I Desperately Need Like A Canopy Bed Or A Tent Bed Or An In-wall Bed Or Something I Need To Be Tucked

i desperately need like a canopy bed or a tent bed or an in-wall bed or something i need to be tucked in i need to be protected from the elements i need to be in a little hole in a den in a nest im just a prey animal trying to get by

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1 year ago
Refseek.com
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www.worldcat.org/

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link.springer.com

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http://bioline.org.br/

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repec.org

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science.gov

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1 year ago

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"


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3 months ago

| welcome to my blog |

You can find my full-written works on ao3 under the name corkinavoid or click this link.

| tags |

#cork prompts is for all my ideas, prompts, ficlets, big and small

#cork adds is for my additions to someone else's posts, usually including reblogs

#cork writes is for everything concerning my writing, rants, tips, and all things relevant

#cork writes fantasy is a tag specifically for my fic 'Fiance to a Star', updates, lore drops, moodboards, and soundtracks

#cork likes is for reblogs, mostly any pretty art I find

#cork art is for anything I draw, which is rather rare

#cork game is for a writing game I play that you can participate in here (currently on pause).

You can use all of my prompts how you see fit as long as you link/tag/credit me.

Other than that, here's some fun facts about me:

• neurodivergent but not a minor

• English is not my first language

• my favorite ships are Dead Tired and Anger Management, and I'm also deeply in love with Al Ghul Twins trope

| masterpost |

I'm only linking my series here, not all prompts.

Changeling AU: [part 1], [part 2], [part 3], [part 4], [part 5], [a fic "Danny! Wait, who's Danny?"], [part 6], [part 7]

Haunted Family AU: [part 1], [a fic "It takes three days to get adopted"], [a fic "A cat walks by herself, but so does a ghost"], [a fic "A new family, an old family, and a never ever happening family walk into a gala"], [part 5]

Mercenary Danny AU: [part 1], [a fic "I'll pay you ten times"], [a fic "I want to hire you"], [a fic "I'm asking you out"]

Multiverse Police/Good!GIW: [part 1], [part 2], [side notes], [part 3], [another part 1], [another part 2]

Fantasy Magic School AU: [part 1], [a fic 'Fiance to a Star']

Fantasy Royal Fae AU: [part 1], [a fic 'Married to Winter']

Masters Mansion/Socialite Danny: [inspo], [part 1], [part 2], [part 3], [a fic 'Coronation'], [a fic 'There Are No Living Here']

John Constantine's Ghost Kids: [part 1], [part 2]

All the al Ghul Twins related posts: [one], [two], [three], [four], [five], [six], [seven]

Ring of Engage: [part 1], [part 2], [part 3], [part 4]

Hogwarts AU: [part 1], [part 2], [part 3], [part 4], [part 5], [part 6]


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1 year ago

uuhhhh when you try all the sounds and beats on your synth while only playing toto - africa


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1 year ago
Everyday Life Of Pokemon
Everyday Life Of Pokemon
Everyday Life Of Pokemon
Everyday Life Of Pokemon
Everyday Life Of Pokemon
Everyday Life Of Pokemon
Everyday Life Of Pokemon
Everyday Life Of Pokemon
Everyday Life Of Pokemon
Everyday Life Of Pokemon

Everyday life of Pokemon

Animation by おしるこ | IG


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7 months ago

When Bruce “died” all his kids ended up gathering together for the reading of his will. Things were split pretty evenly between them with certain assets going to certain people (the company to Tim, the Manor to Alfred etc). At the end of the will there is one last line

“Don’t let your brother turn into a supervillian.”

All of the siblings are busy arguing about who Bruce might be talking about except for Tim and Cass, who are standing away from the group. Tim has an amused gleam in his eye and Cass is staring him down.

“Don’t you dare.” She signs at him knowing full well that Bruce was talking about Tim.

“I’m going to take over the League of Assassins.” He signs back to her.

Which was always the plan, he just couldn’t leave right away. Dick giving Damian Robin was a perfect excuse. Also, Bruce was def alive just lost in the time stream and the league would have the resources he needs to find answers.

