Please someone give me a request. I have the worst writers block known to man.
Pairing Ë˰âą*ââ· Arthur Morgan x fem!reader
Next Part - Hell Hath No Fury Series
Summary: Your husband was supposed to be dead. It's what bastards like him deserve after abandoning their wives in the middle of a blizzard. But he's here, haunting you even when you finally thought you were rid of him. No one can know.
Despite how sobering seeing your husband felt, it didnât miraculously purge the whiskey running through your veins. You stumble towards the stairs of the saloon and stumble on the first step. âDamn,â you curse, blaming a loosened floorboard that doesnât exist. Your fists clenches around the banister, relying on it to keep you standing.Â
With each step, the warm air from the upstairs presses down against you. Your head spins with the effort it takes to keep moving forward. The heat of grinding bodies from the bedrooms seeps through the cracks of the doors. Sweat beads along your temple as you make it up the last few steps and you fight against the urge to pass out.Â
Just as you pull yourself onto the landing, you manage to spot your husbandâs form turning down the hall opposite of you. He and the whore disappear from view, âShit,â you mutter, pushing yourself forward faster. Your legs pump as quickly as they can but the booze has numbed them. You feel nothing more than an almost pleasant tingle as you try and get them moving.Â
A man stumbles towards you, grinning like a drunken fool. You donât manage the grace to avoid bumping into him and his hands immediately rove your body, mistaking you for a working woman. You grunt nonsense at him, swatting his arms away and paying no heed to the insult he hurls at you. Your only focus now is the spot where your husband disappeared. Youâve nearly caught up with him when you feel your stomach roll unpleasantly. You latch onto the banister and curl over it, trying to keep your booze down.Â
You suck in a sharp breath through your nose, clenching your eyes shut as you force the bile down before it can rush up your throat. You clamp a clammy palm over your mouth and turn your eyes toward the balcony on your right.Â
Only an orange glow, fading against the horizon, remains of the day. The sun has long since disappeared from the sky. You were wondering why you felt so horrible. Youâd drank the entire day away without realizing it. Not only that, but youâd been on your own all day. The cogs in your head are slow to turn through the sluggish mush that has become your brain. You know you had someone waiting on you, or you were waiting on them. You canât seem to remember which.Â
But there was something else you were doing, besides trying to remember why you were so drunk and in a saloon all alone. You push off the banister, stumbling back a few steps, and think as hard as you can. Your gaze drifts to your left ring finger, to the pale line of a missing ring. âHusband,â you whisper, âno good husband thatâs supposed to be dead.â
A man shoots you a worried look as you pass by him but you just send him a watery smile. He shakes his head with a sigh, âNever shouldâve started lettinâ women in here.â
You roll your eyes but the motion just makes you dizzy and you have to lean on a wall for a moment to get your bearings back. By the time you do, the man is gone and youâre all alone on the second floor.Â
You have to use the wall to keep yourself balanced, but you do eventually manage to make your way towards the bedrooms. Youâre not sure how youâll know which one your husband is in. Thereâs always the option of simply busting down the doors until you find him, but that will draw too much attention.Â
With your ear pressed to the walls like some kind of pervert, you pass by three bedrooms before you think youâve found the right one. Slightly ajar, the door lets lamplight seep out into the hallway. Whoever is in there had been in a rush and hadnât bothered taking the proper, mannerly, precautions. It seems like something your husband would do.Â
With as light feet as you can manage drunk, you make your way towards the door. You hover in front of it, listening for a moment to soft sighs and creaking bedsprings before you peer inside. You only see the back of the woman at first, red curls falling over her shoulders, dress hastily pushed beneath her breasts. Sheâs bouncing atop a man who's wearing a pair of boots that look far too familiar to you.Â
Reaching forward, you press the door open just the slightest bit more. Her grinding motions no longer block the man sheâs with. Your throat tightens, heart souring, as you see your husbandâs face turned up in glee. He lays below her, grinning like a fool, hands caressing her hips in ways heâd never done with you. She couldnât look more tired of him, gaze constantly drifting towards the crumpled-up cash on the table beside them.Â
You feel something white hot and angry strike through you. Itâs callous, and unrestrained as you slip your hand across the revolver on your hip. You slide through the door with more grace than you should be currently capable of. You keep your eyes solely on the woman. You recognize the glazed look of your husbandâs eyes, heâs too drunk to realize a gunâs being pointed at him, but sheâs sober, she could scream and everyone would know youâre up here.Â
âYouâre so beautiful,â he slurs and itâs like something inside you splits and snaps open. He hasnât called you beautiful in years, he hasnât even tried to sleep with you since your first year of marriage. Heâd bluntly told you that heâd rather cut off his cock than get you pregnant with his children. And here he was, laving this whore with compliments like he wasnât paying her to make him happy.Â
Righteous fury makes a fool out of you. You think of every bad night, all the moments youâd curled up in your room covered in bruises after heâd had too much to drink. You pull the revolver out, cock the hammer back, and point it at the back of the womanâs head. Her movements still, hips hovering in the air as she peers ever so slightly over her shoulder.Â
âWhatâre you doinâ?â Your husband slurs, slapping roughly at her hips. You see her jolt and listen to the smack echo through the room as her pale skin reddens. Your eyes burn with unshed tears and you nod towards the money on the dresser.
âTake the money. Get out,â you motion with your gun towards the door. She stays completely still, eyes so wide you can practically see the whole of them. Your finger twitches towards the trigger and she leaps up, nose flaring like a terrified rabbit. âDonât make me say it again.â
She grabs the money, not even bothering to fix her clothes, and runs out the door. You figure after having to deal with your husbandâs whiskey dick, she could use the compensation. She hastily slams the door shut behind her and you listen to the sounds of her rapid footsteps disappearing down the hall.Â
You should be worried sheâll tell someone or get the sheriff, but you doubt she will. Youâre sure sheâs been threatened by plenty of angry wives in her time here. Youâre probably just one of the rare few who bring a gun to drag their wily husbands out of a whoreâs bed. Sheâll dismiss you as nothing more than an irate woman taking her husband back home.Â
Or, perhaps, youâre just drunk and confident enough to believe you can get away with this without any consequences.Â
Vinceâs pants are jerked lazily to his knees, he leaves himself exposed to you as he gets up on his elbows. You can almost smell the whiskey on his breath as youâre reminded of your disaster of a wedding night. Heâd looked just like this then. Foolish, drunk, and like the biggest mistake of your life.Â
Heâd told you he was so nervous to lay with you that heâd practically drank the whole bar at your wedding. You hadnât been able to do anything that night except stay up to make sure he didnât drown in his own vomit. Youâd even spent the next day nursing him so he wouldnât suffer too much from the consequences of what heâd done.Â
Heâd been so sheepish, so horribly ashamed of his behavior as he apologized to you. Youâd thought it be a silly story to share with your children one day. Or even one to just keep to yourself and laugh at, occasionally. You hadnât thought it would become your everyday. You hadnât thought the apologies would stop.Â
His eyes roam lazily over you, tongue licking at his cracked lips in appreciation. A wet chuckle leaves him when he spots the gun in your hand. He grins at you, that familiar smile that always used to make you feel small. âCalm down, thereâs more than enough of me to go around, honey.â
It hits you, then. As he laughs and smiles at you like this is all a joke. He doesnât recognize you. Youâre a bottle of whiskey deep yourself and youâd been able to tell the back of his head from every other bastard down there. But standing right before him he doesnât even know who you are.Â
He doesnât even have the decency to realize youâre his wife. âWhatâre you looking at, right now?â You demand, letting the gun drop a little.Â
He shrugs, âI donât know,â you grimace as he lets out a belch. âOne wild woman, thatâs for sure.â
You laugh but thereâs no humor in the sound, only the acceptance that there was no part of him that ever cared about you. Even before things went bad, when you were still young and naive. You never meant anything to him and he had been your whole word. The gun hangs limply by your side, âYouâre seeing,â you tell him slowly, âthe wife you left for dead. Iâm standing right in front of you, Vince, what does that mean?â
