Latest Posts by mayykit - Page 2

gaon as a character genuinely gets so little true agency of his own through the entire show, and it's something that he's clearly aware of and frustrated by. he's constantly presented with choices and ultimatums by those around him, his agency is continuously shot down and overruled by others, and despite how much he cares about each of them, every time it happens he ultimately demonstrates - intentionally or not - how much he hates that by immediately pushing back on whoever poses such limitation to him in the first place (re: soohyun telling him to stay back and let her handle digging into yohan's past -> gaon sneaking around yohan's house; min jungho pressing gaon to make his decision -> gaon siding with yohan; yohan telling him not to see soohyun if he wants to stay on his side -> gaon leaving the kangs).

in the end, all of those people are no longer actively in his life. he is alone and he must be independent, and it must make him feel so confllcted - that his having agency and free will is grounded in how those he cared for are unable to influence him anymore.

the only bright side of this is in kang yohan, who makes it clear through his actions in the end that he's consciously made the choice to give the agency back to gaon, to put the ball into his court. yohan chooses to take a step back, take his hands off, and let gaon choose what he does in rebuilding the system; he demonstrates his trust and faith that gaon will do it all well, teasing that he - a man "known" to be dead - will come back into the fray if gaon doesn't do a good job.

it must be so bittersweet to be kim gaon.

Kim Gaon as a character is so important to me.

This poor boy, whose parents committed suicide when he was so young, ends up being manipulated by almost everyone in his life who think they know what's best for him.

His mentor, who he saw as a father ends up manipulating him to further his own agendas and goals all while giving him the illusion of choice. Ga On has never truly had a choice.

And Soohyun too. Yes, she only ever wanted to keep him safe, and that is a nice sentiment, but in acting the way she did towards him she caged him in.

Maybe it's the Gemini in me, but if someone tries to limit my freedom of choice or influence my judgement in any way, I start to get suffocated. No matter what the sentiment behind their actions are. She didn't deserve the end she got, and she genuinely cared about Gaon but at the same time she ended up trying to influence him because she thought she knew what was best for him.

And then comes Yohan. Yohan is complicated (as morally grey characters tend to be), because for a good while in the beginning, he too tries to use (or at least wants to use) Gaon for his own ends.

But also, after he sees who Gaon truly is: a kind and caring and a firecracker of a soul, he is the first in Gaon's life to offer him a choice. And not the Min Jungho type of choice where it's just an illusion; but an actual choice.

And Gaon. Gaon only ever tried to do what he thought was right even while being pulled in a thousand different directions by different people. He tried so hard to make the right choices. He finally found the family he lost when he was young in Yohan and Elijah and Ms Ji. Lord knows I wouldn't survive if I found out that the fucker who drove my parents to suicide was living alive and well somewhere else with nothing on his conscience, and that I had been lied to for so long. And then, Soohyun, the last person who he has left from his past tied to his parents, his best friend, dies.

And then he loses his found family as well.

Kim Gaon, at the end of the show has absolutely no one left from his past; the Kangs, Soohyun, his parents and Min Jung ho are all gone.

All he has left is himself and a herculean task of rebuilding the justice system.

And how miserable must that be?

currently rewatching the devil judge as i study for a populism and democracy final and i think my next step might just be writing a fic where gahan just Talk and Argue about everything i’ve gotten out of all 75 of the readings that i need to review for this class

I have. Something to talk about and its very very VERY important.

We know that last scene of TDJ where its just PEAK yearning but can we PLEASE appreciate the micro-expressions that passed over both Yohan & Gaon's faces when they faced each other DIRECTLY after a MONTH (if im not wrong) of that whole blowing up fiasco + Yohan's arrest before that??????? Because my GOD.

So we see Gaon call Yohan by his Full Government Name™ (which wasn't very wise for a declared dead enemy of the state who is ALSO wanted but we'll let it pass for romanticisms' sake) and look at his face. His face is one of a scared man. He's not hesitant but he is afraid of how Yohan views him after what transpired between them.

In turn, Yohan looks back and well.

He is also somewhat apprehensive. They're both testing each other & the waters they're in. Although Yohan doesn't have a revenge vendetta shackling him down anymore, Gaon, on the other hand, has tremendous stuff to unpack. They're carefully, if not gently, evaluating the distance between them.

