is a pro hero named Odd-Eye who basically embodies Middle Schooler Syndrome. His Quirk is forcing people to reveal their embarrassing secrets (source: Team Up Missions volume 2)

Izuku likes zombie movies, or at the very least has seen enough of them to know their common tropes (source: Training of the Dead OVA)

Aizawa became a teacher out of peer pressure, mostly from Midnight (source: Vigilantes)

Izuku becomes a “bloodthirsty quiz demon” during trivia games. Most people are terrified by this, but Eri thinks it’s cool (source: light novels volume 4)

The large scar on Izuku’s right arm is from Dabi, not Muscular. When the boys land in the clearing, Dabi’s fire is seen brushing his arm exactly where he later has the scar (source: main story, training camp arc)

Kendo doesn’t feel fully comfortable being called a woman, noting that the word feels like “a burden” and she prefers to be defined on her own terms (source: light novels volume 4)

Rody’s younger siblings are baby weebs (source: Team Up Missions volume 3)

After the events of Two Heroes, the Shields are no longer living on I-Island, which is likely why Melissa is able to travel freely (source: Team Up Missions volume 1)

Shouto’s listed blood type of O is impossible, as Endeavor’s blood type is listed as AB. My best explanation for this is that Shouto has a mutation that results in his blood genotype being A and phenotype being O, meaning his actual blood type is A (source: Ultra Analysis and my 10th-grade biology class)

Hagakure knows how to make booby traps, and likely does so regularly (source: Team Up Missions volume 2)

Shinsou can read lips (source: Team Up Missions volume 3)

Kouda can’t actually understand animals, only control them (source: light novels volume 3)

Shouto spent a good part of move-in day running around campus helping Hatsume. Recovery Girl gave him the tatami mats, which he specifically wanted because he didn’t like how the floor felt on his feet (source: light novels volume 3)

Hagakure and Tsunotori liked the same anime as kids (source: light novels volume 3)

If Ochako could have any of the boys’ Quirks, she would want Bakugo’s, specifically so she could go wild in a fight (source: light novels volume 2)

Bakugo has never gotten Valentine’s chocolate (source: light novels volume 6)

Shouto has stated he’s “not looking for that kind of action” while in conversation with the grape, which to me implies that he’s not interested in girls (source: light novels volume 6)

Aizawa is supposed to tell Mic if he’s going drinking (source: light novels volume 3)

There’s plenty more of these, but I’m out of time for now! Let me know if you want a part 2 •w•

"Come watch." "I won't forget." "I better see you!"

Lisa as Mook in The White Lotus Season 3

As I have previously said, what Aizawa told Izuku during the quirk assessment was the worst possible thing he could have said to him at the time. Izuku feels the need to prove he is worthy - of existing generally - by being useful. And Aizawa added more fuel to the fire by declaring that Izuku would be useless after saving one person. It only lead to more self destruction because this just exacerbates Izuku's low self worth.

It's not even an accurate description of what happened during the forest training arc. The only person Izuku saved with his quirk was Kota. But Izuku's direct actions at a minimum saved Tokoyami and Shouto. Indirectly, he may have saved most of the hero course. Izuku was the one that made it in time to give Aizawa's permission to fight to Mandalay. Izuku's actions took out the members of the League's Vanguard Squad with the highest body count at the time: Muscular and Moonfish. Without Izuku, the kidnapping would have been the least of their worries. There would have been several deaths.

But all Izuku can think of is when the adults in his life told him that he was worthless because he was unable to achieve a perfect victory in an impossible situation as an unlicensed student.

Describe Bakugo’s development in short words

If you were to ask me how would I describe Bakugo’s development in short words, it would come across as being boring and predictable. Let’s start with the fact that despite being a secondary character, Bakugo has no real purpose/contribution in the main story line. His involvement with Deku and OFA doesn’t amount to anything other than mindless yelling, guilt tripping, and just him treating it as a competition to try and surpass Deku when he unlocks his other quirks. The only reason he’s involved in a lot of what’s going on is because of his popularity. He started gaining popularity when he won the Sports festival and because everyone like the stereotypical angry rival trope. He can be replaced by literally any other character and nothing would change.

It’s basically a pattern whenever Bakugo is involved with something.

- Bakugo will treat others beneath him and continue to call the extras.

- Whatever is going in the story if it’s a fight between the villains or something school related, he’ll treat it as a competition.

- He’ll either verbally attack Deku and everyone around them or get physical to get what he wants.

- Deku won’t see this as an issue and continue to gush over Bakugo about how he’s a good friend and the idea of him being the symbol of victory

-Anyone that calls out his horrible behavior will do a complete 180 and talk about how whatever he said either makes sense or to give some baseless excuse about how he changed

- Aizawa, All Might and or anyone in UA will make some claim about how his some kind of an inspiration for 1A and Bakugo is trying harder than everyone else(completely ignoring all of 1A’s accomplishments and improvements throughout their first year)

- After winning or coming out on top whatever Bakugo will take his win for granted and will act like it doesn’t mean anything while acting aggressive when someone compliments him

- What ever punishment or consequences he gets(not matter how fatal is) will be minor and the story will find to way to have him come out at top without any struggle

- The story will have characters feel bad, guilty for Bakugo for something so minuscule and or try to punish them in a similar manner like Bakugo (A recent example of the story punishing characters because of Bakugo’s actions is in the Card OVA. I didn’t bother watching it because I knew it was just a product plug for training cards but from what I viewed from other people’s discussions, the match between Deku and Bakugo ends with a tie. Apparently Bakugo threw another hissy fit and not only destroyed the card game but blew up the dorm with everyone inside. Instead of punishing Bakugo for destroying public property and potentially injuring his classmates, Aizawa decides to punish all of Class 1A and ban them from playing any other games in the dorm.)

I know everyone has their own interpretation on how they feel about Bakugo and that’s perfectly fine. I don’t have problem if you like him, but Bakugo is written as if everything he did or stood for never mattered. Izuku, Class 1A , UA and by extension Horikoshi, wants the audience to believe that all the positive aspects about his character somehow outweigh the negatives and we’re supposed to accept that Bakugo has fully grown while at the same time instantly forgiving him for being a spiteful and petty bully. No matter what happens to him, he’ll still come out on top as if what he went through wasn’t consequential or lethal. He’s constantly giving wins and random asspulls to favor him despite either doing the bare minimum of his supposed development or not doing anything at all. Bakugo in the eyes of others will always be seen as the true MVP and is the one that always has to win. He’s nothing but a pet under the care of his creator who will go out of his way to make every other character look bad and pathetic than they already are; including the main protagonist.

How a typical scenario with Bakugo and Class 1A would go in cannon

Note: I thought this scenario was kinda funny in my head because judging by how everyone acts with each and around Bakugo, something like this would happen in the main series. If Bakugo is going to constantly have toddler like tantrums and get physical with someone(Ex. Blowing up the dorm and a card game after getting a tie in a match with Deku/ Attacking Deku immediately after he congratulates Bakugo for getting his provisional license/ Throwing his sharp headgear at Deku causing him to bleed), then he would definitely do this. Anyway feel free to add your introspection. Normally Bakugo would have a hissy fit over something that is either petty, stupid or outrageous to fuel his inferiority complex so let’s say that he got mad for getting the second highest score on a test.

How this scene would play out is that class 1A would get their results of a test they took. Bakugo would get pissed because that he got the second highest score meanwhile Momo Yaoyorozu got the first highest. While Momo keeps her pride to herself, Bakugo would make a baseless claim the she is making fun of him. So Bakugo would proceed to attack Momo out of jealousy.

- Momo would be in a lot of pain from taking an explosion to the face

- Jiro, Kaminari, Mina, Sero, Tsuyu and Ida would get pissed and try to intervene but it probably won’t amount to anything

- Deku would probably try to intervene but Bakugo find an excuse to fight him

- Uraraka would direct her attention to Deku if he got attacked by Bakugo; ignoring Momo’s condition

- Mineta would make another perverted comment

- Todoroki wouldn’t do anything in this scenario(Good luck Todomomo fans)

- Sato and Tokoyami would just comment on how Bakugo’s attitude is ridiculous and not do anything else

- Kirishima would probably stand up against Bakugo while at the same time convince the others that his actions are reasonable

- Aoyama, Hagakure, Ojiro, Shouji and Koda would keep to themselves and not intervene

- Aizawa would harshly punish all of Class 1A and give Bakugo a light punishment

In layman’s terms, All hell would break loose.

My somewhat final thoughts of My Hero Academia

Note: Now that MHA is now doing an epilogue and is ending soon, I might as well give my final thoughts about this series. I’ll probably continue to talk more about it after the series is officially over but I’m not going to do a full fledged hour long review because I have better things to do.

