Petition For Sly 3 To Get A Proper Sequel That’s Just The Girls Kicking Ass

Thieves In Time Redux Meme #10

This happens during the events of Jail Break (Episode 2).

And the best part? Penelope not only gets what she wants, she also gets to see a dark future for herself and Bentley through what happened to Sly and Carmelita.

The boys are confined separately unlike canon so Penelope and Carmelita can individually save their boyfriends. Tennessee, meanwhile, gets stuck with saving Murray.

Extremely Intelligent RC expert, Ace Pilot, Buff Fist-Fighter & very flirty mouse, Penelope, hanging out with one of her fans~! . Yet another for the cartoon crushes series! Always adored this girl in Sly 3 & need to write an essay on how they dropped the ball with her in Sly 4

Penelope and the gang <3

made little sly cooper sprites. you’re free to use them just give credit!!

read more for original sizes and separate!!

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Just another “Platonic OT3” scene of these guys living their “normal” lives post Sly 3.

How to Create A Villain

The best villains? They don’t even see themselves as the bad guys. They’re 100% convinced that what they’re doing is right, even if it’s messed up. Maybe they’re trying to “save the world” by doing something super questionable, or they think enforcing strict rules is the only way to keep society in check. They truly believe they’re the hero of their own story, which makes them way more interesting and real.

And Yeah, your villain might want power, but the real question is: Why? Were they humiliated in the past and now want control? Did they grow up powerless and now crave it to avoid being vulnerable again? When you dig into their backstory and show us why they’re doing horrible things, it makes them a lot more relatable—even if they’re totally wrong.

Flat, one-note villains are boring. If your antagonist is going to stick with people, they need depth. Show us what’s going on under the surface. Maybe they lie awake at night, doubting their choices, or they’re still haunted by a massive failure that’s pushing them toward their goal. A villain with personal struggles and vulnerabilities feels way more human and way harder to fully

A great Villain doesn’t just fight the hero, they reflect them. They might have totally different goals, but at their core, they share similar traits, maybe ambition, stubbornness, or a tragic backstory. When the hero looks at the villain, they should see a bit of themselves, and that’s what makes the conflict between them so intense.

When the villain finally goes down, it should feel big. Their defeat shouldn’t just be a fight, it should hit them emotionally. Ideally, their downfall comes from their own flaws, maybe they got too arrogant or made a mistake because of their obsessive goal. The best villain defeats leave the audience feeling a little sad or conflicted, not just happy for the hero’s win.

There was no reason to make Penelope a villain in Thieves in Time. While she was never one of my TOP favorite characters in the series, I liked her addition in Sly 3 and what her skillset could offer to the gang. Plus, it was sick how she took on LeFwee and smacked him around.

Surely there was a better way to bring Penelope back. I don't know what that way is, exactly, but I believe there had to be one.

Penelope: It's amazing that Sly always looks so calm and composed.

Penelope: I wonder how he does it!

Sly, internally: fuck fuck fuck fuck fuck f

Whoa, Sly Cooper designs be upon ye. Sly, Penelope and Carmelita, of course. Then Sly and Carm fankids, and Sly's folks!

I've been busy, UwU.