And then, Yohan gives a clear sign that he holds nothing against Gaon. An open arm, an open invitation. To join him? Maybe. To decide what to do with them? Perhaps. It's vague but it's also clear that Yohan is done manipulating Gaon & that he has left the ball in Gaon's court.

Then come the positive changes. With Yohan's green signal, Gaon is somewhat relieved but also incredibly guilt-ridden. I think these frames speak for themselves.

The wet smile & the eye crinkles. He is so relieved to be in Yohan's good graces but also just looking at Yohan be his ever glowing self after serving his life's purpose.

Yohan. My dearest Yohan. Look at him. He's equally heart-broken to be seeing Gaon like this, to be leaving him behind but that little nod he does???? Like he's made a decision that he needs to stick with for the betterment of Gaon???? That's what truly gets me. It's so clear the distance between them is hurting him but he also knows that it's necessary to give Gaon space & time, to unravel & to explore things on his own. Perhaps another assumption on his part because who truly knows what Gaon wants except Gaon himself?

Then it's a brief look exchanged. As he turns, giving Gaon one last reassuring smile as he turns and leaves behind one of the most important people to him.

And gaon watches. Look at his micro-expressions here. Look at his breathing. His sagging shoulders. His eyes. His wet smile. His balled hands. His tiny nods.

He also thinks this is necessary but you can so clearly see its taking every bit of nerve & fiber in him to stay rooted to his place & not chase after Yohan. He's DELIBERATELY not taking a single step towards Yohan. He thinks he doesn't deserve to chase after him, that hes content to see Yohan: alive, well and so utterly free. That's all that matters.

I would genuinely like to appreciate both jinyoung and jisung for their acting bcs they NAILED the raw emotions needed for this absolutely stunning yet gut wrenching scene. It's so difficult to convey such complex emotions through such little means yet they did it to PERFECTION. They both gave their characters LIFE. And for that i will always be grateful bcs i dont think anyone else could've done Kang Yohan and Kim Gaon the way they did.

I really am a sucker for dual male lead media where they appear as complete opposites only to end up being eachothers foils and somehow also ending up being completely depended on eachother despite of (because of) their differences

beomseok is told and shown his entire life - by his bullies, by his abusive father, all the way back to the fact that he is adopted - that he is unworthy of respect, that he belongs beneath others, and that he deserves to be hurt for it. he’s trapped in a perceived reality of give-and-take relationships, hierarchical struggle between peers, and friendships built upon facing a “common enemy,” and his perspective on human interaction and “acceptable” violence is extremely skewed by what he’s had to live through.

it’s tragic. beomseok was not ready to be the kind of friend that sieun was to him and suho, and beomseok was not ready to be friends with suho - a person who viewed them all as equals even as he echoed words and wounds all too familiar to beomseok’s past. beomseok was fighting and flailing, trying to find his place in the hierarchical world he felt he was stuck in, trying to battle his way to earning respect; he was not ready to recognize the genuine care and sense of equality that sieun and suho provided outside of that worldview, because that was not the kind of world he had ever experienced, and because his worst fear was to be the outsider. in actuality, he needed to heal his wounds and grow his self esteem in ways that didn’t rely on external validation. but… well.

in another story, beomseok’s arc could have been taken as a broken kid standing up for himself, and things could go very differently. but within the context of this show - delving into the damaging spiral of the cycle of violence - beomseok is punished for using the violence that he’s faced his whole life as a tool for his self-determination. he’s rebelling against what his father and bullies have told him, which should be something empowering. and yet because he does it in the wrong way, it all falls apart. his defensiveness and his fear and his resentment take him way too far into violence that comes to extreme ends, and his inability to take accountability (because genuinely, who ever even tried to do so in his view, other than sieun?) only feeds into blame shifting and worse behavior.

and none of this excuses him, and it doesn’t take away the very harmful consequence of his mistakes (suho!!!! suho nooo!!!!!) — but it’s very, very human. beomseok made mistakes, and the narrative didn’t let him get away with them whatsoever. there is no happy ending in continued violence, and so there is no happy ending for beomseok in this either.

“we need more complex male characters in korean dramas!!” you couldn’t even handle him.

this blog hates donald trump

Look how many people hate him. I’m pretty damn happy about that 😁😁😁😁😁😁

The political plotline of TDJ was lowkey out here endorsing (at the very least sympathizing with/explaining the logic behind) terrorism as a tactic against a fascist oligarchy which hides behind populism for legitimacy, and, as a political science/international relations student in the US, I’m kinda fascinated by that.

