I just want to say that I love this fanfic.
Can you write about Lumiere finding out that Plumette is preagnent?
He hasn’t seen her around for several hours—”no, you fool, it’s only been minutes,” says Cogsworth, but Lumiere knows he is wrong and it has actually been hours, because that’s what it feels like—and he is getting concerned.
“Is she hiding from me??” he asks Cogsworth. “Could I have done something to offend her????”
“It has been THREE MINUTES,” says Cogsworth.
“It has been days,” and Lumiere weeps, great messy tears spilling down his nose. Cogsworth would be concerned if he hadn’t also seen Lumiere dramatically crying over misplaced porcelain, a ball change that didn’t go as planned, and a puppet show Chip did once where it took more than two acts for the lovers to get together.
“Four minutes,” says Cogsworth.
“Perhaps I have not appeared devoted enough,” Lumiere worries. “Perhaps I am not good enough in bed!”
“THAT’S QUITE ENOUGH OF THAT—”
“Cogsworth, no, don’t go, let’s practice, perhaps I have grown weak with my seductions, you be Plumette and I’ll—”
“No no no no no no!” Cogsworth cannot run very fast, but he is somehow managing now.
“He’ll break a leg, going that quick,” observes Mrs. Potts.
“He may break every bone in his body,” says Lumiere, “and it will mean nothing if I do not reconcile with Plumette. I have not seen her in twenty five years—”
“IT HAS BEEN,” yells Cogsworth, from somewhere deep inside the castle, “A TOTAL OF FIVE MINUTES AND FOURTEEN SECONDS—”
“—and I shall die without her love to guide me.”
“You shall do what, mon trésor?”
“Plumette! Ah, Plumette, you are a vision.” And she is—flushed with excitement, her curls bouncing, feathers stuck in her hair as they are always, now. She keeps plucking them out, but they keep coming back in again. She doesn’t mind it, much, and Lumiere adores it.
“Mon amour, I have something I must tell you,” and she seems shy, and Lumiere worries he is going to set himself on fire with love of her. Mrs. Potts seems worried, too; she is reaching for a water bucket and glancing at the top of his head. He must be smoking again. Ah, well.
“What is it? Chérie, what is it?” Now Plumette is bouncing on her heels, and now she leans forward to whisper in his ears. He is going to be—she is whispering that he is going to be—Lumiere is going to be—
“ON FIRE,” yells Mrs. Potts, “he’s finally done it, he’s on fire. Why on earth did you have to tell him in here, Plumette?! My lord, saint’s alive, Chip, fetch another bucket. Oh, lord, I’ve soaked your best coat, and the wig, oh, Lumiere, whatever shall I do with you—”
Lumiere doesn’t care what Mrs. Potts shall do with him. He is dripping wet, and his Plumette is a miracle, and he’s soon to be a father, and comme c’est beau! He is the luckiest man in the world.
It’s Sleepover Saturday, folks! My inbox is open for all discussions on BATB.
Vigilante Esteban AU Aesthetic
After establishing himself as chancellor and earning enough of Shuriki’s trust to have breathing room, Esteban devises a plan to help the people of Avalor in ways he cannot while carrying out his duties as chancellor. The steps he’s made - as chancellor to help Avalor’s economy flourish and run interference between Shuriki and others - don’t feel like enough, but he also knows he can’t jeopardize his position as chancellor. An accidental stumble upon a secret passage in the library reminds him that Shuriki is unaware of the palace’s complete layout, and his plan takes form.
Esteban creates a disguise to preserve his identity and begins training in one of the secret rooms. He increases his skills in evasion, sword fighting, close combat, setting traps, and stealth. When he deems himself ready, he plots a jail break to release Shuriki’s political prisoners. The execution is seamless, and he ensures their safe passage out of Avalor. He returns to the palace in high spirits and quickly establishes the pretense of having fallen asleep in the library while reading. Shuriki rages about the masked man undermining her authority, and he feigns disbelief.
In not too long, Shuriki selects a special legion of royal guard to deal with the masked man, and the locals refer to him as “El Gato.” Esteban quickly realizes how careful he needs to be in order to cover up his double life, and the effort it will take to perform both roles. He vows to shoulder the weight of the responsibility until he’s either found out, or Shuriki’s overthrown. The guilt doesn’t vanish, but, with every person he helps, managing it becomes easier.
i love this
I just had the funniest head canon of Lucifer going to meet Vox to help Charlie with advertisiment or something (maybe some silly ducks related things idk) and while talking being like "yeah I just wanna help my precious daughter but that radio demon what an asshole am I right?" And Vox literally tearing with joy because someone finally understands him (the king of hell himself) and so starting this crazy tantrum about hating Alastor while Lucifer is like: 🤨
Until he casually mentions that he's been away for 7 YEARS and Lucifer gasps in realisation connecting all the dots. He really hates Alastor now.
y’all just— thinking about how excited Stanley must have been to host the twins— Alex says he smokes cigars but he doesn’t smoke once in the show— has a beer gut but he only drinks sodas in front of the kids— doesn’t swear when they’re around which must have taken INCREDIBLE effort— Stanley Pines, known crook, buying pancake mix at the supermarket and many bottles of syrup— learning to cook basic healthy meals and burning so many of them before he gets it right— buying new sheets, new mattresses— avoiding bunk beds because it reminds him of Ford— looking at the attic room he made wondering “is this enough will they like me”— trying to act aloof at the bus stop so he doesn’t betray the fact that he was there hours early— watching them goof around and thinking of New Jersey beaches— then the first night they’re there, he watches them debate running away and only stay because Mabel shook a magic 8 ball. That must have kept him awake all night.