He blinks slowly and you watch as the thought forms. Eventually, the realization dawns on him. His jaw hinges open and closed, just the barest bit of sobriety shining through his reddened eyes. You tilt your head, face expectant, as you wait for him to say anything to you. Prove thereâs any part of him worth redeeming.Â
His brows furrow, lips turned down, and you wonder what heâll say. âHelp-â He starts to holler and you lunge forward. If anyone hears him or sees you standing in his room with a gun, youâll be hanged. Maybe not before, you could have lied and said you were only an angry wife looking to scare him. But you travel with outlaws now, heâll get you killed. Heâll get them all killed. Â
You grab the closest thing you can and drag a pillow over his face. If this were any other day, heâd have you on the floor, his hands would already be tight around your throat. But heâs weak and heâs drunker than you. He has nothing to motivate him to stay alive but spite. And you have your grief and your rage and you use it to keep the cotton pressed firmly against his mouth.Â
âI thought you were dead, you fucking bastard,â you hiss at him. He canât respond, not with the way youâre shoving the pillow down his throat. His hands grab at your arms, squeezing your biceps so tight you feel like the bone might snap. But you donât let go, not even when he rakes his nails down your arms and takes skin with him. You cry out in pain, watching as blood beads from his deep scratching.Â
You put as much of your body weight against the pillow as you can, but he refuses to give up. He kicks his legs out wildly, bucking like a bronco and nearly throwing you off of him. His arms start swinging every which way. He manages to catch you in the nose and your head goes swinging painfully to the side. Even drunk, heâs still packing a hell of a punch.Â
The pillow slips from your grasp as you clutch at your bleeding nose. He throws it across the room and starts to sit up. You can already hear his gasping voice, struggling to call for help after what youâd put his throat through. You spot the revolver on the ground, still where youâd dropped it.Â
You donât look at him as you pick it up, donât listen to his pathetic whimper. You scoop it off the cracked wood and turn towards him. He only has the briefest moment to see what youâve got in your hand, to realize the threat is real. You only get one second to revel in the wide-eyed, pleading look on his face before his head is snapping back and his brain splatters against the wall.Â
Your ears ring as the shot echoes through the, now, starkly quiet room. The adrenaline still rushes through you, heart pounding and knees knocking together as you take in the mess. His head dangles off the side of the bed and if you stay standing just where you are, you can almost pretend thereâs no hole in it.Â
Your arms buzz from the recoil, hands shaking so badly that the gun nearly slips from your grip. Your blood covers your arms and hands, but his douses the entire room. You press a hand against your chest, stumbling back a few steps and gasping.Â
Youâre going to have a heart attack. A heart shouldnât be able to pound against your rib cage like this. Your blood shouldnât be clawing at your veins and trying to escape. You turn away from his body and clench your eyes shut, trying to breathe normally.Â
The barrel of the revolver is still warm from the bullet, the last bits of smoke eeking out of the tip. The smell of gunpowder and blood is overwhelmingly nauseating. You rush towards the window in the room, throwing the gun to the side and ripping at the pane until it lifts enough for fresh air to flow through.Â
The body behind you canât be your husband. Itâs too still, to limp. He was wild and raging, full of life in the worst possible way. How is it possible that youâre responsible for taking that from him? It canât be. You canât have done this.
You try not to listen to the steady drip of blood. But itâs impossible not to taste the iron in the air. Your head tips out the window and the contents of your stomach burn as they rush out of you. It lands in the bushes below, rustling the leaves slightly.Â
The sounds of the saloon are so loud that they drift into the night. People scream and shout at each other and you hear what sounds like a chair being thrown. How lucky for you. You shoot your husband and a fight breaks out so no one can hear it.Â
You fall away from the window and sink onto the cool wooden floor. Forcing yourself to look at the corpse on the bed, you bite back a sob. You just killed your husband and the idea is slow to settle. A part of you can only see a corpse, with his head still hanging off the other side of the bed you can pretend it didnât happen.Â
Arthur sees Mary to the train station just as the sun begins to set. Heâd like to linger in the ache of her absence, but he can only think about how he promised you itâd just be an hour. He canât imagine how irate youâre going to be that heâd been gone the whole day.Â
Hunting down Maryâs brother had been much more tedious than he thought it would be. Heâd joined some turtle-worshipping cult and Arthur doesnât even know where to begin explaining himself to you. Youâll probably think he's just making it all up.Â
He pushes Diablo forward, the horse nickering below him like heâs giving him hell too. He doesnât even know where to start looking for you. But, he figures in a town this small, if anyone had information theyâd be in the only half-decent place they got. He nudges Diabloâs sides and turns him towards the saloon.
He takes his time walking to the saloon. Heâs in no big rush to have you yelling at him for leaving you alone all day. He tries to prepare a half-decent explanation, maybe mentioning Mary and their history might ease some of the tension. Youâd at least know why he felt like he had to help her. Or maybe that would only make you more mad.Â
He didnât know how to handle women, especially when they were angry. He figured no matter what he came up with, he wouldnât be absolved from this. He looks around the saloon, trying to spot you anywhere but itâs crowded with smoke and bodies. Heâs got better luck just asking the barkeep.Â
âAinât got food here,â the man behind the counter warns as Arthur approaches. He doesnât look up, too focused on scrubbing some blood off the wood.Â
Arthur shakes his head, âDonât need that. Need a woman.â
The old man scoffs and gestures behind him, âTake your pick.â Arthur turns and finds five working ladies smiling at him. One of them waves and he shakes his head with a grimace.Â
âNot like that,â he grouses. âI was with a lady, had to leave for a little while. She might have come through here, you seen âer?â
âGeez mister, with a description as detailed as that Iâm surprised you havenât found her,â the old man grumps. Arthur glares, leaning further onto the counter and pushing the revolver on his hip out. The man rolls his eyes with a huff. âOnly one lady been through here on her own. Sat here drinking the better part of the day away and stumbled upstairs. Havenât seen her since, I swear.â
Not once has Arthur seen you drink more than a sip of liquor since youâve been at camp. He sees the way your face screws up whenever Javier tries to pour you some more, he knows you donât like the taste. He knows being on your own all day probably had you bored, but he canât imagine you drinking so much for no reason.Â
He gives the old man a doubtful look but heâs already back to cleaning up. Sighing, Arthur glances up the stairs and frowns. Itâs not like heâs got anything else to go on. Maybe youâd just used his money to rent a room so you could sleep. He heads towards the stairs, calling out your name as he goes.Â
It almost seems empty until a door slams up ahead and a redheaded woman comes rushing out. Sheâs wide-eyed, face so white he can see the blue of her veins. She slams right into him, nearly falling on her ass as she gapes up at him.Â
âOh,â she forces a smile, âsorry mister.â She looks suspiciously disturbed and it has Arthurâs stomach flipping uncertainly. She tries to slip past him but he reaches out, snagging her shoulders and turning her around before she can get far.Â
âIâm lookinâ for a lady,â he tells her lowly, the tone of his voice a threat. He describes you as best he can, not once taking his eyes off her face. It twitches now and again, her eyes darting every which way. âYou seen her?â
She opens and closes her mouth rapidly, shaking her head like she doesnât know. âUm,â she clears her throat and Arthurâs eyes narrow. What has she got to hide? âSure, ran out of here like a cat on fire a few minutes ago.âÂ
âYou know why?â He asks in that same tone and she just shakes her head again. She shifts like she wants to leave and Arthur tightens his grip. Thereâs clearly something sheâs not sharing and heâs going to get to the bottom of it. Realizing this, she lifts her foot and slams her heeled boot down on his toes.Â
âShit,â he hisses, letting her go as he jumps back in surprise. She bolts towards the terrace, sliding around the corner and disappearing down the back set of stairs. Arthur runs after her, one foot dragging slightly behind the other. âHold on a minute!â He shouts as she disappears into the alley beyond the saloon.
