Susie And Noelle.... Gay People...

You know what??

De-aged Cale where its roksoo right??

He's sitting there anxiously as the adults discuss what the do with him. It's happening again. He knows they're going to get rid of him like some old, unwanted toy.

His stomach gurgles and growls. He keeps his eyes trained on the shoes everyone is wearing, ears burning. How embarrassing... He's usually better than this.

He jumps when a pair of shoes move in front of him. It's hard to hear what's going on when the cotton in your ears keep blooming. Suddenly, he's face to face with an old man... whose smile is.. pretty scary. Not that he'll say anything about it though. He can't figure out where to place his eyes. Adults don't like it when he looks at them in the eyes. They say he's being defiant, that they don't like the way he looks at them. But then they don't like it when he doesn't look them in the eye, something about finding the situation unimportant. He doesn't know what to do... So his eyes jump from meeting the old man's and back to things around the room. Back and forth, back and forth.

"young master," the man starts, "why don't you follow my son to the kitchen? My son, Beacrox, will get you something good to eat."

Oh! He can do that. He's been in kitchens before, so he willed himself to meet the man's gaze one last time before giving a small, but firm nod. Then, he hops off the plush couch and trails after the guy who must be Beacrox.

This man is stoic looking and not much of a talker. It's okay though, he isn't much of a talker either. They walk in silence to the kitchen, he tries to keep his breathing in check as he jogs to keep pace with the man. His steps must be too loud though since the man turns towards him and then slows his pace. So nice!!

Even when they get there, the man still hasn't said anything. He stands at the doorway, unsure of what he's needed for. The kitchen is clean... Extremely clean. How will he earn his food? What is he supposed to be doing here??

We makes his way up to the counter where he finds a rag. That'll do!! He takes it and wets it in the sink before making his way back to the sitting area. He drops to his hands and knees and begins to scrub at the already clean floor. The adults at home say that even if it looks clean, it's never clean enough! So surely this should be enough to earn his keep.

He hears a clatter and startles as the knife falls to the floor. The man's face isn't stoic anymore. The man is mad?? Is he cleaning wrong?? Roksoo is scared.

The man storms up to him and begins to reach out towards him. Roksoo fails to hold back a flinch. He's messed up, adults don't like it when he's scared. He squeezed his eyes shut, in hopes of hurting less.

Nothing comes. The pain never comes. Only a warm hand on his head?? He slowly opens his eyes and meets Beacrox 's. There's nothing, but hurt and eager swirling in the man's eyes. Why's he sad? Roksoo doesn't understand.

"young master..." Beacrox sounds strained. Again with that weird title.

Roksoo wordlessly watches the chef try to string together words. His own throat feeling too clogged up to ask what he did wrong.

He manages though.

"why.. why are you sad?" His words come out like small croaks. It's getting hard to speak again. Adults don't like it when he can't speak.

Beacrox's eyes just fill with more hurt, hurt, hurt as he opens and closes his mouth uselessly.

He seems to figure out what he wants to say though.

"young master, why are you on the ground?" Beacrox keeps his voice soft, keeps his tone open and forgiving.

"I didn't know what else I could do," he confesses like he's sinned. His eyes make their way back to anything other than the other's.

Beacrox brews silently, waiting for his master to finish his thoughts. Beacrox doesn't like where this is going.

"how else can I earn.." roksoo's palms feel sweaty where they're clenched at his sides.

"I don't deserve food yet," roksoo's words are firm and believing as he meets Beacrox's eyes.

The man's eyes seem to tremble as he processes what roksoo had said.

(Beacrox wants to skin whoever taught his young master this. He wants to make them beg for the sweet release of death as he slowly guides them towards it. Having them teeter on the edge of death and consciousness).

He snaps out of thought, saving them for later. The others will be hearing of this, they can all come up with the plans together.

"young master," Beacrox hopes his words will reach the boys heart, "you deserve everything."

He watches as the boy takes his bottom lip captive between his teeth. How the boy clenches at the hems of his shirt and tries to calm his breathing. How the boy is trying to blink away tears, but is failing.

"you are worthy" he whispers, removing a glove to pat roksoo's head. Beacrox looks seconds away from jumping back and escaping. Roksoo let's put a shaky laugh at the thought.

Right now it's hard to believe, but.. he wants to. He wants to believe that Beacrox is right. He'll try...

But he still follows Beacrox back to the counter and begs to help. He feels too antsy not doing anything.

All he's handed is a small bowl of snacks and he's told his job is to finish them by the time the meal is done cooking. He feels his heart swell. Roksoo feels like his heart is doing flips in his chest. He feels so safe.

