Got an interesting take on eldritch horror for all you writers out there. It's a bit of a roundabout schlep to reach the actual idea, but writers tend to be readers so I hold you'll stick with me til we get there.
So, consider a 2D creature. Little flat dude, living on the ground. No concept of "up" or "down." He's 2D, he just doesn't parse the concepts and can't perceive them anyways.
He sees you. What he actually sees is just the 2D cross section of you where you intersect with his 2D world, which is probably your footprints. So, as far as he can tell, you are a pair of footprints that are.... apparently one being? He doesn't get how it works exactly, but it's not too far out there, so he just kind of accepts that, yes, humans are The Two That Are One. Spooky. They always seem to use the singular to refer to the pair of themselves, and only differentiate between themselves as Left or Right. But other paired instances of The Two That Are One are, in fact, separate entities. So they're only in sets of two, unless accompanied by a companion called "Cane," which they are sometimes, or even a pair of companions called "Crutches." When Crutches are present, sometimes one of The Two That Are One will be missing entirely. It's a little confusing.
But wait, what now? They disappear and reappear in sequence, teleporting in turns. He never sees them just move like a 2D being, always the stop-start teleporting. Apparently this strange power is called "walking," and its accomplished by The Two That Are One moving through an unseen dimension called "Up," through a process called "lifting" themselves and re-entering the real world farther away in the direction they wanted to go. He can accept the idea of unseen dimensions, and he vaguely gets the idea that one of The Two That Are One must remain anchored in the real world to prevent something called "falling," which is some kind of uncontrolled movement through the unperceivable dimension of "Down." Which is the same dimension as "Up," but...... backwards? Reversed? He's not really clear, but "Falling Down" is presumably bad, so The Two That Are One keep one of themselves here in the real world to prevent it.
Except if they do something called "jumping." Which consists of gathering up their power to hurl themselves through the Up dimension together to reappear together somewhere else in the real world. He isn't sure why they Walk instead of Jump, since it seems better to take both of The Two That Are One together at the same time, but okay.
Okay, what the hell, they can Walk through impenetrable barriers like the great wall of Sidewalk Chalk? How do they go through that? What? They went "Over?" The hell is "Over?" Like 'around' but through the unseen dimension of Up? But they couldn't Walk through the barrier of Wall. Why could they go "Over" Sidewalk Chalk but not Wall?
And they can't go between the four small obstacles of Refrigerator Feet. The area between them is safe from The Two That Are One, for the four Refrigerator Feet are connected to each other in the strange and eldritch dimension of Up. The barriers are too powerful to be moved by The Two That Are One, and it (they?) cannot enter the real world where it is blocked by such powerful forces.
Got all that?
Okay, now consider a 4 dimensional elder god and how we 3D entities would perceive them.
okay, controversial batman opinion time! it ruins the character for him to be a billionaire, and he’s only a billionaire because too many people think ‘billionaire’ just means ‘millionaire but cooler’. bruce wayne should just be a millionaire.
a millionaire has enough money to buy a batcave, a fancy batmobile, a supercomputer, a bunch of esoteric custom-made tools and toys, a couple companies that make enough money to fund a playboy lifestyle and a bunch of high-tech vigilante superheroes. millionaires today, even with inflation, can commission the creation of pretty much any physical item short of their own spaceship, and some of them can even do that.
a billionaire has enough money to own entire cities and write their own laws and do whatever the fuck they want basically all the time, anywhere. look at disney, tesla, amazon, nestle, walmart. these guys are playing on an almost inconceivable global scale and they are not your friend. these are lex luthor motherfuckers.
the question keeps being asked, ‘if bruce wayne is so rich, it’s ridiculous that he’s using all that money to run around in a bat costume punching mentally ill people’, and that’s correct if he’s got money on a billionaire’s scale. it’s absurdly irresponsible to have the kind of power that could change how a nation operates, much less local government, and just play night time punch guy with it. batman is the bad guy there.
but say batman’s ‘just’ a millionaire. he’s the heir of a couple old money families, he’s got a mansion and some land and a private jet, he’s in with the elite of gotham, he can put some pressure on the mayor and the city council and the police– but he’s still on a level with half a dozen other families who have their own millions to throw around, their own ambitions. he can’t actually fix gotham just by throwing money at it, because he will run out of money before all the other rich guys do.
in this situation, batman does make sense for bruce wayne to invent: a secret guy no one can pin on wayne industries, who can run around taking on organized crime and supervillains at the same time, who isn’t beholden to the social or legal conventions that the superwealthy also flout to play their fucked up games with each other. batman can actually do what a single millionaire can’t.
batman gets written by batman fanboys to be a power fantasy, but with great power comes great responsibility, etc. at a certain level of wealth his power far outstrips his purpose, and being batman is actually irresponsible for bruce wayne. a hero’s limitations make for better stories. stop writing batman as a billionaire, already.