She runs him in circles, dragging him between every building in Valentine before he finally lands right back in front of the saloon. He canât find a trace of her anywhere, their footsteps overlapping in the mud and making it impossible for him to track her.Â
 âGod dammit, whereâd you go?â He mutters to himself. He lets out a heavy sigh and tries hollering your name again. He doubts it will help at all but he feels useless just standing in the middle of the road.Â
Heâs properly worried now, not sure why you would have run off. Heâd given you that gun to protect yourself with, he canât imagine you would get much trouble on your own with that on your hip. He still fears that a drunken patron in the saloon might have mistaken you for the wrong type of woman. Maybe you were handled improperly before you could pull the trigger.Â
Arthur doesnât want to linger long on a thought like that. He canât imagine something like that happening to you. It makes his stomach tense with more guilt as he walks back towards Diablo.Â
â-I swear, she looked insane.â Arthurâs ears perk up as the hotel ownerâs voice drifts towards him. He turns and sees two men talking out on the porch. âShe ran through here with what looked like blood all over her. â
It could be any woman. Hell, it could be the prostitute heâd just chased down like a madman. But thereâs a chance that the man is talking about you and he canât take the chance. He stalks towards him and the patron the ownerâs talking to spots him. His eyes widen and he scrambles back just as Arthur barrels forward.Â
He grabs the owner by the collar before he can turn around and shoves him into the wall of the hotel. âWhereâd she go?âÂ
âWhat- Who- Sir, please-â He sputters, eyes wide with fear while he looks like he might spoil himself.Â
Arthur shakes him a little harder, shoving him further up the wall. âYou know damn well who Iâm talkinâ about,â he growls, fists clenching so tight in the manâs shirt it starts to tear. âThe woman, whereâd she go?â
He canât answer, heâs gone so pale Arthur can practically see through him. He also looks like he might pass out. But the patron heâd been talking to shoots to his feet, backing away from Arthur while he points to the barn across from them. âHe said she went to the stables, I swear.â
Arthur lets the other man go with a rough sigh. He didnât need to threaten him, the man was only a witness to your escape, not an accomplice. Still, heâs angry he even has to interrogate him at all.Â
Arthur rushes towards the stables and slams the doors open. The older man inside practically jumps out of his skin as Arthur glares from the doorway at him.Â
âThe woman who came by?â Arthur demands. Heâs got no time to explain himself now. If you got a horse, thereâs no telling where you might have run off. And the way people keep describing you, you sound like you were drunk and out of sorts, possibly even hurt. You might not even remember the way back to camp.Â
Arthur had promised Hosea heâd take care of you. He couldnât have messed up this badly just because he was busy trying to rustle up a rich boy.Â
âOh, well, she came in lookinâ all sorts of wound up. She grabbed one of my mares, gave me the money, and went running. Gave me more than she was supposed to, I donât think she was in her right mind.â
âWhereâd she go?â Arthur barks out, impatient of his doddering story.Â
The man shrugs, eyes wide with surprise. âWell, I donât know. Think she mentioned something about an overlook, but Iâm not quite sure. Is she in some kind of trouble?â
Arthur doesnât answer the man. He whistles Diablo forward and hastily climbs the horse. He rides him harder than he should, driving him faster even when he knows he wants to slow down. He doesnât see your bleeding body anywhere along the path as he races to camp and he has to be slightly grateful for that.Â
He canât help but feel slightly irritated at you, though. Why didnât you just wait for him? He knows that he took longer than he said he would. But just leaving town altogether was beyond stupid. The roads are dangerous at night, even if you do know how to work a gun, you donât have any chance against an ambush.Â
He digs his spurs further into Diabloâs side, ignoring the way the horse huffs and puffs as they make their final stretch through the woods. He ignores Charlesâs greeting as he rides in and practically leaps off the horse as he runs into camp.Â
He doesnât have to go far to find you. Youâre in a new dress, staring over the fire with this odd sort of wide-eyed look. He doesnât see any paint or blood, just a few nasty scratches on your arm. Seeing you standing there acting like nothingâs wrong and you didnât worry him half to death gets him beyond angry. Â
He bears down on you, grabbing you by the shoulders and flipping you around to face him. âWhat the hell were you thinkinâ, leavinâ like that?â He knows he needs to be mindful of his tone. Heâs not exactly easy on the eyes, heâs sure itâs not much better when heâs shouting in your face. But heâd thought you were dead or worse. Â
Hosea notices the commotion, standing up from the domino table as Tilly turns towards you both. Arthur doesnât have eyes for anyone but you. Youâre staring up at him, all glassy-eyed and trembling. But youâre not speaking and itâs making the anger in his mind gnaw away at any common sense.Â
âAnswer me, dammit! What the hell were you thinkinâ?â Â
You open your mouth and Arthur thinks you better have a damn good answer for this. Instead of words, all that comes out is a shuddering sob that has you shaking in his hold. âIâm sorry,â you blubber, head bowed as tears start streaming.Â
Arthurâs eyes go wide and he slowly releases your arms. âOh,â he trails off, hands hovering over you in an almost-touch. You wipe desperately at your tears but they wonât stop coming and heâs worried you might fall over with the force of your heaving.Â
âIâm so sorry,â you cry out. He doesnât have a moment to react before you turn around and run off towards the trees. Arthur watches this all happen with a slack-jawed, awed kind of expression. He looks around and sees half the camp watching him.Â
âI didnât mean to,â he argues weakly, trying to think of some defense. He moves to go after you but Mary-Beth shakes her head.Â
âDonât, Arthur. Leave her be, you have no idea how terrifying you get sometimes.â She shakes her head in disappointment and walks over to her tent.Â
Arthur feels his heart sink to his stomach, tongue-tied with all kinds of excuses. No matter how hard he tries to be good, he just canât do it right.Â
Thereâs no light but the moon to guide you as you trip your way through the underbrush. A few fallen branches snag at the hem of your dress but you keep moving. Your chest heaves as you try and catch your breath. You rub painfully at your eyes, trying to stem the flow of tears that just wonât stop coming.Â
The tip of your boot catches on a stray rock and you fly forward. Your hands sink into soft grass and you feel wet patches forming on your knees. So much for your clean new dress. You stay where you are, curled up on the forest floor feeling like a pathetic wretchÂ
You canât get the blood off your hands. Even after washing it off in a pond on the way to camp. You still feel it soaking through your clothes and staining your skin. Somewhere inside yourself, you know that this is just shock. Youâll be fine soon enough.Â
But for now, youâre stuck in an endless cycle of watching the death of your husband play out over and over again. You see his chest blowing out the last bits of air in his lungs. You feel the heavy weight of his limp body in your arms as you drag him into the wardrobe. The squish of his brain under your foot as you made a run for it.Â
You curl into yourself, and one last, hard sob rips through you before you feel your chest begin to silently fill in and out. The tears come a little slower as you place your hands over your face and force yourself to breathe.Â
âWhoâs there?â You recognize Charlesâs voice but you donât have the wherewithal to answer, still trying to calm yourself. âWhoâs there?â He demands again, louder. His question is accompanied by the cock of a gun, but thatâs all you hear. Heâs near silent as he makes his way through the forest. You open your eyes only to find yourself staring down the barrel of his rifle, no warning of his approach.Â
He says your name, his tone tinged with worry. âWhat are you doing out here?â
You wipe your face off, take in a shuddering breath, and open your mouth. Nothing more than a wheeze comes out. You donât know what to say to him. You donât even know how to begin to approach this.Â
He kneels before you, his hand landing on your shoulder and then running gently across your arm. Your brows furrow as he starts petting you, almost, like a dog. âWhat the hell are you doing?â You ask, barking out a wet, incredulous laugh.Â
He lifts his hand, a slight tilt to his lips, âSeeing if youâre injured. Is that not whatâs wrong?â
You shake your head, biting your lower lip and scrubbing a hand down your face. âNo,â you whisper.Â
âWhat happened?â His voice is so gentle and soft that youâre lulled into a feeling of security. You donât see him shouting at you the way Arthur did. You imagine him listening with that stern expression of his and not saying anything at all.Â
âI killed him,â you mutter, staring down at your balled-up hands. âI killed him and I stuffed him in a wardrobe.â You look up at Charles and if heâs shocked, heâs doing a damn good job of not showing it. âI ran, threw my clothes in a lake, and came back to camp. I didnât know what to do,â your voice is a hushed whisper, words coming out faster than you can think of them as you begin to unload on him.Â
âStop,â he interrupts before you can confess any more of your sins. âWho did you kill?â
You hesitate and he gives you a stern look that forces the words out. âMy husband. I saw him in the saloon, he had a woman with him and I just got so mad,â your nails bite into the palms of your hands and he reaches down, forcing you to uncurl them.Â
âYou stuffed him in a wardrobe?â You nod your head rapidly and he sighs, getting to his feet. âDid anyone see you?â
You think back on it, trying to think of a witness. Youâd been pretty drunk at the time, itâs hard to recall much before you pulled the trigger. âThe woman,â you whisper, head bowed with shame as you remember her. âThere was a woman with him and I kicked her out.â
âGet up,â he tells you, tone short and commanding as he starts to walk off.Â
You feel your heart drop to your heels, scrambling to your feet and chasing after him. You nearly barrel into his back in your attempt to catch up. âWhere are we going? Are you turning me in?â
He shakes his head with a low laugh. âNo. But we need to get rid of the body. If weâre lucky, no one will have gone in there yet. If weâre not, weâll need to deal with that woman.â
You blanch at the idea of having to shoot someone else but Charles doesnât give you much time to stomach the thought. He walks back into camp, tossing his rifle at an unsuspecting Lenny. âHey, it ainât my turn tonight!â Lenny argues with Charles retreating back.Â
âIt is now,â he calls over his shoulder. He leads you back to the horses and itâs like heâs got you on a leash. You follow blindly behind him, just needing someone to tell you what to do. You climb the mare youâd impulsively bought. You hadnât even really processed what youâd done.Â
Itâs not until now, that youâre sitting on her, that you take in anything about her. Sheâs pretty enough, an Ardennes with white coloring and an odd grey speckling on her back legs. You like the feathering on her hooves and how soft her mane is when you run your hand over it. But youâre most thankful for the fact that she got you back to camp as fast as she did.Â
Charles starts to pull out of camp when someone approaches your horse. You glance down, focus still split between what youâve done and what youâre about to do. You find Arthur staring up at you, hands bracketing the saddle so you canât leave. He looks around you, glancing at Charles before turning back.Â
âWhatâre you doinâ?â He asks, voice having lost some of the edge from earlier. You can still see the tension in his shoulders but it's clear heâs trying to keep his tone in check.Â
You look over your shoulder, leaning on Charles for guidance. Itâs not like youâve ever murdered someone before, youâre not even sure how to lie about it. You just know that you donât want Arthur to ever learn about what you did. You donât want any of them too.
