klaus has this habit of searching for answers and purpose in the same place he lost them. his autonomy was stolen from him as a child, and he lives with that loss every day. it’s quite common for people with that experience to live with dissociative symptoms, and i actually think klaus is a realistic portrayal of that. while it’s never outright said that it’s dissociation he deals with, i think a lot of survivors could probably see it in him. he’s always seemed to feel a disconnect with himself, with his own body (for example – and this is a small one – when he told ben “you’re not getting in this body,” rather than my body). his identity is something transient, something that shifts drastically sometimes depending on the situation he’s in, which is a common experience in people with dissociative symptoms – we’re like “chameleons.”
he forgets key things regarding his trauma: that, or his brain will twist the events to make them more palatable to himself. he didn’t remember being killed as a child, even though it happened multiple times. and despite not remembering anything, he still has visceral reactions when it comes to being confined. he may not consciously remember every event, but his body does, and so he reacts accordingly, as if the threat of being killed again were a present one. because the body remembers the loss of control, it remembers the autonomy that was once stolen. then there’s “bus ball.” obviously, it was an objectively shitty, terrifying thing, being once again murdered, multiple times by your own father and abuser – and as an experiment, no less. despite that, the events were portrayed as something that was for the most part fun, almost. and when he vaguely recounted said events later on, he referred to it as “bus ball.” like it really was nothing more than a game. that’s another common dissociative symptom, and a common trauma symptom: being so disconnected on a certain level from your own trauma that you’re able to talk about it like it’s nothing. that you’re able to remember a skewed version of it so that you don’t have to internalize any of the real terror.
touch is another one. klaus is a very tactile person. he communicates well through touch. but he often doesn’t like being touched, unless it’s from someone he knows, loves and trusts.
he startles easily, too. will jump back at sudden movements or words, gets frightened by loud noises and will cover his ears.
his need for connection is relevant here, too. he has a hard time being alone with himself, and so he finds people to cling to, or finds people that will cling to him, just to stave off those feelings and to ground himself, almost. sometimes it spirals out of control, like with the cult. but his constant need for connection stems from feeling disconnected.
one of his passing comments to luther in s1 (”I remember my first time… oh no. i don’t”) hits hard, too. it’s not uncommon for trauma victims to experience hypersexuality as a result of this loss of autonomy. and then, to not even remember some of these encounters (obviously, the drugs/alcohol likely play a role in this not remembering. but hey, what’s addiction often a symptom of? oh yeah. trauma.)
this disconnect he feels from his own body is also why he was able to have certain encounters even with people he didn’t like. keechie comes to mind. he didn’t like keechie, that was made clear. but it sounds like he still had no problem having sex with him, despite this. it’s common, when you have dissociative symptoms, to feel this sort of disconnect. you don’t always care what happens to a body that doesn’t feel like yours, hell, you can enjoy it, sometimes – even if you don’t like the person you’re doing it with.
it’s why he gets off on torture, too. klaus being a masochist was clearly portrayed in episode four, but then was referenced again two other times. (”if i see a boner, i’m out” when he was being tied up, and, “i’m going to beat you, and not the way you like it.”) when you grow up tortured and become accustomed to it it’s easy for the brain to say “hey, this is unbearable so actually we like this thing now. that’ll make it bearable!” i mean, obviously it’s a little more complicated than that, but that’s the gist of the situation.
you often find comfort – or even pleasure – in familiarity, even when familiarity isn’t safe. we see that in klaus.
and that leads me back to my main point: klaus searches for answers, he searches for purpose in the same places he lost them. if he can give up his body to anyone who will take it, then maybe he can take back autonomy, is what he might think. if he can have a say in his own destruction, whether it’s addiction or reckless behavior, then maybe he can take back control.
but that’s never truly how it plays out. a trauma survivor will never find what they’re looking for this way. i believe that klaus is starting to realize this, even if he does run into setbacks, and even though he will continue to run into setbacks. if he wants to find control, and if he wants to find purpose, he will have to reroute that energy into a path of recovery rather than destruction. it’s a hard hill to climb, but we know he can do it.
i could say more about this, but i think this says enough, for now.
we’ve all heard of twink death to dilf birth but i raise you dilf death to twink birth
Tua s3 spoilers 🚨!!
So mad at the writers for not bringing in Dave this season. There were so many opportunities where they could've brought him back, even if it was when Klaus was in the afterlife/void. I don't know why they completely ignore this ship, but still gave other characters moments with their past love interest or even brought them back at the end. Overall I loved Klaus storyline this season, but the absence of Dave left a bitter taste and anger towards the writers.
Klaus: If your grave doesnt say "rest in peace" on it you are automatically drafted into the skeleton war
Diego: I'm gonna be cremated so imagine a cloud of bones flying over the battlefield
Klaus: Oo metal
Petition for Emmy to finally be able to keep her own hair as Allison in S4.
I’m the only one who will be on TV, since I’m the captain!
Five: No drinking, no gambling, no premarital sex. Klaus, they basically just outlawed 90% of your personality
Klaus: We need to leave
I feel like that's kinda the point. Chaos isn't going to be something that stays consistent, much like how chaos in our lives is never consistent. I personally like the change and hope that if there is anything past Hades 2 that they continue to change it because I think it works perfectly for who I believe Chaos is like.
I also feel that the head is included to show that chaos always leads to change, and what better way to represent change than a whole change of design but still making it known, especially for those who've played Hades, that Chaos is change.
I don’t know how to feel about this. i like the design but it’s so different from the first game (esp with the head from the first game in their hand) so I want to know why they felt the need to change chaos’s design at all. chaos was conventionally attractive in the first game wrt their face so I want to know if this is meant to lean into that—and once again, why
I’m so happy that a majority of the tua fandom love Viktor Hargreeves. However, seeing the few transphobes that are upset by Viktor’s transition is very funny—especially when they argue that it’s “unrealistic.”
My brothers in christ, this show contains children with super powers, time travel, a talking monkey, a half monkey man, a fucking magical CUBE, and so much more. A trans character is quite literally the most realistic part of this show.
DNI: Homophobic, transphobic, Ace/Aro-Exclusionist, racist, xenophobic, classist, ableist, sexist, antisemitic, pedo, anti-shippers.
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