This is a generic shonen empowerment fantasy that managed to screw its own theme and message. Any good will I would’ve given to series at the beginning is completely irrelevant as it when on. The morals and themes are constantly changing to throw random s**t on a sheet of paper that either doesn’t make sense, contradicts what being shown on screen, or if it doesn’t fits the tone of the story. My hero is not a deconstruction of the shonen genre that does anything new that would make it stand out. Most of the ideas and plot points created either have horrible execution, given no amount of attention where they’re just ignored or just have horrible payoffs. It follows all the exact same tropes seen in every other series and makes them worse. It also gets to the point where it rips off Naruto and makes the same mistakes it did. The amount of plot twists that are excused as some kind of subversion are obnoxious and predictable where’s it gets incredibly annoying. The world building is horrendous and just makes the story feel small for a world that has a life changing impact. The power scale doesn’t always make sense and it does nothing but act as a way to reward characters that didn’t earn it.

It has a dangerous and horrible message for victims of abuse and bullying. My hero has no problem telling the audience that if you’re a victim of any kind of abuse, it’s your problem and you should just act like it’s not a big issue. Apparently it’s ok lie to your friends, family and colleagues that you can trust but it’s not ok to lie or even hold accountable to your abuser. And no matter if he/she has a reason for the way they are, you are always in the wrong and you should spend your sad life praising and benefiting them.

There exists way too many characters for the audience to be invested in and after watching them for several arcs, they are just stereotypes with nothing new or original about them. Many of them come across as either being stupid, annoying, useless, unlikeable, petty, ignorant or just both. Some characters will either exist to benefit others or just highjack the story, ruining every other character’s chance to get any sort spotlight. The series is way too reliant on putting focus on unpleasant and uninteresting characters to please its large audience. The humor is way too reliant on a character’s personality trait. No matter what they do, the story expects us to automatically like them regardless of how horrible and selfish their actions are. Izuku may not be the worst character, but he’s no where near as great as everyone hypes him up to be. Bakugo is an unbearable mess of a character that serves no real purpose in the story and exists to take away every characters chance of development. His development is one of the laziest and obnoxious parts I have ever seen in any story and yet he’s the most popular sadist in the show with no sort of reason or sympathy for me to like him. Any criticism given to this d**khead is automatically shot down and people like me get harassed and called a brain dead immature f*g for stating our opinion.

Aside from Twice and Gentle/ La Brava, these villains are not that interesting and what ever traits about them gave them something to do is absence. Shigaraki is the stories biggest wasted potential that went from being an idiot to being an incompetent idiot to benefit my left nutsack. Toga is a Mary Stu who went from being a sad and annoying character to an annoying and self centered bitch who complains after being told her actions are wrong. Dabi is just a Gary Stu who’s only interested in wanting to kill his dad. Spinner is a joke that is constantly scammed by his creator.

The only saving grace I can give to this series is the art style of the manga and some parts of the Todoroki family drama. I can even say that Horikoshi’s art style and how he designs characters and panel designs inspired me as an artist. The anime as a whole is fine but it’s not perfect, but that’s mostly because it doesn’t do a whole lot of creatively/artistic things to make it on par with the most popular anime series. As an artist, I would recommend my hero as a reference to use to improve your work. If you just want to read or watch a series that has fights that just make you feel some kind of emotion, then you might get something out of this series. It’s not even the absolute worst thing I’ve seen; I’ve seen much worse in other genres other than shonen manga. It’s just rare to find a badly written series without being surrounded by d**kriders. It’s just a disaster of a series, and I wished I spent my time during the pandemic watching another series like Demon Slayer, or Black Clover.

The fact that Horikoshi had ALL the opportunity to have a "power of friendship" moment with the League coming together and breaking Tomura out of the possession/mind control and going on to band together against AFO but instead chose to kill them off or imprison them without any closure is my villain origin story

The Greatest Boy In The World: Izuku Midoirya

This was originally part of a discussion I was having with @mikeellee but it got huge so this became its own thing. When I call Izuku privileged, I meant from multiple levels.

We've got our viewpoint, where we see beyond what the narrative shows us: a bunch of fake friends, an abusive rival, shoddy mentors, a school that failed him constantly.

Then there's what the narrative tells us: 1-A as a family, Bakugo as his best friend, him liking Aizawa, Nighteye, All Might and so on, and apparently Izuku's issues being something he himself needed to work on and not something that an educational facility should have been able to help him fix.

But here's why I say it.

What does Izuku actually lose across the story? Every single situation meant to bring tension and danger turns out to not come to pass, or gets walked back right away.

His teacher is a hard ass who seems to have it out for him? Well, no, Aizawa cools off entirely and is just there to be a grumpy toothless dragon. His bark is far worse than his bite. He'll make constant threats but never act on any of them.

Izuku is fresh to using his quirk and his classmates are all ahead of him? No, Izuku actually does way better than the majority of these loser kids and only actually lost to Shoto because, 1, he decided to sacrifice his win to taunt Shoto into using fire, and 2, bad luck.

Izuku's arms are in serious danger and breaking them could ruin their use for good? Nothing ever becomes of this. He breaks both arms against Muscular, uses a primarily kick based fighting style, then goes ham against Shigaraki during the first war arc. They reveal that, no, actually, OFA adapted to his body and prevents him from getting hurt so badly anymore and it prevents permanent damage.

He then loses his arms in the most nonsensical way possible, via a dream sequence? Only to have Eri mutilate herself (how did she know she could do that, how did they know it would work, why was she allowed and helped by Ectoplasm to do this?) and walk it back right away. His arms are restored so he can punch Shigaraki apart with the embers of OFA.

Losing his arms was completely meaningless and was done entirely for shock value.

Izuku's habit of going plus ultra is dangerous and people warn him it'll end poorly? Actually, no. Every single time he's gone plus ultra, he's saved a life or it worked out for him in the end. He scarred up his arms fighting Shoto, just for this to lead to Shoto coming to his and Iida's rescue in Hosu. He fought Gentle and La Brava and got criticism for it, but that turned out to be one of the best decisions he ever made, because they came back to save EVERYONE in the final war arc. He risks his life to save Bakugo and gets yelled at by the pro heroes, and then All Might decides he's his new successor and tells him he's worthy. He kept poking at Kota who just wanted to be left alone? He's in a prime location to save this little boy's life.

The only negative outcome of his reckless habit of going plus ultra was him losing to Dictator, who is then near instantly defeated by his classmates who happened to show up just in time to save him.

When you compare this guy to other shonen mcs and just look at the end results, what did Izuku lose?

He lost his quirk, but according to Izuku, he never really was all that serious about being a hero and always wanted to be a teacher. Regardless of if he lost his quirk or not.

Oh, but then his friends gave him an ironman suit anyways so he can do hero work when he's not being a teacher.

He gets a pity shonen hetero relationship, as one does in this genre.

He's known as the greatest hero who inspired the entire world to be more kind.

He didn't lose a single friend. None of his mentors died, besides Nighteye who was killed in the same arc he was introduced in. And I guess Midnight?

He's also never lost a real fight. Besides school games and the fight with Bakugo, what Ls has this guy ever taken? He either beats his enemy, an ally comes to his rescue and wins, or the enemy flees.

Even the abysmal 8 year timeskip was another of the author's fakeouts. He makes you believe that Izuku gave up on his dream and is no longer a hero, that he's super sad he doesn't get to see them as often, then his friends arrive to give him a handout just as All Might did all those years ago. What was originally meant to be the final chapter ends with Midoriya leaping into action with all his friends.

The author uses negative events and dumps on this guy to make you feel sorry for him and to make him seem like an underdog. Even his backstory is just that: a Cinderella story to get you to like him.

The author just walked the ending back because of fan backlash.

So rather than being a guy who doesn't try and needed his friends to even be a hero again without a quirk, he's a guy who only wants to play hero on the weekends.

Compare this to other Shonen MCs. Naruto at least lost his mentor and had his friend Neji die. Luffy lost his brother and has also lost multiple people across his journey who helped him, Pedro being one of them. There's also Jujutsu Kaisen which is absolutely excessive with how much it torments Yuji, but boy does that guy suffer for his victories.

Does Izuku even actually have any personality flaws? His flaw is that he's too heroic and he's too self sacrificing. But that's like saying he's too awesome.

People just act like the muttering is creepy and he's a loser for being a hero nerd, but what actual impact does that have on anything in his life? He still gets the friends, the fame, and the girl.

At no point is he ever socially isolated once he gets to UA nor is he seen as one of the weird or lame kids or anything like that. He's the heart of the class. The only person who ever dislikes him are people the narrative specifically frames as antagonists or mentors whose respect he has to earn, and Bakugo.

Even his dark hero arc where he left his friends to go out and become a hero…completely fucks up the moral because many characters would be DEAD if he hadn't left school to go save people.

The giant lady? Dead via a hate crime. Yo Shindo, his girlfriend, and the civilians they were protecting? Dead at Muscular's hands. All of All For One's assassins he sent after Izuku? Would still be at large and in AFO's pocket for the final war arc.

