50 posts
I do find it really funny that Lucanis just immediately started referring to Spite with he/him. Like Spite’s a demon, realistically “it” would probably be more appropriate, but instead Spite got handed he/him pronouns and just rolled with it lmao
Literally have a fic like this planned, Illario is so worried about Spite being the issue that he is completely unprepared for Rook
I can see Lucanis wanting to bring Illario on a contract for old times sake to finally end the bad blood, but Rook trusts Illario about as far as they can throw him and thus they all end up on the World’s Worst Roadtrip where Lucanis is the glue keeping two of them from genuinely killing each other……..
An illuminated manuscript from a gossip pamphlet found in the First Talon’s desk with the caption reads:
The Treviso Tourney - Knight Takes Rook
Despite the recently crowned King Viago’s presence at this weekend’s coronation tournament, the audience seemed more enamoured with the rare appearance of the newly wed Dellamorte’s. The Champion of Treviso’s magical talents may have left her out of the competition, but the First Talon’s blade received Rook’s favour - and this punter knows to never bet against the Rook!
cis+ Lucanis who isn't transgender but he's always been drawn to femininity and that's why he's always so tightly controlled in how he dresses and presents himself
he allows himself long hair and well-tailored outfits of high quality fabrics, but he resolutely Does Not Look at any skirts or dresses when the team goes shopping
he lets Bellara paint his nails after Emmrich and Davrin go first, because it's just a funny little joke that the boys get their nails painted too, and then hides them under gloves until the paint chips because he can't bear to either look at his hands or scrub the paint off
he has to mind his facial expressions to make sure he doesn't give Illario's eyeliner and gold jewelry too many jealous stares. it would be wrong if he wore that. he's mentally comparing himself to other women instead of men and thinks he'd be too ugly--
or worse: everyone would finally see. they'd look at him and know how much he enjoys it, wants it, not just as wealthy status symbols and peacocking and machiasmo, but genuinely getting to be soft and pretty
so when Rook (of any gender) rescues him, and buys courting gifts for him, and treats him gently, and doesn't pressure him to take a dominant sexual role in the relationship ...
well. it takes him a long time to accept that. to put aside all the Antivan ideals of masculinity and the Crows' attitude toward casual sex and the perfect stoic male heir his grandmother wanted
to believe Rook might want him, love him, be just as smitten by him in the soft moments, not the sexy dangerous assassin he worried they expected him to be
It's just so narratively crunchy that Spite writes poetry as his chosen form of self expression. Especially given that he clearly struggles to communicate with the people around him, the fact that he writes poetry in the scant moments he has command of Lucanis's hands really cements other textual indicators that Spite is frustrated by his difficulty with communicating. Over and over again he asks to talk to Rook, to be heard, but when he does get the chance to talk, he isn't understood, which must be unbelievably frustrating for the poor guy. So he practices! In writing! And that writing gives such a neat look into Spite's mind and how he conceptualizes himself and his situation. So I'm gonna dust off my English degree and yell about his poetry.
1.
a PEACE
cut from the ALL
golden stranded weaves
PROTECTION CAGE
keep them OUT
keep me IN
As with all poetry, there's a lot of room to interpretation, and I think that's especially intentional for Spite's worldview as a spirit. He's from the Fade, which operates on perception and emotion instead of concrete immutabilities like the material world. That being said, I think this first poem is Spite trying to process and talk about a.) his own violent summoning from the Fade and b.) Lucanis's mental Ossuary.
Spite was ripped from the Fade against his will, a piece of a larger infinity cut and captured. Likewise, Lucanis creates the Ossuary in his mind as a (poor) coping mechanism for dealing with what happened. Spite recognizes this as an attempt to create peace in emotional turmoil.
The golden stranded weaves evoke the imagery used in the narration explaining how the dagger cuts through the Veil. It's visually represented as gold geometric lines separating the Fade from the material world, which may be a hint to how spirits see the Veil: a barrier made of gold strands that has also stranded Spite from the world he knew. Given that Lucanis's mind Ossuary is also a part of the Fade, this same barrier applies here as well, stranding him and Spite from the freedom they seek.