-

Feeling like I probably post too much on this,, but I will.. continue. :)

DSMP streams divided in months

these don't include every stream (not just cause they're wips) since some don't have a date. meaning those could not be added in these month playlists, but they are in these two. for some others i could try and guess

if you know the right dates, let me know

2020

april

may

june

july - [LORE]

august - [LORE]

september - [LORE]

october - [LORE]

november - [LORE]

december - [LORE]

2021

january - [LORE]

february - [LORE]

march - [LORE]

april - [LORE]

may - [LORE]

june - [LORE]

july - [LORE] (lore playlist doesn't exist yet)

august - [LORE]

september - [LORE]

october - [LORE] (no lore playlist yet)

november - [LORE]

december - [LORE]

2022

january - [LORE]

february - [LORE]

march - [LORE]

april - [LORE]

may - [LORE] (no playlists yet)

june - [LORE]

july - [LORE] (no playlists yet)

august - [LORE]

september - [LORE]

october - [LORE]

november - [LORE]

december - [LORE]

post finale

any stream from the month after the last lore stream, meaning the Syndicate finale in december 2022

right now, the title says 2023, but i know Eret and Sam have briefly joined the server in 2024. the title will change to fit the years, but i have to find them first

and that's it! if you use these playlists or send them to others, can i ask for a reblog so i know people are finding them useful?👉👈

school dance au! everything’s the same except there’s a school dance! also ralsei’s there lol

There's an actual moment in the novel in which we have Yuder literally burying two guys 6ft under because they, during a fight, accidentally broke two (2) candies Kishiar gave him.

I'm so glad he didn't overreact.

Susie was not in a good place at the beginning of Ch 1.

I think we should try taking a closer look at where she came from to understand what her state of mind was back then.

Susie isn’t from Hometown.

Wherever she was from, she was not treated well.

And, upon coming to Hometown…things weren’t much better.

In Hometown, Susie is

Chronically underfed

Likely homeless

Hated by most of her classmates

Close to being expelled and losing her last tether to a normal life

Susie was at the very, very end of her rope at the beginning of Chapter 1.

Keep reading

I got the 'written animatic' idea from one of @blueteller 's stories so thank you for that-

This is pretty short btw

---

You are my sunshine

A close up shot of Raon in Cale's arms. You're unable to see Cale's face, only the bottom half. Raon is looking up at Cale as Cale sings to him.

My only sunshine

The background is light gold colors, everything is just the slightest bit fuzzy. It seems as though they're in Cale's bed. Raon feels warm.

You make me happy

Cale begins to pet Raon softly on his head.

When skies are gray

Raon snuggles into Cale's arms just a bit more

You'll never know, dear

As Raon is closing his eyes, we see Cale's mouth begin to shake a little.

How much I love you

Cale brings Raon into his arms in an embrace, the point of view gets closer to them and we see Cale's shoulders begin to shake

Please don't take

As the point of view backs away, the warm and gold background slowly fades into a battlefield.

My sunshine away

We see Cale hunched over Raon, the indestructible shield covering them, they're in the middle of a battlefield with some of their comrades fallen next to them. Some fighting is still going on in the background as the screen fades to black

---

Inspiration really does come to me in the weirdest of places-

I wrote this pretty quickly, please do keep in mind-

How to Write an Ironic Story: 10 Types of Irony to Consider

Ironic moments in life can make us change our perspectives, laugh, or discover something we didn’t know before. When you’re trying to make them happen in a story, it can be more difficult than you first realized.

Here’s a quick guide to writing irony in your next story so you can think of those moments as a strategic writer.

What Is Irony?

“What? That’s so ironic.”

We’ve all said a similar line when reacting to something before. Do you remember what it was? Can you point out why it was ironic?

Definition 1: Irony is when something happens or someone says something other than what you expect.

Let’s imagine your protagonist walking outside. They’re in a good mood, but quickly realize it’s pouring rain. They were supposed to go on a walk, but they look up at the clouds and say, “What a beautiful day!”

As a reader, you’d expect that character to be frustrated that the rain ruined their plans to go walking. It’s ironic that they actually find the weather beautiful. It might even make your reader laugh in surprise.

Definition 2: Irony is when something happens or someone says something other than what you expect but in a sardonic way.

This might be the definition of irony that you naturally think of. It’s when something unexpected happens and you have a bitter laugh about it. Deep down, you likely suspected the truth all along. The reveal is negative in nature.