The numerous villains Deku beat down in defense of citizens? Still rampaging. Still killing people.

His friends left the ivory tower of UA to bitch at Izuku for saving lives and isolating himself while the narrative ignores this very real fact.

Hell, Lady Nagant wouldn't have been redeemed if he didn't do that. A world where he stayed at UA is an objectively worse off universe.

You see what I mean? Even when he does wrong, it ends up right.

Has Izuku ever actually make a mistake or choice in this story that wasn't rewarded or shown later to be the right one?

No.

He's a paragon of morality and good who the narrative warps reality around to ensure his actions have no lasting consequences for anyone.

Think about it. Let's take a look at how he said he'd save Shigaraki and didn't. What consequences came of that? Nothing. Spinner got mad at him for a few seconds and then Izuku talks him down and the guy decides to write a book.

Did heroes take Izuku's example of killing being a way to save people and use that to justify killing villains who don't surrender? No.

Was Izuku's triumph used by bad actors who wanted to push an agenda that would oppress more people and eventually create more people like the League? No.

Is there some threat out there that could have been handled by the power of One For All but couldn't be because the quirk is gone? No.

The world is actually more peaceful than it's ever been! Meaning even if Izuku kept his power, he'd probably be out of a job soon. Allegedly.

Did the death of Shigaraki, leader of the PLF, trigger second and third waves of terrorism from his followers who escaped capture? Did society have to face the backlash of this and it complicated the efforts to rebuild? No, the MLA might as well not have even existed.

Nothing happens. Deku just sometimes thinks back to Shigaraki while he enjoys what he claims is his dream job.

So that's my reasoning. He's simultaneously privileged but also gets shit on. His life sucks, but it's also awesome. His actions are dangerous and reckless, but they save lives and always result in a positive outcome.

I'd actually argue that the author dumping on Izuku is meant to portray him as a false underdog so you don't notice his other qualities. And of course, because he doesn't like the guy, but we already know that.

It always bothers me when fans mock or make fun of critics/antis for constantly making posts venting their grievances about a story they dislike and say shit like “oooh why can’t u just talk about something u like11” or “pfft, get a life and do something more productive than complaining about a show!” and plenty of other shit.

Not only does this come across as condescending, it’s also hypocritical. So if people aren’t allowed to make posts about things they don’t like…I guess that means that fans can’t make posts about things they do like. I throw these same arguments fans use against people who complain about something that’s enjoyed by a good amount of people. “OMG why do you care so much about a stupid show” and shit like that.

Fans like these don’t realize that the reason for why people talk about things they don’t like is the same reason for why people talk about things they do like; they are passionate about it and enjoy analyzing it. They like breaking it down because they just enjoy media analysis. It’s not unhealthy, it’s not obsessive, it’s just a perfectly normal way of consuming media. And critical communities on Tumblr allow for a safe space for people to voice their grievances about a piece of work without being harassed by deranged stans.

My point is; let people make blogs criticizing shows whenever the fuck they want. What they are doing is no different than what fans of the work are doing; analyzing the story and voicing their opinions.

so. when tim showed cock and balls. piper hid her face, lochlan covered his ears, and saxon was the only person in the room that fell dead silent. then it cut to a shot of the three wise monkeys statue. and once again, in the face of her own family being sexually inappropriate, victoria just laughed it off. soo really great tv happening! this family is nauseating!!

Dabi Was The Most Disastrous Thing To EVER Happen To The League Of Villains And Is The MVP For The Hero Team

Hiring Dabi was like Tomura being handed a knife. Trusting this guy and giving him leadership of ANYTHING was Tomura cutting his own throat. Dabi is a complete and utter fraud. The guy can't kill his way out of a paper bag. If he's up against characters who don't have a name, always bet on Dabi.

But if he has to fight someone who has a name and isn't just a background character who was invented just to die (like Snatch) then this guy is cooked.

Dabi is also a bum because he actively harmed the League at every step of the way.

He's the reason their hideout was rumbled. Someone saw Dabi leave the League's bar to go squat in the nearby abandoned building and called the cops. The cops investigated and later found the LOV base. He's the reason Momo and Awase are alive right now. Because he didn't have the Chainsaw Nomu finish the job and take them out. He's also the reason the Nomu lab got found out. Because he was the leader of the mission but he couldn't be bothered to check his nomu for damages and see the obvious tracking device that was planted on him. Momo was knocked out and had to wake up to tell the heroes what she did to help. At anytime Dabi could have destroyed the device, but he couldn't be bothered to look. He caused All For One to get arrested and undermined the League's victory in the forest camp arc. The heroes got a big win and All Might ended his career in a blaze of glory.

He's the one who puts his agenda ahead of the League's. The guy was absent for most of the Overhaul arc bbqing nameless characters.

He's the one who sent Hood to die against Endeavor, removing a powerful ally from the League's arsenal. That High End Nomu could have made mince meat out of other pro heroes who are NOT Endeavor, but Dabi decides to send him against the worst possible target. Oh, and of course this boosts Endeavor's popularity and gets people believing in him, right when public sentiment about Endeavor was low. The loser just gave his dad a public trial by fire that he won with a flourish!

And he's the one who brought Hawks into the League and failed to do any sort of checks on the guy. The disastrous first war was 100% Dabi's fault. He didn't bother to check if Best Jeanist was dead. He didn't keep a watch on Hawk. He didn't kidnap a hero or two and demand Hawks kill them in front of him, with the implication being that he'd burn Hawks to death if he failed to comply. This is standard stuff to sus out an undercover cop. The guy's lack of any sort of education really shows here. In a world where Hawks doesn't enter the League, they 100% win, effortlessly. They had the MLA join them, they had the doctor creating an army of Nomu, and All For One would have fully taken over Tomura's body. The only reason the MHA universe isn't ruled by the demon king right now? Dabi's incompetence. He's also a bum because he wasn't shown to be doing anything at all until he saw Stain's broadcast. What was he gonna do without the League? Sit and wait forever and achieve nothing?

He's also the reason All For One, Tomura, Toga, and Kurogiri died.

See, he had the chance to kill both Endeavor and Shoto but he decided not to. He said he wanted Endeavor to be awake to see his masterpiece burn, and since Endeavor passed out, he didn't finish the job. Oh, and guess what? He didn't kill Hawks, either. He couldn't even be bothered to avenge his homie, Twice. Had he taken out Hawks and Tokoyami, the heroes would have suffered IMMENSE LOSSES in this war and the entire war arc part 2 looks different.

Well, congrats, Dabi. You're the reason the first war arc happened, and you're directly the reason why the second one was a failure. You wanna know another reason why Dabi is the reason his friends are dead?

If he'd killed Aoyama during the forest camp arc, where we have ZERO REASON to believe he knew Aoyama was a spy for their side (as Aoyama was AFO's servant, not Tomura's) then Aoyama wouldn't have been alive to get outed as a spy, and then be used by the heroes to lead the League into an ambush.

Heck, he fucked up multiple times in the forest arc. He's the one who had a gameplan that left Mustard entirely on his own instead of keeping some boys at his side because his quirk is a one hit kill if someone inhales the gas.

His clone yapped and ran its mouth to Aizawa about how they were after a student, which is what got the guy to give the students permission to fight back.

He's the one who demanded Compress unmarble the students, resulting in them not abducting Tokoyami, just Bakugo.

He's got fire hotter than lava but couldn't be bothered to BBQ some kids to ensure they do more damage to hero society and aren't gonna be a problem in the future.

The guy can turn human bodies into charcoal in an instant, but his flames never manage to burn anyone the author cares about.

We call Dabi 007.

Zero 1 vs 1 fight victories.

Zero kills on plot relevant characters.

7 victims who walked off his flames barely worse for wear. The League would have objectively been better off if this guy never joined.

So I found this comment in a poll asking which is more overrated: anime or videogames, and I think this comment applies pretty well to the state mha is in. Emphasis on the explosions part.

How utilised/underutilised do you think each member of 1A was?

There is not a single character who I think is 100% well utilized and Class A was absolutely shafted in the Final War as an ensemble. All Might usurping their "team effort" into a mecha suit was easily one of the worst decisions the manga could have made. But I can give you a quick run-down on how well I think they were used in order:

Bakugou: Plus - decent character development, some great fight utilization, lots of POV. Minus - became too Deku-centered, which weakened his team narrative.

Shoto: Plus - great own arc, great relationships, good quirk development, good character development. Minus - he needed better fight highlights, not enough POV especially on his victimhood, story waffled the ending of his major relationships

Deku: Plus - very strong start, good fights, lots of strong relationships Minus - no POV, failed theme in Act 3, author lost interest in him clearly

Iida: Plus - very consistent on the themes he represents. Minus - weak connection to main plot, total lack of good fight scenes

Kirishima: Plus - solid arc and fights scenes Minus - sidelined in act 3 and badly utilized in the final arc

Momo: Plus - well utilized until PLF War Minus - sidelined in Act 3

Jirou: Plus - nice little arc, interesting extra hobby tied into the main theme of saving, decent endgame highlight Minus - didn't get enough role in the early story

Tokoyami: Plus - great fight scenes and role, potentially interesting mentor -student relationship - Minus - next to no character work

Uraraka: she was weirdly overused and underused at the same time. A lot of bloated scenes, flip-flopping themes. I found her really irritating pretty much every arc after the sport festival.