Itâs a gang of outlaws, liars, murderers, and jackasses and youâre terrified that if they ever found out about this, theyâd start looking at you like youâre one of them. âNothing important, just taking her for a ride,â Charles answers. His horse kicks at the ground impatiently, wanting to get a move on and you can feel your own mare getting restless.Â
Arthurâs eyes narrow with something like suspicion. His jaw sets and you have a sinking feeling in your stomach that you know what heâs going to say. Heâll call your bluff, say heâs coming with you. Then youâll be forced to tell the truth. Heâll know you killed your husband.Â
You play a dirty card, staring down at him with wide, wet eyes and sniffling. âI just need to be away from camp, Arthur. I got so scared earlier.â The because of you goes unsaid but you know he hears it nonetheless.Â
His face slacks with something like guilt and he takes his hands off your horse, backing off. âLook, about that, Iâm real sorry, alright? I got worried because you werenât in town-â
âYou said an hour,â you snap. A sudden wave of irritation takes hold of you. Not only is he stopping you from cleaning up your mess but heâs trying to make it out like you leaving wasnât his own damn fault. âYou left me on my own until sunset. What the hell did you expect me to do? I thought you were just going to leave me there.â You scoff, shaking your head and looking down at your hands. âWouldnât be the first time a man abandoned me.â Itâs low, comparing him to the husband you just killed, but you need to play every card you have to make sure he stays away.Â
His brows furrow and you see the brief flash of hurt on his face before it disappears. With a heavy sigh, you lead your horse towards Charles. âJust leave me be,â you snap, taking off before he can say anything else.Â
Youâll stew in that guilt later, for now, you need to go get rid of your husband's body.Â
âHeâs in there?â Charles motions towards the saloon and you nod your head. âAlright, hitch the horses over here. We donât want people seeing us.â He leads you to the gunsmith across the way and you both get off your horses.Â
Charles stops you from going in the front and takes you around the back of the saloon. He leads you to a set of back stairs that almost gets you exactly where you need to be. Youâre on the upper floor but the room your husband is in is on the other side of the building.Â
Charles looks at you expectantly and for a moment youâve forgotten that itâs your murder youâre cleaning up. Youâve just been obeying him blindly like a beaten dog, needing someone to tell you everything will be alright. âOh, right,â you whisper, leading him around the banister and towards the hallway your husband is in.Â
Youâre nearly at the door when another couple starts walking towards it. âShit,â you hiss, âthatâs it.âÂ
Charles looks around your shoulder to the slightly ajar door and lets out a loud sigh. âYou didnât even close the door?â
You turn and glare at him, âI was a little distracted,â you snap quietly. He only shakes his head, grabbing your hand and running towards the room before the couple can get to it. You nearly slam into the woman in your haste to get inside.Â
Charles slams the door closed behind you both and you hear her laugh as she moves down the hall. âYoung love,â she muses to the man sheâs with for the night.
You sink against the door, letting out a breath of relief. When you open your eyes again you find Charles standing in the middle of the room. He almost looks a little shocked. When he turns back to you heâs got an astonished expression on his face.Â
âWhat did you do?â He demands lowly and you flush.Â
âI- I,â you stutter and take a hesitant step towards him. âI shot him and stuffed him in the wardrobe,â you rush out, motioning towards the closed wardrobe beside him. You stand next to him, finally getting a good look at what heâs seeing.Â
You grimace in disgust. You suppose in your haste to hide the body and leave you hadnât wholly taken in the gore of the room. Thereâs a puddle of blood soaked into the bed and a trail of it leading to the wardrobe. Youâre pretty sure thereâs a pile of your sick in the middle of the floor. Besides that, itâs like a bomb of feathers and brains splattered across the wall and floor. You can even see a bootprint where youâd stepped in a pile of mush.Â
âOh, god,â you mutter, stomach flipping. âThis is bad.â Youâre grateful youâd already thrown up earlier, you donât need Charles seeing you get sick. Heâs already seeing you at your worst, that would just be salt in the wound.Â
Charles lets out a heavy sigh and moves towards the wardrobe. âItâs fine, we only need to rid of the body.â
âThe body?â You take in a deep breath, lowering your voice and giving him an incredulous look. âWhat about the blood?â You canât help your shrill tone of voice as you motion towards the innards everywhere. God, had you painted the walls with it? How the hell did it get this bad?
âBlood doesnât matter if they canât find the body,â he tells you with a deadpan expression. He pops the wardrobe open and your husband comes tumbling out. He lands at your feet with a wet thud and you grimace.Â
Charles grabs the sheet off the bed and hands you one end. âWhat are we doing?â
âWeâre gonna wrap him up. Then, youâll go outside and make sure no one sees as I toss him off the balcony.â
âWhat-â Your eyes go wide as you help him lift your husband onto the sheet.Â
âThereâs a pig pen nearby. Weâll toss him in and the hogs will have taken care of everything by morning. As long as no one knows the man who was killed in here was your husband, it canât be brought back around to you.â He speaks about this with such casualness youâd think he was deciding what he wanted for dinner. He tucks the sheet and starts to roll your husband, you blink a few times and force yourself to help him.Â
When heâs fully wrapped Charles hoists him over his shoulder with a groan. âDownstairs,â he commands and you take off running. You leave the room and take care to close the door this time. You head down the hall and make your way towards the back stairs.Â
Just as you open the balcony doors someone comes through them. She stumbles into you with a groan. âWatch it-â She cuts herself off, jaw clicking shut as she gives you a wide-eyed stare. This is the woman whoâd been with your husband.Â
You hold your hands up, âHold on-â
âYou killed him. I heard the gun.â Your face drops, hand instinctually going to the gun on your hip. She notices this and quickly stammers out a rushed sentence. âUsually the women beat on me.â
Your brows furrow and you shake your head. âWhat?â You glance around her, wondering if anyone would see you kill her. Hiding a body isnât a leisure activity, you need to get downstairs and sheâs in the way. You should just shoot her or hit her over the head and drag her towards the hogs too.Â
When did you get so comfortable thinking like this?
