How To Write: Ethnicity & Skin Colour

How to write: ethnicity & skin colour

How To Write: Ethnicity & Skin Colour

requested by: anonymous request: How exactly can I describe a characters ethnicity/skin color casually, without it sounding like a specific scene that just exists to describe the skin color? I hope this makes sense lmao… I just want to write a scene where I casually mention someone’s ethnicity or skin color

description of appearance: No matter if skin colour or hairstyle or clothes, a text is more dynamic if you don't dedicate an entire scene/paragraph to it but rather sprinkle the necessary information in here and there. However, there can be instances where it's conducive to the plot to put that entire paragraph (e.g. introducing a new important character with backstory). Otherwise, I'd say try to keep it short and put it where it serves the plot.

ways to incorporate...

... a description of appearance:

when a character makes their first entrance (describe everyone's colouring - POCs' and white characters')

the impression their complexion makes together with their clothes: "the bright yellow of their shirt complemented their dark skin"

the way their colouring interacts with lighting: "the grey weather took away the rosy hue of their fair skin"

when appearances create a contrast: "I immediately noticed them because they were the only other black person"

... ethnicity:

let the characters mention it where it makes sense

regarding the narrator you've chosen for your story, it can also be blended into an inner monologue

include parts of their culture: traditions, terms, family, etc. (this also allows to bring up their ethnicity repeatedly over the story and not only at the beginning)

show their struggles: are they affected by social struggles? then show it!

words to use to describe skin colour:

... basic colour descriptions:

brown

black

beige

white

pink

... more specific colours (try sticking to familiar/common words that can be easily visualised):

amber

bronze

copper

gold

ochre

terracotta

sepia

sienna

porcelain

tan

... prefixes or modifiers (can be easily combined with basic colours):

dark

rich

warm

deep

fair

faint

light

cool

pale

... undertones (pre-dominant colours underneath the skin - often warm or cool, sometimes also neutral and olive):

yellow

orange

coral

golden

silver

rose

pink

red

blue

... avoid food analogies as it's often received as offending, fetishising, and/or objectifying.

That's all I can provide as of now but I'm sure you guys have aspects to contribute. I'm very interested to hear your thoughts, so please feel free to add to this post whatever you like to/can share <3

And for more information, maybe also check out @writingwithcolor for more specialised posts on the topic <3

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Start with hands up, fingers stretched out.  Stretch your thumb as far as you can over your palm. Hold and repeat 4 times.

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Touch each finger to your thumb. Hold each for 30 seconds. Repeat on each hand 4 times.

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Start with a fist. Open half way, hold for 2 seconds. Stretch fingers out, hold for 2 seconds. Repeat 4 times.

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Start with arms up, palms out. Bend wrists down until you feel the stretch, but keep your fingers loose. Hold 10 seconds. Bend wrist upwards, until you feel it in your wrist and arm. Hold 10 seconds. Repeat 4 times.


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1 year ago

I try not to post commissions on my main, because I know they aren't writing related, but look at the art my friend did!!

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Got the honor of doing this little spicy fireflake for a DnD, ATLA themed. I present, Kyoko and her little fren Aki, from the Fire Nation! Thank you noodle, for supporting me. She was fun and I learned some things.

I still have commission openings if anyone is interested!

Kyoko and Aki belong to @sinedra


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1 year ago

The first rule of writing is hoard notebooks


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10 years ago

hoo boy, here comes some serious talk about fandom mentality.

I feel like there’s a huge failing on readers’ parts to communicate to fic authors how much they appreciate their works or how much it affects them, unless the fic is “fandom famous” for some reason. sometimes it gets translated into demands (which are awful literally do not demand updates from an author ever).

more often than not, it gets translated into silence, and coming from a writer, the silence is probably the worst. you never know if they like it, you never know what the reader actually thinks about it. or even if they read it at all. and it’s… heartwrenching, and nervewracking and you start constantly questioning yourself and wondering if you’re actually good enough or if you belong. and you start comparing yourself. to the people who are popular, to the people with huge followings, to the people who get questions and art and compliments up the wazoo. and you start wondering if you should have bothered writing at all. in some cases you start begging. and in some cases, you do worse.

and it’s terrible. a writer shouldn’t have to beg. a writer shouldn’t have to only get attention when they’re frustrated or upset. a writer shouldn’t have to doubt themselves every time they pick up a pen or open their laptop. a writer should never feel so unimportant that they consider deleting their work–and do. and then be subjected to questions of why they deleted it.

