I Think We’re Not Fully Utilising Dick’s Potential For Fuckery. This Mean Was Raised In A Circus.

For some reason it won’t let me comment,

BUT!

It did originate on tiktok! A user with Mint it’s their name looked a their lego miles and thought “yeah that can work”

hey so,,, turtle fans,,, what is shellshock(ed?) and where did it come from?? fanfiction??? a comic??? im so confused,,, why is miles morales meeting a turtle,,,, how???

I think it would be really funny if every time Dick and Jason joined missions they kind of failed upwards, even if they goofed off, or dredged up extremely personal shit, it helped with their secret identities or got them to think outside the box. There's always a disagreement on methods, someone gets kicked through a door but it's the right door and they stumble on all the evidence and the bad guys. Something that got set on fire was actually a secret message that only appeared upon heating, or they found evidence of the crime while trying to delete embarrassing CCTV footage.

The table top rpg from the first bakura arc in the early yugioh manga is so wacky if you try to think about it as a real game.

like the game uses percentile die which in the age of dnd cultural hegemony it's funny that Kazuki Takahashi's image of generic ttrpg in the 90s was a d100 system and not a d20 system. And also the ONLY dice roll is d100 which seems like a lot and very swingy for an other wise really simple seeming game. On the same topic of mechanics that are A Lot for a basic game there are random encounter rolls Every Turn with a 30% chance of a monster encounter immediately outside of the first town and that goes up 80% when they get to a forest which both seem crazy high.

There's also a ton of stuff that we never actually get rules for, like there are stats but it's unclear what they do and damage rolls and movement are never discussed at all. Additionally the player class and race lists which get dropped at the start in a could of charts have some wild stuff in them.

I dont know that ive ever wanted to play an rpg class as bad as i want to play a diabolist.

I want to share ygo s0 with people so I uploaded whole season to youtube with the best translation and video quality I found: ⭐️the subs was carefully proofreaded; ⭐️the audio in the hand-digitized raws was fixed. Thanks to Bereke Scrubs! Amazing job!😍

YouTube

Yu-Gi-Oh! (1998) ENG

This is an English subtitled release of the 1998 Yu-Gi-Oh! anime, also known as “Season Zero” or the Toei anime. English subtitles by Bereke

A quintessential early-career Robin that fits the tone of The Batman

This post was originally written for Reddit, where folks are much more opposed to having Dick be in The Batman universe than on Tumblr. But still, I thought I would share it here!

Bruce, in trying to be more publicly a part of Gotham’s community, is out in the world again and in one of his public outings, he comes across the orphaned 15 year old Dick Grayson. This could be Haley’s circus but it doesn’t have to be - but Dick’s acrobat and gymnastics past should be retained.

(Another way to modernize it is to have Dick be an Olympic gymnast prodigy - but it’s not the most relevant. Theoretically you could tie this into the Grayson murder plot, but you don’t have to. Anyway…)

Bruce, against Alfred’s advice, wants to foster Dick himself and let him live with them at Wayne Tower. Alfred thinks this is a crazy idea because of Bruce’s nighttime activities as The Batman and because he’s far too young and emotionally-detached to be a father-figure, but Bruce is insistent on it after recognizing the extent to which Dick’s pain mirrors his. Bruce has an opportunity here: to give Dick what he wish he had when he was young and orphaned. Alfred comes around once he sees this too, in a moment mirroring Alfred seeing the footage of the mayor’s son in the first movie. Bruce gets an opportunity to emotionally reach a younger version of himself, and Alfred gets a chance to be more of what he wish he could be, a warmer father figure to both Bruce and Dick. This is a story about second chances. It’s a second chance for Bruce, it’s a second chance for Alfred, and it’s most vitally a second chance for Dick.

Here’s where things get interesting: even though Bruce adopts Dick early-on in the film, for most of it, neither of them are operating as a duo. Bruce and Alfred are keeping The Batman identity away from Dick, *and Dick is secretly hunting down his parents’ killer as a street vigilante inspired by Batman* - using a rudimentary version of the Robin identity. This becomes a major subplot and eventually connects back to the central antagonism of the film - whoever they choose, the killing of the Graysons is banally tied to this similarly to how the killing of the Waynes is ambiguously tied to the Falcone story in the first movie. At the same time, the dual deception between Bruce and Dick on each of their respective nighttime activities is a core obstacle to their relationship deepening. They can’t truly reach each other because they don’t trust each other- and Dick is singlemindedly focused on vengeance. It also gives us a chance to show Dick as a smart kid; he’s able to successfully elude the suspicions of both Bruce and Alfred while living with them and living a double life.

