Artists Rendition Of One Of My Favorite Bits In The Update

Talk about a coincidence!

(Previous post here)

Midgar Blues

It has been said and repeated to death: there's a song dedicated to the "promise" in the Remake, and this should be enough to claim the "coincidence" post and end it here with a good link to enjoy the song.

But this song received some criticisms, so I'd like to talk a bit more about it.

1. "There is no evidence that this song is about Cloud and Tifa" and "It's just a random song in Wall Market without specifical meaning".

I saw some people trying to debate about this matter so, here we are.

The text perfectly describes the scene of the promise and Cloud leaving Nibelheim to join SOLDIER. It talks about a man/boy who left his hometown for Midgar, leaving behind a girl. There's a reference to the Lifestream and to the starry night with falling stars. The lyrics - both English and Japanese - are posted below.

This song has old-time/banjo&harmonica sounds that fit the "old west" atmosphere of Nibelheim.

The "author" of the song says he had started his career 7 years ago, when Cloud and Tifa shared the promise, and he's wondering if "Midgar Blues" will be his greatest success. Get the metaphor.

From a storytelling perspective this is NOT a coincidence: no reasonable company invests money and resources to create this sort of content without a reason (and no reasonable company invests money and resources in a song submissively sang in a hidden location of the game, probably this piece will have more focus and importance in the next parts of Remake when the promise will be brought up again - who knows, maybe at Gold Saucer?).

2. The original Japanese lyrics are different from the English translation (hence: it's not about love)

(Source)

The English version is undoubtly romantic and includes the words "True love", while the Japanese version doesn't. I'd like to point out a couple of considerations:

Whether you take the English version or the Japanese one, they're both romantic. It really doesn't seem to me that the original version sounds like a man singing for his sister or his mother. The romantic subtext is in both songs, and it's no wonder: the fact that Cloud was in love with Tifa at the time of the promise is history, more likely the addition of the "True love" part could be made in order to convince the most relunctant part of the western fandom about this subject.

This is a "Enka" song, a popular Japanese music genre that bears some resemblance with blues (for this reason, "Midgar Blues"). This genre is a form of sentimental ballad: enka songs usually express strong emotions, especially love.

This is more a personal opinion about localization from the perspective of someone who's not a native english speaker. I've read many harsh comments about the English localization of the Remake. Especially when it comes to LTD I've seen people from both sides of the fence complaining the translators to be biased CA or CT fans. Fact is that if the complain comes from both sides probably they're not the first nor the second, they're just...translators. I'm not a translator but I speak many languages and it happenes to me to watch and rewatch movies both in English and in my native language. You'll never find a literal word-by-word translation, ESPECIALLY when it comes to songs. Because it wouldn't work. A good localization has to follow the pace of the lip-sync, has to create rhythm, rhymes and lyricism when it comes to poems and songs, it has to convey the right feeling before the right word, it has to take into account the cultural differences from the country of origin of the movie/song and the receiving audience (in this case Japanese people tend to be more descreet and less explicit than western people when talking about love), and much more. With this I'm not saying everyting in the localization is perfect, I don't speak a word of Japanese so I can't make a comparison myself, but just remember that the devs DO speak English. They speak it well enough to notice the difference between the two texts of the song and if they authorized it (I doubt nobody bothered to double check the international scripts of one of the most important products of this company)...it just means that they agree.

In conclusion, yes, it's a love song about the promise and no, it's NOT a coincidence.

I’m not good with Japanese, but these lines sound VERY similar!  

It would be interesting to know if there are others, did you spot any?

FFVII Remake vs Crisis Core comparison

The Unifying Theme of FFVII

So I recently got an ask that was very interesting and which I think I did a piss poor job answering. Republished here:

what is the biggest theme of FF7 that ties every character together to you? life? pro environmentalism? identity? connections?

My answer was, in a nutshell, "existentialism." It's broadly true, and was certainly an influence on the game (see: Martin Heidegger, Existentialist philosopher and known bastard) but it's a reductive and Western take overall.

So, here's the long version, and a disclaimer up-front that I'm a simple Western weeb doing internet research to the best of my ability; apologies to those who know more than me.

Square has always stated that the theme of the game is "life". This is wholly accurate, but comes off as a little twee to a Western ear. This is because "life" is a translation of the Japanese word "inochi" (命). It is a broader, more holistic concept than the English "life," with different nuances and connotations.