In the first episode, we see a lone-wolf terrorist attack against the Supreme Court building after the warrant for Joo Il-do’s arrest is dismissed, a sign that the government was likely to be lenient against this CEO despite the wishes of the people. Leaving out the actions taken by our main characters in response and what that tells us about the priorities of the protagonists, we then see in the same episode a complete reversal of that expectation that the government will disappoint the people, when Kang Yohan sentences the guy to 200-something years in prison.

A key part of the logic behind terrorism (please don’t put me on a watchlist I’m just currently taking a course on insurgency and terrorism for my major) is the cost-benefit analysis of whether or not you can 1. draw sympathizers and supporters to your cause through a violent action that sends a message to an audience beyond the actual victims, and 2. through that support, coerce the targeted government into changing policy or action.

Yohan demonstrates with his harsh ruling against Joo Il-do that, in a Korea under his interpretation of the rule of law, the government will respond to violence done on behalf of “the people.” It’s no wonder the far-right populists of their society — Jukchang TV and crew — immediately gravitate to him, hailing him as a savior and a man of the people. And it’s no wonder that public opinion sways in his favor, since he capitalizes on the very real and valid pain that they feel when he showed that he was sympathetic to the sort of cause (like the one upheld by the bus driver earlier in the episode) that they would feel sympathetic to, even if the majority of people would not act in the same way.

The key point that surrounds the at-least-perceived success of terrorism as a tactic here is that Heo Jung-se has enacted every populist tactic in the playbook to assert his leadership. He claims that his (oligarchic, fascist) country is a democracy, that he is a ruler “for the people.” A leader chosen by “dear, respectable citizens.” His use of in-groups and out-groups in condemning criminals (migrants, foreigners, etc. etc.) while placing the “true-blooded Korean people” as sovereign, and ultimately creating the impression that it is the common people who hold power in society. Kang Yohan reinforces the idealistic part of these populist ideas to the public with his performance in the Live Court Show: he adamantly takes the side of the people in each case, and harshly punishes all who the people deem guilty on their behalf — and the people eat it up because it feels like hope that they really control their government.

Another thing about terrorism: it’s most useful as a tactic in democracies where the people are able to place real pressure upon their governments, where the displeasure of the people will lead to policy change. Heo Jung-se created a perception of his society as one of that kind, and in Kang Yohan, we find a man who enables that belief — even if in reality it is, also, mostly for personal motives. And we see in Kim Gaon, by the last episode, a man who is desperate enough in his fight against the corrupt government (and also just, y’know, generally in his life) to use terrorism as a tactic once again to place pressure, in the context of how he’s developed under Yohan’s influence over the course of the show — followed by the final trial by Yohan, who has straight up been planning to resort to terrorism all along, apparently.

I’m still really quite curious as to why the writer chose (and was allowed to choose, frankly LMAO) to end the storyline there — with a story that has left off with messaging that essentially equates to Terrorism Works (but only in a society that is already so used to violence that it can see some types of motivated violence as gratifying and, therefore, Not Horrific), especially with the nod to Gaon sticking around in politics and bureaucracy — and Yohan encouraging him to do so — after the fact. It’s a nod to the reality that even for those who use terrorism as a tool, they know reconstruction will be done “legitimately,” that non-legal violence can only be used as a tactic for so long before the return to legal routes is necessary in order to rebuild. But it’s definitely really interesting to think about how TDJ points out the usefulness of terrorism as a tactic in democracy — though I’m still not completely certain why, or whether the writer intended this as a commentary for Korea, or for the rest of the world…

Could go on a whole other ramble on why this is relevant to modern politics but I’ll stop there tonight, I reckon.

TLDR:

The Devil Judge is an excellent study on how terrorism Can be used against a fascist + populist government, yes.

