Was Nobody Gonna Tell Me They Had A Storyboard Of Dolores Reenacting The Velociraptor Kitchen Scene With

Was nobody gonna tell me they had a storyboard of Dolores reenacting the velociraptor kitchen scene with Bruno and Mirabel?!

I mean look at this

Hilarious

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bruno Encanto bruno madrigal mirabel madrigal dolores madrigal story board encanto dolores tio bruno mirabel encanto encanto au Dolores in her natural habitat

More Posts from Sittiytaart and Others

sittiytaart

3 months ago

please remember that a ceasefire has not been reached yet and that israel's attacks have actually recently ramped up. people are also still being starved. combat this by donating to gaza soup kitchen

al jazeera article excerpt titled "Israel intensifies attacks amid talks."

it says: "The Israeli military has been launching relentless waves of heavy air attacks and artillery shelling across the Gaza Strip as talks of a potential agreement have heated up."

edit that i was asked to make: you can also donate to @/olasfamily and @/amalshour here

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sittiytaart

3 years ago

Just imagined what if the madrigal grandchildren just like, talked? Like they don’t seem to really interact that much in depth before the movie. So what if the eldest children (Isabella, Dolores, Luisa) just had a convo when they were young teens and realize they are collectively having an awful time.

- they’d create a much closer, much more protective dynamic

- they still don’t quite stand up to their abuela but make cover stories and excuses to lessen each other’s burdens (Dolores complains that she hears Luisa’s stress and physical strain all the time and haggles gets her a day off on the weekends)

-instant over protectiveness when mirabel and Camilo are born. Dolores will always alert the other two if they get in some kind of trouble.

-after mirabels gift ceremony all the grandchildren huddle in Isabella’s room to comfort her.

-they have more emotional talks with each other as time goes by

-they collectively team up to keep anyone from getting hit on (Dolores uses this to her advantage to curve Mariano’s interest onto her while the others are preoccupied keeping Isabella sane)

-I also imagine mirabel would also get a lot of shit from sleezy guys? Since she’s seen as the most vulnerable. This just leads to plenty of men being hung upside down from vines or having bruises of shame from Luisa or mirabel herself getting him off her.

-Antonio is born and they all collectively get ready to indoctrinate him into their dynamic

- mirabel is still closest to Antonio but everyone else pays noticeably more attention to him

- if casita still starts breaking (these kids are still under a lot of stress man) the story is more quietly shared between the grandchildren and they work together to figure it out

-finding the vision and they all just kinda make the silent agreement to not say a word

- the rats do eventually steal the vision and lead them to Bruno which stresses him out greatly

- just all six of his nieces and nephews gathered in his tiny room in the walls

-I think to make the miracle stronger they might need to help pepa or Julieta, they it and their kids are already on good terms

- abuela gets mad at them because the end result is not constant sunshine like she wants

-mirabel still goes off on abuela because how dare she hurt her Tia and mama

- if casita fully collapsed after that mirabel would have no chance to disappear on her own because the grandchildren huddle up in their little oh shit circle

-idk I think the rest would be the same, just with dos oruguitas happening with all the grandkids

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sittiytaart

8 months ago

Hello, I am Jawad from Gaza Married to Fairuz I studied medical analysis😢🍉 I live in a tent, and my house was completely destroyed. Please help me and my children from extermination

. We have not had any financial income for 10 months. I need milk, pampers, and the necessities of life Life is very difficult. I am afraid for my children from this war. Tent life Very bad insects on my children while they are sleeping, help us My children suffer from skin diseases and malnutrition. So, I ask you to help me keep my family safe and alive, especially after we had lost all our sources of livelihood.Please do not leave my family to struggle and suffer these difficult days alone. You can support my campaign by donating whatever you can or by sharing my posts to reach others who can help us survive the war to safety and peace. You are helping the lives of many people with your small contribution. Every donation makes a difference in our very

https://gofund.me/3196f864

<<<

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go fund them palestine gfm

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sittiytaart

9 months ago

Getting super annoyed with the big Pro-Palestine/ Pro-Sudan accounts with massive platforms who are only sharing the oppression and massacres but not the fundraiser campaigns as well

some campaings for Sudan in urgent need of donations:

Help Aalaa and her family escape to safety ( very urgent)

Help Asjad and her family escape to safety

Help 15 families evacuate El Fashir, Darfur

some campaings for Gaza in urgent need of donations:

Help Muhammad Al-Naffar and his family in their struggle to survive

Help Mahmoud’s Family Evacuate for Urgent Medical Care

Help Reham Alswaisi get her family out of Gaza

Help Aseel and her family evacuate from Gaza

Help Almoghrabi family to evacuate Gaza strip

Even 5$ matters, if we all do our part we will get these people to safety!

