hello! i'm trying to write a manipulative/cunning character that uses his charm to get what he wants, but i'm unsure how to go about it without being too overt. he basically acts all polite and uses peoples' inherent biases (like how they are more likely to listen to or trust someone who's conventionally attractive)
i'm also struggling to come up with instances where he'd use those skills. surely he can't just walk up to somebody and say something out of nowhere haha
thank you for your time!
That’s such a fun character to write! For subtle manipulation, focus on how he frames things—he never demands, just suggests. He compliments before slipping in a request, or pretends to confide in someone to earn their trust.
Manipulation has three core tactics:
Mirroring – He subtly copies people's tone, body language, or opinions to build fast rapport. People feel more at ease when they see themselves in someone else.
Framing choices – He never gives direct orders. Instead, he offers two options—both benefiting him—but makes one seem like the “better” or more moral choice.
Playing the victim or the hero – Depending on what the situation calls for, he knows when to act vulnerable to gain sympathy, or when to seem competent and generous to earn loyalty.
As for scenes: think small but calculated moments—like offering help so he can later call in a favor, or using flattery to get into private conversations. His charm should feel effortless, like everything he does just naturally benefits him. Let people want to say yes to him, because why wouldn't they? He'd never do anything wrong!
Use foreshadowing and drop hints through your scenes too, like:
He helps a powerful person in public (small act, big praise), later using that goodwill to get access somewhere.
He praises someone’s intelligence just before suggesting a risky plan—making them feel clever for agreeing.
He eavesdrops, then later "guesses" something personal about someone to seem insightful and trustworthy.
Basically, his charm is a tool, not a mask—it’s always used with purpose.
One character that comes to mind for inspo is Tom Riddle. I wrote a Tom Riddle fanfic series for like 2 years and crafting scenes where everyone thinks he's perfect while internally he's looking down on all of them was so so fun! Some personal tips from that experience:
Have someone who knows the truth! The one person who doesn't fall for his charm no matter what he tries, make his eye twitch and smile strain as he tries to maintain the farce of perfection whenever this person calls him out in public.
Internal monologue. It's important to make sure your readers get that this guy doesn't actually like the random girl he flirted with to get access to the professor's records. Or that the group of friends that constantly swarm him are really just nuisances in his eyes.
Make things easy, but not too easy. Have people who easily fall for the physical charm, and others whose trust he gains by making them let their guard down. The sceptic trusts him because he's apparently part of the same tiny dog club as them, the girl who falls for no one feels her heart flutter by how 'real and kind' he was during the moment they 'accidentally' met outside school.
I hope this helps!
Officially finished part 6 of the fic I’m writing…. It officially also has more words than the actual books I’m writing.
3226 words in one part I’m not okay someone help—
I won't lie, I love a good redemption arc for a villain. I love watching a formerly deplorable character atone for their sins and come to terms with the fact that they were wrong, and I especially love it when it doesn't come easy (as it shouldn't!). But I also know some writers might struggle with this, or worry about doing so in a way that won't aggravate readers or come out of left field. So, if you're struggling with this, here are some tips to help!
1.) Hint at redeemable traits early: All villains should be nuanced, in my opinion, but if you're going for a redemption arc, you should really dedicate some time to really showing those softer, redeemable sides of your villain from the beginning. It can be hesitation over their big evil schemes, or moments of really profound kindness in the midst of their cruelty. A villain that is too cruel from the get-go being redeemed will feel forced and likely uncalled for, so make sure you're going out of your way to show that the concept of "I can fix them" is actually possible.
2.) A strong motivation to change is a must: Nobody really makes an effort to change their ways unless they have a drive to do so, and the same should go for your villain. Don't make their mission to become "good" just a fleeting phase they happen to be going through (it's not like being emo, guys). Something needs to happen to them to drive them toward that switch. Maybe they realize the consequences of their actions and hate what they've done. Maybe the one person they want to save can only be saved if they change their ways. Maybe their beloved cat almost gets hurt during a scheme and they make the choice to change for their precious furry friend. You can really go nuts here!
3.) Remember "atonement, not apologies": Sometimes, "Sorry" isn't enough. In the case of a villain who might have done some pretty terrible shit in the past, I would wager it's most definitely not enough. While being remorseful is apart of atoning, it's not enough for them to just say "I'm sorry for trying to launch you into the sun" or "I'm sorry for committing arson on your base." Their actions also need to follow their apologies. They need to actually show that they're sorry, and are taking actions to fix the damage they've done. More than ever, their actions will speak louder than their dialogue.
4.) Remember that some actions are unforgiveable: There might come a moment in your villain's evildoings where they pass a point of no return. Some acts of villainy are just too far gone for chances of redemption. This doesn't mean that they can't have some version of redemption, but this just might come in the form of them accepting what they've done and making peace with it rather than being accepted and forgiven by those around them.
