I think if Ally Beardsley and Taliesin Jaffe ever existed in a room together the world would fold in on itself with the sheer amount of collective raw eldritch and queer energy that their fleshy human facades contain.
the elusive samurai has no right to be as absurdist and funny as it is. Truly a story about a bunch of adults trying to find a kid they don’t know the appearance of and having said kid play tricks on them under the guise of childhood games to level up video game style.
A guy who may be god and is aware of PC culture gatekeeps, gaslights and girlbosses said kid along with a bunch of other children he collected and sets them loose on unsuspecting adults to murder them with the final destination being that somehow they’re gonna overthrown Japan.
My favourite thing about watching BNHA is seeing the all-round brilliant art style, with its appealing colours and smooth, expressive animation. And then suddenly shifting to scenes with Todoroki, in which every fucking movement is an ode to Angels, the colours are bolder and every particle of ice looks ten times better than anything Frozen could've done. His expressions can be broken down into frame-by-frame minute changes, with his fire looking like every animators wet dream. It's like someone higher up has a VERY apparent thing for Todoroki, and ensured. all of the animation budget was used to make sure Todoroki looked glorious no matter what. It worked.
Perfection
The Expo Fire was really just a battle of Hamada Puppy Dog Eyes™.
Tadashi won.
After watching FMA03 and getting to see the glorious sight of Winry pick locks in a matter of seconds (as well as the empowering duo of Winry and Sheska), I absolutely delight in headcannoning that Edward has no idea that she can do any of her neat tricks. More than once on their trips Winry has shown herself to be true MVP by fixing busted up vehicles and rigging up devices to fix situations that Ed's fists won't fix. Cue a situation (that's 110% Ed's fault, thank you very much) in which Winry and Ed are being held captive, chains and all. Ed doesn't have his alchemy anymore so he can't just bust through the chains, and it's tearing him up that he's putting Winry through this, especially after what happened at Briggs, she must be so scared and-- Meanwhile off to the side, Winry has already wriggled her tools from her sleeves, picked her locks, and is currently delightfully going through the dangerous materials the bad guys so stupidly left for them beside a bunch of scrap metal. A matter of seconds later, Winry has busted a shellshocked Ed from his chains and is shoving him up the stairs, nervously yet gleefully laughing all the way. "Winry, what the hell is going on?" Ed splutters as Winry uses her bare hands, toughened by years of automail work, to rip boards from the wall to make their exit. "How'd you get out? What's the rush? What the fuck, Win?" Winry giggles. "The bombs about to go off Ed. We gotta go." "BOMB? What bo-!" (On that day Ed was reminded of how terrifyingly brilliant his wife was, and how glad he was she had never been his enemy.)
Okay so one thing I get really frustrated with in post-canon FMA fanfics is how Winry always gets portrayed as frustrated, or even downright hating the fact that Ed is very much a wandering soul.
Disregard the fact that her last line in FMA:B is literally along the lines of “men who stay still are boring”.
Disregard that Winry always supported Ed and Al’s decisions to travel because she knew how much they needed to get distance, and later supported it because she knew that they just wanted to see the world.
Disregard Winry instantly jumping on the chance to travel whenever offered, including yearly travelling to Rush Valley and a clear enjoyment of her trip north before everything went to shit.
Just know that Winry, seven months pregnant and struggling to get around, just starts shoving shit into suitcases cause there was a skirmish to the west that resulted in plenty of casualties, including amputees, and fuck if they don’t need the greatest automail mechanic there to help them out. Es gets a few words of protest in before unceremoniously getting thrown into the train, Winry eagerly jumping in behind him cause she’s needed elsewhere and nothing will slow her down, not even pregnancy.
Down the line, family trips are common. Only they aren’t trips into Central like most country folk take. No. The Elric-Rockbells are wanders at heart, and the people on the railroads know each of their faces intimately due to their yearly trips to Xing, and their constant roaming across the country offering automail and handyman services.
They miss home on the road, but wouldn’t give up on seeing the world for anything.
What a great week for Adrinette! Also, yes to Adrien using Mandarin to say stuff he’s too shy to say in French.
It's so pure hearing them say each other's names in various exasperated and happy tones. Then you reach the Claw arc and all of a sudden they're screaming each other's names and it's just. Let my children be happy!!
every time mob and reigen say each other’s names
(reigen says some variation of “mob” 52 times, mob says some variation of “shishou” 31 times)
watch on youtube here!