Basically, the rest of the class was completely and utterly underused/misused. Without any particular order:

Shoji: the main face of a last-minute mutant arc that had no real build-up. The way Hori used him in the epilogue was also very dishonest

Aoyama: the traitor arc was one of the biggest disappointments of the entire manga. His endgame was mostly treated like a gag. It also highlighted the double standards when it comes to crimes committed by heroes vs crimes by villains.

Kaminari: reduced to a gag character, biggest achievement is one-time lightning rod

Sero: his ability was made redundant by Deku's blackwhip, his big highlight was a stupid speech to AFO and an unearned / unbuilt moment with Shoto.

Mina: she was used to further Kirishima's character and that's about it. Her highlight came too late and felt forced.

Hagakure: objectified the entire time.

Asui: great design and abilities wasted on being Uraraka's sidekick and then the "friendship" completely thrown out the window for Toga.

Ojirou: did he do anything?

Satou: might as well not show up...

Kouda: cool quirk that is used the worst possible way

Mineta: too much panel time for a sex offender.

Hey, I saw a fic of redemption Toga fic (with a good dash of time travel) and all fine and good, not here to talk about the fic but...

Have you noticed how the entrance exam makes no sense? I meant the scores and how the teachers (dont recall in canon, but fics love to say "oh those teachers were fascinated by student X and Y" I think it isnt canon) were watching.

Its a school for heroes so why have "villain points"? If a person has villain points shouldn't she or he be expelled (unless the villain points is fanon)

And say it has an explanation. Ok, why the students have to fight a giant robot? Again, assuming it has an explanation...

We are never given any reason for how the students are graded and selected in the classes. What is the big deal on class A1? Shinso seems to think they are the best and resents not be there....why?

Hori never developed the academy part of a story called MY HERO ACADEMY.

Hi @mikeellee 👋,

I think the entrance exam was meant to test a couple of things -

How good are you at beating up things? Bakugou obviously excelled at this, he's been practising beating people (mainly Izuku) up all his life 😒

How resourceful are you? See Toru who even with just invisibility managed to score enough points to get in the hero course.

And - the hidden point of can you put aside the competition to save someone? Here Izuku did and at great detriment to himself for the sake of Uraraka - this obviously singled him out as having great heroic spirit.

I have no idea why class 1A were given all the hatred / ire when 1B as a fellow hero class were right there as their equals.

With Shinsou - canonically he seems to have a victim complex, he seems sour he couldn't just skate through to the hero course with his powerful quirk in that entrance exam. Let's use the ideas I just mentioned for a second with the entrance exam

1) he's at a disadvantage of not having a naturally combative quirk like Bakugou.

2) he obviously isn't resourceful or clever in battle like Toru since he didn't score enough points to get into the hero course despite this.

3) he obviously didn't try to use his quirk to save someone like Izuku did (maybe there just wasn't someone to save in his exam) or maybe he saw someone in trouble and didn't help them.

These are all things I thought of and established in 10 minutes when Hori never bothers to explore any of this. Despite being called "My Hero Academia " Hori never bothers to explore the academia aspect of the series which is a massive waste.

A few more accurate names for this series have come to my jaded mind (please forgive the bitterness.)

"My Hero Kacchan" - all the Bakugou simping make me think Hori would prefer him instead of Izuku as the MC half the time.

"It's ok if we do it! A stunning story of hero hypocrisy."

"Our Abuser academia" - not where Abusers learn to be better and to stay the fuck away from their victims but where the other characters learn to forgive the abuser if they cry.

Not Shinsou repeatedly calling Ojirou 'monkey' due to his mutation.

Hi @nutzgunray-lvt 👋,

I think that Shinsou is canonically quirkist - with an HUGE ego and a victim complex.

'Gee, Shinsou maybe others don't like you because you're quirkist, rude, arrogant and act trigger happy with Brainwash...hmm?'

I find it amusing to see the popular fanon trope of fanfic!Shinsou having everyone be quirkest to him when, other than Bakugou, he's shown to be one of the most canonically quirkest characters in the series.

Maybe if Hori wanted to sell us Shinsou as a character unjustly labelled as a villain for his quirk

he should have showed that in his backstory by him being bullied instead of praised.

Not showed Shinsou as quirkist to others calling Ojiro "monkey" as a key example. Surely if he's a 'villianous' quirk holder (as Hori / most fans want to claim) he should be against that sort of discrimination and not using it himself? So if this is the case - he's a hypocrite.

Not showed Shinsou eagerly brainwashing others without their consent.

Not had him actually acting villianous in Brainwashing Gigantomachia to fight against AFO against his consent.

The UA Entrance Exam

This was going to be part of a larger post about UA as a whole, but I decided this was probably best to stand alone, because this is more random thought/opinion than a proper critical post. Welcome to what is probably going to be a controversial post: the UA Admissions test isn't bad?

The main argument against it is that it puts those without a combat quirk at a disadvantage, right? And, well, that's true. But... is that wrong?

Here's the thing: the more heroism as a whole is developed in the setting, the more something becomes startling clear, one simple fact that stands above all others.

Heroism is a profession defined by fighting.

You can be a rescue hero, you can spend your time saving people from collapsing building or finding those who are lost, but if you've gotten to the point of being a professional hero? You know how to throw down.

I'm not even talking about UA, here: there's a license exam that everyone has to take, as part of a process of being a hero. Half of it is saving people, yes... but the other half? It's purely about fighting other people. Hell, even part of the saving people portion has combat aspects, since it's focused around, not just saving people, but saving people while under attack.

I'll say it again: if you are a hero, you are a fighter, by definition.

So, what's that have to do with the UA entrance exam? In all honesty, that exam is functionally a simulation of running around a city, beating up random street thugs. It's testing if you can beat people up, one of the most fundamental parts of heroism (deadpan stare).

The follow up point is, what about Quirks that aren't combat focused, but are still useful for heroism? Shinso, for example? If those were actual people, he probably could have beaten them, right? That's unfair!

And, I'll admit, that's right; in the context of that exam, it is unfair, because some people can vomit lava lasers and some can't. Is Brainwash useful? Absolutely. Counterpoint: what is day one Shinso going to do if he meets some guy in an alley with no mouth and a knife?

Die.

Literally, if he didn't run away, all he'd do is die.

Everyone who passed, and quite a few who didn't pass, could take down Wannabe Slenderman, while Shinso would just end up dead in that alley. This is going to sound bad, but life is unfair, and if you're going to go around picking fights with dangerous people and not prepared for that fact, you will pay for it.

Now, let me introduce you to Chad Hagakure.

In the grand scheme of things, while Toru has a useful support power, Shinso's is a lot better than hers, more versatile, more powerful. You can, in the words of Ollivander, do great things with a power like that. While Toru's Quirk gives her some advantages against the robots, it isn't going to beat them for her, either, and the off button idea is fanon with no canon backing.

So how did she get in, with her inferior quirk, when Shinso didn't?

Because Shinso coasted through his life with only his Quirk, and then was helpless when met up with something with the amazing ability to shut up. Everything he did, before Aizawa took him under his wing, revolved around making the other person talk, and absolutely nothing else. Toru, meanwhile, found opponents her invisibility couldn't magically destroy for her, and responded by beating them to death.

You probably think I'm being dramatic or something, but I'm not kidding. You need to stop robots to get points to pass; Izuku is the only person to pass on rescue points only, canonly. She doesn't have a power or tools to let her restrain them like Minoru did, so she had to, had to, break them. She doesn't have laser beams, or fire blasts, or anything to make it easy for her; all Toru had was the ability to ambush things, her muscles, and maybe a rock or a steel plate or something she picked up along the way.

That's all she had... and then she managed to kill her way in the heroism course anyways, past people who probably had Quirks much more compatible with the problem at hand. She went up to robots, probably from behind, and then hit them until they stopped moving.

In other words, Toru went into the Entrance Exam... and then the Doom music kicked in.

At the end of the day, though, I'm saying all these things, and while they're true, I feel like I'm dancing around the fundamental point: being a hero is about more than just a Quirk.

As a setting, MHA is one with a broad set of powers and abilities, by design. It means that there's lots of cool and interesting people to meet, which is the point, but on a practical level, it also means that every Quirk, every Quirk, has something that counters it. For support Quirks especially, there's seemingly always that One Simple Trick to beat them; a pair of thermal goggles, for example, renders Toru Quirkless. If you just don't talk, Brainwash is useless. And when that happens, you can't just say, 'Time out!' and get a new villain; you'll have to fight them anyways.