For a longer and much more informed read on inochi specifically, see The Concept of Life in Contemporary Japan by Masahiro Morioka. Otherwise, keep reading after the cut!

In addition to meaning life or lifespan, "inochi" also encompasses the idea of a "spirit" or vital force. It extends beyond referring to life in the general sense. Much like any one person's mind, spirit, and lived existence isn't interchangeable with anyone else's, one's "inochi" is unique and individualistic.

This concept extends beyond just human life. Animals, mountains, rivers, and trees all have "inochi" too. An illuminating quote From Aspects of Shinto in Japanese Communication by Kazuya Hara (and his primary source):

From the viewpoint of Shinto, nature itself is seen to have a spirit and life. For example, Japanese people have looked upon even a tree, a rock, or a river in nature as a figure of life. Kamata (2000) argues that the Japanese word inochi connotes the dynamic motion, flow, and circulation of all the universe.

That circulation also includes the idea that "inochi" does not refer to only a single individual life, but a chain of all the lives that have gone before. It encompasses the fleeting and finite life of the individual as well as the ecosystem in which they lived, and the influence and impact which will survive them and create the next link in the chain.

You'll recognize many of these concepts as being expressed through the Lifestream, and extant in the environmentalist elements of the game. Navigating the apparent paradox of a finite and infinite "inochi" also pulls our cast in, all of whom are characters struggling with their individual existence in the context of a greater, deeply interconnected crisis.

"Inochi" is also connected to FFVII's strong themes of navigating identity and uncovering the fundamental self. The word can also be used to refer to the core or fundamental part of something, its "most essential quality." This echoes Cloud's journey to rediscover himself, and it's noteworthy that he find again within the Lifestream, the manifestation of "inochi" itself.

"Inochi" is definitely a very accurate unifying theme. We've touched on how that connects to Shinto themes, but Buddhist philosophies of life and existence are just as culturally prevalent in Japan and influential on the themes of VII in turn. So, let's talk about Buddhism, with another disclaimer that I'm not expert by any means whatsoever.

A foundational concept in Buddhism is the Three Marks of Existence: Impermanence, the non-self, and suffering. We'll mainly focus on the first two.

The first, impermanence, is as it says on the tin. According to Buddhist thought, impermanence is inherent to the natural world, and failing to recognize this will bring suffering. The bad passes along with the good, the big as well as the small. The strain of Buddhist thought through the game is part of why FFVII's original ending is so appropriate, and Aeris' death so integral to the rest of its themes.

The second is the non-self. Related to the concept of impermanence, the idea here is that there is no permanent incarnation of the self, and there is no way to separate the self as an individual from its myriad pieces and its context. From What Are The Three Marks of Existence by Dana Nourie:

When you start to see how you aren’t a solid, unchanging self, but a impermanent, dynamic person, you also loosen your clinging to thoughts, ideas, emotions, and the idea of a “real you”.

The connection to Cloud's personal journey throughout the game is obvious - an abundance of attachment to an artificial self causes him to suffer until he is able to reconcile it and let it go. Sephiroth, meanwhile, faces a similar challenge to his own identity and slips sideways into Nihilism, unable to overcome (or even admit) his own suffering.

There's a connection between Buddhist and Existentialist/Existential Nihilist thought. While Buddhism incorporates the concept of suffering as an inherent and endless facet of life until nirvana can be reached, Existentialists struggle with a post-modern feeling of dread or anxiety fundamental to living in a meaningless and chaotic world. There's also been plenty of cultural exchange between eastern and western concepts here - Heidegger is one notable participant.

Another is Keiji Nishitani from the influential Kyoto University of Philosophy. Engaging with western Existentialist thinkers, he wrote Religion and Nothingness on the connection between the concept of the non-self and the western philosophy of Nihilism. He compared the similarities between the two, while ultimately refuting Nietzche's perspective. This quote (helpfully, from his Wikipedia page) seems particularly instructive, especially in returning back to some of the initial concepts expressed by "inochi":

"All things that are in the world are linked together, one way or the other. Not a single thing comes into being without some relationship to every other thing."

My original answer to this question was Existentialism because there simply isn't a word or a tidy concept in my vocabulary that can convey all of this disparate information. Existentialism seemed to me like the most familiar and broad concept to encompass these themes, always in the form of questions: How do we live? How do we separate subjectivity from objective truth? How do we preserve the sense that our lives are meaningful?

