it just makes me soo like wilbur didnt want to be a father at first and now he's teaching tallulah to love because he believes it triumphs over everything...he wants to protect her with a thin wall between her and reality, from everything complicated, from fighting up close, in order to be safe. Safe enough to live, and to never face anything that could destroy love. It won't last forever, something will throw a wrench in that. Whether she runs into danger regardless, or she watches him from afar (just like he taught her, with the bow) dying for her. Whether her family is ripped from her, or she believes one day love isn't enough.
How do you kill a God?
Aphrodite laughs, head tossed back with stars in her hair, ‘We are immortal. We are ageless. We will never die.’
How do you kill a God?
Hera sighs, ‘You rob them of love and loyalty. They will be alone and unhappy, and eternity will seem like a punishment, but it is not death.’
How do you kill a God?
Zeus declares, rather confidently, ‘You deny them their power. Poseidon nods his head in agreement. ‘They will be weak and defeated, perhaps even chopped up into pieces, but it is not death.’
How do you kill a God?
Apollo closes his eyes. ‘You strip them of their senses. Their eyes, and they cease to see. Their ears, and they are rendered silent. They will be in the dark, conscious and cut off for millennium, but it is not death.’
How do you kill a God?
Hades whispers, though still his voice carries, ‘With another God. An immortal for an immortal. Era for an Era. A celestial being to strip another’s soul. He pauses, the rest are silent. ‘A God for a God.’
L.H.Z // How do you kill a God?
do not stand at my grave and weep
Me searching for my friends: Where the fuck?
When I locate friend 1: there the fuck
When I locate friend 2: there the fuck
When I locate friend 3: there the fuck
Me when I have located all my friends: all the fuck have been located
(old draft i wrote back in like july or august) Phil is an assassin/bounty hunter known as “The Angel of Death” who does contract killing to earn some extra cash to take care of his three sons.
Phil isn’t ashamed of what he does, but it isn’t glamorous so he’d rather no one know about it, and works very hard to hide his identity and his hero persona in general from the public. The Angel of Death is just a rumor around the region and no one that’s seen him has lived to tell the tale (or been sober enough to be believed.)
However, his kids suddenly become OBSESSED with the Angel of death, and Phil has to scramble to keep them from idolizing him and being a bad influence. But they just think he’s sooo cool and don’t wanna let their cool new idol go.
So Phil instead embraces their obsession, crafting a more kid friendly version of The Angel of Death.
He confirms that the Angel is in fact real, but;
“His ACTUAL name is Crow Father, and, no, he doesn’t KILL people. He just watches over the city and is a simple night watcher. In fact, he helps bad guys see the error of their ways by talking to them. All the dead criminals that show up are unrelated and why do you kids even know about that stop watching the news.”
So Tommy, Wilbur, and Techno grow up with a WILDLY different version of the Angel of Death legend, believing him to be just some positive role model for kids that spouts wholesome messages and encourages good habits like “Brush your teeth!” or “clean your room!”
Techno and Wilbur grew out of the Angel of Death obsession a year so after that, thinking he’s just for little kids, but Tommy held onto that phase until he was a teenager, then they all pretty much forgot about it. Phil had long since retired and the Angel of Death legend is all but completely dead, morphing into a tale about a monster, cryptid, or spirit that once roamed the countryside instead of a mysterious killer that targeted criminals.
Phil, thinking his secret is safe, foolishly relaxes for the next few years, positive NO ONE will ever know it was him.
Until his kids come home from being away for quite some time, and start talking about their old obsession. Some dots begin to connect, like the hero’s disappearance sometime when Phil came home with a mysterious stab wound, and why he was always tired like he’d stayed up the entire night…
Meanwhile Phil is chopping onions or something a few feet away listening in just thinking “don’t look at me, don’t look at me, don’t look at me-”
as I watched the oral delivery this crossed my mind. I didn’t have this exact words but i did think how strange in a good way it is that South Africans donned the attire of empire and it’s rules and came with knowledge, professionalism, expertise, integrity and justice, and used the structures of global western order and slam dunked it (for me, while the verdict will tell us the health of international humanitarian law, the victory was in the compelling case SA showed). A black man in dreads, a brown woman with her brown girl nose, proud and clear and here to fuck shit up. And our officials donning keffiyehs and rainbow nation scarves. A side of the court of all races and colours while on the other side… the symbolism of all of it will be talked about for generations . *chef’s kiss*
I've seen so many people go "this wasn't a good end for c!wilbur" and "it wasn't true to his character" "there is no growth!"
