These Are Some Of The Fan Art Pieces I've Been Making Of BATB.

two lovers

the moon and the sun

william afton and clara dancing

"Well, I didn't think I'd say this, but DAMN, STAN LOOKS HOT."

Give this man his cigar

Support on Kofi if you wanna see more

ten more points if it turns out that aziraphale goes viral after crowley convinces him to do a podcast talking about books

what about a universe where during the pandemic crowley just decided to start streaming because he was bored so just imagine this guy who looks like he's in his forties suddenly shows up and makes all these jokes about being 6000 years old and also he's fucking good at racing games (except mario kart somehow aziraphale always beats crowley in mario kart)

theres nothing gayer that whatever the fuck lumiere and cogsworth had going on in beauty and the beast

Some interesting facts about Hank you might have missed (Detroit: Become Human)

DBH is full of little details that help understand the characters’ background and their motivations, details which can go entirely amiss if the player isn’t paying enough attention to their surroundings. 

You have to play several times over to notice bits and pieces of information scattered everywhere and be able to reconstruct the characters’ background by patiently piecing them together. If you’re thorough enough, you can even uncover whole chunks of the characters’ past which they refuse to talk about (something VERY frequent in Hank’s case…and equally frustrating). 

Here are a few details about the life of Hank Anderson, the lieutenant who is chosen to help Connor with his investigation, along with some interpretations of my own about his mysterious past based on the evidence we find in the game:

[SPOILERS AHEAD. YOU HAVE BEEN WARNED]

The park where Hank goes to drink after the Eden Club mission is a playground for children. If you pay attention, you’ll see the place is full of recreational equipments, like a swingset, a toy house and a merry-go-round.  He says the place has a nice view and mentions going there a lot before something happened. This is where he used to bring his son Cole to play before his death.

What hurts most about this scene is how a human notices the photo of Hank’s dead son on his kitchen table, then the fact Hank drove to a playground and immediately associates them both, while an android (Connor) is unable to see the correlation between them. This is why Connor asks before what?. He’s clueless to the overwhelming evidence around him of Hank thinking about his son in that moment and choosing to revisit the playground. 

Hank used to be part of a multi-department unit called the Red Ice Task Force which successfully busted a ring of drug dealers that sold red ice in Detroit. He has a photo of his unit on his desk, and you can even see the notes he left on each of them, where some nicknames were scribbled and associated to each of their faces. Some of them are fond nicknames, others, not so much:

The nicknames (from right to left): 

Prick & Asskisser - the two male policemen in the far right

Nice girl - the smiling policewoman in front of Prick and Asskisser

Asshole - the smiling policeman on the front

Real police - the policewoman in the back, behind Asshole

A good cop - the policeman in the back, right next to her

Hank Anderson

??? - policeman on his left

Not seen since 2019. Owes me some $ - last policeman, in the far left

Hank worked in the Red Ice Task Force two years before the birth of his son Cole. Cole was born in 2029, as seen in the photo below.

Hank also lost his son in 2035, only three years before the events of DBH, as seen in Cole’s picture below.

The reason why Hank feels so disenchanted is because he worked hard to end the traffic of red ice in the city only to lose his son to a doctor who was a drug addict. This made him feel like his work was ultimately worthless and even guiltier about losing his son, since despite his efforts, there was nothing he could do to save him. The day Cole died, he learned he was fighting a losing battle. So he just gave up. On life. On his job as a good police officer. On everything.

Hank plays Russian roulette because deep down, he doesn’t want to die. Something keeps him from offing himself once and for all. He’s afraid of death. Proof of that is how scared he becomes when he is holding for dear life on the ledge right at top of that building during our chase for the deviant Rupert (where you must choose between saving Hank and keep chasing the android). Hank was so scared of the prospect of dying he punches Connor in the face and yells at him due to the android’s refusal to save him. Therefore, Hank might have suicidal tendencies, but he’s not truly suicidal. If he truly wished to die, then all he needed to do was to let go from that ledge or fully load his gun next time he’s at home and shoot himself. And he knows that.

His sense of guilt and helplessness for his son’s death is what makes him so protective of Connor. He’s aware Connor is just an android. And yet prevents him from facing potentially fatal situations. Hank just can’t cope well with death and will project his fatherly feelings for Cole onto Connor. This is why he commits suicide if he witnesses Connor’s death over and over. But this is also the reason why he warms up to Connor throughout the game. He inevitably associates the android with Cole despite himself.

Hank shoots you if he’s hostile after Connor repeats over and over again that he’s just a machine, unable to have real emotions. Hank’s actions have two root causes: 

1) The doctor who was high on red ice was emotionally dysfunctional. He used drugs to cope with his personal problems, a behaviour that seemed normal in Detroit given the socioeconomic hardship the city was going through (thirty percent rate of unemployment). We also see how androids are progressively replacing humans in every line of work. Remember when Hank complained how people are replacing normal relationships with humans for androids (Eden Club mission)? This seems to be a big issue in Detroit. Along with the huge unemployment rate, it indicates a depersonalisation of human interaction. That is to say, a tendency for humans to avoid contact with each other and replace real interaction either with an android or with drug abuse, something which Hank not only disapproves, but finds disturbing.

