Today in niche genres of joke that I can never get enough of and will probably still be secretly thinking about four years later
i need feminism because when jesus does a magic trick it’s a goddamn miracle but when a woman does a magic trick she gets burned at the stake
mythbusters was so good because it wasn't a killjoy show. they didn't just say "see, it doesn't work" and leave it there
whenever they find that the stunt doesn't work as portrayed in the movie, they immediately ask "what would it take to make this happen?"
Fun fact: in the 80′s the Dutch Unemployed Union held ‘fridge raids’ to protest against poverty.
They’d find out when a politician of big boss who upheld poverty and starvation wages was speaking at some public even, then they’d carefully break into his house with a LOT of people and they would eat EVERY piece of food in his house and leave the empty dished behind without taking anything else.
You know sometimes I think about how Majora’s Mask is a game about helping others first and saving the world second
About how literally the main objective of the game was to help Tatl and the Happy Mask Salesman, and how literally no one tells you that your goal needs to be to stop the moon
About how upon rescuing the third giant, they ask you to help their friend, to which Tatl assumes they mean the fourth giant, when in reality they’re referring to Skull Kid
About how Skull Kid is a perfect representation of a child going through grief and not given the proper resources to cope healthily which can lead to a spiral of destruction, both hurting the ones around them and themself. And how, while the hurt they caused was inexcusable, you also see the effect of Skull Kid’s demonization as everyone thinks it better to simply toss him aside and forget him, but how the Skull Kid truly deserved to be saved just like everyone else in the game
About how, upon rescuing the last giant, they request you to “forgive your friend” to which Tatl goes “Huh? What friend? and then the scene fades out as the player is meant to infer they mean the Skull Kid, and how this isn’t addressed again once the cutscene ends
About how most of the quests where you help others isn’t about magically making their lives better, but rather performing small acts to comfort others and ease their burdens so they can face life with no regrets
About how with the Deku Butler’s son, you won’t realize you discovered his body until it’s referenced later in game, and how by the time you encounter Darmani III, his grave had already been completed, effectively making both of them die before you even had a chance to help them. But you watch Mikau die, and no matter how early in the cycle you go back, there will be nothing you can do and his death will be inevitable, and how the game reassures you that that’s okay. That being there in the aftermath is just as crucial, if not more crucial, than attempting to prevent the tragedy in the first place
About how Cremia does everything in her power to make Romani’s last night as comforting and joyful as possible so her last moments aren’t in fear of the apocalypse, but rather love of her sister, and how one can guess how much Romani unknowingly brings Cremia comfort in her final moments as well
About how Majora’s Mask is a game that focuses on and heavily rewards empathy and compassion, and how simply being selfless is often more important than being some grand hero. About how it’s literally impossible to beat the game without making meaningful, emotional connections. And how as much as you help others, they help you in return; with Deku Butler’s Son, Darmani III, and Mikau being immediate helpers, and the Fierce Deity’s Mask being the ultimate symbol for all the joy you’ve brought to others and how the most daunting threat in the game is an absolute cakewalk when you have so many behind your back. About how the game is about support and being supported, and making the most of the time you’re given
And y’know sometimes I think about Majora’s Mask
Love how tumblr has its own folk stories. Yeah the God of Arepo we’ve all heard the story and we all still cry about it. Yeah that one about the woman locked up for centuries finally getting free. That one about the witch who would marry anyone who could get her house key from her cat and it’s revealed she IS the cat after the narrator befriends the cat.
Y’ever read something and have understanding that has eluded you interminably suddenly stop, curl up, and snuggle neatly into a fold in your brain because a new way way opened to it?
• "thought this was a joke. turns out im the joke."
• "you can use a mixer, i just do this to feel something"
• "fold in sauerkraut carefully. or what? im going to ruin your disaster?"
• "can a cake be tried for treason?"
• "either chocolate fixes everything or this is alchemy"
• *disgusted chewing noises* "DEMON BABY!!!"
• "before pumpkin pie became king people ate this....now they're dead."
• "combine all ingredients except for pie shell. were you rEALLY WORRIED I WAS GOING TO PUT A F U L L Y C O N S T R U C T E D PIE SHELL INTO THIS?"
• "im a fool, not an idiot."
• "its like reading directions to purgatory"
• "now we have carbonated mayonnaise lime water"
• "MARSHMALLOWS!! with the m a y o??"
• "chop up your dehydrated cow"
• "it tastes like it's insulting me"
• "and its not just a little bit. no. its a severe unauthorized CUP of mayonnaise."
• "honey you cant dilute a war crime"
• "you know its horrible now but i hope it turns out okay. like children."
• *beans boiling over in a pot* "ahhhhHH BEAN REBELLION!!"
• "eggie!! how many? i don't know. it just says EGGS."
• "did you just kill my blender?" *broken blender noises* "hello?" *insane maniacal laughter* "this is personal now. you swung first!!"