It was true. C!Wilbur is a bit of a coward. I'm sorry, but he is. And here, here he grew a bit. He said his apologies. He said his goodbyes. And now he goes home. It takes strenght to realise that a place is not good for you, and by staying you are doing more harm than good. And you cannot tell me that there was anything else for Wilbur on that server other than Tommy. But here's the thing: Tommy doesn't need him. He wants him, sure, it's his brother, but Tommy has had a life without him. He has gone through stuff and he has fought and hurt and healed and fell and stood back up. And while I'm sure Wilbur loves Tommy, Wilbur doesn't need him either. What they both need is space to heal. So Wilbur goes home. Goes to the opposite of his limbo, to the warm vastness of the desert, and he'll figure out who he really is behind all the trauma and l'manburg and all that. Who he is when there is nothing more to fight for or about, when he can just be. I'm sad for Tommy, truly. But to pigeonhole Wilbur into a "Tommy's caretaker" role is to take stuff away from both of their characters.
That's really the thing that annoys me the most. This "But Tommy is alone again! Wilbur left him on a beach just like Dream" Yes he is alone. But here's the thing. You are not evil or abusive for removing yourself from a situation that harms you and where you are not comfortable or safe. You are not bad. Dream was a fucking psychopath who enjoyed the abuse he put Tommy through. Wilbur is a mentally ill dude who desperately needs peace and safety. If I'd change one thing, i wish the offer for Tommy to join him would have been on the table. I would have wanted Tommy to refuse, but i still wanted the offer. But overall? I think it was great.
And you know what? I'm glad it was silly. I'm glad it was fun. Because they ALL talked about how it felt like the smp lost some of its magic due to how big and serious it has gotten. I'm glad that it was a bit silly and fun. Fucking Utah. I liked it.
Wilbur doesn't know why he knows the steps. It feels like a dance you remember only in a hazy state. Walking beside a small kid, careful not to trip into her stride feels right. He feels like something overtakes him to speak in a gentler voice of reassurance. To sing her a song goodnight is instinct, not just as a musician but as something else. It feels so strange all of a sudden that he of all people is so careful with a child he's never met until that day. When he heard he was possibly a dad, he simply dismissed it like minor news. Akin to hearing you have a spider in your home or it's raining in 4 days, he'll get to it but it's nothing really.
But now he cares so much, he'd wreak havoc if anything happened to Tallulah. It feels like deja vu, like looking through a mirror to another world. A world where he has a special place surrounded by redwood trees and by the riverside. That other guy he's looking at, he's building everything up just for his own kid, with the same face of care and concerns as his own. He's singing some lullabies as him, matching the cadences and lyrics even if hushed and mumbled. He's teaching how to shoot a bow and arrow to his kid just like him, explaining the steps the same as him. He's leaving the kid soon just like the other, but at least he's trusting someone else to take care in his stead.
There's another kid, he realises. And that kid looks sad, in spite of the beautiful scenery. That kid is looking at walls, just like Tallulah. He's not living in much comfort or glamour, just like Tallulah. He's learning how to fend for himself with a bow and arrow, Tallulah will be like that soon. He's seen the dance, the rhythm of a deadbeat. And now its up to him to change the paces.
Will doesn't know why he pauses in faint recollection when a memory doesn't exist. It's merely a dream from a bygone night, but what's a memory but not a dream you've seen before. Yet when remembers walking through the forest and a flash of red fur snickering, he doesn't understand why a pang of burrowing feelings hits him.
And that feeling turns to drive, a desire to be at least the best dad he can be for now. For Tallulah and for that lonely kid he doesn't remember.
Q: do you believe in horoscopes?