Whereas a poetic "form" defines the way a poem arranges sounds, rhythms, or its appearance on the page, a poetic "genre" is something like the poem's style. Many poetic genres have a long history, and new poems almost always seek to explore a new aspect of the traditional style and thus to redefine the genre in some way. The following list is a selection of the major genres of poetry.
allegory A narrative with two levels of meaning, one stated and one unstated.
aubade A song or poem greeting the sunrise, traditionally a lover's lament that the night's passion must come to an end.
ballad Broadly speaking, the ballad is a genre of folk poetry, usually an orally transmitted narrative song. The term "ballad" applies to several other kinds of poetry, including the English ballad stanza, which is a form often associated with the genre.
blason A Renaissance genre characterized by a short catalogue-style description, often of the female body.
cento A poem composed entirely of lines from other poems.
dirge A funeral song.
dramatic monologue This might be called a "closet soliloquy": a long poem spoken by a character who often unwittingly reveals his or her hidden desires and actions over the course of the poem. The "I" of the dramatic monologue is very distinct from the "I" of the poet's persona. Robert Browning was a master of this genre.
eclogue A short pastoral poem; Virgil's eclogues are one of the first examples of this genre.
ekphrasis Originally a description of any kind, "ekphrasis" is now almost exclusively applied to the poetic description of a work of art.
elegy This genre can be difficult to define, as there are specific types of elegiac poem as well as a general elegiac mood, but almost all elegies mourn, and seek consolation for, a loss of some kind: the most common form of elegy is a lyric commemorating the death of a loved one. Greek elegiac meter, which is one source of what we know as the elegy today, is not normally associated with loss and mourning.
epic A long narrative poem that catalogues and celebrates heroic or historic deeds and events, usually focusing on a single heroic individual.
epigram A brief and pithy aphoristic observation, often satirical.
epitaph A tombstone inscription. Several famous poems end with the poet writing his own. (See, for example, Thomas Gray's "Elegy in a Country Churchyard" or W.B. Yeats's "Under Ben Bulben.")
epithalamion A song or poem that celebrates a wedding.
fable A brief tale about talking animals or objects, usually having a moral or pedagogical point, which is sometimes explicitly stated at the end. Aesop and la Fontaine are perhaps the most famous fable-writers.
georgic The agricultural cousin of pastoral, a georgic is a poem that celebrates rustic labor.
hymn A song of praise.
invective A personal, often abusive, denunciation.
lament An expression of grief.
light verse Poetry that is mostly for fun: this can mean anything from nonsense verse to folk songs, but typically there is a comical element to light verse.
lyric This genre encompasses a large portion of the world's poetry; in general, lyrics are fairly brief poems that emphasize musical qualities.
masque Courtly drama characterized by elaborate costumes and dances, as well as audience participation.
occasional verse Poetry written with reference to a particular event.
ode A long, serious meditation on an elevated subject, an ode can take one of three forms.
paean A song of joy or triumph.
palinode A recantation or retraction, usually of an earlier poem.
panegyric Poem or song in praise of a particular individual or object.
parody A comic imitation.
pastoral Originally a poem that depicted an idealized singing competition between shepherds, "pastoral" has come to denote almost anything to do with a rural setting, although it also refers to several specific categories of the genre. Associated genres of varying synonymity are idyll, bucolic, eclogue, and georgic.
psalm A sacred song.
riddle A puzzling question that relies on allegory or wordplay for its answer. Riddles are often short, and often include an answer to the question posed, albeit an unsatisfying one. The riddle of the Sphinx, which Oedipus solved, is a particularly famous example: "what walks on four legs in the morning, two at midday, and three in the afternoon?"
romance An adventure tale, usually set in a mythical or remote locale. Verse forms of the romance include the Spanish ballad and medieval or chivalric romance.
satire Ridicule of some kind, usually passing moral judgment.
tragedy This genre originated in ancient Greek verse drama and received extended treatment in Aristotle's Poetics, which made the downfall of the main character one of the criteria for tragedy. The genre has since expanded to include almost anything pertaining to a downfall.
verse epistle A letter written in verse, usually taking as its subject either a philosophical or a romantic question.