• "why are you good? yOU HAVE A BAG OF BEANS IN YOU!!"
• "one of the many questionable substances people experimented with in the 70s...pistachio pudding."
• "smells like a palm springs retirement home"
• "nixon wished it was this easy."
• "this was the cold war after all. fear of communist bananas was at an all time high."
• "the 70s. sponsored by the color beige."
• "its uncomfortably appetizing"
• "meat and desserts was quite common back then. so was botulism."
• "'honey would you like earl gray or pork?' 'ill take a divorce'"
• "sweet, bitter and meaty. like my ex."
• "don't say it dylan" *2 seconds later* "CIMMANIMM!!"
• "350 for two and a half hours! i suppose any less and it might gain consciousness."
• "its a little late in the century for war crimes."
• "are you just making things up? who are you??"
• *opening a can of spam* "you know ive never been particularly religious. but today might be the day."
• "a cup of evaporated milk?! have you lost the plot?!"
• "i feel like if i do this correctly im going to invoke the spirit of richard nixon"
• "this aint food honey this is a bioweapon"
• "sir your phone number is 4 digits"
• "well i don't have sorghum because i don't have a life expectancy of twelve"
• "thats the power of pine sol baby!"
• "bake to your liking. sweetie none of this is to my liking."
• "this is what id imagine a toilet brush to taste like"
• "this is why we don't perform lobotomies anymore."
• "should be a pale white." *holds butter up to arm for comparison*
• "i bet this recipe is just all the wrong answers on a baking test."
• "smells like dentures."
• "not bad dead people"
• "its incredible. and im mad about it."
• "sift your flour three times. lady your cake has tomato soup in it, this is thE LEAST OF YOUR WORRIES!!"
• "'911 whats your emergency?' 'yeah that lady carol is at the barbecue again.'"
• "careful not to over mix. sorry im just trying to kill it."
• "now i know this is going to be awful because it calls for soured milk. not buttermilk, not milk and vinegar, no honey sOURED B A D MILK!"
• "disgusting wasnt enough for you?!"
• "call the U.N."
• "bake until done. you're a piece of work."
• *plays accordion on his kitchen floor*
• "tastes like a shower drain or a bunion"
• "this recipe was sent to me by herbert hoover feet pics. theres something for everybody"
• "are you nine inches yet?? said 14 year old me."
• "i suppose its better than eating your offspring"
• "oh betty crocker WHAT ARE YOU UP TO??"
• "you could just use canned pineapple. if you were a communist."
• "can you bake a pie with four ingredients? yes! i could also eat my mattress."
• "add three gils of water. was this written for a fish?"
• "i think this qualifies as a preexisting condition"
• "unconstitutional!"
• "its a breast implant"
• *clunking from the cabinets* "i think ive summoned something"
• "it seems to have collapsed. like the south."
• "the slogan for this cookbook is 'it's digestible'"
• "remember kids the main ingredient in pie pastry is self doubt"
• "fry in two tablespoons of crisco. on this episode of dead white people."
• "i didnt know tuberculosis had a color scheme"
• "ive baked a toilet."
• "how am i supposed to know how big your teacups are, ira?"
• "why do dead people like dates?"
• "easy does it. wouldn't want to ruin a disaster."
• "'ira honey i'm going to war.' 'over what?' 'your cooking'"
• "tastes like a boot. like a size 10 boot."
• "why just live in the great depression when you could also have chronic diarrhea"
• "it wants me to plumpen my prunes in water. well i won't be plumping my prunes in just anything. buy me dinner first."
• "it looks like a failed grave robbery"
• "walnuts aint gonna save this recipe sweetie"
• "you know its not bad it just vaguely tastes like a felony."
• "'where you goin with that tuna dylan?' 'oh you know just making jello"
• "this recipe is making me cry, not the onions"
• "are we sure this recipe wasnt written by a cat?"
• "it already looks like the great depression"
• "bake in a moderate oven. no need to get political"
•"don't tell gordon ramsey"
• "it tastes like a question mark. but a good question mark"
i think i like the four swords manga so much bc there is some just. very up my alley character and ship archetypes in there, but also the message itself and emotional beats hit surprisingly hard?