The Veil and the mental Ossuary therefore function as what Spite calls a "protection cage," designed both to keep its occupants safe and keep them contained. Arguably, Spite could also be talking about the magic that keeps him bonded to Lucanis, magic that is likely similar in nature to how the Veil works given that blood magic is what sustains both. Protecting Spite and Lucanis from being hurt further by the Venatori but also keeping Spite from going home. He's stuck in Lucanis whether he likes it or not. This is further complicated by the mental Ossuary, which Lucanis has unconsciously constructed to keep the people he loves out of harm's way (protecting them) while also keeping Spite trapped.
This is Spite's first cry for help. He recognizes that he is trapped in multiple ways: he is forced to share a body that aggressively does not want to share with him, and the part of the Fade that Lucanis is connected to mentally is also a prison, one that does not respond like Spite would normally expect the Fade to respond. Lucanis mentions in Sea of Blood that "The Fade does whatever a spirit wants. Real walls and chains, not so much," but Spite tells Rook in Inner Demons that he can't touch the locks in Lucanis's mind despite it technically being a part of the Fade. My personal theory is it has something to do with the blood magic that bound them together in the first place, but regardless of why, it's understandably extremely frustrating for Spite to feel trapped both in the material world and the Fade, neither of which respond to him as he expects. To Spite, it must feel like the very laws of physics have stopped working as they should.
2.
scentsing the BEYOND
rememburnings from before
when one was infinity
not a small shade
not a SHARP hooked claw
in a gut
takemeouttakemeoutletmeout
riiiiip
Here we get to see how Spite has been learning to use language to artistically express complex abstract ideas, which speaks to him having mature, adult intelligence, given that abstract thought is a marker of higher-order cognition. In this poem, Spite is no longer simply describing his situation as he is in the first poem, he is self-reflecting and forming his own identity.
It's clear in this first line and in several points throughout the game that Spite's favorite sense is smell, possibly because it is a sense that he can unintrusively access and therefore isn't barred by Lucanis. So he is not just sensing, he is specifically "scentsing" what he calls "the BEYOND," likely the Fade, referencing his ability to pull things from it (especially considering that the little icon on an accessible spot says "a sense of something").
But he's not just talking about the Fade as a place, he's reminiscing of the Fade as a time. But the portmanteau he uses here, "rememburnings" suggests an attempt to explain the emotion he associates with this remembrance. The memory is painful. It burns. It hurts him. He remembers being a part of the Fade, being part of "infinity," and now he is only a "small shade" of what he once was.
But that's not all. He's also demonstrating that he understands how Lucanis perceives him, sees that he is hurting Lucanis. He knows that he was force-fed to Lucanis (quite literally according to his banter with Bellara where he says it happened when "They fed me something. Like he was a parasite in uncooked meat."), which explains why Spite conceptualizes himself as being a foreign, damaging object "in a gut." And, importantly, he doesn't take satisfaction from that. The tone he is using here suggests grief and desperation, especially the "takemeouttakemeoutletmeout." He wants to be free, yes, but he also wants to stop being an object of pain. And yet the last line suggests that Spite knows that separation would also be painful. It would be another ripping, because he is a claw now. As much as he is trapped by Lucanis, he is embedded in him as well, and extraction would tear them both apart.
3.
toes wiggle
when he drinks the brew
a small shade
and a wounded spirit
sitting
there is STILL
we are still
there is an INFINITE
there is a SHELTER
there is a STORM outside the center
UGH Spite your MIND!!! This poem makes me want to cry fr. It's so much more concrete than the other two, showing how he's becoming more familiar and comfortable with Lucanis's body and the material world. The tone is gentle, like a relieved sigh, with none of the urgency and desperation of the others. This is the first time we see Spite describe a physical sense other than smell. He notes that Lucanis wiggles his toes when he drinks his favorite coffee, suggesting that this is something Spite feels as an occupant of the same body, though he likes to manifest himself as separate. It confirms that he feels what Lucanis feels through shared senses, though has his own interpretations of sensory input.
Spite still conceptualizes himself as a "small shade," but no longer is he a "SHARP hooked claw." He is still hurt, still affected by what he and Lucanis went through, but he now sees Lucanis as more than the body he's trapped in. He sees Lucanis as a fellow "wounded spirit," hurting and healing in the same way that he is. They are sitting together, feeling together, and they have found stillness. They've finally made peace.