Imagine a politician pushing a bill to outlaw the color blue. They make speeches and go on news networks saying how the color blue is a danger to everyone, so it must be outlawed immediately. While pushing this narrative, a journalist discovers leaked photos of the politician’s interior decorating—their home is entirely blue. Additionally, news comes out that the politician had recently received a significant reelection donation from the We Hate the Color Blue corporation.

The reveal means that the politician didn’t believe what they were saying. They were only passing the law because they received money to do so, even though the color blue wasn’t harming anyone or causing a problem.

If you lived in this world, you’d likely read the headlines and roll your eyes. It’s a frustrating irony that isn’t altogether unexpected, but still a reveal.

Ironic Plot Devices

There are a few ways to use irony as a plot device. You can use them to reveal things to your characters, change your plot’s direction, or cause character growth. Check out a few examples to see how.

1. An Unforeseen Blessing

Definition: Something good happens by something bad happening.

A character is in desperate need of a new car. They don’t have the money to buy one and their current vehicle is so old, they won’t get more than a couple hundred dollars to trade it in.

One day while driving it, the car shuts down. The engine melts into the pavement while your character tries scooping it up with an old milkshake cup from their backseat.

Someone records the entire thing from a distance and posts it online. The video goes viral, prompting the milkshake restaurant chain to give the character a brand new car for free.

The loss of their old car and potential public embarrassment is terrible, but your character gets the car they need. Some would say the melting engine was a blessing in disguise. Others would call it irony.

2. Accidental Harm

Definition: Someone attends to hurt someone, but the wrong person gets hurt instead.

There are a few ways this irony could play out. Your protagonist could set a bucket of water over a doorframe, hoping it pours onto their little brother when he gets home from school. However, the protagonist gets distracted during the day and walks through the door themselves. They get soaked and become the target of accidental harm.

Their grandfather could come home before their brother too. When the grandfather gets soaked by the bucket prank, they’re the victim of accidental harm. The irony in both situations is that the actual target—the brother—never has the chance to fall for the prank.

3. Good Actions Have Opposite Effects

Definition: Someone attempts to do something the right way, but it doesn’t work out in their favor.

Your protagonist studies through the night for a high school exam. They pour all of their efforts into staying up and retaining as much information as possible because they realize they need better grades to go to their dream college.

After taking the test and getting it back, your protagonist gets a perfect score. However, the teacher announces they graded everyone on a curve due to an issue with their previous lesson plan. Everyone gets an A and the protagonist gets frustrated because they lost sleep over studying that didn’t ultimately matter.

4. Selfish Actions That Backfire

Definition: Someone does something exclusively for their own benefit and anyone or anything else benefits instead.

A character decides to run in a community race to win the prize money for a vacation. Halfway through the race, they realize they’re out of shape and there’s a shortcut up ahead. They take the shortcut and win, but the judges quickly realize they cheated to reach the finish line.

Their prize money automatically goes to the second runner-up, which happens to be the character’s worst enemy. They watch their worst enemy spend the money on lottery tickets that don’t result in any winnings. 

5. Accidental Self-Harm (Physical or Non-Physical)

Definition: Someone attempts to hurt another person, but it hurts them instead.

When you picture this irony, imagine Road Runner and Wile E. Coyote. The coyote always wants to capture or hurt Road Runner, but ends up running into his own traps instead.

Sometimes this irony can be a physical harm from a prank gone wrong or it might be an assassination that doesn’t work out. It could also be a character spreading a rumor to hurt another person, but the rumor affects their own reputation instead.

6. A Sacrifice Without Reward

Definition: Someone makes a major sacrifice that ultimately is meaningless.

Characters experiencing this irony give up something they care about and get nothing to show for it. It might be lighter in nature, like a sister giving up her spot as captain of the soccer team so her equally-talented sister can have the role. Ultimately, the coach cuts them both from the team for not jumping at the leadership role fast enough.

It can also carry a heavier theme. A character could sacrifice to keep their loved one from getting hurt, but they die and their loved one gets hurt in the process anyway. There are multiple ways for irony to serve your plot. You just have to give it a purpose in connection with your theme or message.

7. Great Things Happening to Terrible People

Definition: Someone looks forward to achieving a rare thing they want very badly, but it goes to the worst person they can think of instead.

Your protagonist’s character works hard to put themselves through school, buy a house, and even start a family. One day, they get a letter that a grandparent they never knew recently passed away and wants to give them a million-dollar inheritance. It would free them of their student loan and mortgage debt, but the cruel parental figure that shares your character’s name gets the money instead.