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sittiytaart

1 year ago

I love Transfem Shuro, Like I envision Shuro transitioning and Laios still liking his ass either way.

This idea also slaps, it's just different person who transitions but Shuro would react differently, it's like two sides of the same Yaoi to Normal (Not) pipeline coin

My favourite is Yaoi to Yuri where they both transition lmao.

I'm a transfem Laios truther and Laishuro shipper, imagine the first time Toshiro sees her post-canon and she's not the guy he remembered but she's still herself just way happier.

And she does look a lot like Falin but even more like herself and his ass gets hit with the fanfic classic "Oh."

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sittiytaart

7 months ago

first slide, titled "how to draw some burn scars" with "some" being underlined. The text under reads "3rd/4th degree mostly, because most people on this website apparently never seen a burn survivor." below that is a red box with text reading "(all caps) all scars are different! (end caps) there is no one correct way to draw a scar. this is more of an overview than a step-by-step tutorial".
the right side of the slide has three drawings, each showing a person's forearm. The text above them reads "there's many types of scars, actually". The first one shows a hypertrophic scar, with the text "draw a darker patch of skin and shade underneath to show depth. notes: it sticks out a bit, it can be slightly discolored (darker), it's not really this bright red color that people draw burns with, it interacts with the rest of the skin - you can see it pull skin inward".
The second one shows a keloid scar, with the text "it sticks out a lot, much more discolored, it can be red, pink, purple, it doesn't with the rest of the skin as much - it has sharper, more defined edges". The third and last arm shows a severe contracture with the top of the hand resting on the forearm, with the text "burns make skin contract; scars affect range of motion (ROM) and can lock or limit movement, they afect all areas of the body vbut are most visible on the neck, joints, and hands". There's a fourth additional drawing showing a man's torso; he has a lighter burn scar on the far side of his ribcage, with his arm seemingly fused to it above the elbow. He has visible body hair but is lacking it on the scar itself. The several notes around it read "healed scars can also turn lighter; a burn scar has a tendency to pull surrounding structures* inward, here it makes a contracture. *-not only skin. scars affect cartilage (like in ears), nipples, etc. also notice the lack of hair on the scar".

second slide, titled "how do burns look like (for people who draw them but don't seem to know)". there's an arrow labeled "not like this (heart)" leading to a drawing of an anime girl with half of her skin being plain red and no other changes. text box below her reads "'don't worry man I watched ATLA when I was 14' type OC", with the following noted; "the Red, has fingernails despite 3rd degree burns, has eyebrows despite 3rd degree burns, has hair despite 3rd degree burns, eye is totally fine it's only fire LOL, nose and ears also fine, why is it red, more flexible than your average abled person, why is it red". below is a disclaimer reading "(one or two is fine, but why is it always all of it? burns do things, especially one as seveer as implied here)". the right side of the image shows pictures of body parts with burn scars on them, the first being a hand with a severe contraction in the fingers. the burn and contracted joints are labeled on the image. next to it is a drawn comparison between a non-burned hand with stretched out fingers, and a burnt hand with curled fingers. photo under that is of a pair of feet being held by a hand. the link below goes to "SurvivorNotVictim.com/Scar-Photos". my added text reads "not red! the scars mostly show through texture and tissue damage" and "no toenails". next to that is art of a scarred leg from the mid-calf down, it has visible skin pulling, no nails, and discolored patches of skin. text reads "some pinkness/redness can show, but it's A) not going to be a consistent color, B) other aspects of the scar still show up. Remember the body is 3D and skin pulls accordingly (more or less); scars form toward the ankle because it sticks out". at the bottom of the image is a portrait photo of Marzieh Ebrahimi, an Iranian woman with a chemical burn on one side of her face, smiling. Text next to her reads "a scar can be more defined in one place and less in another (forehead/chin); the skin is darker and less saturated, not red; Marzieh's scar is more visible because of her eye and nose than the discoloration". Next to that is a simplistic portrait drawing of her recreating the picture. Note reads "just some darkening of the skin, lighter and darker lines to imply skin pulling, and attention to some basic effects of burns (e.g., scar on eyebrow ridge = no eyebrow) looks more like an actual burn than the red paint thing".

Third slide, titled "skin grafts". On the right is a photo of a white woman posing with her scars visible to the camera, the source is linked as SurvivorNotVictim.com/Scar-Photo. Text reads "one of the most common visible kinds of skin grafts is the mesh one", with an arrow pointing to the woman's arm, where her skin has a mesh pattern. There is a drawn comparison of non-burnt skin and skin with the mesh graft for comparison. Text box reads "it leaves a specific kind of texture in the skin. Grafts sometimes have stronger highlights than other parts of the skin (you can see it on both photos)". Under that is a photo of Kenny Matthews (@IKenDawg), a Black man with burn scars. There is a text box on the right that reads "skin grafts will usually be thicker than the rest of the skin and thus can stick out; they can be discolored (both darker or lighter, more yellow or red, more/less saturation, etc.) and have a visible start and end. It applies to all skin colors BTW". Below that are two portrait drawings, one of a Black man with a large, darker skin graft on his cheek, and a white woman with yellowish grafts on her jaw and nose.