âThey just go after me, the wives. Yank on my hair, kick me, sometimes they spit too. They donât never go after their husbands. Iâll be honest, I thought you were finally gonna be the one to do me in.â She laughs to herself and you force yourself to join along, not sure if sheâs leading into turning you in or not. âBut, no, you paid me for my time and let me go.â She winks and grins, âI wonât say nothinâ if you donât.â
She walks off without another word and you stay firmly rooted in your place. Your eyes are narrowed in confusion, jaw slack as you try and process a whore casually agreeing to not turn you in for murder. You knew outlaw life was different than the way you lived as a proper lady. But this is simply astonishing. Is your life now just full of absolute psychopaths and madmen?Â
Turning back towards the balcony, you rush down the stairs and nearly fall on your ass as you run to stand under the open window above you. Your eyes dart every which way, checking that no witnesses will spot your illicit activities. Thereâs a dark howling forest at your back and lightless houses surrounding you, no one to see what youâre going to do. Â
You whistle and a blanket-wrapped lump drops from the window. You jump back before it can land on you. When it hits the ground with a thump you run forward and roll it into the bushes under the window. Charles's head peers over and disappears in a second.Â
Youâre paranoid, head whipping in every direction at every gust of wind and rustle of leaves. At any moment you think someone is going to jump out of a bush and cry âMurderer!â
It only takes two minutes for Charles to join you and in that time you feel like youâve aged ten years. He comes down the stairs calmly, in no rush at all. He nods towards the body and you both roll it back out of the bushes.Â
You take the feet sticking out of the blanket and he grabs the shoulders, nodding his head backward. âPenâs this way.â
You both stumble along behind the shops. Pausing every so often when you see the glow of lamplight or the chatter of voices gets too close. âWhy didnât we take the horses?â You grunt, readjusting the feet in your hold for the nth time. Your arms are screaming with overuse as you struggle to keep a hold of your husband.Â
Charles smirks and keeps walking backward, looking for all the world like heâs completely at ease. âConsider this a lesson the next time you plan on killing someone.â
Your jaw gapes and you narrow your eyes at him. âYouâre punishing me?âÂ
âYou think this is how I wanted to spend my night?â You clench your jaw shut, keeping quiet as the squealing of pigs gets closer. âNearly there,â he mutters. You can see it coming up now, the wooden fencing is nearly at your fingertips.Â
âAlright, come on.â You scuttle along behind him, shuffling until your hip hits the wood. You prop the feet on your knee, groaning as you heave the body up to your shoulder. âToss him,â Charles instructs and you use the last of your remaining strength to send the body over the fence.Â
The hogs lift their noses to the air, already curious by the smell of blood. Charles jumps over the wood and undoes the blanket, he slices open another cut on the body, enticing them further. He jumps back over just as the animals come trotting forward.Â
âTheyâll really eat him?â You ask, doubt flooding your voice.Â
Charles hums and nods his head. âTheyâll eat anything if they smell the blood.â Your stomach churns as you see one take the first bite, the others quickly following. You whip around, putting your back to the scene. Charles crosses his arms, glaring down at you. âThink youâve learned your lesson?â
You tug the revolver out of the holster on your hip and hold it out to him. âNever again,â you swear. He chuckles and takes the handle from you. âSure as hell never trying whiskey again.â
âI wouldnât go that far,â he corrects, smiling down at you.Â
You sink against the fencing, ignoring the sounds of the pigs feasting. Mud soaks the hem of your dress and blood covers your hands once more. But itâs not as awful as it was a few hours ago. At least youâre not alone now. And you know Charles wonât tell anyone the truth of what happened tonight.Â
Still, you canât help but worry that theyâll find out somehow. Dutch wonât risk having a liability around and thatâs all you made yourself tonight. You could have gotten caught, you could have hanged for this. The bastard getting eaten behind you certainly isnât worth all the trouble.Â
But thereâs no mistaking that with him gone, thereâs a weight off your shoulders. An empty spot in your heart is filled with the knowledge that heâll never hurt you again.
Next Part end. â I do not own the characters or the game Red Dead Redemption 1/2, but this writing is my own all rights reserved © not-neverland06 2024. do not copy, repost, translate & recommend elsewhere.
Hell Hath No Fury Taglist: @buckysblondie @littlebirdgotÂ
Broken Machinery
Pt. 5 (completed series)
Series masterlist
Connor RK800 x fem!reader
A/N: I wanted drama but my hatred for miscommunication tropes has thwarted me.Â
Content Warnings: Cussing (duh), adult conversations about feelings, sex androids, perverts, Gavin
Word Count: 5k
Series Summary: You and your grumpy partner Anderson gain a new addition to the team. Heâs supposed to be CyberLifeâs best, but thereâs something not quite right with his programming, and the problems seem to revolve around you.
Connor was in your living room.
Connor was in your living room staring at a flower.Â
Connor was in your living room.Â
Why was he still here? Youâd thought he had left last night. You looked around your home, like someone was about to pop out and attack you. He obviously hadnât planned an ambush, but why else would he be here?
âIt was a guess.â You jumped ten feet out of your skin at the sound of his voice. Youâd assumed he had been in sleep mode. Once the scare wore off you finally processed his words.Â
âWhat was a guess?â You really didnât want to care, but curiosity got the best of you.
Androids didnât guess they came to educated conclusions provided by their software. You made your way to the kitchen to make some coffee, but Connor stopped you by putting a mug in the air, you could still see the steam coming out of it.Â
You took it from his hands and sniffed it like it was poisoned. After his display with the noodles last night you really didnât trust his prowess in the kitchen. It didnât seem like he had messed anything up. You took a seat in the armchair across from the couch.
The repairman must have already come, your window was fixed, the blinds were open on all the windows letting the morning light inside.Â
It didnât escape your notice that Connorâs LED had been a steady red since you had walked into the living room. Or that he had wiped off your drawings. âOn the roof I took a risk.â
You stiffened at the mention of the roof. The fear was still present, the feeling like you had wasted your entire life and would have nothing to show for it was still heavy on your chest.Â
When youâd been faced with certain death, you hadnât gotten a pretty flashback of all the good points in your life. You hadnât felt at ease, like what youâd been put on the earth to do had been completed. You had felt absolutely worthless. Like youâd never amounted to anything and had disapointed everyone around you.
You felt like no one would miss you when you were gone, and that hurt worse than anything.
To avoid feeling, youâd been shoving any thoughts of the roof deep down into the abyss of your other repressed memories. You didnât feel like reliving any of that with the android that had left you to die. Connor must have seen how quickly youâd become defensive because he rushed to finish the rest of his thought.Â
âI could hear Hank coming up the stairs, he was barely three feet away from us. You had a 40% chance of survival without my help. You were guaranteed survival by Hankâs arrival. My mission took precedence and I pursued the deviant.â Connor finally looked away from the flower and at you. âIâve replayed the memory a hundred times since it happened and I keep coming to the same conclusion; I didnât want to leave you.â
Connor gets up from the couch and kneels in front of you on your chair. Youâre still struggling to process what heâs saying. âI wanted to stay and be the one to catch you. You were my priority, but my programming forced me after the deviant and I had no choice but to pursue.âÂ
You were reeling from the bomb he had just dropped. The fact that he wanted anything was a problem, androids didnât want. They followed orders. They werenât allowed feelings or desires.Â
His LED was still red, you were starting to worry about what this would mean for the stability of Connorâs programming. If anything he was saying was true then he was at risk of being deactivated soon.
Therein lies the problem. Was any of this the truth or was it just another form of manipulation to gain your trust back?
âHow do I know you actually mean what youâre saying?â Connor looked up from where he had been staring at your hands, his head tilted at your question. âI know your favorite dog isn't a St. Bernard, Connor, okay? I know that you can illegally acquire documents if itâs necessary for the succession of your mission. I know youâre capable of actions that other androids arenât. Including manipulation.â You leaned in towards his face. âHow do I know that youâre not using those tactics on me right now?â
Connorâs face scrunched up in something that looked a hell of a lot like frustration. âDamn it, Y/N, just listen to me! There is something happening inside me that I have no control over. Every glitch in my software, every instability, every irrational instruction it all revolves around you! I wanted to save you and I couldnât. Iâm sorry, okay? Iâm sorry.â
What Connor was asking for right now was trust, another chance, a leap of blind faith. He was asking a lot for someone who just left you to die. But he was also trusting you, trusting that you wouldnât report him or have him deactivated for signs of deviancy.
Trust needs to go both ways.
So, you would take the leap, the small risk that he was lying to you. You would take it and believe him, because you were desperate.
Desperate for this to be the truth, to be so special to someone you were literally breaking their programming. That innate desire for someone to just accept you as you were was ripping down any walls you were attempting to build between yourself and Connor.Â
Yes, you were still upset about what happened on the roof, and no, things wouldnât be the same as they were before. But maybe that didnât have to be a bad thing.Â
âOkay.â
Maybe itâs better to go into this again with the sobering reminder that he was an android. He wasnât a stray puppy or someone that needed protection. He was a machine with programming and rules to follow. It wasnât fair to be so mad at him for something he had no control over.Â
But this moment, where heâs staring at you with a desperation that mirrors your own, also reminds you that they can feel. Sometimes they just need that push in the right direction.Â
âWhat?â
âI believe you.â You didnât give him a second to process that information before you asked your next question, âBut that still doesnât tell me what your guess was on the roof?â
Connor reached up and fiddled with his tie, he apparently still needed a moment to register the fact that you were trusting him. âThe guess was that you wouldnât hate me afterwards⊠and that perhaps the Lieutenant being the one to save you would help your relationship.â
âWell, it didnât. He hasnât talked to me since I got out of the hospital.â Connor frowned at that. âLook, I appreciate the honesty and the attempt at fixing my relationship with him. However, partnerships are built on trust, I need to be able to trust you completely when weâre out in the field together. If I canât then we have no chance of closing this case, so override whatever you need to override to make your first objective your partner's safety.âÂ
Connor nodded and fixed his sleeves, âDone.â
You nodded, âGood, now letâs go get something to eat. Iâm starving.â It was only when you got up to change that you noticed what the flower was on your coffee table.