If you depend on your one special trick and nothing else, one day that will be your downfall.

UA has a lot of questionable decisions in it, about it, around it, but it is good at teaching its students how to beat the living shit out of people; you could even say it specializes in it. It has no illusions about the reality of the job it's preparing them for. And in the same vein, this isn't something that should be a surprise to any applicant; almost every time we see a hero in the media? They've just finished fighting someone. If they're not entering UA with wide open eyes about what they're going to have to do (and probably after signing some liability waivers to boot), then frankly they're idiots.

The Entrance Exam, mostly, tested one simple thing: are you ready to fight someone? Are you ready to walk into that alleyway and beat those thugs into submission? It's easier for people with combat Quirks, yes, because those are Quirks that are good at fighting, but that's not the end all; in another life, if he had worked out before hand, if he was determined to win, even if he was at a disadvantage, Shinso could have walked in, picked up a piece of rebar, and just hit things until he passed.

Like, let's compare Shinso and Bakugou: both of them have a good Quirk, and both of them knew it. (I know fanon and the narrative say otherwise, but Shinso has had nothing but praise from the flashbacks we've seen, with only a few comments that were somewhat negative but still held implicit respect for his Quirk and it's powers. Everyone he talks to says he has a good Quirk. He's happy using his Quirk. He is not the fanon abused little racoon.)

Shinso accepted that as fact and walked into UA without putting any work in, from what we can see (he faced Izuku, who was effectively Quirkless, and the second his Quirk failed he panicked and basiclly flailed more than fought, still only trying to make Izuku talk rather than actually beat him in a fight, even though Izuku was right there, about to beat him in a fight, and prepared to avoid his Quirk) and was smacked down accordingly.

Then we look at Bakugou, and that's the thing with Bakugou: he had an easy road to heroism, and knew it. I've said this somewhere before, but Hori leans on 'Bakugou works hard' as an excuse to not talk about his moral failings, because he does work hard, but not that hard. 'Bakugou working hard', in all honesty, is peak 'Tell not Show', and is repeated so damn often I'm sick of it.

The thing is that the idea of that isn't wrong, just the execution of it. With his muscles, with the way his Quirk is supposed to work, he had to put work into bulking up, staying in shape. He didn't just get his Quirk and say, 'I'm set for life', he fought for it. And while Hori praises him like Rock Lee when we barely see him do shit, the idea of a talented person working hard anyways could have been great. It's something you see in a lot of shonen manga, and is emblematic of heroism itself, and the spirit that UA is supposed to show: you can't just coast into heroism. You need to fight for it, earn it.

...I got a bit off topic there, but the point is the kid didn't just manifest those muscles out of the ether, he has to be training off screen, even if we should be seeing it more on screen.

Bakugou had a good Quirk, but was willing to train himself to achieve his goals.

Toru has a, honestly, medicore Quirk, but still managed to fight her way to her dreams.

Shinso has a good Quirk, but his only strategy when his Quirk failed him was, 'try harder to get them again with my Quirk!'.

Heroism is about power, true, but it's also about attitude, willingness, determination, the ability to perform under pressure and to make good choices and act on them, all the things that got early Izuku through the series before he got Full Cowl, often without using his Quirk at all. Most of that, if not all of it, can be trained over time, true... But if you're not born lucky, and you're not willing or able to work out enough, to think cleverly enough, or to be vicious enough to smash some weak robots, then honestly you're probably not ready for the hero course.

ahshshshs under EVERY shinsou edit or content i see on tiktok… theres always a comment saying:

“me and the 5 other shinso stans are going to love this”

listen ok i GET when its for actual underrated characters…

BUT dude is not just perfectly rated, hes actually OVERRATED!!

he’s literally in the top 10 character tags for MHA, over characters with FAR more relevance and screentime!!

hes in MORE fics than the MAIN VILLAIN!

hes in more than dabi… than hawks… than shigaraki!!

if anything he sould have around the equivalent to like monoma in fics since they have equal relevance, with him being more important earlier on and monoma being quite intergral toward the end but BOTH existing from the sports fest arc!

he literally has 49K FICS‼️

monoma has almost 9K for comparison

midoriyas best friend iida only has around 37k!

and shigaraki has less than 32k!

Ugghh been consuming some bnha stuff and I'm reminded of why I largely prefer fanfiction over the actual story. I have so much hate and pettiness within me. Even so, I am never going to change my mind on how much I hate how bnha is just an amalgamation of wasted potention. Search the definition of wasted potential up and there's just an image of bnha.

I remember watching it as the first season was coming about because it was made by Bones and I just have to watch it in that case. I watched episode one and was so excited.

We have our mc, Midoriya Izuku, being powerless in a world full of quirks.

His childhood friend turned bully, Bakugou Katsuki, is shown to be favoured by literally everyone and this feeds into his ego.

All Might, the number one hero, is jaded and powerless for 21 hours of the day because of a fight nobody knew existed. Izuku is attacked and helpless, but saved by All Might. All Might tells him he can't become a hero. A much needed reality check because Izuku didn't work out a single bit before then and it's so incredibly hard to fight someone who has something you lack.

Then Bakugou is attacked and helpless. Bakugou, who is so much stronger and who people love, is left useless, only able to make the situation worse with his explosions creating a fire hazard. The pro-heroes can't do anything. All Might and Izuku both hate themselves for the part they played and how useless they are. Then Izuku sees how scared Bakugou is. He runs in, inspiring All Might as he mocks himself for breaking Izuku's dream yet forgetting the core of heroism.

Then, after all is said and done, All Might goes back to Izuku. And he tells him he can become a hero.

...

Then he offers him One for All. Now, when I was watching this for the first time, I was so disappointed. You set up a powerless mc in a world full of powers and you just give him the power of the strongest hero? Great. But, I kept watching.

I watched Izuku work to get his power, struggle even after getting a quirk. I watched as Izuku finally stood up for himself and win against Bakugou. I watched as the series went on and I... I started noticing more and more missed opportunities.

See, bnha is supposed to be a zero to hero story. It's supposed to be about the mc going from powerless to powerful. But it does it so quickly. Suddenly, it's not about Izuku finding his own form of strength, or realising how being quirkless may not give any advantages but it also has no disadvantages, or even any commentary on quirk discrimination or fantastic racism or anything.

It turns into a story about controlling your power. It's not what I signed up for.

That's just one missed potential. There's so many more. Horikoshi clearly tries to make some commentary on quirk discrimination and female heroes/sexism in the workplace and entertainment over peace. There's some effort put into making a comment on how heroes are glorified and people don't see them as public workers, they see them as celebreties.

But it's never delved into. We don't see how bad people with mutant or 'villainous' quirks are treated, and we don't see how people with weak quirks are treated, or how the quirkless are treated (because the only reason Izuku was treated so horribly was because of Bakugou). We don't see how female heroes need to have a bit of allure in their personas to have any sort of support.

Yuuei is literally a camp for making child soldiers, yet there's no controversy over it? There's no such things as heroes having to take lethal action and no moral dilemmas over it? There's nobody speaking out about how Midnight flirts with students?

We have literally no information about how heroes work. We don't know how their salaries are decided, how they're ranked, how undergound heroes work. if twilight heroes are a thing, how anybody but Rock Lock feels about bringing children into adult matters, (seriously, why do people hate Rock Lock for being rightfully worried about having 15 year olds in a raid against the yakuza), we don't know how villains work and how to decide if one's a criminal or a villain.

Heck, the only laws we know of are fanon, and the canon stupid idea that you can't use your quirk in self-defense.

It's just. Incredibly infuriating.

Also, analysis as a whole is so under-utilised. Both Izuku and Shigaraki are deemed creepy for their analysis, which is such a useful tool. I mean, Izuku accurately guesses Stain's quirk, which is useful because, otherwise, they wouldn't be wary about Stain licking their blood or cutting them. Shigaraki accurately guesses the time intervals between Aizawa's blinks, which helps him a shit ton.

But is it ever used outside of these situations? No. The thing is, quirks are scientific in nature, not magic. Therefore, they're not restricted like magic is. Fire doesn't always have to be fire, it can be smoke or just heat. Ice can be water or steam. Acid can melt through anything or just be used as a mario kart banana peel.

There was so much missed potential and that's exactly why there's so much fan content.

Horikoshi leaves so much out, and everything he misses tends to be the interesting parts. He willfully explains Bakugou's quirk in detail, but everyone else? Nah. Fuck them.

I mean, let's look at Ochako's quirk.

Gravity negation. Or is it? See, if it were just gravity negation, then two things, in particular, would happen. First of all, Izuku would have fucking died when she saved him from falling. Second of all, she would not have been able to get infinity in the ball throw.