8. An Unwanted Achieved Goal

Definition: Someone finally achieves their long-term goal, but they realize it isn’t what they wanted.

Sometimes the idea of something is better than getting it. Your protagonist may finally move to the mountainside cabin of their dreams, but realize they hate living in an area that gets heavy snow after the first winter storm hits. It’s ironic and a bit depressing, but it shifts your character toward new goals that drive the plot in a fresh direction.

9. Trivial Events Undo a Character’s Work

Definition: Someone’s hard work or life’s work gets ruined by a tiny detail they didn’t see coming.

When someone’s ultimate goal gets undone by something minor, it’s devastating. It’s also something readers connect with because it happens in real life.

Your protagonist might work really hard to earn their pilot’s license, only to get up in their first test flight and realize they have an innate fear of heights. Their future career as a flight operator for a private space exploration company depended on getting that license, so they have to rethink everything.

10. Success Without Meaning

Definition: Someone achieves something at long last, but can’t enjoy it for whatever reason.

Your protagonist decides to become CEO of a major tech company so they can pay off their parent’s debt and provide for them forever. When they finally get that job after a lifetime of earning a college degree and climbing the company’s ladder, their parent doesn’t want their money. Now they’re stuck in a job they might not want for themselves because the purpose behind it will never exist.

-----

You can write an ironic story with any of these tricks and reach your readers’ hearts. Consider which storytelling tools serve your story’s theme or message to match your plot with the best plot device.

How to write a negative character arc

Here’s the simplest way to break down the building blocks of a negative character arc in your novel!

Here’s the A-Z on negative character arcs

It’s totally possible to pull off a negative character development, for ANY person in your story, whether that’s a side-character, villain, or the protagonist.

Here’s something no one tells you, but it’s actually fundamentally simple.

You can do this with a very easy formula. Typically, a positive arc means that you set out with one main character flaw/issue, which that character overcomes by the end of the story.

So all you need is:

a flaw your character NEEDS to overcome

a goal they WANT to achieve

For a positive arc, they’d succeed at their NEED. Then maybe their WANT as well. For a negative, they simply never fulfil their NEED.

This means they never overcome the flaw they are supposed to face. In fact, they ignore it so confidently, it becomes a PROBLEM. They will never truthfully own up to their mistakes.

This is where you can let it get worse, let it develop into fatal flaw, and let more issues arise from it. As for their WANT? They’ll usually put their external goal above everything else, and dig themselves even deeper into personal disarray, where they won’t recognize themselves any longer.

If you need a hand getting started on your novel, we have 3 coaches at The Plottery who can work with you intensively for 4 month to skill up your writing and help you finish your first draft.

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Have you ever think the reason why Cale is protective to children is not because..

Of his childhood but the state of the apocalypse done to children. Have u seen children, toddlers in any apocalypse movies? Or the problem being shown in the movie “quiet place” having a toddler and a baby with monsters sensitive in noise? There is a great chance that in apocalypse, children and toddlers are abandon, bought over yet killed in the way, or in the worse case scenario, cannibalism like what in the movies “snowpiercer, 2013” where they have no choice but to e.a.t the babies. Histories of where human is driven into cannibalism because of hunger.

Why Cale wishes the children, even the wolf children, and Lily stay as what children is. He just accepted the fact the children wants weapon as toys or Ron teaching the kittens, Sheritt to Lock, Choi Han to the wolf children so that the children knows self defense and take care of themselves in danger. Trying not to repeat the same thing of their pasts and his failure to what happened to the apocalypse, maybe another reason why he thinks of him as a trash.

Like the novel doesn’t mention any children except the teen siblings in the sealed god test In the earth 2.

After all, Cale had seen the cruelest and darkest side what can humanity do in the apocalypse.

Btw this just a theory of mine.

BIG SPOILERS FOR LCF PT2 CHAPTER 102!!!!!!

The Soos are so fucking stupid I hate them so much..... THE RECENT CHAPTER????? hellooo????

Cale coughing up more blood than he ever has. Ever. Then proceeding to get hit with. the worst feeling of hunger he has ever been through and proceeding to shovel an apple pie in his mouth as quickly as he can.

THEN CJS BREAKING THROUGH THE ROOF. WHILE FIGHTING THE MURDER DEMON???????????????? Sui just being so goddamn done with him..... CJS just smiling and greeting Cale as if he hasn't seen him since HE DIED IN FRONT OF HIM (same thing happened with Sui these little shits...) and as if Cale isn't covered head to toe in his own blood and stuffing his face, as if he isn't fighting one of the most powerful people IN THIS WORLD??????