While he may no longer be a part of the Fade as he once was, Spite has found that being and living with Lucanis is another "INFINITE" that he gets to experience. He is safe, sheltered in their bond. It's no longer a cage. It's just protection now. And while Spite can feel the absolute mess that's going on with the world and the Fade and everything they're dealing with, he is centered now with Lucanis, which makes it all manageable.
All this leads me to believe that after Inner Demons and their little coffee date with Rook, Spite and Lucanis are at a point in their relationship where Lucanis is much more accommodating of Spite and where Spite is able to explore and experience the material world with a certain level of patience. He no longer feels like he has to bully Lucanis into letting him pilot because he understands physical space now and can experience things alongside Lucanis as he experiences them. Lucanis is more confident letting Spite speak through him because he's no longer worried Spite will wrest complete control from him and/or do something to hurt them. As Lucanis says in the final romance scene, they're no longer afraid. Lucanis now trusts Spite's reports about what happened and how much time has passed while he was asleep, which suggests that Spite has earned that trust.
At this point, the line between demon of Spite and spirit of Determination seems extremely blurry at best, and it really makes me wonder if gaining a physical body through means other than normal possession allows spirits to develop more complex cognition and emotional versatility beyond just their purpose.
A kiss on the V
It’s gettin steamy in the Villa Dellamorte baths!!!!
Was streaming Flow on Max the other day when it got interrupt by an ad…for Flow…on Max.
God I hate getting ads for shit I already own. You won already bitch leave me alone.
In December I ran a Google Form looking to compare the official Bioware player statistics to those of the tumblr fandom. I received 3031 unique responses, and am now making the results available to you! This was a solo endeavor and I'm so grateful to every single one of you for your participation! All I ask in return is that we keep it positive: this was a fun project, let's keep it that way!
The results are in graphic form under the cut (alt text is available for every graphic). I have also captioned them with the official Bioware stats for comparison purposes where applicable. You can view the raw data in the form of a Google Sheet here. Please note that these results contain major endgame spoilers.
Thank you again, please reblog for reach!
Bioware did not provide hard numbers, but their ranking is: Neve, Lucanis, Taash, Harding, Bellara, Davrin, Emmrich
Bioware stats: 44% freed the archive spirit, 56% kept the archive spirit; 54% had Emmrich become a lich, 46% saved Manfred
Bioware stats: 33% sent the griffons to the Wardens, 67% sent the griffons to Arlathan
Bioware stats: 22% forgave Illario, 78% sent Illario to jail; 21% had Taash embrace Qunari culture, 79% had Taash embrace Rivaini culture
Bioware stats: 39% had Neve become an inspiration, 61% had Neve become a protector; 16% had Harding embrace anger, 84% had Harding embrace calm
Bioware stats: 22% banished the mayor to the Grey Wardens, 36% saved him, 42% left him for dead; 64% punched the First Warden, 36% reasoned with him
Bioware stats: 49% saved Minrathous, 51% saved Treviso
Bioware stats: 46% for Davrin as the distraction team leader, 54% for Harding as the distraction team leader; 58% had Bellara shut down the wards, 42% had Neve shut down the wards
Bioware only provided top 3 picks for each: Emmrich, Neve and Bellara are top 3 for unravelling the wards and Lucanis, Taash and Emmrich are top 3 for going after the Venatori. Please also note that these questions were optional on the Google Form and was not answered by all respondents.
Bioware only provided top 3 picks for each: Taash, Davrin, and Emmrich are top 3 for fighting the Juggernaut and Taash, Davrin, and Harding are top 3 for the counter-attack. Please also note that these questions were optional on the Google Form and was not answered by all respondents.