Negating gravity does not negate the forces. Therefore, when she saved Izuku from falling, he would have still been affected by the force of his fall. It would have been no different from hitting the concrete. Additionally, when she threw the ball, it kept going. Air drag would have made it so that she couldn't possibly get an infinity.

More accurately, rather than force negation as some fanfics suggests, she's telekinetically accelerating whatever she touches. She telekinetically accelerates Izuku's body to stop him falling, and does the reverse for the ball, making it so that it continues to accelerate after she throws it.

See what I mean? Because Horikoshi gave Bakugou's quirk a scientific explanation with him sweating a nitroglycerin-like substance and being able to spark it, you have to look at every quirk with scientific knowledge. He could have said 'oh, yeah, I store energy from my quirk in these gauntlets' but Hori just had to be a smartass.

By the way, because of Bakugou's explanation, it's possible that his quirk is not what is named. Yes, it's possible to have two sides of a quirk, as we see in Shouto, but Bakugou's quirk isn't explained in the same way.

Rather than his quirk being creating explosions, his quirk is more like creating sparks in his palms. Why? Well, you see. Bnha never delves into actual quirk theory, but there's more than enough canon evidence that you have one main quirk and then one or more quirk mutations. For example, Ashido Mina's quirk is secreting acid that she can manipulate the acidity and viscocity of. Her appearance is not related to her quirk at all, meaning it's a quirk mutation from her parents. Same with Tokoyami Fumikage. Quirk is Dark Shadow, so there's no need for the bird head.

Why does this relate to Bakugou? Let me explain: Bakugou explains that he recieved a mutation from his parents with his mother secreting glycerin and his father sweating acid with combustive properties. In other words, Bakugou inherited nitroglycerin-like sweat from his parents, but his actual quirk is being able to create sparks.

His quirk is 'Sparks'. Not Explosions.

Why am I ranting about this? Because bnha completely misses all of this! It makes no sense which is a shame because the concept is so interesting! But then it throws away any scraps of potential left when it becomes 'My Kacchan Academia'.

Seriously, why do people and why does Horikoshi love abusive pieces of shit so much? Why did he throw away the potential to look into Shouto and his siblings' feeling about Endeavour? Why did he make Dabi's plot all about Endeavour instead of Shouto?

It's so easy to compare the ways Dabi and Shouto handle their trauma and their ways of revenge. It's so easy to look at Dabi and think about how easy it would have been for Shouto to become like him.

Shouto was transfixed on Endeavour. Everything he did related back to his hate for Endeavour. Using his quirk, fighting, grades, social interaction, everything. His only reason for becoming a hero is to spite Endeavour. It's only because Izuku reaches out to him and saves him from his own toxic mindset that he's able to move one and do things for himself.

Dabi, or Touya, on the other hand, doesn't get that. He doesn't get that person who recognises how far he's gone, how, in trying to spite Enveavour, he's living a life centred on him. How he's jealous of his little brother for being abused and tormented.

While Shouto became a hero to spite Endeavour, Dabi became a villain.

They're both full of hatred at first, but Shouto is saved from that spiral. Izuku helps him. Dabi doesn't have that. It would have been so interesting to see these two face of as parellels, but nope. It's all about Endeavour. Shouto is nothing more than an accessory.

I understand Dabi being hung up on Endeavour, but to outright replace Shouto with the abusive flaming trashbag? No.

Also, if Horikoshi wanted Dabi to be seen as sympathetic or redeemable, don't make him kill innocent people. Don't make it so that he unlocks an ice aspect to his quirk in a life-or-death situation because all that means is that Endeavour was right to hurt Touya the way he did. All that says is Endeavour should have hurt him more.

AND DON'T EVEN GET ME STARTED ON BAKUGOU.

This piece of shit bullied Izuku relentlessly for years, used his quirk on him (yes that is canon), told him to end his life, tried to assault him in Yuuei, tried to kill him, threw a tantrum at an abused kid for not being magically okay with using a quirk that reminded him of his abusive father, assaults Izuku when he tries to work together but still magically gets a pass for being carried out unconcious which Sero was failed for, and the list just keeps growing.

Oh, but my bad. He has a sad backstory. You see, he fell in a river.

What was hound dog THINKING?!?!

There is a reason why izuku doesn't trust adults forcing him to trust them doesn't help?!?!.

I can't believe that hound dog is supposed to be the UA counsellor or therapist and it's literally canon that students fear him so what is UA thinking?

Why is UA even considered a good school?

Me reading that: head shot clean shot guns blazing everyones fucking dying

Who would the 10-13 1A members that died in the MLA be, if MHA had any actual stakes? I really liked your Kaminari idea, so I just wanted to explore it with you. It would have realistically made UA/the heroes look a hell of a lot worse and the villains look a hell of a lot smarter if they went for the angle of "the best heroics school in Japan is using child soldiers!"

I know for the heroes, it should have been Pixie Bob and Gran Torino in addition to Crust. Endeavor also should have died because it would have actually given the story actual stakes - Japan is now in shambles and the new #1 hero/heavy hitter is dead. Oh shit, what are they going to do?

Firstly I feel I should clarify that both 1A and B would lose some team members as both classes were thrust into war with basically no real training. Although for the sake of plot 1A would lose vastly more.

With that stated, let us begin.

I know for a fact that Koda is dead.

Truthfully, there is no way someone as bulky as him (with the addition of his poorly designed costume) would be even marginally capable of outrunning Shigaraki's Decay.

His quirk (Anivoice) gives him zero advantages and being in Jaku (a city under evacuation) would only add to this.

We also mustn't forget that the rubble by itself was also capable of disintegrating anything it touched. Putting all that together and given how close he was to "ground zero", his chances of survival are slim to none.

Additionally, everyone who found Midnight's corpse is either dead or brutally injured.

Midnight's body is isolated in a decently foliage heavy area, with plenty of hiding spots and vantage points making it all too easy to set an ambush.

Our merry band of MLA/PLF mercenaries simply have to bide their time, wait for the shock and horror to settle in and then strike.

Sero, Kirishima and Setsuna are easy targets (with Setsuna being the farthest from the bait) their backs are turned and mentally are either distant or "vacant".

If Momo didn't recover from her grief and get off the floor, it's game over.

However. She would likely manage to fend them off long enough to escape (thanks to her intelligence and dexterity), although not without some scars. (eyepatch momo, anyone?)

Mina might be able to hold them off due to her acid but will eventually falter because (as you mentioned) Aizawa's a shitheel.

That brings us up to 5 students so far (if we include Kaminari's death) that have died due to UA's (and the HPSC's) crippling negligence.

I'm a tad hesitant to add Tsu here but it's unlikely she'd survive. (even if she does survive the wave, she'd likely die in the crossfire)

Comicman, because yeah he's unimportant.

For the Villa Raid team it's important that we cut some heroes in order for this scenario to work.

Edgeshot is dead, likely fried to death by Electro-lite.

This would cause the raiding heroes to become discouraged and overwhelmed.

the MLA's gear is more than a match and combined with their years of fighting and tactical prowess. It's not even close.

Simply put; divide and conquer.

Mineta's dying for sure. His costume restricts his (torso and leg) movements and makes him standout like a traffic cone. That guy with holes all over his body is likely the one to snuff him out.

Ojiro is dead the moment the MLA members use numbers to overwhelm him, no amount of martial arts will save you from getting jumped.

Mines dies because his quirk (Twin Impact) suffers from the Flect Fallacy.(Overwhelming the quirk will break it). So pretty much any MLA member could be the one to kill him

That sets the score to 11 total student deaths (8 for 1A, 3 for 1B), not a good look.

We know the rest, Dabi kills Enji for good.

Skeptic publishes a video along with Dabi's exposé that reveals UA is using child soldiers and that the HPSC forged paperwork to allow this.

And the crowd goes wild!

The reactions would be brutal, national if not global criticism from every angle.

The entire raid and evacuation effort would be considered an immense failure, the villains remain at large to gather their numbers and most civilians would be left homeless and displaced.

The hero that everybody placed their bets on turned out be a child/wife beating eugenicist who bought (and later assaulted) his wife when she was only 17. Only to be killed off by the very child he left to burn.

The (global) outrage partially stems from the fact that if it weren't for Dabi, no one would have known otherwise .

The number 2 hero is an (attempted) murderer and seems almost irritated at Enji being outed, the world stage takes this the wrong way and opts not to aid Japan.* What pisses them off the most is his uncaring attitude.

Considering them a lost cause when Shigaraki not only breaks everyone out of Tartarus but also manges to kill AFO by sheer force of will (and wanting to see his friends live as they please)

Rei's speech/conference serves as the final nail. Going into immense detail of the pain she and her children suffered at the hands of Enji. (If their were any doubts Touya was her son, they were killed here)

When asked if anyone knew, she finishes her speech off with revealing that some heroes and staff knew about the abuse and chose to look the other way. Causing the room to burst into an uproar.

