Im so enchanted by how the Master is originally characterized. He's devious and power hungry and his whole gimmick is hypnotism and disguise and he's frankly a little stupid but when he isn't manipulating people or allying himself with destructive forces out of personal gain, it's always out of fear and it seems to be an expected outcome that he'll end up backed into a corner and lash out. It only takes two serials for us to learn that the master is SCARED of the doctor, tied up with complicated feelings of care and resentment. This isn't something new who lacks, per se, but their fear is always hidden under their veneer of a cackling maniac. it's very clear from Delgados performance that this pervasive fear is a feature, not a bug, and he is not just naturally reserved, careful, and meticulous because he's a machiavellian evil genius, its because he's paranoid.
I’m writing scenes which are good, and I don’t know where they are going to fit in the book. But it’s what I call ‘The Valley Filled With Clouds’ technique. You’re at the edge of the valley, and there is a church steeple, and there is a tree, and there is a rocky outcrop, but the rest of it is mist. But you know that because they exist, there must be ways of getting from one to the other that you cannot see. And so you start the journey. And when I write, I write a draft entirely for myself, just to walk the valley and find out what the book is going to be all about.
-- Terry Pratchett - A Slip Of The Keyboard: Collected Non-fiction
This depends on if the person is encouraging it positively or negatively IMO.
Language is supposed to enable communication so introducing a language barrier with friends seems like a way to distance yourself from them.
I can see this easily going wrong, but it could be a great opportunity to share a passion.
she's a hero. she should dump her west brit "friends" and become friends with me instead
really i think the key difference between david tennant and peter capaldi as fans of the show they were in is that david tennant's childhood obsession shows through when he comes face to face with elisabeth sladen in school reunion with all the joy of someone who was in love with the show as a kid in the 70s. you know, like a normal person. (by doctor who standards.) whereas peter capaldi's childhood obsession shows through when he comes face to face with creepy mummy-like cybermen based off a partly-lost william hartnell serial which is deeply deeply disturbing on a psychological level with all the glee of someone who was disturbed on a psychological level by the show as a kid in the 60s
Scene from the beginning of The color of magic
Once again losing my shit over the body swap. What do you mean Crowley sees Aziraphale as brave and kind and forgiving to the end. What do you mean Aziraphale sees Crowley as suave and silly and confident. They make me sick.
Frankly, being 21 and attending high school sounds pretty darn weird unless you're a member of staff.
“No? Why? Because I’m a vampire?” “No… Actually, pretending you’re 21 and attending high school for eighty years is a little weird, man.”
So you know the rumour about a Margot Robbie PotC film...p
she's everything
It's such a shame too, the original version was a human-like group who had to change themselves into these cybernetic monsters just to survive. They wanted to convert humans as a mercy.
I feel like there's something valuable in the Moffat era in how often they independently crop up, and in the classic era for being able to see just a little bit of the actor.
Maybe there could be some kind of transhumanist story, where people actively become cybermen in an experiment to circumvent the need to terraform a planet so they can go out and collect resources on a struggling colony. It could have been going well for a while. These cybermen could have names, like the original, and eventually people decide to undergo conversion to reduce the resources needed to get by. Or the cybermen, seeing their people continuing to suffer, decide to remove that suffering by force.
IDK, just thought it'd be an interesting story idea.
the concept of the cybermen is magnificent. it's creepy. it's disturbing. it's the terror of undeath and the horror of coming back wrong. it's the endless march of capitalism, it's the commodification of disability aids, it's the ceaseless machinations of time. it's monopolisation. it's euthanasia as a substitute for healthcare. it's a lot of things. unfortunately many cyberman appearances can be boiled down to "scary army of robots invades" and frankly if i wanted to watch fiction about a robot and not the cybermen i'd just put on, well, robot.
The TARDIS is sick of the Doctor forming toxic relationships with companions and she is not relinquishing control of the jukebox.
obsessed with the Doctor making a promise he can’t keep, kissing Belinda’s hands, and then Toxic by Britney Spears immediately blasting over the TARDIS radio.
yes TARDIS. you have accurately assessed the dynamic there for sure
Ya know what? Even before JK Rowling outed herself as a substandard primate, I wasn't a big fan. Harry Potter is the least bingeable fantasy series I've read.
Lord of the Rings? Perfect for binge reading.
Discworld? Streaming services envy the variety.
Harry Potter? Tonal whiplash like there's no tomorrow. Went from kids books to being for edgy teens that don't want to be embarrassed yet.
At least How to Train Your Dragon doesn't try to change demographic that quickly. It actually matures over the series and takes time to transition, instead of just switching to a different style out of nowhere.
Soz for the ramble in tags.