Is the moral of The Devil Judge that, in order to beat fascists, you have to blow them up? Because I’m down.

the way TDJ approaches gender is SO interesting to me.

soohyun as the female love interest with a more traditionally masculine approach to problems (trying to take things on personally to keep gaon away from hardship, fighting with physical violence, literally being a cop) vs. gaon as the male main character with a more “feminine” take on the world (nurturing his plants and the prople around him, protective of children and the weak, how his work is in his words and he is really only ever allowed to be physical about his rage by the man he’s closest to).

then there’s yohan, who’s just Man at his peak i feel (gun-wielding, broody, aggressive, dark and powerful and dangerous… but misunderstood and chivalrous and a provider at heart… mr Beast from the hit disney film type beat) vs. seon-a, who is the actual definition of an ambitious Woman (her power coming from being underestimated as a woman, and how she forcibly empowered herself through the circumstances of being taken advantage of for her girlhood).

and then there’s soohyun and yohan being in explicit competition with each other for gaon everytime they meet while gaon and seon-a passive aggressively battle away in yohan’s home. LMFAO. enough said on that one i feel.

Kim Gaon is the most female coded character ever

I had to make this post after seeing this amazing post because this needs to be said for all new viewers of TDJ. 

I can actually confirm that the writer did intend for Yohan and Gaon’s relationship to be gay. 

Ji Sung said their relationship was one of “seduction”. At the Devil Judge press-con, he confirmed that his role was that of Mephistopheles (around the 23 min mark but I’m at work and can’t pinpoint rn loL) who “seduces” Gaon who is Faust. I’ve analyzed this in more detail in this post. 

Writer Moon Yoo Seok has been very open about his influences in crafting Yohan and Gaon’s relationship being: Beauty and the Beast, Goethe’s Faust, and the movie Let The Right One In .

All these influences are either romantic or homoerotic. All of them. 

The writer has also confirmed that Gaon occupies a traditionally female character and feminine gender role. He’s used tropes that we normally only see in heterosexual romances for Yohan and Gaon’s romance. A non-exhaustive list:

living together

snooping through the mysterious house of the man who’s whisked you away

undressing your partner and wound-tending

making him food, refusing let anyone eat unless said man returns

understanding him like no other, being the only one who sees through his facade to the loneliness within

choosing him over everyone else (ep 8 and then end of 15)

trying to die for him (twice)

defending him to the het love/past love, everyone around really

PINING, yearning (Gaon literally looked at the bed in ep 16 and thought back to shirtless Yohan okay)

taking care of each other

being vulnerable before and for each other

oogling him shirtless (both of them did this)

hand holding

DEEP. STARES.

sexy bomb defusal

love triangles (K and Soohyun)

Homosexuality is so taboo in Korea that the closest we’ve gotten to proper rep is the wlw couple from Nevertheless and Kim Seo Hyung’s character from Mine, and even then that’s because men find it easier to see women in love with each other than men being in love. And men finance drama production.

Writer Moon Yooseok (who has 25 years of writing experience) has literally done everything he can to get a queer story out there. Heck he’s even including stuff in the TDJ comic (spanking, anyone?) that wouldn’t fly on TV because he has more freedom there. 

Ji Sung and Jinyoung have known this from the start as well (that poster photoshoot), and it’s hard not to know that your character is gay when they’re staring at another for 95% of the show and undressing and oogling each other, or when the ending is 2 minutes of sappy staring. They knew. 

The director in episode 8′s bts at 6:04 as Jinyoung and Jisung rehearse Gaon ditching Min Jung Ho: “Gaon’s become cute now that Yohan’s here”. 

Jinyoung: nods.

Me: Okay we’re all in agreement clearly. 

Rather than new fans being disappointed for it not being gay enough, I hope they can uplift this for what it is: a serious attempt to bring a gorgeous romance onscreen. Writer Moon Yoo Seok really said lawful husbands. He’s been saying it from the beginning. 

The way that if you think hard enough about this, Gaon’s reaction to Yohan’s death could totally be interpreted as a parallel to how he perceives the deaths of his parents (one dies first and the other immediately follows)…

It is not like that with Suhyeon for him. It is, in fact, like that with Yohan though.

Can you please explain the part whereby Gaon said soohyun was his world, and how that doesn't mean he loves her despite the confession.?

Hey Anon!!

I poured out the bulk of my thoughts in this post here! But in essence, Soohyun to Gaon is as Isaac to Yohan (which Writer Moon Yoo Seok confirmed in this post). He definitely loved her; there's no denying that, but that love was very different from what he feels for Yohan. The latter was so all-encompassing and wild, and painful that after Cha Kyunghee's death, which itself harkens back to Gaon's parents' death, our man ran to what was familiar and soft and comfortable, all of which Soohyun represented to him.

