《意味》 「身から出た錆」とは、自分の犯した言動が原因で、苦しんだり災いを受けたりすること。
《英語》 You reap what you sow/You’ve made your bed (and now you’ll have to lie in it)
直訳:Rust coming out from the body.
《例文》 いいかげんな仕事をしてるから、左遷されちゃうんだよ。身から出た錆だね。 →You reap what you sow. If you do sloppy work, you’ll find yourself sliding down the corporate ladder.
彼の身勝手さは身から出た錆となるだろう。 →His selfishness will come home to roost some day.
《解説》 You reap what you sowとは「自分で蒔いた種は自分で刈れ」の意味。sloppy「いい加減な」。「左遷される」の表現の仕方にも注目。
to come home to roost =〈悪い事が〉自分にはね返ってくる。
英語の諺:The chickens come home to roost(因果応報)
We were destined for this golden love.
APH | Portugal & Nyotalia England
Writing and reading fanfic is a masterclass in characterisation.
Consider: in order to successfully write two different “versions” of the same character - let alone ten, or fifty, or a hundred - you have to make an informed judgement about their core personality traits, distinguishing between the results of nature and nurture, and decide how best to replicate those conditions in a new narrative context. The character you produce has to be recognisably congruent with the canonical version, yet distinct enough to fit within a different - perhaps wildly so - story. And you physically can’t accomplish this if the character in question is poorly understood, or viewed as a stereotype, or one-dimensional. Yes, you can still produce the fic, but chances are, if your interest in or knowledge of the character(s) is that shallow, you’re not going to bother in the first place.
Because ficwriters care about nuance, and they especially care about continuity - not just literal continuity, in the sense of corroborating established facts, but the far more important (and yet more frequently neglected) emotional continuity. Too often in film and TV canons in particular, emotional continuity is mistakenly viewed as a synonym for static characterisation, and therefore held anathema: if the character(s) don’t change, then where’s the story? But emotional continuity isn’t anti-change; it’s pro-context. It means showing how the character gets from Point A to Point B as an actual journey, not just dumping them in a new location and yelling Because Reasons! while moving on to the next development. Emotional continuity requires a close reading, not just of the letter of the canon, but its spirit - the beats between the dialogue; the implications never overtly stated, but which must logically occur off-screen. As such, emotional continuity is often the first casualty of canonical forward momentum: when each new TV season demands the creation of a new challenge for the protagonists, regardless of where and how we left them last, then dealing with the consequences of what’s already happened is automatically put on the backburner.
Fanfic does not do this.
Fanfic embraces the gaps in the narrative, the gracenotes in characterisation that the original story glosses, forgets or simply doesn’t find time for. That’s not all it does, of course, but in the context of learning how to write characters, it’s vital, because it teaches ficwriters - and fic readers - the difference between rich and cardboard characters. A rich character is one whose original incarnation is detailed enough that, in order to put them in fanfic, the writer has to consider which elements of their personality are integral to their existence, which clash irreparably with the new setting, and which can be modified to fit, to say nothing of how this adapted version works with other similarly adapted characters. A cardboard character, by contrast, boasts so few original or distinct attributes that the ficwriter has to invent them almost out of whole cloth. Note, please, that attributes are not necessarily synonymous with details in this context: we might know a character’s favourite song and their number of siblings, but if this information gives us no actual insight into them as a person, then it’s only window-dressing. By the same token, we might know very few concrete facts about a character, but still have an incredibly well-developed sense of their personhood on the basis of their actions.
The fact that ficwriters en masse - or even the same ficwriter in different AUs - can produce multiple contradictory yet still fundamentally believable incarnations of the same person is a testament to their understanding of characterisation, emotional continuity and narrative.
Giveaway Contest: We’ve partnered with Alma Books to give away five of their beautiful Alma Classics Evergreens editions (pictured above)! Won’t these look lovely on your shelf? :D To win these classics, you must: 1) be following macrolit on Tumblr (yes, we will check. :P), and 2) reblog this post. We will randomly choose a winner on June 4, at which time we’ll start a new giveaway. And yes, Alma Books has agreed to make this an International giveaway! Good luck!
canon: they died
fanfic: fUCK YOU
We each pray that the other will wake to better days, and then, without looking back, we go our separate ways.
Grazia Curcuru (via prosebyday)
Z.W. Gu [Artstation]
A little encouragement from a bee to start your week off with positive energy! 🐝💕
Chibird store | Positive Pin Club | Webtoon
You got that right @thinknshine ⚡️💖
are you happy with that?
A college student struggling with balancing work and the intense desire not to. Welcome to my collection of random work!
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