Bioware stats: 3% sacrificed Rook, 8% fought Solas, 17% outsmarted Solas, and 72% redeemed Solas; 43% of those who redeemed Solas had the inquisitor join him in the Fade
Bioware stats: 31% played rock, paper, scissors with Manfred; 50% petted Assan
Bioware stats: Human at 43%, Elf at 40%, Qunari at 11%, Dwarf at 6%
Bioware stats: Grey Wardens at 24%, Shadow Dragons at 24%, Antivan Crows at 16%, Veil Jumpers at 15%, Lords of Fortune at 11%, Mourn Watch at 10%
Bioware only provided stats for the three core classes: Mage at 40%, Rogue at 30%, and Warrior at 30%
Fifty Shades of Mierda. Okay, actually forty. There are more in the text, they just aren't voiced.
Note: those were ripped directly from the game files, as they aren't included in the OST. You can also listen to them in this playlist on PinkyJulien's Youtube channel or in this playlist by Slow Walkthroughs.
More cut lines. It seems like companions talk to Rook after the regret prison depending on the romance.
Lucanis.
Spite caught your scent before we all heard you.
Taash?
Then I caught your scent. Sort of. It was your scent but with magic and feelings and crap.
Emmrich, I guess.
Then suddenly, I heard you, darling. And the welcome pull of your voice. Finding you was fiendishly difficult. I tried a number of rituals. Multiple attempts.
According to the localization in my language, these are the lines of a female character. Harding, Neve, Bellara?
But I heard you. Over everything else. Because, well. It's you. I heard your voice. I wasn't sure it was real but… here you are. I didn't believe it at first, when I heard your voice. But it was you.
Once again according to the localization in my language, these are the lines of a male character. Davrin, Lucanis?
And then all of a sudden, I could hear you. Across the Veil. Then I heard your voice. No way you're getting away from me that easy.
No idea.
(Chuckles.) Welcome back. We missed you.
Rook?
You're all incredible. I… I don't know what to say. I don't think "thanks" really covers it, but thanks. All of you. You saved me.
rereading the wigmaker's job to take notes on lucanis and illario characterization. notes for illario include such things as:
Illario is a grumbler, mumbler, and groaner
"Devious" (he didn't wiggle his brows when he said this but imagine)
Uses words like "vengeancey"
Wore a "smug sneer" on his face when he thinks the elven slave Effe "talked" (uh oh)
Legs bounce when he's nervous
"I'm sorry—did the contract ask for 'a fate worse than death'? Usually, it's just death." (okay fine he's funny)
in honor of mary kirby telling us about ace lucanis here is a very hidden bit of banter you can only get if you 1. got the cutscenes to get emmrich with strife 2. had emmrich choose lichdom and 3. run around with him and lucanis before he actually becomes a lich. audio from here, this would probably never happen on my own file lol
This was one of the moments pre-confirmation that made me go OH this man is on the ace spectrum huh lol
There are already so many delicious meta posts on everyone's specific thoughts on what's going on in Illario's head, but I am jumping in myself because he and Lucanis are making me CRAZY
I think that soooo much of his jealousy is that he and Lucanis get treated as a binary. Damn near every time Lucanis talks about something he is or isn't good at, he brings up how Illario is the opposite. It isn't just that they're constantly being compared (already something that's going to be super damaging to both of them and their relationship) but there's such a strong sense that they're not allowed to overlap.
Like, Lucanis is better at physical combat? Okay, so Illario is bad at it. It doesn't matter that he's still very good, that's he's good enough to still be a living, working Crow at the ripe old age of 30+, as a member of the First Talon's family no less. It doesn't matter that he's good enough to drop down from the ceiling (when and how did you get up there???) and kill Zara before anyone can register he's there. It doesn't matter that he's still a significant boss, even once you factor out the Venatori. He's worse than Lucanis, so Lucanis is the 'good' assassin and Illario is the 'bad' one.
In the reverse, Lucanis's self-esteem about his social skills is in the DIRT. He is CONSTANTLY bringing up how Illario is the people person. Even when, in the same breath, he says Illario only ever had relationships with people he didn't like and they never lasted, he's still saying Illario is better at it. And because Illario is better with people, he's 'good' at it, and Lucanis is 'bad' at it.