A black dahlia.
âThe Lieutenant really hasnât contacted you?â You glanced up at Connor from your breakfast sandwich and shook your head. The thought made your eyes sting. âThatâs unacceptable,â you snorted at Connorâs indignation. His LED had gone back to a cool blue once you had given him the objective of feeding you. âIâll be staying with you until youâre healed, then.â
You choked on the water in your mouth. Connorâs hand came down in pats hard enough to dislodge the water but not enough to further damage your ribs. âWhat?â You croak out as you attempt to blink tears out of your eyes.Â
âYou needed assistance dressing yourself this morning,â you rolled your eyes.
That was a bit dramatic, you just needed a bit of help getting your shirt on, and your jeans⊠and tying your shoes, plus your hair. It wasnât even a lot.
âAnd bathing, plus, keeping a tidy living area will help with your psychological recovery. Thereâs nothing wrong with getting some help, detective. All I need is somewhere to sit so I can recharge.â
âDo I have any choice?â
Connor stared at you in silence for a long moment before responding with a stern, âNo.â
Moving him in was easy.Â
He literally only owned the flower.
The same flower he tried to give you at the hospital. You feel a bit guilty everytime you look at it. You just end up thinking about the way you acted when he came to visit you at the hospital. You were a bit blinded by your own terror and rage at the time, but thinking back it was clear he had wanted to make amends with you.Â
And android ârechargeâ just meant he sat somewhere and shut down while his software repaired any damage he had acquired during the day. So you set him up on the couch. You didnât really do much after breakfast, Connor forced you to stay on the couch or in your room. He had also forced you into your sling, you hated the way it scratched on your neck, but every time you went to take it off he would appear out of nowhere and place it right back on.Â
He was like a parent with a sixth sense for when their toddler was sticking something in their mouth they shouldnât.Â
Your entire day was spent with Connor hovering around somewhere in the background while you let your TV make your brain dumber.Â
At around eight Connor stopped from where he had been digging around in your bookshelf. He stayed completely still in his squatted position and his LED turned yellow. Youâd gotten used to his random stopping and going so you just ignored him and turned your attention back to the god awful soap on TV.Â
It was when he made his way to your front door that you finally turned your attention towards him. âWhereâre you going?â
âI just received information on another deviant case, Iâm going to retrieve Lieutenant Anderson.â
You quickly shot off the couch and stared at him in offense. âWithout me?â
He gave you a deadpan look, âYouâre still injured, detective. You need rest, it would be unwise for you to come with me.â
Well thatâs sure as hell not happening. Time to engage in some manipulation tactics of your own. âFine. But Iâm going to follow you anyway. Iâm probably gonna get changed on my own too, see if I can drive with only one arm,â you totally could, but he didnât need to know that. âYou know I still have a minor concussion,â you began walking towards your bedroom, âI wonder how badly that affects someoneâs ability to drive.â
The taxi pulled up to the curb of Lieutenant Andersonâs house and Connor let you out first. He followed behind and made his way to the door. You wandered towards Hankâs car while he tried to get his attention at the door. âLieutenant Anderson?â Connor glanced over at you, you had accidentally triggered the perimeter light in front of the garage and were quickly tip-toeing your way back to him.Â
He tried the doorbell, âAnybody home?â You brushed against him and shoved your finger into the doorbell, holding it there for a few seconds before making it play a discordant tune.Â
âHuh, that usually works.âÂ
FIND A WAY INSIDE
Connor left you to play with the doorbell while he searched around the perimeter of the house. He peered into every window until he found an open one by the kitchen. A quick look inside showed him the Lieutenant was passed out on his kitchen floor. âLieutenant Anderson?â
Non-responsive. Connor didnât waste any time breaking the window and jumping through. He landed on his back and a large St. Bernard was immediately standing over him. âEasy⊠Sumo, Iâm your friend, see? I know your name, Iâm here to save your owner.â He was a little worried that he might attack him until his tail started wagging and he turned back around, out of the kitchen.Â
You were standing in the entrance doorway, holding a key up for him to see. You looked at the broken glass under him and then to the window. âDude⊠You have a problem.â Your gaze drifted, landing on the Lieutenant. âShit, dad.â You pocketed the key and rushed over to Hankâs side. âOh, god, gross.â You backed away slightly when you caught sight of the vomit on Hankâs face and chest.Â
Connor kneeled next to Hank and quickly scanned him. âHeâs got slight arrhythmia, but no sign of trauma to his heart.â He kept the information about the gun to himself, but from the way you were looking down at it he had a feeling you already knew the game the Lieutenant was playing. âI suspect itâs an ethylic coma.â Connor lightly slapped the Lieutenants cheek in an attempt to wake him, but you pushed his hand away.Â
âIâve got this,â you were more than eager to land a harsh slap to the Lieutenants cheek that left a bright mark in the shape of your hand. âWake up, asshole.â
The Lieutenant came to and Connor leaned over, âItâs me Connor, and Y/N.â Connor reached over and grabbed Hankâs arm, slinging it over his shoulder. âIâm going to sober you up for your own safety.â
âHey! Leave me alone, you fuckinâ android!âÂ
âI have to warn you, this may be unpleasant.â
Hank looked towards you and frowned, âGet the fuck outta my house, I told you I didnât want you around!â There were tears building in the corner of your eyes, but you helped Connor lead the Lieutenant to the bathroom anyway. âSumo! Attack!â The dogâs tail hit the ground but he made no move to get up. âGood dog.â
Connor propped Hank onto the wall to open up the bathroom door. âI think Iâm gonna be sick.â
âThe fuck do you think happens when you drink a whole bottle of whiskey?â You were frowning at the Lieutenant, hostility clear in your voice.Â
âIt was only⊠half.â His words were slurred and he seemed disoriented. He was no use to either of you in this shape. âLeave me alone, asshole! Iâm not going anywhereâŠâ When the Lieutenant attempted to hang onto the bathroom door frame you were quick to slam your fist on his fingers, making him yelp and pull back in pain.Â
Connor saw four notes on the bathroom mirror, two were in Hankâs handwriting, âIâm not grumpy I just donât like you!â âTo shave or notâÂ
The other two he recognized as yours from your written reports; âToday will be fantastic!â âYouâre doing great :)â
Connor shoved the Lieutenant down with a little more force than necessary when he saw the sad way you were looking at the notes, and the way you seemed to hunch down more into yourself. âSorry, Lieutenant. Itâs for your own good.â There was a slight satisfaction as he turned the water on cold and watched the Lieutenant struggle, it left him when he turned around and realized you were no longer in the bathroom.Â
âOH GOD! TURN IT OFF! TURN IT OFF!â He was certainly aware now. âWhat the fuck are you doing here?â
âA homicide was reported forty three minutes ago. We couldnât find you at Jimmyâs bar, so Y/N suggested we see if you were at home.â
âJesus, I must be the only cop in the world that gets assaulted in his own house by his own fuckinâ android⊠Canât you just leave me alone?â
Connor ignored the lack of concern Hank displayed at the fact that you werenât at home, like you should be, resting. âYou seem to have personal issues. You should consult a professional who can help you.â Connor would not be offering his support to Hank.Â
âBeat it! You hear me?! Get the hell outta here!â Connor helped the Lieutenant back onto the edge of the bathtub when he stumbled.Â
âI understand. It probably wasnât interesting anyway⊠A man found dead in a sex club downtownâŠGuess theyâll have to solve the case without usâŠâ Connor promised not to use any manipulation tactics on you, he didnât say anything about not using them on the Lieutenant.Â
âYou know, probably wouldnât do me any harm to get some air⊠Thereâs some clothes in the bedroom there.â
BRING HANK CLEAN CLOTHES
âIâll go get them.â He closed the door as Hank began throwing up.Â
âHey, cutie.â
Connor turned towards your voice, âHello, detective.â You were leaning over petting Sumo, your eyes widened when he responded to a compliment clearly meant for the animal you were interacting with.Â
You smiled at him, âI was talking to Sumo.â
Connor cleared his throat, âI knew that.â He moved towards the bedroom and then paused, you were still watching him. âEven if I didnât, it would be understandable that I would be confused, you call me by a myriad of nicknames.â You were still smiling as he walked into the bedroom.Â
You seemed to be pleased by other peopleâs embarrassment. He chose an outfit he thought might be embarrassing for Hank to wear, in an attempt to lift your mood after the Lieutenants drunken outburst. A streaky zebra patterned shirt that was out of date according to the fashion catalogs Connor had on file.Â
He left the clothes on the sink as Hank threw up some more.Â
Why did his humans have to be so complicated?