Fourth slide, titled "nose and eyes". The left side features various nose drawings, while right and bottom show different kinds of eyes. The text in the nose section reads "Usually if nose was visibly burned, it will be seen on the nostrils and septum". The first nose drawing shows someone with pale skin and nostrils pulling strongly downwards. Second one shows a person with darker skin and fourth degree burns; his eyes are covered by skin and the external parts of the nose are largely gone, leaving the red internal part visible. Text attached reads "With very severe burns, the external part of the nose can be removed. In this case the nose will be red because the insides of the nose are red". Third drawing shows a white man with burns below his eyes; his septum is completely gone, and the nostrils pull to the sides. Attached text reads "Nostrils can also pull to the sides, making the nose wider. Sometimes the septum will be absent if burns were severe enough. That generally causes some degree of asymmetry". Last nose drawing shows someone with a lot of keloid and hypertrophic scars on his face, with one of them formed around their nose. Text attached reads "Nose can also pull to one side. The constricted nostril can then be very flat". There's a simple sketch underneath that shows a nose with symmetric and asymmetric nostrils from below. Eye section. The first text box reads "Eyes are not affected as often as you'd probably assume (mostly because blinking and all) but eye damage is frequent in chemical burns (as opposed to thermal)". First drawing features a darkskin person with burns on their forehead and around their left eye. The skin pulls their eyelids upward and to the side at a 45-degree angle, resulting in the red of the eye showing on the sides. Attached text reads "Eye pulls out and up, so the red parts show accordingly. The eyelids themselves are stretched, eye is fine". Second drawing is of an Arab man with a chemical burn on the left side of his face. He's missing his eyebrow and eyelashes on that side. He has ptosis and his actual iris is blurrier while the white part is redder. Text reads "Here eyelids pull down so the eye looks like it's drifting up". Third drawing shows a person with tan skin and severe burns. They have no hair of any kind, and their nose bridge is significantly pushed to the side. Their right eye is wide open with a red shiny eyelid at the bottom, their iris pointing extremely outward, and blood vessels showing. Their left eye looks very small with swollen eyelids and partially opaque iris. Text reads "The redness you can sometimes see is a result of chronic conjunctivitis, it's not an open wound situation. Here the right lower eyelid is missing so it looks like it's red and shiny. The left lower one is turned outward and it causes corneal scarring, which results in parts of the eye looking white(r) and the eyelids to swell". The bottom section features four eye adjacent conditions and their characteristics. The first one shows a person with one of their eyes missing and an empty pale-red socket visible. It's titled "Enucleation". Text underneath reads "If the eye is as badly damaged as in 90% of OCs with burns then they will get it removed. Despite popular perception there is quite literally nothing 'gore' about an eye socket. The redness/whiteness is the same thing as on your eyelid when you pull it. The empty socket has a much smaller opening and is very flat in comparison to a full socket. If the character has a protruding brow ridge, the shadow will fall on the whole area". Second one features a dark-skinned person's eye, which is brown with a white spot on the lens. Text reads "Cataracts is a condition of the lens, so it affects the lens by making it to appear clouded. Causes blindness". Third one shows an eye of a pale person; it's slightly red with blood vessels visible and the irid is blurry with a large opaque spot in the middle. Text reads "Corneal scarring causes pain, red sclera, and the opaqueness that can happen over the whole eye, not just lens. Also causes blindness".

Continuation from the previous slide. Last one shows an eye with the upper eyelid fallen down. Text reads "Ptosis is caused by nerve damage more than anything else. It makes the eyelid fall down, but does not affect the eye itself. Can technically make someone unable to see if the eyelid doesn't open". Fifth slide description starts from here. It shows a three-step process of drawing the skin texture. First step shows a patch of light skin, titled "get a base". Second step puts various brown lines of different sizes on the skin, largely going from the upper left to bottom right, spreading out on the right. Text reads "Draw slightly darker lines of various lengths to imply contractures". There’s a second, smaller drawing, first with the lines going in similar direction and the other with the lines all pointing different ways and going over each other. Text above them is "try to keep them going in a direction that makes sense" and "not just random strokes" respectively. Third step adds some shadows and highlights on the scars. Text reads "add subtle shading to show texture changes, can also add highlights". Below that is a small drawing of a patch of skin with a red line going through it; one side is shaded and one isn't for comparison. The upper right has a drawing of a man shown from the back; he has burn scars on his left shoulder. That shoulder is less muscular than the right one, and he has keloids and grafts visible. Text underneath reads "You really don't have to draw 10000 lines to show the contractures. A few smaller and some bigger ones do it just fine. Remember that you can ad keloids, hypetrophic scars, and graft discoloration!".