5.) Consequences don't just go away because they're nice now: No matter how kind your villain is choosing to be now, and how far they're willing to go to show that they've changed, they can't erase the past (of course, unless there is time travel at play, in which case...we'll talk). The consequences of their actions should still come back to bite them in some way, shape, or form, and they should still figure out how to work through them. Perhaps the villagers are still terrified of them, and likely will be for years to come. Perhaps the death of a loved one was indirectly caused by their wrongdoings, and they have to live with that.
6.) ...and neither does their core personality: At the end of the day, even though your villain is going through their redemption, they're still the same person they were as a villain. They still need to be the same ruthless or calculating or charismatic or dry or whatever kind of person they were to start. They just have less evil goals now. Write accordingly!
7.) The redemption needs to be EARNED: Redemption isn't something that just happens overnight. It needs to be treated like a practiced discipline. Your villain needs to try, fail, get up and try again, fail again, and keep trying. Maybe they almost give up at some point and try to relapse into evildoings. There needs to be a struggle as they come to terms with their actions, learn the correct way to atone, and find ways to make up for their terrible deeds. That way, when they've finally reached their peak of "good," it feels like it was deserved.
8.) Death does not always equal redemption: From years of reading, I've noticed that a common way to redeem a villain is just...killing them in an act of sacrifice. I feel like this only works if there's been a buildup to it. They can't just go out in a blaze of sacrificial glory and expect to be recounted as a hero when they were forcibly lobotomizing innocent children the day before. If your villains redemption arc does end in their death, the other tips still matter--there needs to be a buildup to it.
(If you like my guides, prompts, writing, or art, consider supporting the blog today! All donations help me keep this thing up and running and all are appreciated <3)
"So... you free on Friday?"
"There is a new restaurant down the street. Maybe you would like to try it out together?"
"I wanted to ask for a while, so... can I take you out on a date?"
"Tell me a time and a place and I'll be there."
"Let's skip the small talk and just go on a date."
"I have a book full of date ideas. Can you help me trying them out?"
"Hey, I've got this wild idea: you, me, and a cup of coffee. What do you say?"
"I'm going to pick you up, you don't need to worry about anything. You just need to be pretty. Which shouldn't be a problem, since you always are."
"Should we make it official with a real date?"
"I dreamed about us going on a date. Should we make it a reality?"
"There's this fancy restaurant I'd like to try, but I'm sure the food will taste better if you are there with me."
"I could show you a good time."
"So, this was basically a date right? Wanna try a real one?"
"I think I found the perfect date spot. Care to try it out?"
"Let's take this to the next level and go on a date together."
If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰
beginning to suspect that if I ever want to have a published novel I will have to actually write a novel, which is frankly ghoulish
Wizards are not naturally immortal. In fact, creating their own form of immortality is their graduation thesis.
I got inspired to write a poem--
(please note this poem was not, in fact, made by ai. I stayed up until 1:30 in the morning writing this)
Imagine a world where everyone could write. There’d be no need to argue, no need to start a fight. No need to stay up until all hours of night, No need to squint at the paper and say, “This can’t be right.”
Imagine a world where you could spitball a book. It’s really quite easy, I promise, just look! You don’t need to worry about finding a unique hook, Just borrow this neat one from this author I took.
Imagine a world where you could make a series for tv. It’s quite simple and really stress-free! All you have to do is write a sentence, you see, And our Inkitt AI can turn it into an episode, two, or three!
A single bullet point can turn into a flourishing story. There’s no need to draft, no need to worry. All the “real” writers will run away and scurry. Compared to our stories, theirs looks like an unfinished painting, blurry.
Imagine a world where we took all the joy Out of writing for every girl and boy. It’s our writing they want, our writing to enjoy, And our platforms are as enticing as a small nostalgic toy.
AI is better. This, people just know We’ll steal from all the “real” writers; just keep it on the down-low. Everyone will come to us, and our platforms will grow. We’re practically as iconic and cool as uh… Odysseus and Calypso.
That was the first thing, but this better thing is second: All the helpless writers to our platforms, we beckoned. And here’s a little secret, it’s something we recon, That we’ve turned our silly tools into a weapon.
Imagine a world where people for themselves don't think. And creating a piece could be done in a blink; And they’ll use our tools more and more like the alcohol they’ll drink As their helpless brains and their skills of craft start to shrink.
On our words of wisdom and greatness, they’ll rely While subpar original works out of “writers’” hands we pry And use our cool AI programs to modify— And if they come after us, we’ll simply just deny.
Their brains will grow stupid, tired, and weary, And we’ll have the power to answer all their writing queries. We may do some things that might cause some to be leery, But not to worry, we’ll still write your english essays and letters to mother deary.
Imagine a world where everyone could write. With what we’re doing, everyone’s ideas can take flight. And with the way we’re going, we’ll be All Writers’ sole—blinding—light, And no one will be able to look at what we’re doing and say, “This isn’t right.”
Each week (or so), we'll highlight the relevant (and sometimes rage-inducing) news adjacent to writing and freedom of expression. This week:
Inkitt started in the mid-2010s as a cozy platform where anyone could share their writing. Fast forward twenty twenty-fuckkkkk, and like most startups, it’s pivoted hard into AI-fueled content production with the soul of an algorithm.