When he walked back towards the living room, you were in the kitchen. You had Hankâs gun in your hand and were staring at a picture on the table in the kitchen. Connor scanned it and recognized the child in the photo to be Cole.Â
He gently took the gun from your hand, you used itâs newfound freedom to lift the picture towards your face. Connor chose not to say anything about the gun, but kept the information logged away.Â
HANK HAS SUICIDAL TENDENCIES
Connor stared down at the large amount of empty takeout boxes on the kitchen table. âThe Lieutenants diet is nearly as bad as yours.â That startled you out of the trance you had been in, staring at the picture.Â
âExcuse me?â
Connor shrugged, âI told you, you need more fiber and protein.âÂ
You scoffed indignantly, âAt least I eat fruit. This shitâs all sodium.â Connor engaged in friendly banter with you in an attempt to keep your mind off whatever has been bothering you since you found the Lieutenant passed out on the floor.Â
Hank came out of the bathroom a few minutes later, you immediately snickered at the sight of his shirt. âSnazzy, Hank.â Connorâs assumption was correct, you had an immature form of humor. You quickly moved Connor to hide the damage he had done to the window
Hank chose to ignore the comment as he walked out the door, âBe a good dog, Sumo.â
âGross,â You were staring up at the entrance to the Eden Club, watching the video of the sexiest androids they had to offer play out. âThis is creepier than sex dolls, at least those donât breathe.âÂ
âAre you sure this is the place?â
Connor turned off the ignition and looked at the Lieutenant in the back seat, âItâs the address in the report.â Connor got out and moved to open your door, you gave him a small thank you as you exited.Â
âSexiest androids in town. Now I know why you insisted on coming here.â Connor ignored the Lieutenant in favor of observing you. You seemed uncomfortable watching the androids dance on the poles.Â
âIs there something wrong, detective?â
You frowned, âIt just creeps me out, theyâre standing in boxes waiting to be picked and then they just get fucked. Thereâs no consent or pleasure for them, they physically canât even say no.â
Connor was confused, âThatâs their purpose detective. To pleasure humans.â
You gave Connor a long look that he couldnât decipher. âDoesnât mean it's right.â
You follow Hank towards the briefing and Connor lags behind in favor of observing the androids in the club, processing your words. He couldnât fathom their meaning, androids were designed with one purpose, and programmed to carry out that purpose. Saying it wasnât right was like saying it was wrong for a washing machine to clean your clothes. Androids were objects and you seemed to have trouble understanding that.Â
âConnor! The fuck are you doing?â You and Hank were staring at him watch the Traci model dance, you had a frown on your face.Â
âComing, Lieutenant.âÂ
He barely heard you mutter, âI bet.â
The congested voice of Ben rang out through the club and the three of you moved towards him. He directed you towards the room the murder occurred in. Ben stopped you before you could enter, âGavinâs in there, watch out.âÂ
âUgh, as if this night couldnât get any worse, thanks Benny.â He nodded and moved back towards the owner of the club.Â
You walked through the room first. âLook, itâs Detective Y/LN, and her plastic toy. The fuck do you want?â
Connor answered before you could, your adrenaline had immediately spiked at the sight of the detective and he didnât need you getting in another physical altercation. âWeâve been assigned all cases involving androids.â
âOh, yeah? Well, youâre wasting your time.â He turned towards the body and laughed. âJust some pervert who, uh, got more action than he could handle.â
âYouâre such a-â
Hank quickly grabbed your uninjured arm. âWeâll have a look anyway. If you donât mind.âÂ
Gavin scoffed, âItâs starting to stink of booze in here anyway.â He purposefully knocked into Connor on the way out and Hank had to physically hold you back from jumping at him. Your willingness to engage in physical conflict while in already damaged condition was worrisome to Connor.Â
Chris bade you all goodnight and you just barely muttered one back before he was gone. Hank was unbothered by your anger as he let you go again. âI hate that son of a bitch.â You continued talking to yourself about your hatred for Gavin as you looked around the room. Connor only caught bits and pieces of your rant, it was disturbing how well you could plan out a murder.Â
EXAMINE VICTIM
EXAMINE ANDROID
Connor went to the victim first and reconstructed the scene. He was strangled deliberately, this was not a failure of the heart like Gavin had dismissed it to be. âHe didnât die of a heart attack, he was strangled.â You barely glanced towards Connor before continuing to angrily look around the room.Â
â-canât even do his job right.âÂ
Hank confirmed his conclusion, âYeah, I saw the bruising on his neck.â You walked over and peered at the dead body.
âHow did he miss that?â
âHe most likely assumed it was a consensual part of their time together.â Heat rose to your cheeks at Connorâs words and you quickly turned away from the body and towards the android. You were very cagey when it came to discussing anything sexual in nature around Connor, he assumed it was due to your attraction towards him and how easily you were aroused.Â
EXAMINE VICTIM
EXAMINE ANDROID
Connor frowned at Hankâs words that it didnât prove anything. He was right, it was circumstantial. âWeâre missing something,â you mumbled, kneeling down near the android. Connor walked over and joined you, he provide a more thorough examination than you could. âThink you can read her memory?â
âI can tryâŠâ It wasnât a guarantee. It seemed pretty badly damaged and if it was reactivated, it might not be working for long.Â
Hank went through the victims wallet while the both of you looked over the android. âA credit car, cash in the wallet⊠Picture of his wife and two daughters⊠I wouldnât want to make that call.â You stood from your position and stretched out your legs.Â
âWeâve made worse.â
He finished his analysis of the android. âThe only way to access its memory is to reactivate it.â
âThink you can do it?â
âItâs badly damaged⊠If I can itâll only be for a minute, maybe less⊠I just hope itâs long enough to learn somethingâ
You both watched him from the corner of the room as he worked to reactivate the android. Connor quickly stood as the android shot up and crawled to the corner of the room. He approached slowly, trying not to startle it too much, being mindful of the limited time he had. âCalm down, everythingâs alright. All we want is to know what happened.â Her eyes shot to you in the background. Ignoring Connorâs presence.Â
âIs he⊠Is he dead?â You seemed surprised she spoke to you, but quickly stepped forward and kneeled next to Connor.Â
âYes.âÂ
âDid you kill him?â Her head shot back towards Connor.
âNo, no it wasnât me.â
âWho was it? Was there someone else in the room?â Your line of questioning caught Connor off guard. After your interrogation in the police station he assumed you to be incompetent in that part of your work. You seem to have a better read on this situation then you did with the HK400. Connor moved to the side and let you take over, the android seemed to respond better to you.Â
âI- I donât know, he said he wanted to play with two of us. He just started hitting me again, and again.â
âDo you know what the model was? Did she look like you?â
âI canât remember, I was so scared. Iâve never felt that before.â You reached out and took itâs hand.Â
âItâs okay, youâre alright.â It nodded before itâs eyes stopped blinking and it shut down. âSo, there was another android.â
âThis happened over an hour ago, itâs probably long gone.â You nodded at Hankâs assumption.Â
âIf it were smart, but Connorâs said it before, deviants work on irrational instructions. Thereâs no logic to their behavior, it might still be nearby.â
âPlus,â Connor added, âit wouldnât be able to walk around dressed like that unnoticed.âÂ
âThink you could find a deviant among all the other androids in this place?â
Connor considered Hankâs question, âI could try.â
You seemed to be enjoying watching Hank pay for so many different androids. You were still laughing as he bought a male model, âGod, Fowlerâs gonna have a field day with this one.â You wiped your eyes, âOh, this is amazing.â
Hank frowned, âThis is about to be the most expensive investigation of my career.â He glared at you, âGlad to see youâre enjoying yourself.â
âVery much so.â
âI know where it went! Follow me.â Both you and Hank turned to follow Connor down the hallway he saw the android go down.