At the end of the second act, Batman comes across this proto-Robin and sees through it, and realizes the extent to which Robin is the same as him. He’s also a young boy who can’t move past his pain and is lashing out at the world and trying to make sense of the horror of it. Bruce does what he’s never done before. He takes off the mask and he lets Dick see him for who he truly is. *This* is when the Dick-Bruce relationship really begins.

Have Dick play a supporting but pivotal role in the third act. He needs to sabotage, distract, inform, scout, something. Give him agency and let him navigate the world, in between his new relationship as Batman’s semi-partner and still grappling with what this means for him. And have it coalesce in a moment where he chooses to accept his pain in a healthier way, to follow Bruce’s example. And the film ends with Bruce choosing to train Dick, to better him as a person and to offer him what Bruce sorely needed when he was his age.

Okay, now that the thematic plotting is out of the way, let’s talk about vibes. Vibes are super important to this universe and a core reason why people seem to have hangups around including Robin in the Reevesverse.

Early vigilante proto-Robin should navigate this world of orphaned street-bound teenagers who are parts of gangs and criminal networks. It should feel kind of like Victorian London’s child street gangs, but it can also be reminiscent of modern organized crime recruiting children. This is the world Robin navigates to get what he wants in the story, and it’s a world that is unfamiliar to Batman until Robin officially becomes his partner. Then it becomes a resource he can use to keep tabs on different goings-on in the city and make Gotham safer. This also echoes how Batman treats children and sex workers in the comics. Because Batman treats the vulnerable and disenfranchised with respect and humanity, it makes him a stronger and more capable hero to protect the communities he operates in.

Proto-Robin operating separately from Bruce should have a similar ad-hoc DIY vibe to The Batman, just lower tech and more discreet. It’s important textually that Robin was also inspired by The Batman without knowing him or coming into contact with him. It parallels Riddler ironically, it shows that the tragedy of Edward’s descent into vengeance and rage has had an effect on Bruce and that’s why he fights so desperately to keep the same fate from happening to Dick. Dick is someone who has had everything taken away from him, he was a brilliant gymnast whose aspirations were dashed when he lost his parents. Bruce can’t let him descend further into that spiral.

Robin isn’t a fighting partner in this film. He’ll become that when he’s older, closer to 16-17 in Part Three, but right now he’s a rogue agent navigating this world on his own, and Bruce has him as a mix between an informant, a spy, and an intel source. We need to sidestep the child soldier allegations, and it also means that Robin can do things Bruce can’t. Robin isn’t famous, Robin isn’t a fully grown adult. He can navigate spaces and places and worlds Bruce can’t, and that makes both of them stronger heroes for it.

In this sense, this version of Dick Grayson is a loose amalgamation of the first three Robins. He has Jason’s rage, brashness, and involvement in the underworld; he has Tim’s shrewdness, detective skills, and sense of loyalty; and he has Dick Grayson’s backstory and sense of optimism. We’re not just watching this boy become Robin, we’re also watching him transform into the version of Dick we know so well - the same way we’re watching Bruce transform into Bruce in this story.

Why I think we fucking need Robin in The Batman Part Two? Because Part One is a film about Bruce realizing that he can’t be vengeance alone, that he must be hope as well. Part Two needs to be a film about Bruce coming to understand what vengeance has done to those who have seen his example, and Dick presents a tangible opportunity to actually instill a better example in someone who went through what he did. They would act as foils to one another, they would be permutations and mirrors of each other, and we would finally get a faithful, beautiful, and compelling version of the Batman-Robin dynamic on the live action big screen.

best depiction of the batfam will always be "You grew up to be the person who would have saved you" but it applies to them each respectively and that's why none of them can see eye to eye and also get up their own asses about things and go to such great lengths to defend their personal brand of justice. Because they can never stop trying to save themselves from their own history.

The joke that the bats see their contingency plans as a form of love is super fucking funny, don't get me wrong but honestly they probably do see it as that cause they just forget to say the second part out loud.

"after I've taken you down, obviously I'd find whatever made you like this and then find the cure."

They come from gotham where mind altering substances are basically everywhere. One of the most profound ways a gothamite could say 'i care about you' is admitting to having a plan to disarm/capture you in the case you go off the deep end, so that they could then get you a cure.

Unfortunately for the bats, no one else thinks like that cause what the actual fucks guys

Guys… pls… we’re in the middle of a mission

⭐ 🥺👉👈?

the twins are my fave gjhsjkgh

canon v fanon, dunmeshi edition