M-p-lebrush - Untitled And Incoherent

Amazing analysis.

I think the voice of the cold intrests me as a character so much because he's such a real and visceral response to their circumstances. Which is true for all the voices and each is intriguing to dig into in a different way, but this post is about cold the others will get their turn (probably)

Imagine with me, for a second, you've only just learned what it means to exist and you've already been discarded.

You've done everything you were told without question. This is your purposes and you were promised Good at the end of it and you do it and you do it well. Your guide, and authority figure you should be able to trust who is seemingly so much more experienced in this world than you even seems happy with you. You must be doing it right

Then you're abandoned. The only Good for you is an eternity of nothing. The only way you can be Good is to hurt others and to not exist at all.

Wouldn't that leave you empty? Hurt, clawing for something, anything to fill that void. You had Purpose and it turned out to mean nothing, you had a vague promise of Good and it turned out to be nothing.

You can't be Good, can't fulfil that Purpose when all of it means nothing, when you've been lied to and led to be locked in a box for the rest of time. And rather than feel that hurt, you claw it out of yourself with your own two hands, and the same implement you'd used to fulfil your Purpose.

All he wants is that Good he was promised, and to him that's the opposite of that box. It's the opposite of Nothing. It doesn't matter if it hurts him, if it hurts somebody else, if it feels good or feels bad, he just craves something that will make him feel. That will make everything worth it in the end, that will free him from the monotony and inherent stagnation of the situation he's in. What use does he have for morality in pursuit of this? What use is morality in this situation anyway? Where everything is being presented with such grand consequences, where everything is both right and wrong, where these consequences never seem to quite stick for him regardless? So he simply encourages action, in whatever form that may take.

Because it's so much more intresting if it's an active choice. Something is always better than that empty cabin surrounded by nothingness all around he's subconsciously running from. Because cold is most aware of their godly nature, and so is most aware of whats always missing no matter what they do. Who tries to fill that emptiness, first with Purpose then with Action.

For a voice that claims to feel nothing at all a lot of his drive is purely emotional. He wants to be intrested, he wants to be engaged, he wants to feel something even if it hurts. He wants to feel connection to this body the same way the other voices do, and yet criticises them for feeling in that way.

At the core of it all, he wants back what he's lost. And by his very nature he cannot have it.

I'm a little late but I've been thinking about the Ides of March and how it could be commemorated IRL, in a "remember that politicians are just humans" way. I was wondering if anyone had similar ideas.

Personally, I'd commemorate with a sort of game. You gather a bunch of people and one of them, typically one with the most authority, is elected as Caesar. You can have props like the laurel crown, or just a random crown and staff or something.

Caesar then gets to give each other player a dare to do, and if the players can't or refuse to do it, they get a slap or a spank. But then, once everyone was dared, Caesar receives a dare from each other player.

Tally up how many times Caesar refused or failed a dare, then add the number of times someone else did and got slapped. That's how many times Caesar gets slapped or spanked by the players.

Of course, this is supposed to be in good fun so there should be no dangerous dares and no slapping too hard. Instead of slapping you could also bonk the person with something like a foam noodle or a cardboard tube, or stab them with one of those prop knives that retract into the blade.

I guess one could also make a kinky version, I won't judge.

Anyway, that's how I would celebrate the Ides of March! I was wondering if anyone else had ideas!

Favorite bird genre has got to be 'that's literally just a dinosaur'

Groove-Billed Ani

Hoatzin

Pheasant Coucal

Going to try and isopod while running. No idea how, but I'll give the guy a shot.

Had a dream that I saw this ad in a paper

Never knowingly survived a Meet the Team video.

TF2 Blu Soldier Kenny Mccormick

To be fair, Largo goes through that anyway.

I've written Largo into enough of a genuinely mentally harmful situation over the past day that I think it's only fair I draw him all snuggled up and comfy at some point too. Give him a break.

I love lego horizon’s silly outfits. We should add them to the original games so we can absolutely ruin serious plot moments like this 🍌

"ohh my god you can't just-"

Am I yours to command? Does the collar 'round my neck have your name on it? I kneel to no king nor god, and I see no crown on you.

Alright, a bit of context for why two polymer clay ships are here with so many tags: The brown ship was made for talk like a pirate day, the ghost ship was made while I was home alone and listening to the PotC soundtrack and it just turned into the Flying Dutchman with demon horns and the Black Pearl's sails, because that looked best. I used fimo modelling clay, kebab skewers, used teabags and contact adhesive. Watercolours on the ghost ship sails to make them black. I seriously recommend the stardust fimo colour, I used it for every colour on the ghost ship except windows and the hatch to lower decks. The trick with the masts is to make the holes before baking and then bake them separately; before it can cool, you put them back in and let the clay shrink around the sticks. No glue needed. Sails are done after baking, this is where contact adhesive is needed. I recommend making a template for both the side and above profiles.

Also: I think Aragorn gets a bad reputation now because so many lesser franchises have tried to imitate his archetype without understanding why he works. In the original movies he’s just a big gentle sad guy with a sword, who knows he’s not the real hero of the story and dedicates himself to supporting those gay little hobbits. The aragorn knockoffs are not his fault