Hank stopped Connor from progressing, âWait. Iâll take it from here.â Connor nodded and moved back, pushing you behind him. You started to follow them down the stairs when Hank stopped you. âStay there.â
âWhat?â
âYouâre injured, you shouldnât even be out of the house. Stay. There!â Hank pushed you back onto the stairs and you threw yourself down onto them, crossing your arms and glaring at Hank.Â
You waited until he had walked away to whisper a, âLike you even care.â From the way his shoulders tensed and his footsteps stuttered he had heard you clearly.Â
Connor ignored the open warehouse door and continued to search through the storage room, keeping an eye on you to make sure you stayed put. He heard a small gag from the stairs when he sampled a small puddle of thirium off the floor.Â
SEARCH FOR BLUE BLOOD TRAIL
The trail led him to a group of androids in the back. Seemingly unactivated, except a blue-haired Traciâs LED was circling through different colors. Connor was hyper focused on watching the blue-haired Traci. It made him blind to the brunette Traci at the front of the group. It had already lunged for him by the time he noticed its LED was also changing colors.Â
Your voice was a distraction as the brunette tackled him to the floor, âShit! Connor-â
Hank stopped his pursuit towards Connor to turn towards you. He pointed his gun at you, âStay put!â He made it over to Connor to try and help him but the blue haired Traci grabbed Hank and threw him to the ground.
Connor grabbed the brunette Traci by its bra straps and flipped it over a container, only for her to grab a hold of his tie and take him down with her. She straddled him and slammed his head down onto the concrete floor so hard his visual processors temporarily malfunctioned. It was enough of a distraction for her to grab a screwdriver off a nearby shelf, she leapt back onto him and attempted to stab it down into his face. He threw his hand up-
Thirium splattered across his face as the screwdriver stabbed through his palm. He shoved the Traci back and off of him, he whirled around, desperately looking for something to use as a defense. He heard a pained shout and watched as a shelf flew into the Traci. You had managed to sneak behind them both and were panting as you held onto your arm.Â
Connor was too busy trying to scold you to notice the Traci getting back up, you let out a surprised squeak and ran behind him, back towards the safety of the stairs. He watched you, confused why you were running, until he felt himself being slammed into a wall. He grabbed the Traciâs hands and threw her back.
He made a run for the table that held an android being worked on and threw the stool near it at the Traci. She swatted it aside like it was nothing. There was a deactivated android standing next to him, he grabbed onto it and threw it at her.Â
âOof-âÂ
He was thrown out the open warehouse door and onto his back, standing above him was the blue-haired Traci. She went back inside and grabbed the brunette. He caught a glimpse of them holding hands before Hank was standing up and trying to grab them, only to be knocked back into a pile of trash.
âHey! Not fighting! Not a part of this,â at some point, while Connor was trying to recover from the fall, the blue haired Traci had dragged you outside, it threw you down next to Hank.
He made his way towards you, scanning you for any possible injuries. You shoved at him, âConnor, move!â
He jumped up from checking on you to see the androids trying to jump the fence at the end of the alleyway. Connor ran over and managed to grab a hold of one of their biceps. Throwing it to the ground, the other one leapt down and onto his back.
He rammed into the alleyways wall to get the one on his back to release him. The blue-haired Traci ran at him, grabbing at his throat while the other attempted to ram its knee into his gut. He grabbed the blue-haired Traciâs wrist and bent it back until he heard the uncomfortable creak of metal, then grabbed the brunetteâs leg and shoved her to the ground. She looped a foot around his ankle and tugged him onto the ground next to her.Â
Hank at some point, had managed to lose his gun. It was a foot away from Connorâs hand. He kicked the Traciâs face and scrambled to snatch the gun off the ground. It nearly slipped out of his hands, wet from the rainwater, before he managed to get the safety off and was pointing it at the two androids.Â
He had it aimed, safety off, poised to fire. His finger pushed against the trigger and then just stopped.Â
SOFTWARE INSTABILITY^
The brunette was back up and took advantage of his hesitation. landing a kick to his face that knocked him to the ground. You quickly scrambled over to him, helping him to his knees.Â
The blue-haired Traci began speaking to him, her counterpart still holding the gun to his head. âWhen that man broke the other Traci⊠I knew I was next⊠I was so scared, I begged him to stop, but he wouldnât⊠And so I put my hands around his throat, and I squeezed until he stopped moving. I didnât mean to kill him. I just wanted to stay alive. Get back to the one I love,â her eyes were pleading as she looked to Connor.
âYou have to understand that. Being held by the one you love, forgetting the rottenness of those who use us, just for a moment.â The Traci looked at you, standing next to Connor, holding onto his arm. He wondered why she would speak to him of love. He was incapable of something so illogical. She turned towards the brunette, âCome on, letâs go.â
You all watched them gracefully climb the fence and run down the street on the other side of the alley.
âHoly shit, I think thatâs the most impressive thing Iâve ever seen. Did they just climb that, in stilettos?â You walked over to examine the fence. Hank walked over and gave Connor a strange look.
âItâs probably better this way.â
You walked back towards them and laid a gentle hand on Connorâs shoulder. âYou did a good job.â
He was still struggling to process what had happened. He had let the deviants go, gone against direct orders. He failed his mission, nothing about what he just did was good or a success.Â
So, why did he feel like he had just done something right?
end. â I do not own the characters or the game Detroit: Become Human, but this writing is my own all rights reserved © not-neverland06 2023. do not copy, repost, translate & recommend elsewhere.
hi! where did you edit your header? thank youuu đ«¶đ»
Hiii, I edit on picsart (mobile specifically on my iPad because the online version doesnât work the same for me). I'm gonna include pictures in this bc as someone who can't edit for her life, picsart is actually a godsend.
I usually find my pictures on Pinterest (your theme) +aesthetic gives me all the pretty pictures, then I'll download some dividers off of here and add them to the image.
But these are the steps I take to make all my headers:
I use the blank option on Picsart first
The go to shape for the blank option is a small square, but that doesnât translate super well on tumblr so Iâll click the fit option
For headers or banners for fics, I like using the X post size, as highlighted below
Once you do that, the backgroundâs no longer going to be transparent so you have to click the little icon below
then from there you click the transparent background option
After that I add all my pictures, get them lined up how I want and when Iâm finished I usually crop the size down. It takes a little bit of experimenting before you figure it all out, but Iâve gotten addicted to it lol
For headers, I use the X post size option. But for stuff like my masterlist and about me page I just go with the square shape. It really just depends on what you want
I donât trust Sylvie, obviously the biggest rule in Fallout is not to trust anyone. And the fact that Cooper doesnât trust her but trust her with us likeâŠbitchđ
Sheâs about to sell us for our organsđ
He is such a little bitch
No spoilers but how could anyone who grins lecherously ever be trustworthy I mean câmon Cooper
Connor: Whatâs up guys? Iâm back.
Hank: What the- you canât be here. Youâre dead. I literally saw you die.
Connor: Death is a social construct.
The finale of How About a Nuke will be posted today!! I know itâs pretty soon after the last chapter but I had a surge of inspiration and I was up until 4 am writing this. Iâve spent all day editing it and as much as it pains me, their journey is now over. Thank you for all the support and kind messages youâve sent me while this story has been in progress. â„ïž
And if I said I was writing for Bodyguard!Logan and Congressman's daughter!reader, what then?
I did it here
I loved your Bucky fic so much!!!
The concept was so interesting, it reminded me a lot of the movie paranormal activity. I was wondering if you take requests for him or know other good Bucky blogs?
Aw, thank you so much! I honestly didnât think I would ever write for him on this blog but that idea got in my head and just stuck with me. It is actually based on that movie, mainly because I watched it a week before the idea came to me lol, good catch. Yes, I do take request for him.
@kinanabinks is my go to recommendation for Bucky fics. Sheâs what got me hooked on tumblr and the fandom, her writing is absolutely amazing and sheâs one of my favorites.
Sorry, let me rephrase it. Remember how Mary Linton pleaded with Arthur to drop everything and run away? What if instead of Mary, it was reader and what if instead of pleading she just kidnaps him after begging him too many times?
It's time to finally reveal what inspired my series Hell Hath No Fury
I never posted this ask because I was worried it would reveal the ending, but then I went in a completely different direction with it lmao. I'm sorry it might not be exactly what you wanted, but your request inspired one of my most favorite series I've written â€ïž
đ€ - completed series
ÊÉ - smut
àȘâ⎠- personal favorite
⏠- series
đŻ - dark
Śâ°â†HOUSE OF WAX
àłââ· Bo Sinclair
bad day - part two đŻ
one more spring đŻ
àłââ· Vincent Sinclair
bad day - part two đŻ
Śâ°â†SCREAM
àłââ· Billy Loomis
wicked influence đŻ
àłââ· Stu Macher
wicked influence đŻ
the boy next door àȘââŽ
Belle ll 21 II she/her ll Current Obsession: Charles-RDR2 ll Requests CLOSED Masterlist ll Nameless blogs = blocked ll Ao3 ll
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