In any discussion with or about Lucanis and Illario there is, apparently, zero overlap in their skill sets. Despite the fact that that's very obviously not true. But they've been set against each other so thoroughly that they don't even realize it. Because presumably Caterina started training them and they had a knack for some skills more than others and rather than encouraging them to teach other or partner up to boost each other's strengths, she was most likely going "Look, Illario, your cousin did that move so much better than you, be more like that," and "Lucanis, Illario perfected this ages ago, it is not that hard to convince someone you're harmless" and all they got was that one of them was the assassin and one of them was the conman and never the two shall meet.
And Caterina, of course, heavily favors Lucanis. And I imagine there's a million reasons why - starting with the fact that it sounds like his mother was the last favorite. (And how can Illario compete with that? He'll never be the son of the favorite.) But I think a big reason is Lucanis's skill set. Maybe he's the most like her. Maybe she thinks if he's good in combat, he won't die like all the others did. Has she just written Illario off as a lost cause, certain to get himself killed? Not consciously, I'm sure, but subconsciously? Easy to imagine. Easy for Illario to feel that way, whether it's true or not.
And then!! He's being babysat! This idea that Lucanis is the one who can fight (and therefore Illario cannot) has taken hold so deeply that Lucanis feels like he has to look out for Illario, has to protect him, and of course that's bundled up in the 'we're all we have left' but when you're suffocating under the weight of your cousin being a mother hen that feels much less sympathetic. And when you're a 30+ assassin it's gonna feel pretty aggravating if everyone acts like you need your cousin to help you tie your shoes in the morning.
And I don't think either of them realize this. Introspection is not a Crow skill. All Illario knows is he can't be a good assassin while Lucanis is alive, because only one of them can be a good assassin. And that built and built and I think the opportunity to have Lucanis killed crossed his path, and he - Well, despite what Caterina might think, he is a very good Crow. So he took the opportunity. And then he couldn't go back.
And what does he have, under this binary? At least the good fighter, the good assassin, can have a talent for other athletic work, a passion for knives. At least the favorite can find another hobby without feeling grandmother breathing down his neck, asking why he's learning a new skill when he hasn't even mastered the important one. What's under a conman, a grifter, a politician? Sure, he can make people like him, but he can he ever connect with them enough to like them back? Does he know who he is? Would he know where to begin to try and find out?
I'd argue that - whether he knows it or not - is the biggest reason he tried to have Lucanis killed. He doesn't know who he is other than Caterina's least favorite grandson, Lucanis's cousin. He doesn't know how to find out.
Dragon age: Origins - 9:30 Dragon
Dragon Age: Awakening - 9:31 Dragon
Dragon Age II - 9:37 Dragon (act 3)
Dragon Age: Inquisition - 9:41 Dragon
Dragon Age: The Veilguard - 9:52 Dragon
We know literally nothing about the age of some characters (like Oghren). I used canon information and/or logic. If empty - the character has not yet been born or has already died.
About Cole - since he died as a human, I didn’t add a year to him.
About Solas - for the year of "birth" I used the approximate date of the founding of Arlathan
I went through all companion banters on DanaDuchy's channel after playing the game to write down all facts about companions/the world that I haven't seen brought up anywhere in the game as a writing reference (and for funsies).
Note: This list may not be exhaustive. I might have missed some something or didn't write it down because I considered it common knowledge. If you have anything to add, please DM me or send an ask! (do specify what banter the information is coming from, though)
Note 2: Posts from this series (mostly) don't include information from banters specific to quests or between companions and faction members. I plan to do another playthrough to capture more of those and will add any relevant info to the character posts.
About Lucanis:
Lucanis learnt to cook while helping the kitchen staff at the villa when he was a little boy. One of his motivations was learning how to make churros
Side note: Lucanis mentions that cioccolata calda was his favourite drink when he was a baby, and he serves churros to a romanced Rook who picks cioccolata calda as their favourite drink. It’s all coming together!