Pictured: Inkitt preparing human-generated work for an AI-powered flume ride to The Unknown.
Here’s how it works: Inkitt monitors reader engagement with tracking software, then picks popular stories to publish on its premium app, Galatea. From there, stories can get spun into sequels, spinoffs, or adapted for GalateaTV… often with minimal author involvement. Authors get an undisclosed cut of revenue, but for most, it’s a fraction of what they’d earn with a traditional publisher (let alone self-publishing).
“'They prey on new writers who have no idea what they’re doing,' said the writer of one popular Galatea series."
Many, many authors have side-eyed or outright decried the platform as inherently predatory for years, due to nebulous payout promises. And much of the concern centers on contracts that don’t require authors’ consent for editorial changes or AI-generated “additions” to the original text.
Now, Inkitt has gone full DiSrUpTiOn, leaning heavily on generative AI to ghostwrite, edit, generate audiobook narration, and design covers, under the banner of “democratizing storytelling.” (Bullshit AI? In my democratized storytelling platform? It’s more likely than you think.)
Pictured: Inkitt’s CEO looking at the most-read stories.
But Inkitt’s CEO doesn’t seem too concerned about what authors think: “His business model doesn’t need them.”
The company recently raised $37 million, with backers including former CEOs of Sony, Penguin, and HarperCollins, proving once again that publishing loves a disruptor… as long as it disrupts creatives, not capital. And more AI companies are mushrooming up to chase the same vision: “a vision of human-created art becoming the raw material for AI-powered, corporate-owned content-production machines—a scenario in which humans would play an ever-shrinking role.”
(Not to say we predicted this, but…)
Welcome to the creator-industrial complex.
Major publishers—including The New York Times, The Washington Post, The Guardian, and Vox Media—have launched a "Support Responsible AI" campaign, urging the U.S. government to regulate AI's use of copyrighted content.
Like last month's campaigns by the Authors Guild and the UK's Society of Authors, there's a website where where you can (and should!) contact your representatives to say, “Hey, maybe stop letting billion-dollar tech giants strip-mine journalism.”
The campaign’s ads carry big mood slogans like “Stop AI Theft” and “AI Steals From You Too” and call for legislation that would force AI companies to pay for the content they train on and clearly label AI-generated content with attribution. This follows lobbying by OpenAI and Google to make it legal to scrape and train on copyrighted material without consent.
The publishers assert they are not explicitly anti-AI, but advocate for a “fair” system that respects intellectual property and supports journalism.
But… awkward, The Washington Post—now owned by Jeff Bezos—has reportedly already struck a deal with OpenAI to license and summarize its content. So, mixed signals.
Still, as the campaign reminds us: “Stealing is un-American.”
(Unless it’s profitable.)
We at Ellipsus love a good meme-turned-megaproject. Back in January, the-app-formerly-known-as-Twitter user @lolt64 tweeted a cryptic line about "the frozen wastes of europa,” the earliest reference to the never-ending war on Jupiter’s icy moon.
A slew of bleak dispatches from weary, doomed soldiers entrenched on Europa’s ice fields snowballed (iceberged?) into a sprawling saga, yes-and-ing with fan art, vignettes, and memes under the hashtag #WarForever.
It’s not quite X’s answer to Goncharov: It turns out WarForever is some flavor of viral marketing for a tabletop RPG zine. But the internet ran with it anyway, with NASA playing the Scorcese of the stars.
In a digital hellworld increasingly dominated by AI slopification, data harvesting, and “content at scale,” projects like WarForever are a blessed reminder that creativity—actual, human creativity—perseveres.
Even on a frozen moon. Even here.
Let us know if you find something other writers should know about, (or join our Discord and share it there!)
- The Ellipsus Team xo
(feel free to use, tag me when yall write!!! mwah xoxo)
"You're okay, look at me--yes, my love, you're okay. I'm here now."
tight hugs, their hands cradling you and your heart close to theirs.
Their heart shattering with every ragged breath u take and every sob that escapes your lips
"Do u know.. it's incredibly brave of you to.." They pause, gently rubbing the tears stains off your cheeks, "Be vulnerable with me? It's my honor, to protect you, and be a safe place for you."
being hospitalized, and waking up to find them curled at the foot of your bed, holding onto ur hand.
Voice breaking as they whisper, their hand tightening around yours, "I-I thought I lost you.."
pressing your lips their forehead, as they break apart in your arms, clinging onto you. eyes full of pain, tears and rare vulnerability that bares open their entire being to you
^ caressing their face, unable to know what to say or do but whispering, "Let me hold you through this all. It's okay to cry, my love.." and they completely shatter.
Them curling up into ur chest, needing comfort, security and strength
"I'm so sorry--" "No, no, no. You did ur best, my soul, i---i am the one sorry."
Anne Sexton, from a letter featured in Anne Sexton; A Self-Portrait In Letters
Hello! Welcome to my silly little corner of the internet.
233 posts