You must decide for yourself; you must remember your connections to other lives; you must let go.

i hauve a cold

Talk about a coincidence!

(Previous post here)

On 14th February 2019, Square Enix decided to celebrate Valentine’s day with an article about 

5 great Final Fantasy love stories.

Here we find:

- Noctis & Lunafreya (FFXV)

- Tidus & Yuna (FFX)

- Maria & Draco (FFVI)

- Squall & Rinoa (FFVIII)

and..........

Zidane & Garnet? Celes & Locke? Serah & Snow?

No

Zack & Aerith. Crisis Core. 

Weird. This happened just one year before the release of the Remake, where, coincidentally, there are tons of Crisis Core references. Aerith almost cries while remembering Zack, Zack survives his last stand and there is a beautiful slow-motion scene where Zack and Aerith perceive each other’s presence while Hollow starts playing...

But don’t worry,

It must be just a coincidence!

FFVII Remake Easter Eggs and compilation continuity - Part 9: EXTRAS

     CLOUD’S SECRET

Now everything makes sense

“HAIRTONIC Ideal Scalp Care. For astonishingly radiant & spiky hair!”.

     TASSELLATION

This particoular tassellation, alternating squares and octagons, present in many parts of the Remake, appeared also in other previous parts of the compilation.

     VICTORY POSES

After the victories at the Colosseum and in the Shinra combat simulator, the characters perform their OG victory poses.

     WEAPONS

If the player finds Corneo’s secret stashes they can fins three tiaras (Ruby, Emerald and Diamond tiaras) inspired to the OG Ruby, Emerald and Diamond Weapons.

     NATURAL OASIS

While in Trace of Two Pasts is stated that Elmyra’s house was full of flowers and plants even before the arrival of Aerith, it surely isn’t a coincidence that the sector she lives in, contrary to the rest of Midgar, is full of nature. Moreover the orphanage near her house is called “Leaf House” and the name of the teacher is Mrs Folia (”leaf” in Latin). 

     STARGAZER HEIGHTS

The place where Tifa lives in Sector 7, and where she suggests Cloud to live too, is a wooden building called Stargazer Heights, which is a reference to the water tower where they shared the promise. I’d say also that the presence in the same building of a black caped man isn’t a coincidence, considering that the first time these beings bould be spotted in the OG was indeed Nibelheim. 

     MATCHING OUTFITS

Tifa: Be sure to pick an outfit that goes with mine, okay?

Cloud: Will do.

Nailed it. 

Jokes aside there’s a subtle clever mechanism behind the choice of the Wall Market dresses. 

- If the player prefers Tifa, they’ll probably choose the refined dress and will have a good chance to get Chocobo Sam’s odd jobs (giving answers a bit more pro Tifa), so both Cloud and Tifa will wear the blue outfits.

- If the player prefers Aerith, they’ll maybe choose the sporty dress and will have a good chance to get Madam M’s odd jobs (giving answers a bit more pro Aerith), so both Cloud and Tifa will wear the satin outfits.

     BARRET’S DEATH

I’m not totally sure here if this was intentional, but when I saw Barret’s death I couldn’t help but think that during the first drafts of the OG he was the one who had to die instead of Aerith.

     CAPED CREATURES

We don’t know yet if there’s any connection between the Whispers and the Black caped men, but it’s hard not to notice the visual similarity of their designs. 

     BOOKS AND ADS

- PROFESSOR GAST

In Aerith’s childhood room in Shinra HQ there’s a book about the Lifestream written by Gast Farmeis, Aerith’s father.

- FAN CLUBS

In the same room there’s also a book about Stamp mentioning his fan club, which is an element that comes from Crisis Core 

- COSTA DEL SOL

There are some signs in Sector 8 - more a music disk - about Costa del Sol.

- FFVI

In one of the ads inside the trains there’s a FFVI quote from an author called “Gabbiani” - Setzer’s last name. 

- FFX-2

In Shinra’s museum there’s a picture with a FFX-2 character, Shinra.

‘Course she did.

Beautiful ❤️

Flowers.

Happy Birthday Aerith 🌸

"Absolutely no one comes to save us but us."

Ismatu Gwendolyn, "you've been traumatized into hating reading (and it makes you easier to oppress)", from Threadings, on Substack [ID'd]