sixth slide, titled "other things to think about". it features a few different burn survivor characters and the text "no two burn survivors are the same". first one is a Black woman with a burn just on her face and neck, empty eye socket, and no ear, wearing a very wide-brimmed sun hat. note next to her reads "sun protection". below her is a white man with scarring on the side of his head, including two large keloid scars. he's missing a lot of hair on his scalp. underneath him is a drawing of a Latino man with short black hair and contracture scars on his forearm, fusing it around the elbow; he's wearing a large compression glove on his hand. in the center of the image are two women; a South Asian young woman wearing a pastel hijab using crutches with a visible prosthetic leg, and a Black woman with short pink hair and all four limbs amputated using a powerchair. The first woman has no actual burns visible while the second one has her stumps covered in distinct discolored scars, but they're both smiling at each other. text between them reads "burns can result in amputation, either because of the initial damage or infection. sometimes burns are visible, sometimes not so much". under them is a portrait of a white woman scratching her neck with her remaining fingers. she's completely bald with scars on her head, face, and hand. her eye is slightly red with a discolored white part in the middle of the iris. text next to her reads "research actual symptoms of burn scars (like scratching) (like sun protection), etc."

Overview of some topics when it comes to drawing characters who are burn survivors.

DISCLAIMER. Please keep in mind that this is an introductory overview for drawing some burn scars and has a lot of generalizations in it, so not every “X is Z” statement will be true for Actual People. I'm calling this introductory because I hope to get people to actually do their own research before drawing disabled & visibly different characters rather than just making stuff up. Think of it as a starting point and take it with a grain of salt (especially if you have a very different art style from mine).

Talking about research and learning... don't make your burn survivor characters evil. Burn survivors are normal people and don't deserve to be constantly portrayed in such a way.

Screenshot that reads, "In a 2022 survey of the burn community, Phoenix Society for Burn Survivors found 59% ranked 'burn survivors & the media: changing the portrayal of the survivor' as a top need for support."

edit: apparently tum "queerest place on the internet" blr hates disabled people so much that this post got automatically filtered. cool!

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sittiytaart

8 months ago

"I want to fall in love too!" My Ocs series, anyhow meet Yu Eiko and Li Hua

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oc art ocs I want to fall in love too

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sittiytaart

3 years ago

if this has been done before i’ll cry

bonus:

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sittiytaart

1 month ago

Ghada's campaign on GoFundMe has had it's transfers paused without cause. She relies greatly on donations to survive and now she is in desperate need of support. These are her words. Please donate and share.

Hello, I'm Ghada Mhasen, 20 years old, mother of a child born in war. She married shortly before the war and became pregnant a month before the war. The war came and killed my joy with my pregnancy and marriage, as we were forced to leave our house and flee. I left my belongings and things behind. I couldn't take anything. It was a difficult period with great difficulty. We found a tent to shelter my husband and me, because we had nothing. No one helped us. We tried to manage our affairs with the simplest and least things, but we also had to flee again, as we fled to Rafah. I heard the news of my house bombing and it was shocking news for me because it was all we had. My condition deteriorated and I was afraid for my unborn baby. Time passed and we tried to manage our affairs, but we almost died of hunger and almost lost my child, but thank God he remained fine. We continued to be displaced and our condition worsened. My husband and I were very tired until we visited Khan Yunis for the last time. It's time for me to have children and be born in a tent, a contaminated tent. There was no medical supplies. My condition was critical, but thanks to God, my child and I survived. Now I can't provide for his basic needs. We put below zero. I have now resorted to creating a Chuffed account to ask for help from you. Please help me, please. We need a tent to accommodate us from the winter and the needs of my child. We need food and drink. We need medicine. My husband worked hard to provide the simplest things for us, but while he was working, a wall fell on him and broke his foot. Now there's no way to help us live except for this donation link. Please save us. Please, every donation is important. It would have saved us from war, hunger and cold. We are not in one war. We are in three wars: the war of Zionism, the war of hunger and the war of cold. I ask you to save us. Every donation, up to $20, will save us from these wars. I am now living in a cloth that covers four sides without a roof. If winter really comes, we will die. Save us. Thank God, now after the end of the war, we are still living a very difficult life. I still can't provide for my child's needs or provide any of our needs from eating and drinking, even water with difficulty, we bring it. We always wait for any help to come to us, but unfortunately, my child does not come, he is exposed to a lot of infections because of the bad Pampers that we use for. I just want to provide what is necessary. I want to ensure a good life for him most of the time. It's rainy, uninhabitable tent. We always sink. I hope you to help us if in $50, please sympathize with us and my child. I trust you and thank you.