Funnier In My Head But We're All Thinking The Same Thing, Right? Jason:

Dick, on the phone with Roy: I just think that Bruce actually hates me and doesn’t stand to be around me ever

Bruce, standing behind him wearing nightwing socks, nightwing cap, nightwing pants, “father to worlds best son” t-shirt, trying to hide a huge reprint of a picture of him and Dick he brought for Dicks new apartment behind his back:

ONE PIECE WANO SPOILERS EP 1038

Otama, a nobody little kid told to stay at home while the adults fight the war, barging in with nothing but her guts and unmistakable charisma and single handedly turning the tide of the entire war is such a good parallel to Luffy at Marineford.

This arc is full of such parallels to pre time skip arcs. I’ll probably yap about it fully once I’m actually done with the arc but it’s got me wanting to rewatch the last 1000 episodes.

people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.

he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."

the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.

and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -

and i will say this: so why don't things get better?

because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.

reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.

and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.

and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.

and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.

this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.

(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)

so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.

batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.

and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.

the joker kills thousands and it doesn't matter because they were written to be killed.

batman beats up thousands and it doesn't matter because they were written to be criminals.

and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)

and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -

thousands. ten of thousands. hundreds of thousands. written to be killed.

but one of them gets to come back.

and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)

here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -

but because of what he calls into question. why is the joker alive?

because he sells books.

and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)

so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.

batman can't kill the joker because the joker sells comic books.

and jason can't kill the joker because the joker sells comic books.

so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.

he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?

why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?

and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -

nothing jason can ever change.

which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.

Absolutely. In S1 when Zatara puts on the Dr.Fate helmet and Zatanna effectively loses her dad, Dick/Robin is hovering around her looking like he wants to comfort her. He knew better than anyone there the pain of losing a parent. But no one around him knew that part of his life.

Later on in the Haly's Circus episode, we see that Wally knows about his past but precisely because of that he doesn't bring him on the mission. It's a liability. But that makes him so very lonely and isolated going through that journey alone despite having a team around him.

I was rewatching Young Justice and the fact that all versions of Robin are the only one forced to keep their secret identity even with their teammates and friends is usually written off as Batman being paranoid. I think it's more than that, that it's his way of giving the kids an 'out'. If they ever decide they don't want to fight crime anyone they have a safe identity to return to, no obligations.

They are children first, soldiers second. Bruce knows better than anyone the loneliness his job brings and of course he would want better for anyone, especially his kids.

they should do an inter batfamily conflict where cass catches damian making luigi mangione fancams and voices her opposition to him supporting a murderer and damian accuses her of being an insurance industry bootlicker and cass is like. what’s insurance. and the fallout results in a new reboot

a comic about wine, a wager, and reconnecting through your weird kids

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this behemoth of a comic is finally done - and just in time for zoros birthday huehue. initially i wanted to make a zolu introspective from an outsider POV and was like you know who would have really funny input on this … mihawk. and then it spiraled into seven pages of mishanks sitting and talking. i thought it would be funny if mishanks ended up doing self imposed couples therapy the day mihawk brought luffys bounty bc well. its kind of hilarious to think abt mihawk realizing shanks was onto something all those years ago after he meets zoro and luffy. like sure this new generation is batshit crazy but my god are they cooking. anyways. cheers. get some kids

I just woke up and somehow the only thought in my head was Jason Todd as an Etsy witch but he only sells ‘violent spells’ and instead of doing spell work he just personally goes out and beats the shit out of whoever you choose

“You don’t know it now but there’s still more to lose”

Wip. Please interact and give me suggestions so I have the motivation to finish this

Where can I get a full recap of the Shining Nikki plot? It’s so intriguing and I want to understand the Nikkiverse before I get super into infinity Nikki. The game’s style really isn’t for me though so it’s really hard to get through it. I can’t even find a voiced play through of it all :/

Help! How do I get the back of Nightwing’s head to look like he’s leaning his head forward? Anything I do just makes his head look smaller 😭😭

Wip for an edit I have in my mind to this song