Lucanis wanted to be a Crow when he was a child (at least most of the time)
All of Lucanis's relatives were Crows as well, and all of them were killed by a rival Crow house
Lucanis says Caterina would be proud of Illario hiding his plans well, as well as killing her
Lucanis says that the hard part about setting Illario free would be convincing Caterina
Lucanis says that nightlife was more of Illario's thing, and he never got out as much
Viago still stares daggers at Lucanis for throwing his (Viago's) pet snake out of the window in a dream
Lucanis doesn't like it when people confuse murder and assassination ("Murderers are hobbyists, we are professionals")
Lucanis has taken contracts in Orlais
Lucanis doesn’t know Treviso as well as he once used to
Heir didn’t train Lucanis
Lucanis says he has never killed an innocent “by his count” (other people may disagree)
Lucanis doesn’t think of the Crows as a “big organisation” (unlike the Inquisition) because they stab each other too much
Lucanis became a mage-killer at Caterina’s behest (she wanted to tap into new markets)
The nickname “The Demon of Vyrantium” came from Tevinter news-sheets, though Lucanis thinks Viago started it
Lucanis says that there aren't any special tricks to killing mages. Though, if nothing else works, you can try pissing them off, as that could attract a demon that would eat the mage
Lucanis once killed half a dozen venatori while stuck inside an elevator
Lucanis doesn’t consider himself a gentleman assassin, manners are less important than getting the job done
Lucanis sometimes spares his targets. He mentioned letting go of a servant who killed her master, as well as a 14-year-old boy. He thinks it’s wrong to kill people so young because they still have time to change
Lucanis doesn’t accept contracts without merit, and the merit is decided by the talon of the house
Lucanis can make bread
Lucanis has never been to Ferelden
Lucanis isn’t interested in killing wyverns, just looking at them :)
Lucanis has a pet snake
Lucanis stays awake at night by cleaning his gear, exercising, studying Orlesian and knitting ("it’s just another kind of blade work")
Lucanis doesn’t understand a lot of things people find attractive
(In a conversation with Harding) Thinking about cooking was one of the things that helped Lucanis stay sane in the Ossuary (the other was thinking about killing his enemies)
(In a conversation with Davrin) Lucanis survived the Ossuary by shutting down and not thinking about anything except escaping
These two points sort of contradict each other. Either an inconsistency or Lucanis describing his experience differently to different people.
The Wetlands ruined at least one pair of Lucanis’s boots
(If Rook chooses to save Treviso) Lucanis offers to pay for any supplies the Shadow Dragons may need
Lucanis doesn't get a better bed because he's afraid of accidentally falling asleep
Lucanis can identify the killer’s weapon and the height difference between them and the target just through the blood splatter left at the scene
Lucanis considers Grey Wardens dangerous
Lucanis doesn’t like necromancy, because bringing people back to life is a waste of hard work
Lucanis finds the ice coffee from Minrathous offensive (Harding describes it as “snow, but made of coffee, sweet, and with cream and toffee sauce on top”)
Lucanis had never been in a romantic relationship before Rook/Neve
Lucanis gets into reading Bellara’s serials (very passionately - they chat about it a bunch)
Lucanis is outraged that the Veil Jumpers don’t get paid for their work and offers Bellara his contract negotiator
Lucanis made biscuits for Assan
Lucanis is sceptical that the griffons will be safe with the Wardens
Lucanis think that Assan shouldn’t go soft (referring to the time he took care of a halla) because he is a predator at heart
(If Emmrich becomes a lich) Lucanis offers to hold a funeral for Manfred
Lucanis and Harding talk a lot about dreams (mostly silly things like showing up naked for the job, getting chased by someone/something etc.)
Lucanis thinks Harding is deadly with her bow
Lucanis offers to pay Harding for being his lookout/aide at the rate of 6000 gold per contract
Lucanis offers the help of his contract negotiator to Neve after he finds out she doesn't have one
Lucanis made deep-fried peppers for Taash
Emmrich can hear Spite even when he doesn’t take over Lucanis’s body (at least from a close distance)
Spite is impartial to Emmrich, believing him more than Lucanis
Emmrich says it’s impossible to separate Spite and Lucanis without killing them
Emmrich encourages Lucanis to read to Spite to bring them closer. Lucanis agrees to let Spite pick a book
(If Emmrich becomes a lich) Spite asks if he and Lucanis can get rid of their skin too
(If Manfred is revived at the Necropolis) Spite asks Emmrich to teach him how to use fire magic. Lucanis isn’t thrilled by the idea
Emmrich sets up wards to prevent Spite from leaving the room when Lucanis is asleep
Spite no longer sleepwalks after “Inner Demons” because he apparently understood the concept of space
By the end of the game, Spite has agreed to stop sleepwalking completely
Spite controls the wings (confirmed in banter with Harding)
Spite wants to try swinging off the astrolabe at the Lighthouse
Spite is very excited about Manfred having hands and feet (Curiosity. Has. Feet!)