Test Compilation of my writing submissions for the Mecha AU started by @keferon.
Friends in Every Universe
Part 1
Part 2
Part 1.5
Part 3
Part 4
sleeper body tim is something i think about often. like visually he looks like he has the skeletal structure of a cooked noodle but in reality he’s super strong. for example:
jason: shit the door is locked. move i’ll shoot the lock
tim: no don’t waste a bullet, i got this
jason: wtf are you gonna—
tim: *kicks door down*
jason: *horrified*
OR him taking his blazer off at a gala and people being able to see the muscles in his arms through his shirt when he moves. the morning after the gala there are articles like:
Billionaire Bruce Wayne’s adopted son and CEO of WE Timothy Drake-Wayne is secretly buff?
Also imagine him beating everyone in arm wrestling because he just takes them by surprise.
time travel fanfic idea where Jason comes back to before he was adopted, him and Batman still meet and he still ends up being adopted by Bruce Wayne, but he just refuses to acknowledge Batman and Robin, he acts like a civilian boy, he has over thirteen extracurriculars that Bruce does his best to keep up with. He regularly works out and trains all the fighting he's learned over the years, he goes on a gap year before college to recuperate the all blades and pretends to be the civilian in a family of crime fighting vigilantes.
He's doing pre-med and keeps nagging his siblings to go to college too (Cass, Tim), Duke is the one who spends more time with him bc everyone else is nocturnal and sleep through the day, but Jason likes to drive Duke to his classes and pick him up so they can have lunch together, Damian had a hard time at first, because Jason speaks every language that he speaks and all bat related things have to stay at the cave, his league training didn't prepare him for a civilian brother.
During an attempted kidnapping during one of the Wayne galas, Jason's whole plan almost gets blow up because one of the guys has taken a woman hostage and his Red Hood fried brain just pounced on the dude with all his might, wrestled him for the gun and kept him stuck under his boot with the gun pointed between the guys brows.
He had to pretend to be scared when Batman came to the rescue and act like he didn't know how to handle a gun.
+ Alfred 100% thinks Jason was on a children gang and that's why he's so good with knives, guns and rifles, but who's he to say anything about people's past
Viper: Skull has the weirdest knowledge and skill set I have ever seen. Like, watch this.
Viper: HEY SKULL?
Skull, across the room: YEA?
Viper: why does antifreeze taste shit?
[skull wanders over while speaking]
Skull: ethelyne-glycol is a chemical compound toxic to the human body, and it’s used in antifreeze. Since it tastes sweet, people kept killing their spouses by mixing it with jello, so they eventually added something else to make it gross.
Viper: ok, what’s the most interesting place you know of?
Skull: uhhh, well, glacial Lake Agassiz existed a long LONG time ago, and it was essentially created by a glacier damming a river, and every so often it would create these MASSIVE floods when the ice lifted.
Viper: ok, how many times did humans domesticate cats?
Skull: actually they domesticated themselves at least three times.
Viper: alright. Who is the current president of the United States?
Skull, cheerfully: no clue!
[viper looks directly into the camera, gestures at skull, then walks away]
as much as I love the common "Tim worships/stalks Jason" trope in TimJay fanfiction because it's Good and making Tim a weird little freak is Fun, I think the underutilized dynamic is where Jason is the one weirdly obsessed with Tim and makes it Tim's problem.
Like, the moment Jason is confronted with the information that a third Robin exists, the first thing he does is cover his wall with pictures of Tim so he can just obsess and torture himself over it. That is the behavior of a man who is Unwell over Tim's existence and I love it.
red hood: lost days #4
And as much as a shitshow as The Titans Tower Incident™ is characterization-wise (though I think it has far more merit in depicting Jason's character than people give it credit for but I digress-) there's something very fun about the fact that even after kicking his ass, Jason respects Tim and is impressed by him.
teen titans (2003) #29
And on top of that, Jason can't seem to stop trying to ask Jason to Tim to work with him in some capacity.
robin (1993) #177
batman: battle for the cowl #2
While Battle for the Cowl is an exceptionally bad comic, especially for its characterization of Jason and the "be my Robin" bit is taken deeply out of context, I do think it's interesting how obsessed Jason is with believing that Tim is extremely competent, only held back by being "brainwashed by Bruce". (hence him leaving Tim for dead later on in the comic.) Jason seeing a darker side of Tim and wanting to bring that out of Tim, wanting to see what Tim could be if he let go of his loyalty to Bruce is so fun to me, tbh.