(which, by the way, is kind of a rude thing to do. it’s their content, and they can do with it whatever makes them comfortable. and more than that–why wait until it’s gone to just suddenly unleash your appreciation for it?)

if, at this point, you are thinking, “well, writers shouldn’t write for attention anyway! writers should be writing for themselves!” then you are missing a Very Huge Point about the intricacies of and emotions behind creating art. of course art comes from the self, but art is meant to be shared. with people. like you. art is created for people to talk back to, to engage with, to live alongside–and yes, that in turn bolsters the creator’s own securities and motivation. it’s also a sad testament to the fact that we as a people have come to condemn the notion that anyone, especially content creators, should want attention at all.

and that’s toxic, and an awful mentality to have. (it’s also atrocious marketing. but, that’s another discussion for another time.)

what I’m trying to say here is this: a lot of this could be prevented by one simple thing. if you read a fic you like, *speak up about it.* make some kind of sign. about whether you like somebody’s work, or whether it excites you. reblog it to share with other people, gush in the tags, leave a comment/review if it’s on ao3 or ffn. (authors read tags as much as artists do, trust me.) kudos and likes are fine too, but like with any other kind of art, they’re very invisible. be vocal, y'all. spread the love.

and above all, *tell the author directly.* send them an ask, write a comment, tag them in an appreciation post. I can’t stress that enough. you’d be making someone’s day, relieving some securities, visible or not, instead of being complacent in this system, this mass way of thinking, that only popular writers deserve attention, that it has to be earned through working yourself raw instead of asked for. it causes these cliques and hierarchies and ultimately people start or keep maintaining this idea that people who are at the top deserve to be at the top, and people who get ignored deserve to be ignored. (which I have, in fact, heard people say, and that’s… I don’t even have a word for that.)

I just. something has to give, you guys. we have to stop doing this. we have to stop letting this happen. we have to be kind to our writers before they disappear.

and yes, you can reblog this post. in fact, I’d highly encourage it.


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9 years ago

WHAT TO DO AFTER FINISHING A FIRST DRAFT.

Revise a different draft.

Write a new piece.

Read a craft article. (LitReactor.com is pretty good!)

Read a short story or book.

WHAT YOU SHOULDN’T DO AFTER FINISHING A FIRST DRAFT.

Revise it.

WHY NOT?

You have to be as detached from a draft as you possibly can when you polish it. You have to be able to trim the fat from your baby and take out all those words, sentences and fragments that are stopping it from being a great story. I’m sure those words you used are beautiful and they sound amazing, but if they’re stalling the plot they have to go.

HOW DO I KNOW WHAT TO KEEP AND WHAT TO THROW AWAY?

Read! The best way to know what a perfectly paced story is like is to read one. There’s no black-and-white, two-plus-two way to answer this, but this is what works for me:

Avoid adverbs, those words that tend to end in -ly.

Keep descriptions to a minimum. People are interested in your story. If they want to see what a place or person is like they go to Google images. If they come to you it’s because they want to be entertained.

Change passive voice sentences to subject-verb-complement sentences. You will get the same idea across in less words.

FINAL TIP

Try not to make changes on your first pass! If your word processor has a comment function use that to write the changes you need to make. If you read and edit at the same time you’ll be doing two things at once and you’ll get tired much quicker.

FINAL FINAL TIP

Enjoy yourself! You’re an artist. Write and revise for yourself. Love it.


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Writing Through Time, Space,and All Things Magical

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