He was swept up in a maelstrom of emotion: all the death, the Foundation nabbing people, Soohyun not wanting to talk to him. He was essentially adrift and he can't be faulted for latching onto the only anchor he's had since childhood. But even with those flashback scenes of them as children, what we see is Soohyun playing more of a caregiver role than anything else. She blows on his scrapes, he comforts him when he's sad. She might as well be his sister or his mother, because she truly is his Isaac.

On top of everything, Gaon was under the false belief that Soohyun rescued him from the thugs when it was really Yohan, all that gratitude, and his need for comfort, and the fact that she came back for him despite being angry with him, manifested in him confessing emotions that were long dead if he was being honest with himself.

But Gaon was too confused to be honest with himself and he just didn't want to think at that point. So he didn't.

But at the end of the day. Gaon brought a knife to avenge Soohyun and a bomb to avenge Yohan. Gaon tried to die for Yohan twice.

Gaon's reaction when Yohan was announced as dead is so so telling. While Sunah collapses, he's silent, frozen, then he leaves, because he knows he'll be joining Yohan in death.

And even when Yohan's alive, when Gaon no longer has reason to be guilty anymore, he still wants to die with Yohan because it's better than living without him. Soohyun might have had a pretty confession, and a wooden kiss (really wooden) but Yohan won in the end, because by word and deed, Kim Gaon vowed before all of Korea that he would die with his Chief.

Plus when he thought Yohan was gone for the second time, he went through Yohan's bedroom and reminisced about them ogling each other. That's gay. We love to see it!!

gaon choosing to return to yohan again and again even though he fundamentally disagrees with him while everyone is convinced (including the man himself) that yohan is just an unchangeable Monster is peak “i can fix him” but also it’s so painfully beautiful. a taste of true unconditional love for two men who probably only ever really felt loved as a condition to behaving for the people they cared for.

Monstrous Things will befall the writer for this

not to start problems on purpose but the scene where yohan throws gaon out of the room when he says he’d die with him in the explosion is SO!!!!! like knowing the ending it just adds so much to yohans reaction like HE knows he’s getting out of this alive and truly has no intention to kill himself but GAON doesn’t know that and still says ‘I am willing to die with you/for you’ like imagine yohans reaction to that in his head, not only realizing that gaon is actually that much in pain that he is actually willing to die, to kill himself, and that much devoted to him that he is willing to die WITH yohan. It makes him throwing him out all that much more meaningful, like he’s so determined to ensure he lives, telling him ‘you might not think your life is worth anything but it is you idiot and I won’t let you throw it away’ like he could’ve easily just told gaon that he was gonna get out of the explosion alive, but I feel like he wanted to ensure that gaon knew he wanted him to live, regardless of whether yohan was gonna survive or not. Anyway. Much To Think About. Sorry for bringing this up randomly lol just needed to vent it to someone

start all the problems on purpose, babe. be the yohan you need to be in your life!!!!!!! lmao

but i feel the same!!!!!!!!!!! that whole entire scene is just so gut-wrenching and full of emotions, especially when you realize that yohan is upset and tearing up just after he throws gaon out. he literally doesn’t want to but he’s doing it because gaon cannot die with him if he doesn’t actually live.

but with that said, also god i know…. yohan’s never really had anyone choose him, and this man comes to find him during a moment where it’s truthfully, a 50/50 shot whether yohan makes it out alive. gaon literally telling him i’m going with you, and yohan turns quickly but then schools his facial expression because obviously, he knows the plan, and he can’t say anything.

and i think that’s also why it’s another reason yohan kept it from gaon because if he’d told him and yohan actually died, then what, you know? imagine having that false hope that he’d make it out and yohan doesn’t keep that promise. plus, i’m pretty sure yohan was thinking of elijah in that moment, too, but gaon certainly wasn’t. yohan absolutely wanted gaon to live and to do it in a way that wasn’t interfered by yohan or the elite. yohan was clearing the stage whether he lived or died, and him being upset at gaon’s words just shows you how much he realized what gaon was promising.

as you said, it’s not gaon willing to die for yohan. he was willing to die WITH him, beside him, partners til the very end. and that is so damn profound.

recently watched the devil judge (2021) for the first time and i truly can’t get enough of this guy. and also: his devil

i will read this now

i cant stand these two - now give me 3 more books about them

i want this

the layer hotels // itō