*(explaining why Japan was allowed to fester for as long as it did without intervention, something Hori failed to explain)

Parents begin pulling out their children in droves, not wanting to risk their kids getting drafted, others quit by choice.

Shiketsu and Ketsubutsu don't put their students on the front lines (they aren't stupid). The commission is unable to force them due to their, "unique" situation.

The heroes that quit are harshly criticized by the public and media (and usually fairly too), pointing out how shitty it looks (and is) for heroes to suddenly abandon them as soon as things get serious.

Class 1A is left to pickup the pieces with 8 classmates killed (+ Bakugo) the events of the last week have shocked them to their cores but perhaps there is hope.

Of course they're left to pick up their predecessors mistakes, again.

Midoriya would still go rouge, albiet he would stick to his principals. He's made a disturbing connection between Bakugo and Endeavor and it haunts him.

(I should add that Bakugo's death is portrayed for the selfish play it was)

Midoriya likely driven by the need to ensure that he doesn't lose anyone else. His anger at AM would probably stem from the fact that he is putting himself in danger for someone as "expendable" as himself.

I could see the two having a heart to heart that Midoriya is more than his quirk once he willingly returns.

Some additional information:

Bakugo dies permanently, because Edgeshot was killed by "Electro" earlier (even then I'm not doing the writing atrocity that is the "Jeart".)

For heroes I'd like to add Jeanist to the roster. Gigantomachia should have swatted him and his airship like a fly. This means the top 3 are dead, adding to the chaos. This also prevents the old-gen from taking up space.

The High-End Nomu beat the tar out of Miriko, leaving crippled at best and a paraplegic at worst. (That is assuming they don't kill her).

Fourth Kind is killed when, like Ojiro, he is overwhelmed.

Your absolutely correct, Gran Torino and Pixiebob are eliminated, joining Crust.

Twice actually lives, though I would keep that ambiguous until later, he wouldn't get out unscathed of course and would probably need to be put into a coma while his injuries heal.

Himiko's revenge plot now has additional stakes as she promises Twice that she will return to him. (before he's medically put under)

This also fuels the PLF + Spinner, vowing to do right by their ally and friend.

Dabi would have disfigured Hawks upon discovery of his attempt on Twice's life, no more cosmetic scars. Just good old fashioned brutality.

(The fear of losing Twice may have dug up the past memory of losing his mother after Enji drove her to the brink. As Dabi cares deeply for both [even if he won't admit it] ontop of the fact that it's a "hero" that's trying to take them and he betrayed them).

Overall this world is going to be one wild ride with a very different ending to what Hori gave us.

It is a story not of heroes and villains, but of ideals and goals. It asks the question:

What is it to save?

A few additional notes:

Momo would likely have a revenge arc as a sort of parallel between Izuku and Himiko. However it wouldn't be as bland as what we got in canon with Mina.

The mercenaries aren't mustache twirling supremacists, no. Here they're cold, calculated soldiers who are strictly tactical. Midnight was "nothing personal, just business" to them.

They serve as a dark mirror to Momo's shift in personality during the war, as Momo reverts to her initial cold confidant personality and kicks it up to 20 as she hunts them down.

Midnight's killer even points out midbattle on how Momo was sexualized and she doesn't even know it. Telling her at one point: "You may see them as an equal, they see you as a display"

The battle isnt treated as a victory either, while the Momo and her squadron win, the gravity of the situation isn't ignored and Momo actually listens to her opponent's critique.

bnha/mha, my criticisms.

the order in which i put them does not imply I think some of these issues are worse or not as bad as others, it's just the order I think of them in.

1- bakugou katsuki. a bully who doesn't change, but gets worse. from suicide baiting, to attempted murder, and is consistently forgiven and encouraged by every character in the entire story and the fandom.

2- the sexism in the story and fandom. (I went on a whole rant about this but I don't want to write too much about it because it enrages me)

3- fanservice. and the fact that when a male character is used for fanservice it empowers them (male characters uniforms being broken, exposing muscular chests, while female character's exposure does not flaunt their strength, just beauty and sex appeal, even teenagers.)

4- THE FACT THAT THE ONLY TRANS CHARACTERS ARE EITHER A VILLAIN WHO DIED OR A SIDE CHARACTER.

5- character annihilation for the sake of the plot. fuck the plot. characters matter more.

6- eraserhead's shitty teaching and how the fandom sees him as a good teacher or even a father figure.

7- quirkless discrimination and how unadressed it was and how izuku just got over it after a bit in high school even with his lifelong abuser there.

8- 1-A abandonning izuku and before that forcing him to come with them to UA, endangering those sheltering there.

9- Eri being rescued from those who used her only to be used in a different way but it's fine because using a child for her quirk is moral if the heroes do it. 10- bad representation of teenagers and children.

11- HORRIBLE representation of people of colour. mirko is an angry and violent character who is blunt in her words. Rock Lock is also an angry character, and any very reasonable suggestions and remarks he has are ignored. it is a very common trope to have black characters always be angry, and while yes they can be, it speaks a lot about the writer that your only black characters fit the stereotype.

11- idolisation of america.

12- endeavours "redemption"

13- lack of quirkless characters (what happened to 20% of the population?)

14- mineta's entire existence

15- shit pacing

16- shit plot

17- shit characters

Going back to review MHA, I don't really understand the participation of at least 20 teenagers in the cast if they're not going to do anything

I mean, Aoyama is justifiable as well as Uraraka, Kirishima, Iida and Yaoyorozu

The rest are like they're in the background and suddenly in the last arc everyone perfectly understands the protagonist and his motivations, when at most they interacted with him at USJ, it feels like Hori read "Class 1-A as a Family" in AO3 and continued the story from there.

Bakugo has continuity and importance until he is kidnapped and from there he seems like an extra character (because he has no evolution, the mini-endeavour of the group)

Horikoshi, you should have made AFO take out his quirk, because seriously, it is incomprehensible what he is doing here

X (2022) dir. Ti West

Some Tips for writing internal conflict

Wanting Two Things at Once Imagine your character really wants to chase after something big, like a dream school, a major opportunity, or maybe even moving to a new city. But at the same time, they’re terrified of leaving behind everything they’ve ever known. Or maybe they’re in a relationship that’s holding them back, but they can’t bring themselves to let go. Show them getting pulled in two directions, torn between their ambition and their fear of losing the people or places that ground them.

Right vs. Wrong Sometimes, your character will know deep down what the right choice is, but it’s the most difficult one to make. Like, maybe they see someone getting bullied and know they should stand up, but doing so could make them a target. Or maybe they have to decide between helping a friend and doing something that could ruin their own future. These moral dilemmas create intense internal conflict because it forces them to question who they are and what they stand for.

Doubting Themselves We all have moments where we wonder if we’re enough, smart enough, strong enough, brave enough. Let your character wrestle with that same doubt. Maybe they’re the kid who has always been told they’re special, but now they’re in a place where everyone is just as good, and they start to wonder if they even belong. Or maybe they’ve been through something tough, and they’re not sure if they can bounce back. These moments of insecurity make your character feel human, like they’re trying to figure it all out, just like everyone else.

Dreams vs. Fears Show your character dreaming big but getting frozen by their own fears. It’s like wanting to ask someone out but being terrified of rejection, or wanting to move away for college but being scared to leave home. Let them imagine all the things that could go wrong , that moment when fear makes them doubt if they should even try. But also show their desire burning just as strong, making it impossible to ignore. That’s the heart of internal conflict: they’re stuck between wanting something so bad and being afraid of what it’ll cost to go after it.

Beliefs Being Challenged As your character grows, the world will start challenging their beliefs. Maybe they grew up in a family that drilled certain values into them, and now they’re meeting people who see things differently. Or maybe they’re experiencing something new, and it’s changing their perspective. It’s like when you think you have everything figured out, and then life throws something at you that makes you go, "Wait, maybe I’ve been wrong this whole time." This kind of internal conflict is powerful because it forces the character to question who they’ve always been.

Keeping Secrets If your character is hiding something, like a mistake they made, feelings they’re afraid to admit, or a truth they don’t want to face, that secret becomes a huge part of their internal conflict. The fear of being found out or of dealing with the consequences can create a constant pressure in their mind. Maybe they’re scared they’ll lose their friends if the truth comes out, or maybe they’re dealing with guilt they can’t shake. The tension comes from their battle to keep it hidden while knowing they can’t keep it locked away forever.

Pressure from Everyone Your character might feel like they’re trapped between what they want for themselves and what everyone else wants from them. It could be pressure from parents, who have their whole future planned out, or pressure from friends to fit in or follow the crowd. Maybe your character wants to be true to themselves, but they’re scared of disappointing people or standing out too much. This kind of internal conflict is super relatable because, at some point, everyone feels like they’re stuck between living for themselves and living for others.