Spite finds the wisps in Neve’s room unnerving (as do Lucanis and Neve)
Spite likes to play with whetstones Bellara got for Lucanis (Bellara got them from the Irelin who supposedly got them from somewhere in Arlathan)
Spite wants to try eating self-lightning candles at Blackthorne Manor
About the Crows:
Crows frequently visit Nevarra and have received 20 contacts to assassinate the king. The King has been poisoned 7 times
Crows get a lot of contracts for Divine Victoria
Some seers in Rivain are powerful enough that there are contracts on them as well
Caterina once killed a man with a thimble
When Crows kill someone, most of the time they want others to know it was them (rather than presenting the death as an accident)
The crows buried six different Eight Talons and rarely take contracts in Ferelden after the Zevran fiasco
Rook… saying I owe you my life is not enough. You know my mind. I've assumed you know my heart because… it beats for you. It's been beating… When I wanted you. When I was afraid to want you… Tell me this ends with me asleep in your arms, and I will kill any god you ask. I love you, Rook. And I won't let you down.
Nick Thornborrow on BlueSky showed some more Lucanis narrative sketches
Sketch of Teia and Viago
Portrait sketch of Lucanis
Sketch of Lucanis violently dispatching prison guards along with Spite rapidly dispatching Venatori minions in the background.
Spite conversing with Rook. Spite grins with … well… spite. And Rook looks like she's having none of it.
A hedonistic bath house. Lucanis is deep in foreground in silhouette with two sword hilts apparent in the silhouette.
Ilario being seduced by I forget her name. But the villain in Lucanis's story. The villain is in a glowing red pool and drawing Ilario towards her who sits on the edge. Lucanis spies in the foreground.
Shirtless Ilario hulked out advancing on Lucanis in the foreground with a sword. The villain is in the background towering on a miasma of blood magic.
The villain reduced to a skeletal frame begging Ilario to save her.
Ilario smoke bombing out I think. Lucanis in the foreground in command of Spite.
Rook checking in on Lucanis who is curled up on the floor. Lucanis has just had an episode with his demon, Spite. Scorch marks in the shape of wings smolder on the walls.
Lucanis holding Rook in an embrace but looking warily back at Spite's wings protruding from his own back.
Lucanis ceremonially marking a book with blood.
I honestly can’t remember what was going through my head. I drew this years ago. It’s possible I was working from an explicit description of a ritual to become a Talon, or I may have been taking creative license. Either way, it was something to do with Talon coronation.
Lucanis and Spite working together for once to defeat the villain.
Action shot of Lucanis. I don't know. Kinda scruffy.
Lucanis looming over the villain who has been thoroughly defeated.
Lucanis becoming First Talon.
Lucanis with Spite wings out kissing Rook in the rain. This sketch was meant to portray an intense moment in the midst of going into a battle we don't expect to survive.
An intimate moment between Rook and Lucanis in the hot springs at the Dellamorte Estate.
Rook (who quite famously can't swim) tumbling into the canals of Treviso in a friendly game of bumper car gondola with Lucanis.
Rook and Lucanis having a wholesome (read spicy) experience in a secluded tunnel on a gondola. Lucanis's back is to us and his shirt is half off. Rook is obscured by Lucanis but the two are kissing.
Lucanis executing an ancient God with a lyrium dagger by stabbing him in the back. The God has a skull like face and and a horned helmet. Grey fog leaves his throat as he perishes with the word "URK"
I think to think of Spite’s gender as “I’ll have what he’s having”
ik some people like to use it or they pronouns for spite bc spirits don't technically have gender and i understand and respect the hustle but i do think it is so funny that lucanis just assigns spite he/him at possession. lucanis is like oh he looks like me and i am a he/him so spite will be he/him too and spite who has already gotten stuck to the flypaper that is lucanis dellamorte's one and only mortal body doesn't even care. he's just like well yeah this might as well happen