(long analysis below)
i like the idea of this character who is so ATTACHED to the idea of being an outsider and harming others, because he believes that he will never belong in the light with them. over the course of the manga, shadow link develops genuine fondness for vio, shows vulnerability through that fondness, and gets betrayed. no matter how real the feelings were between them, vio couldn't bear to hurt his friends or the world. it devastates shadow link; really gets to him. i wonder if he even knew he could have these feelings, falling for the very ruse he attempted to use on vio to get him on his side. while shadow is very ridiculous and theatrical in general, it doesn't seem fake when he expresses that he's glad vio has joined him. it also seems very real when he breaks down after the betrayal.
zelda choosing to be kind to shadow rather than mock him for being foolish is like the final straw that shatters his world view. she asks if he really thinks the light will hurt him, and challenges the notion that he isn't a hero deep down. she's not making excuses for him or telling him who to be; she's naming his deepest insecurities loud and clear and telling him it's okay to be scared. she's not rubbing salt in the wound of vio's rejection, but instead suggesting that shadow could find belonging with others if he took a leap of faith and tried to be their friend without an ulterior motive. shadow gets so giddy about the idea of doing havoc with vio, and it's like buddy, you're experiencing happiness because you like vio, not because you like being evil. i think deep down, we all just want to find Our People. and i can't stand to be cynical enough to suggest that we all don't have at least someone out there for us. it's just harder for some people to belong than others, as is the case with shadow.
shadow link is messed up and destructive to the people around him, unable to even imagine belonging in the light so he settles for chaos in darkness--but he submits, by the end of the comic, to the terrifying truth that he is deserving of love and capable of loving. i say terrifying because in an allegorical sense, it's kind of the equivalent of saying "i'm gay/mentally ill--i can't change that the world is harder for me, and it will be harder to find people who understand me, but i'm doing a disservice to myself and anyone i could hypothetically love by not trying to be my best self." it's a great and fairly uncommon message, especially for teenagers and young people in general.
i mean dude, talk about a bizarre but weirdly resonant reflection of the "gay teenager developing feelings for their best friend" experience. shadow link sets out to manipulate vio at first by appealing to his ego, no personal stakes in the game, but almost IMMEDIATELY falls DOWN BAD for this guy and becomes incredibly emotionally vulnerable around him. shadow link is genuinely LIVING for the time he gets to spend with vio, being as chaotic and theatrical and unrestrained as he pleases. he really believe that vio sees him, and likes him for who he is (which for the record i think is true, but vio also cares about his friends and the fate of the world, things that hold no meaning to shadow).
vio betrays shadow and it genuinely hurts, and that's kind of incredible for a short comic with a lot of goofy moments. and then shadow's resolution is vindicating too, he has agency in the choices he makes, and he does the right thing because he finally believes he doesn't need to remain in the darkness. he disguises himself to help the four because he knows they don't trust his face, really demonstrating the selfless desire to end all the magic shit that put him and the others in archetypical dark/light boxes. shadow link changes a lot in a short period, but the fact that to the end he believes that he still isn't like the others is negated by them saying he's part of "the body" and their friend. his "death" is very simply put in the text--"when a shadow turns to light, it disappears." it's not like a real death. it's a permanent and meaningful statement on how much shadow has changed, and found belonging and acceptance. if shadow's physical form came from feelings of spite and resentment, it makes sense that it no longer needed to exist.
and to TOP IT OFF, he does "end up" with vio and the others, if we're viewing The Full Link as an allegorical friend group or community. he's not quite as homogenous as they are, but rather serves as a shadow of the four. i love the panel where he's giving a thumbs-up from link's shadow so much. that's so simple and obvious, but honestly poetic. because like, in some ways you're never going to be just like everyone else. finding friends who are also gay or mentally ill doesn't make you any less of who you specifically are, and in at least some ways your friends and loved ones are always going to be different from you. i don't like it when the ultimate takeaway from a story is "once you live happily ever after, the darkness will be all gone," because hello??? some things never go away, and the darkness has, for better or for worse, made you who you are! qualities i see in shadow link are sardonic humor, unusual expressiveness, and a deep sense of caring towards His People/Person. those are fueled partially, but not entirely, by his not-great circumstances and deepest fears... but they're also where he shines.
you can be different from other people without resigning yourself to an lonely and unhappy life. coming out doesn't make you any less gay; seeking treatment doesn't magically cure mental illness; but acknowledging yourself for who you are is life-changing liberation, and necessary in the pursuit of happiness. these are huge and scary steps that especially young people are struggle to take, settling for resentment over the possibility of rejection. shadow link takes a chance and finds belonging, but still maintains the parts of himself that give him such a distinct personality. he is accepted for who he is, and at the end of the day who he is is not dark force whose sole purpose is to ruin lives, but just a strange gay-ass little dude who's a little bit extra but good at heart. and vio, as well as the others, appreciate that wholeheartedly. at the end of the day, the Whole Link just isn't the Whole Link without his shadow.
i don't know man, it's always special to me when an angsty character is written not as a joke, but as an opportunity to give people hope. even in the most obscure of places, even in ways that i can analyze endlessly but mean nothing to the average person. maybe none of this was the authors' intention. even if the manga was just, like, a shallow implementation of tropes and characteristics i'm a SUCKER for, i'd still love it to bits.
but i do see something a little deeper here, i can't help it. clearly the story has resonated with a small but dedicated group of fans, many of whom read the manga as kids or teens. i'm... honestly a little jealous of that. it's the kind of story i needed, and the kind of story i wish to tell. this series is truly a gift that keeps on giving.