Fear of Failing Sometimes the biggest obstacle isn’t the external challenge but the internal fear of failure. Your character might have big dreams, but they’re paralyzed by the thought of messing up. Whether it’s competing in a sport, performing on stage, or just trying something new, the fear of not being good enough can be overwhelming. Maybe they’re afraid that if they fail, everyone will see them differently, or worse, that they’ll see themselves differently. The internal conflict comes from their desire to succeed battling against their crippling fear of failure.

Writing Notes: Metafiction

Metafiction - a self-conscious literary style in which the narrator or characters are aware that they are part of a work of fiction.

Often most closely associated with postmodern prose, it involves a departure from standard narrative conventions, in which a self-aware narrator infuses their perspective into the text to create a fictional work that comments on fiction.

This kind of fictional writing can appear in novels, short stories, plays, video games, film, and television.

Characteristics of Metafiction

Breaking the fourth wall: Breaking this boundary between writer and reader blurs the lines between real life and fiction. Metafiction often directly addresses the reader, openly questioning the narrator’s own story.

Self-reflexive: Authors use self-reflexivity, or self-consciousness, to reflect on their own artistic processes, drawing the audience’s attention away from the story and allowing them to question the content of the text itself.

Experimental: Metafiction is often experimental in nature, fusing a number of different techniques together to create an unconventional narrative. Metafiction can also experiment with the role of the narrator and their relationship to the fictional characters in the story.

The main purpose of metafiction is to highlight the dichotomy between the real world and the fictional world of a novel.

Metafiction can be used to parody literary genre conventions, subvert expectations, reveal truths, or offer a view of the human condition.

Often used in postmodernist fiction to comment on the world that our character inhabits, metafiction helps give a work of text more significance by providing an outward, exploratory look of a self-contained world.

Examples of Metafiction in Literature

The Canterbury Tales (1387): Geoffrey Chaucer’s classic anthology of interconnected stories that parody the conventional elements of fiction. Chaucer blends linguistic styles and rhetorical devices to craft a collection of stories within the overall story, regularly breaking the fourth wall to address the audience directly and apologize for any offense the narrative may cause.

Don Quixote (1605): Miguel de Cervantes Don Quixote is essentially a book about books. In the prologue, Cervantes breaks the fourth wall by commenting on his process of writing the book, in which he urges the reader to make up their own mind about the written text. The ensuing novel discusses the adventures of the protagonist, Don Quixote, who has gone mad from reading too many chivalric romance stories.

Giles Goat-Boy (1966): John Barth’s fourth novel is a prime example of the metafiction characteristic of postmodernism, featuring several fictional disclaimers in the beginning and end, arguing that the book was not written by the author and was instead given to the author on a tape or written by a computer.

The French Lieutenant's Woman (1969): Written by John Fowles, The French Lieutenant’s Woman is a historiographic metafiction novel about a love story between a gentleman and a governess in the Victorian era. The book features a narrator who becomes part of the story and offers several different ways to end the story.

Slaughterhouse Five (1969): In Slaughterhouse Five, Kurt Vonnegut includes his own voice as a character in this non-linear narrative. The main character has been “unstuck in time,” oscillating between the present and the past with no control over his movement, emphasizing the senseless nature of war.

Gravity’s Rainbow (1973): This story by Thomas Pynchon is the poster child of postmodern literature, using a complex, fragmented structure to cover various subjects such as culture, science, social science, profanity, and literary propriety. In this particular narrative, Pynchon questions history and how it gets created, and also how it affects both society and the individual.

Source ⚜ More: References ⚜ Writing Resources PDFs

Mid hero fraudemia

💠 here and I just realized something about mha’s narrative is that these kids have no down time whatsoever. Like the narrative gives them no time to breathe, it’s always something that fowards the narrative. They want to go to the mall? Boom! Shigaraki has to be there. Training camp to be better heroes? Let’s just have one of these kids get kidnapped and let 5 other kids rescue him at the downfall of a mentor. Not to mention THE ENTIRE WAR ARC BECAUSE THESE ARE STILL FIRST YEARS (iirc on the timeline that they were first years during war arc). While I get why the writing is like this, shonen jump could've cancelled it at any moment, it just kinda rushes everything and leaves most of the cast to be bland/forgettable (most of 1-A) if not outright have their writing thrown in the trash (I still will not forgive them for throwing the Tenya and Ochaco dynamic with Izuku away).

Like the most they get is the sports festival, some of the training camp arc before it gets thrown out, the cultural festival and maybe the internships but Tsuyu is the only one shown to get a reasonable break in the anime exclusive episodes.

Like let me see Momo trying “commoner’s food”/street food for the first time and seeing how hard people work on the streets, let them having a day to go back to the beach Izuku cleaned up (because I don’t think they ever mentioned it after the early series), or a day where they all talk about updating their hero costumes or Izuku mentioning things about their quirks (kinda like how you were sprinkling in for the rewrite). Just GIVE THEM AND THE STORY SOME DOWN TIME AND LET THE CHARACTERS DEVELOP AGH.

NAH BUT LIKE FOR REAL!?!?

People can say what they want about filler or the obligatory beach episodes, but they were great! Just seeing these characters having fun, seeing how they act outside of high-tension, high-stake scenarios.

Who organises hang-outs? Who comes thirty minutes early, who comes an hour late, (totally not me, sorry guys), who always brings painkillers or lip balm or plasters/bandages? Who brings out a deck of cards, who cheats, whose poker face is terrible, who loses every game?

It's great seeing characters, especially teenagers, act their age. Not only does it serve to make the bonds between them feel a bit more real, a bit more strong, but it also allowed the audience to get attached to them properly.

See, I don't have an issue with Tomura showing up at the mall episode. I would have just liked to see the kids actually have fun before the sprinkle of plot development.

Show me Momo or Tenya or Shouto buying that trinket Ochako kept staring at but couldn't afford. Show me Mina beating everyone on DDR, and Tooru trying to compete like a fool. Show me Izuku or Mezou nearly breaking the punching machine. Show me Denki or Hanta making Momo and Shouto try crappy fast food and them actually enjoying it.

The timeline of MHA is ridiculous. Like, pace yourself please?? At least, show me what the kids get up to in the spring, summer, and winter breaks.

Downtime and breaks are extremely important, even in plot-heavy works. It's not just the characters who need a break, but the readers too. It gets exhausting reading about all this tragic stuff, maybe a gag here or there.

I guess Horikoshi may have been afraid that the momentum would be killed, but curbing momentum is what makes final acts feel so grand!

To compare it to a song or a musical number, you never want the score to feel stagnant. If a songs starts slow, the end will be all-out, only going down at the very end. See: It's All Coming Back To Me Now. Starts slow, ends with a massive note, and Celine Dion is joined by other vocals.

If a song starts high and up-beat, what composers will do is drop the melody, either cutting out the vocals or the beat, then let it all go out. Like... Uptown Funk with the toned-down bridge, segwaying into a powerful ending.

Stories work in the same way.

If you continuously build that momentum, without a break, it's going to peak early and feel stagnant the longer it goes. Horikoshi refused to give characters more than a chapter to settle down, and it made it all feel so same-y.

That's part of the reason by the ending of the Final War doesn't feel impactful at all. You're not left thinking, 'wow'. You're thinking, 'finally'.

I just realized something about BNHA that I'm sure nobody on here talked about yet.

The show suffers from a protagonist centered morality.

Izuku or to a lesser extent those that're on the side of the heroes, are always seen as in the right and that anything going against that is automatically in the wrong and should be called out. Even if the other side makes a good point about something.

Take Eri and the reporters for example. The reporters raise good points about Bakugou and how irresponsible UA is, but are told "na nuh!" By Aizawa and it just ends at that.

Then Eri... She literally went from one place who used her power to another. It literally falls into "It's okay if WE do it!" even though this is supposed to be a story meant to point out the flaws in society but gets onto anyone who dares try to say anything bad about it!

God even after all this time BNHA still makes my blood boil!!

People need to talk about this more.

Good and bad in MHA has less to do with morality and more to do with who are the heroes and who are the villains. Which could have been a GREAT setup, only for Horikoshi to never talk about it.

Any time ANYONE has a point, they are immediately discredited or brushed aside. Like Izuku dismissing what Dabi said by defending Endeavor as his mentor. For this to come from our protagonist of all people that late in the game? It not only ignores something blatantly being called out, it also makes our protagonist look worse. Instead of addressing and amending the propaganda he set up, Horikoshi repeatedly reinforces it for some reason.

(This is a repeated problem with Izuku especially. He's such a blank prop that never got the development he deserves that any critiques about the world around him go right over his head. It's actually bittersweet that in the epilogue he is starting to come to a realization because no it's too late)

I've talked many times about how the LOV regressed into irredeemable monsters to make their suffering and the points they made meaningless. Spinner suffered from this the worst. He was the member of the LOV who didn't crave destruction and wanted to change things, only to forgo all of that in the Final War.

To watch all this happen when I used to love MHA is just so disappointing