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(THE BOOK OF BILL SPOILERS!!)
Thinking about Bill’s appearance at the end of the book…
[ID: BIll when confronting the Axolotl. He is shown in white silhouette, hovering in space, hovering neutrally. Notably, he has a massive crack running through his body, splitting him into multiple pieces, some of which are coming apart. /end ID]
When confronting the Axolotl, Bill is broken. The Axolotl even notes this: "Shattered, broken, not yet dead."
(Which, side note, makes me think Bill might have been lying about having been "kicked out of Hell," if he didn't actually die in Stan's head.)
[ID: Three pictures of Bill in the Theraprism. The first one shows him holding his hand against the side of his head in a dazed expression, sitting in a chair in a white padded room between a wizard with a clock for a face and Saturn (taken directly from the painting Saturn Devouring His Son). The second is a camera recording of him wearing an orange jumpsuit and kneeling in a cell, surrounded by arts and crafts tools, holding a pair of scissors, and beaming his thoughts frantically into a book. The third shows a mugshot of him staring blankly into the camera, his own name written on coded text below him. In all three images, he has a glowing scar where the cracks were, and is in one piece. /end ID]
When he's shown in the Theraprism, we see a glowing, static-y scar where the cracks were. The scar crosses his entire body (and even crosses to the other side of his eye without affecting it!), but he's actually whole, keeping himself together.
But then...
[ID: Two pictures of Bill from the last pages of the book. In the first one he is facing forward and holding up one finger, his eye reddened, his entire form glitching, and his crack is notably worse than prior, cracking through his eye, multiple smaller pieces drifting away. In the second one he is staring blankly at the viewer, his arms hanging limply, his eye wide and blank, the crack worse than the previous image, with more pieces floating away. /end ID]
In the last few pages, we see the scar is gone and the cracks are back, and even more of him is breaking away, including parts of his eye. It's especially bad in the last image, with even more pieces of him breaking away.
Also noteworthy is that the static texture behind him seems to be the same as the blood sample the US government took from him in the 1940s. He's bleeding.
We know from context that these images are meant to be taken somewhat chronologically. After dying (or nearly dying), Bill seeks out the Axolotl, who sends him to the Theraprism. While there, he writes the journal that he's beaming to us. The staff at the Theraprism catch onto this, and allow him to write out the last few pages, meaning those last few pages are chronologically the last of Bill we see.
This means that, after the events of the show, Bill was shattered... and then, upon entering the Theraprism, started to heal, his body coming together and scars forming... but at some point afterward, he started breaking apart again.
I'd made a post previously about Bill's development, how he views himself as a monster after the Euclidian Disaster, and how he continues to act monstrous afterward (and winds up agonizingly lonely as a result). I didn't really touch on this in the post, but I feel like after inadvertently destroying his home dimension...
Bill never left the denial phase of grief.
I could be wrong on this, but I get the feeling that part of his reason for acting monstrous toward just about everybody is because he sees himself as a monster, because "this is just how I am" is easier to accept than "I really really screwed up."
Bringing this back to his shattering... It's interesting to me that after entering the Theraprism, his body is scarring, which means it is healing. But then, at the end, as he's signing off the book, he's shattered again, and looking even worse than he did when talking to the Axolotl. When talking this over with a friend, they pointed out something that struck me:
Bill does not want to heal.
Healing means having to actually think through what happened. It means having to confront his past, confront destroying his home dimension, confront the harm he caused to others, confront the fact that he did not have to be this way.
And he refuses to do that.
He refuses to heal.
i forget where I got the idea from (might've been carter's Political Theory which is a terrible book otherwise), but something i haven't been able to get out of my mind is what I'm tentatively calling the ‘Anarchist Theory of Accountability’; which resolves itself into this cold assessment that both the logic and the individual are at fault.
I was so used to Marx and his way of talking about the abstract logic intoxicating the whole of society and how it's not the individual but the systems and logics that are responsible
Like Marx straight up tells you —doesn't warn you, but tells you— I should've taken it as a warning, that he deals with individuals only as personifications of class interests
Sure, he has his favorite punching bags, but for the most part he abstracts
So this whole other facet ran under my radar and was a rude awakening because ultimately it is still the real corporeal physical individual who carry out actions in their own interest at the expense of others, who sees and smells and architects the misery of others for their own gain
The logic may have wormed its way into their heart but they still plan and relish and act out on it
‘Don't hate the player hate the game’
No actually, I hate both, the game is rigged and the player constitutes and reconstitutes, produces and reproduces the game
The only way is not to play, as difficult as that is
‘I was only following orders’
But you still followed them, at the expense of everyone involved
“The best investment you’ll ever make is in yourself. Never stop exploring, learning, experiencing, and becoming a better person each day.”
— Mo Seetubtim
like what’s up manger
At least two major artists (Lady Gaga and Chappell Roan) making a point to vocally support trans people the Grammys is a big deal in this political climate.
Hey, take it from someone creeping towards 40:
Ignore the fun police.
If you like it, order your steak well done. Get your bagel toasted with jam and butter. Put ice in your scotch and ketchup on your hotdog. Get red wine with fish and white with steak. Who cares?
If you want to, listen to pop music. Watch blockbuster popcorn flicks. Read dime store novels. Enjoy them.
Dye your hair or cut it off. Paint your fingernails blue. Wear whatever the fuck you want on your own time (ie, when not at a job or school or whatever where you can get penalized for breaking rules) as long as you aren’t like welding or shoveling snow.
Anyone who tries to tell you you’re wrong? Say “okay” and go back to what you were doing. You’re not hurting them by enjoying yourself or having things the way you like them.
There are no caveats or addendums to this. No “but what about x?” Nah. You’re allowed the things you like. You don’t have to justify your taste or apologize for it if it’s not hurting anyone.
And likewise, let other people live their lives. We’re all dead in the long run, so tend your own garden before you become fertilizer in it.
i do want to say, the pope dying is not Good. like haha on easter, we hate the churches and religion, but pope francis made real change within the church. he cared. he was willing to listen.
the next pope will hopefully be better, but there is a very real, very imminent chance that the next pope will turn back everything pope francis stood for. the next pope could very very well be a an extreme right leaning pope.
This scene will never leave my mind
His little "oh yeah?" IS SO CUTE