It's been a long time since I drew Stan.
(I don't really like how it turned out after adding color digitally)
I’d been wanting to create my own AU for a while. It took me some time to decide which of all my ideas to focus on first, but I eventually went with this one because it felt like something I hadn’t explored before. And personally, I *love* stories where a character is accidentally de-aged. *Gravity Falls* has so many characters you can have fun with when it comes to that concept.
Lately, I’ve had a bit of a soft spot for McGucket, and I’ve basically been devouring every fanfic and fanart I can find of him—so I couldn’t resist making him the protagonist of this AU.
Here’s the premise: in this universe, during the episode *“The Legend of the Gobblewonker”*, McGucket stumbles across a strange mushroom growing inside the cave behind the waterfall. The spores from this mushroom have rejuvenating properties, which causes Fiddleford to turn back into a 13-year-old—retaining only the memories he had at that age.
With no idea what to do, Dipper, Mabel, and Soos decide to take a very confused Fiddleford to the lake shore and try to explain what happened. Fiddleford, of course, doesn’t believe a word of it and runs off the moment he sets foot on dry land.
It only takes him a day to realize he’s on the other side of the country… and that it’s the year 2012. Naturally, he doesn’t take it very well.
Dipper and Mabel eventually find him and offer him a place to stay. At first, they sneak him into the Mystery Shack every night behind Stan’s back—but Stan doesn’t take long to figure it out and just lets Fiddleford stay, as long as he helps out around the Shack with Dipper and Mabel.
Fiddleford ends up having an amazing summer, joining the twins on most of their adventures.
Meanwhile, Tate McGucket is losing his mind over his father’s sudden disappearance.
never played disney heroes but their move set is funny
fountain of youth au where the stans get a second shot at their prime-- and the mystery twins trying to help them tackle the new 21st century all away from across the globe
Honestly the most revolutionary thing about Gravity Falls to me is its commitment to sincerity.
I’ve been listening to Alex’s podcast where he goes into the details of each episode with different storyboard artists and writers who worked on the show, and it just baffles me how… cared for the story is. Right now in media there’s been an uptick in satire, and shows making fun of themselves for existing, or taking the piss at their own content to “win” fans to their side. It’s like whimsy is gone from so many pieces of media. But Gravity Falls just doesn’t… do that. It completely embraces itself. Weirdness and all. And so does the team behind it. I’m not used to something I care about being so cared about by everyone surrounding it.
Here’s this cartoon, written and illustrated by an entire team of people saying, “no, we’re serious. we mean this. we made this on purpose and we made it important.”
Throughout the podcast, Alex discusses little ins and outs of each character, offering so much deep internal struggles and enriching the story even farther. And listening to him unpack it with the utmost sincerity just warms my heart. Each character is so dynamic because they were cared for by people who imbued them with sincerity.
That’s exactly why we get quotes like “Shame is powerful, but it grows in the dark,” as Ford realizes the trauma he’s hidden for so long is being embraced by his family, diminishing it’s weight on him through their immediate support.
It’s why we get Alex describing Stanley with quotes like; “I always in my gut thought of him as somebody with a huge well of sadness, a loss of human connection. And that need to please? That need to get laughs from the crowd, and putting on a big show? He’s trying to get from them the affection he never got from his family, and that he lost with his brother.”
Or detailing how Mabel might be a goof… but half the time she’s doing a bit, because she’s really more mature than her brother and doesn’t want him to grow up too fast. She’s trying to help ground him and bring lightheartedness into his life. Because she knows otherwise, he’ll become too self isolated.
And those two mini character studies he dropped so casually in these podcast episodes just… color the show. It’s why the show survived so well even after ten years. It’s gruff-old Stan always calling his niece “Pumpkin” and “Honey”. It’s the family always holding hands without it behind laced with a joke, and falling asleep on one another in the car. It’s Alex explaining that people toyed with other endings, other plot lines, other twists, but it was always going to end with Stan and Ford mending the family tie they severed thirty years ago. Because that was their story. Messes and family and care.
Ten years ago, watching it for the first time as it came out, I felt all that. But now, as an adult, knowing that all the other adults who made it felt the exact same way? :,) What a special story we all got to grow up with, and get to continue being apart of.
As they save All Might, what if we get a continuation of this visual?
Credits and Bonus below the cut
‘The path he chose.’
Posted with Permission
Artist: Aqilah_exe2
Original Post
so yall like smoking gus 👁👁
This blog will probably be focused in any hyperfixation that I have at the moment (main blog @pashfoxx)
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