Six months later, over 100 bases blown up, and with coordinates to recover Bruce, Tim returns to Gotham. He’s not alone though. Oh no. Drake Industries has had a complete overhaul under the leadership of the teenage heir and if all of the new employees are ninja assassins thats for Tim to know and no one else.

When Bruce returns he gets swarmed with questions from his kids about which brother he was referencing at the end of his will and he gives them all a confused look.

“Tim of course. The kid borrows my morals like library books.” At this, Dick goes ashen.

Tim? Bruce had been concerned about Tim? Tim who has been off the grid for the last 6 months doing god knows what?

“Tim should have known I was referencing him. He should have told you and the fact that he didn’t means I should be concerned.” Bruce glances to his son who can’t contain his smile.

“It’s hardly my fault the Ra’s has the charisma of a used gym sock. Besides, at least I offer benefits and paid time off. Also you don’t have to worry about the LOA anymore. They all work for me now.” He smiles a bit wider and then disappears into the shadows.

Bruce, who wrote that last line after going through Tim’s Young Justice Records, simply signs. “Could be worse. He could have become Gun Batman.” Which unloads an entirely new floodgate of questions from those around him, but as long as his kids are safe, happy, and still walking a mostly moral line then Bruce is happy.


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3 months ago
Anyway This Is My Pitch For Why Thad Should Join Young Justice Thank U For Ur Time
Anyway This Is My Pitch For Why Thad Should Join Young Justice Thank U For Ur Time

anyway this is my pitch for why thad should join young justice thank u for ur time


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1 year ago

Danny, working as a cashier: Can I help you?

Tim half-deranged: Please I just want a cup of coffee

Danny squinted, then pulled out a binder: I'm sorry, sir, but you are on the Don't Serve Coffee list. I can offer you some tea instead-

Tim: NO. THIS IS THE FIFTH PLACE. BRUCE CAN'T OWN YOU ALL!

Danny leaning in to whisper: Look, man, I can't give you coffee under the cameras. Meet me in the back alley in twenty minutes and I'll get you a coffee. Bring Cash.

Tim: how much? Five hundred, six hundred or hell even a thousand? I'll bring whatever you want.

Danny: Chill dude, it's a cup of coffee. Three dollars is fine.

Tim: It's not just any coffee! It's my favorite brand and Bruce bought them out just to make sure they wouldn't sell to me anymore!

Danny: okay okay, this coffee means a lot to you. I get it. Twenty minutes alright?

Jason three weeks later in Bat cave: Tim's on drugs! I've caught him trading cash for small containers in a shady alley six times. We need an intervention.

Dick: What?! I thought that was his boyfriend!

Bruce: I also thought that was Tim boyfriend but if it's a drug dealer we have to help him.

Tim hiding in the shadows: shit.

Tim texting Danny: If anyone asks your my secret boyfriend who been making me teas in allies

Danny: who the hell would believe that? But I've had a boring week, so yeah, I'm down to be a pretend boyfriend.


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1 year ago

this woman is both culinary and engineering genius. 

also a walking occupational safety hazard, but with style. 


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1 year ago

Prompt 112

Once again, you know who is underutilized in DCxDP crossovers? Battinson. Skrunkly shivering boi. Who we should definitely give children to care for. 

 Did you know that Jason canonically had a brother named Danny? Well you do now, and it should also be used more. 

 We all want to give Battinson a robin, so why not give him four for the price of two. He of course gets Dick from the circus- he’s never going to go into public again, this was the first time he’d gone to do something out of his comfort zone for a while and look how that turned out. 

 And on one of the nights that Dick has to stay home (Alfred insists he must finish his homework if he wants to go out on patrol) Bruce returns to the batmobile to find not one child, but two. Is Danny reincarnated? Just appeared one day? Who knows, but he’s here now and going to protect his little brother. 

 Bruce might have tears in his eyes when they both hit him in the kneecaps and bolt because even with the armor it still hurts. How he manages to grab both kids he’s not too sure, but he ends up getting them food after they put the tires back. He also doesn’t understand how he’s convinced them into the car but they’ve both conked out and maybe he’s panicking and needs Alfred- 

 D-Dick why is there another child here? He’s the neighbor, cool cool. W-what do you mean he’s home alone, he’s like, 4?? What do you mean he’s been alone for a week now???

Alfreeeeed-

Prompt 112

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