And in Robin #177, Jason seems genuinely upset Tim doesn't want to work with him. Jason sees such a raw potential in Tim and is obsessed with it, constantly wanting Tim to work for him and see Tim be the type of person Jason is. And despite Tim rejecting him, Jason doesn't shoot to kill Tim. I just cannot get over the fanfic potential of Jason obsessing over Tim, tracking him and seeing what he's capable of and what he could be capable of. Wanting to make Tim see things the way he does. To Tim it's corruption, to Jason it's freedom. Tim trying to 'save' Jason is fun and all, but Jason trying to corrupt Tim? That's even more fun to me. Watching that power struggle between them, Tim unable to get Jason off his heels as Jason gets more and more possessive and bold with each attempt.
And when Jason sees Tim successfully get Gotham back under control after a gang war, he's impressed. He praises Tim, even. And then Tim just. Breaks him out of prison.
robin (1993) #182
The way they're constantly trying to see something in the other that isn't there, hoping the other will come around? That is the most fucked up hate/love dynamic ever. Jason keeps coming back to Tim, keeps trying to find ways to get Tim onto his side. They're always chasing each other. And I think Jason would be the one to confess love first, the one to do anything to make Tim his. And when you consider after all of this, Tim has his Red Robin arc and is at his lowest, getting the closest he ever gets to considering murder? I think it'd be so fun to see Jason take advantage of that and worm his way back into Tim's life and finally push Tim over the edge.
Jason and Cass' opposing views on murder is so interesting. Their conflict is not purely moralistic - that is to say, it's not purely that Jason thinks murder is okay, and Cass doesn't. It's their identities, their original and most fundamental worldview. Jason is a murder victim and Cass is a murderer. Yes, Jason kills people as Red Hood, and yes, Cass dies multiple times, but this never truly erases how they see themselves. Jason will always have been murdered, and Cass will always be a murderer. They are unable to fully extricate themselves from those roles, and thus will never approach life or death the same way.
Fave Tim and Bruce dynamic is when Tim can just raise an eyebrow at Bruce and he stops working, eats, sleeps etc. the rest of the Batfam (excluding Alfred) are absolutely stunned every time it happens (they couldn’t get Bruce to take care of himself short of knocking him out and force feeding him). Bonus points if Bruce literally cannot make Tim do anything he doesn’t want to because once you’ve seen him drunk and depressed the batglare doesn’t have the same effect
Whumptober: Day 17
(The Cyclist AU)
Background: Jason never came back to Gotham. There's no Red Hood.
During his Brucequest, Tim gets assistance from an unfamiliar person.
The map is destroyed.
Kid's staring at it like it's a crowbar, and Jason can't help feeling a twitch of compassion for him.
“Well,” he put his hand on the kid's shoulder. “We had a good run.”
The kid looks wrecked, honestly. His eyebags got bags, and there's this glimmer in his eyes that makes him wonder if part of the reason B took him was to prevent him from becoming a future raugh.
(Kid managed to set up a clone lab, become an international thief, and there's this whole thing with Ras he very carefully doesn't think about.
And that's just in three months.)
“It's over, Kiddo,” he tells the boy. “There's nothing we can do now. This was your last shot. You said it yourself.”
“No!” The kid says. “No, no, no, no. No. It's not– no, it can't. I'm not– this isn't over. This isn't. I can't. You can't make me. You can't – I'm not going. I'm not. You can't make me–”
“Wow, chill there,” Jason stops him. “I don't know what you're talking about, but it's like. You said it yourself. This was the last shot to find your - whatever cave or something.”
“It's not a cave,” the kid spits. “I've already told you - it's an ancient site used to worship a bat-like deity, which seems to be a local version of Pazuzu, that was discovered in –”
“I get it,” Jason stops him. “It's some important Batshit thing. But the map is gone. What are you gonna do? You said it yourself. No one's been there for over 70 years. What are you going to do? Get an Ouija board and start questioning the last archaeological team?”
Uh.
Oh no.
Jason recognises that look
This Look™
There's something sharp in the maniac smile on Tim's face.
“I mean… I bet you always wanted to break into a nuclear weapon factory in North-Korea.”
That crazy bastard.
Jason REALLY likes him.