2) In the very first scene of the game, we see the mother despair when she learns they sent an android instead of a real human to save her daughter. Hank’s son didn’t survive because an android was sent to save him. Or at least that’s how Hank sees it. Much like that mother, he believes Cole would be alive if a human doctor had been there for Cole, another consequence of the ongoing depersonalisation process, as Hank sees it. 

This is why it’s so important for Connor to restore Hank’s faith in the possibility of there still being real human interaction left in this world. Of there being people who CARE about something. And if Connor fails to do so, repeatedly telling Hank he’s just a machine, this will trigger Hank to the point he’ll relive the day - or night - his son died because the hospital assigned a machine, something less than a human - an android - to save his son. Hank feels wronged, betrayed by mankind, by the very people he swore to protect as a police officer. Despite his efforts to save the city, they let him down. The fact that nobody cared enough to save Cole is what killed him inside and later triggered his suicidal tendencies. Human indifference took away the most important thing in his life.

Thoughout the game, Hank is watching you, trying to figure out what sort of person Connor is. This is why he questions your decisions after every mission. Remember his dialog with Connor where he asks why didn’t he shoot Chloe at Kamski’s place? That’s when he begins to wonder if androids aren’t more than just programmed machines and capable of free will…and even empathy.

Unless Connor’s actions succeed in restoring Hank’s hope in humanity, he sees no light at the end of the tunnel. And what could give a disillusioned, mourning father more hope than an android being able to feel and empathise with both humans and androids, to the point he rebels against his program and spares his targets, regardless of his mission?

There might be more on Hank, so this post will be edited in the future as I notice more details with each gameplay. 

If you liked this analysis, please like and share it. Do not repost without mentioning the source or without posting a link to the original post. I think that goes without saying, right?

It is surprising how a simple teaser managed to get my fnaf hyperfixation from when I was 7 years old to come back with double the Strength

A few days ago I found some of my old Norman Osborn drawings from when Spider-Man no way home was released and maybe because of that I spent a good few hours on AO3 reading fanfic of Sam Raimi's Spider-Man movies...

I just want to say that I love this fanfic.

Can you write about Lumiere finding out that Plumette is preagnent?

He hasn’t seen her around for several hours—”no, you fool, it’s only been minutes,” says Cogsworth, but Lumiere knows he is wrong and it has actually been hours, because that’s what it feels like—and he is getting concerned.

“Is she hiding from me??” he asks Cogsworth. “Could I have done something to offend her????”

“It has been THREE MINUTES,” says Cogsworth.

“It has been days,” and Lumiere weeps, great messy tears spilling down his nose. Cogsworth would be concerned if he hadn’t also seen Lumiere dramatically crying over misplaced porcelain, a ball change that didn’t go as planned, and a puppet show Chip did once where it took more than two acts for the lovers to get together.

“Four minutes,” says Cogsworth.

“Perhaps I have not appeared devoted enough,” Lumiere worries. “Perhaps I am not good enough in bed!”

“THAT’S QUITE ENOUGH OF THAT—”

“Cogsworth, no, don’t go, let’s practice, perhaps I have grown weak with my seductions, you be Plumette and I’ll—”

“No no no no no no!” Cogsworth cannot run very fast, but he is somehow managing now.

“He’ll break a leg, going that quick,” observes Mrs. Potts.

“He may break every bone in his body,” says Lumiere, “and it will mean nothing if I do not reconcile with Plumette. I have not seen her in twenty five years—”

“IT HAS BEEN,” yells Cogsworth, from somewhere deep inside the castle, “A TOTAL OF FIVE MINUTES AND FOURTEEN SECONDS—”

“—and I shall die without her love to guide me.”

“You shall do what, mon trésor?”

“Plumette! Ah, Plumette, you are a vision.” And she is—flushed with excitement, her curls bouncing, feathers stuck in her hair as they are always, now. She keeps plucking them out, but they keep coming back in again. She doesn’t mind it, much, and Lumiere adores it.

“Mon amour, I have something I must tell you,” and she seems shy, and Lumiere worries he is going to set himself on fire with love of her. Mrs. Potts seems worried, too; she is reaching for a water bucket and glancing at the top of his head. He must be smoking again. Ah, well.

“What is it? Chérie, what is it?” Now Plumette is bouncing on her heels, and now she leans forward to whisper in his ears. He is going to be—she is whispering that he is going to be—Lumiere is going to be—

“ON FIRE,” yells Mrs. Potts, “he’s finally done it, he’s on fire. Why on earth did you have to tell him in here, Plumette?! My lord, saint’s alive, Chip, fetch another bucket. Oh, lord, I’ve soaked your best coat, and the wig, oh, Lumiere, whatever shall I do with you—”

Lumiere doesn’t care what Mrs. Potts shall do with him. He is dripping wet, and his Plumette is a miracle, and he’s soon to be a father, and comme c’est beau! He is the luckiest man in the world.

It’s Sleepover Saturday, folks! My inbox is open for all discussions on BATB.

Local scientist enters the Olympics without any equipment nor protections

Gets a silver medal

Refuses to elaborate further

Leaves

It's been a long time since I drew Stan.

(I don't really like how it turned out after adding color digitally)