If these writing notes helped with your poem/story, please tag me. Or leave a link in the replies. I'd love to read them!
Did I daydream this, or was there a website for writers with like. A ridiculous quantity of descriptive aid. Like I remember clicking on " inside a cinema " or something like that. Then, BAM. Here's a list of smell and sounds. I can't remember it for the life of me, but if someone else can, help a bitch out <3
Another small writing pet peeve:
Up until quite recently in history, sharing a bed was VERY common. Most people, unless very rich, could not afford multiple beds, let alone bedrooms.
I love sexual tension as much as the next person, but 'there was only one room left at the inn, and it only had one bed' only works in modern times (or the future, who knows).
A medieval inn is not like a hotel. Most inns would have shared, dorm-style rooms, The cheapest option was literally just a room where you could sleep on the floor, maybe it held some pallets, and it had a roof and maybe a fireplace and however many people could fit, would fit.
Even if the inn has private rooms; family, friends, aquiantances and even business partners would share beds and/or other sleeping accomodations. Servants would be four to a room, or even a bed. Ladies shared beds with their ladies' maids etc.
I'm on a bit of a Witcher kick at the moment, so; I can kinda see them forking over the expense of a private room (witchers probably don't sleep next to strangers), but the moment Geralt trusted Jaskier, they absolutely shared a bed. Two private rooms is absolute insanity, and if the room had two beds, it would be for four people minimum (so probaly a bit less expensive, but still very dear).
But then, consider this: the couple has been travelling and sleeping together, and suddenly *sexual tension*! And they're in a shared dorm room with a family of five a three travelling salesmen.
Or, person A is incredibly privileged and has always had their own space (their personal servant sleeps in their dressing room) and person B, the warrior type, has never once that they can remember slept without another person's sounds and warmth.
Emily L., Marguerite Duras // Bertrand Russell, What Desires are Politically Important? // Octavio Paz, "The House of Glances" // Mitski—Francis Forever // Chen Chen, When I Grow Up I Want to Be a List of Further Possibilities // VIVINOS and QMENG, Alien Stage (Round 6) // Bryan Fuller, Hannibal (2013) // Richard Siken, "Little Monster" // Christa Wolf, Cassandra: A Novel and Four Essays // Mitski—I Bet on Losing Dogs
:p
Fear not, for you are my chosen vessel and death cannot halt you. I shall not allow it, for I still have need of you. -Things to say when you're flirting
part 1
get used to carrying a notebook around with you. or get used to writing on your phone. you will not always have access to your computer, but it’s much easier to take something compact with you to quickly jot down ideas. also i have chronic illness and sometimes my bones feel like lead and going upstairs to get my laptop is a herculean task, BUT i can write on my phone lying down instead of just scrolling through my camera roll and being miserable. which brings me to my next point:
if you have to choose between writing unconventionally or even unproductively and not writing at all, choose the writing. i’ve said before not to create a habit of writing in bed, but if it comes down to writing in bed or not writing whatsoever, i’ll write in bed. i just try to stretch before and after (which you should also do!!!).
you’re not wasting time or being silly by making playlists or moodboards or memes of your characters and environments. having fun with your stories outside of writing them is a good way to stay motivated.
i like to stop my writing sessions in a place where i know exactly what i want to write next, so when i pick back up i won’t be left hemming and hawing over where to begin. HOWEVER, if you’re absolutely locked in, don’t interrupt that flow state. it’ll be harder to find it again later—instead, wait until you find a natural place to stop where you haven’t run out of ideas.
“why do i have a headache 3 hours into my writing session?” because the last time you had a sip of water was 4 hours ago, you dingus! keep your drinks near your workspace while you write. and i do mean, like, a full bottle of water at least. if you’re like me, things stop existing when they leave your line of sight, so keep these beverages where you can see them and refill during bathroom breaks.
uhhh try not to think negatively about your writing while you’re doing it because when i do that i just get bummed out. “this scene is terrible” -> “oh yeah fuck it up oh yeah fuck it up” (positive reframing)
ok thanks bye