recurring elements of ONE’s art style, from what i have gathered
most characters have unique eyes/eyebrows/eyelashes (even if they also have other distinguishing features)
small mouth (even when it’s open) (with exceptions)
ONE’s patented technique: the perfectly executed Tiny-Ass Grin. it’s impossible not to grin back.
black hair is usually solid black, no texture
lots of solid-fill black inking in general
chiaroscuro for dramatic effect, varying in degree from minor to intense (usually blocky, but sometimes shaded, and rarely both)
higher tension = higher level of detail/shading (and the body improvement club is at max tension 90% of the time)
ONE’s art often emphasizes the dichotomy between simple and complex and uses it to reflect the complexity of a situation
thick, blunt lines are the default; as tension builds, the lines get scratchier. (very blunt or very scratchy lines may also be used for jokes)
strong sense of movement, via lots of motion lines, smoke/dust/wind, and impact splashes
big, J-shaped sweat drips (seriously these things are omnipresent)
that one texture he just loooves to draw
in the foreground, hands that were clearly drawn from a reference
visually complex panorama of an action scene
most common: a panorama of broken rubble and fractures. all of the rubble is shaded.
make the panel’s background black and/or make all the black parts of a character white, for dramatic effect
The Dot
varied and dynamic gestures, poses, and body language
you can tell that ONE is always challenging himself to draw faces, poses, and perspectives just as he envisions them, as needed to tell the story. keep on giving it your all, ONE-sensei!
Save him!
Some studies/redraws from the last ep turned into a comic.
out of the 90 or so panels that ONE devotes to the mental fight between shigeo and mob in mob psycho 100's confession arc -- from mob's conscious awareness of shigeo's presence to shigeo's eventual dissolution and assimilation of mob -- just seven show us that the child can actually be heard arguing with himself from the outside.
since the anime concluded its run last year, i've had those panels on my mind. studio bones only animated the largest one and relegated shigeo's speech on it to internal dialogue (much more on that decision here). they're so compelling that i decided to redraw them in my own style.
this is the seventh and last of them. it occurs just before shigeo smacks reigen in the head with a chunk of fallen city in hopes of scaring him off (it doesn't work).
its text reads:
[image ID: amidst swirling teal winds, hair wild and eyes aglow, a teenaged japanese boy wearing a gakuran and an eerily neutral expression muses 'tanin ga boku wo kainarasu koto wa dekinai. mobu no hontou no sugata wo shireba ano hito wa boku wo kaihou suru yo.' storm clouds are gathering around his eyes as he speaks, partially obscuring his face.]
ONE's original panel:
この一連の他の絵 kono ichiren no hoka no e other drawings in this series panel 2|panel 3|panel 5|panel 6
Roy Mustang snaps his fingers accidentally (while wearing his gloves)
What people think will happen: fire, death, destruction
What will actually happen: a small spark
Why people are wrong: they think Roy’s Flame Alchemy actually creates flame, whereas what he’s alchemizing is the oxygen concentration of the air. Alchemy takes concentration and intelligence so he can’t accidentally move air particles around to make the air so oxygenated as to be flammable. The finger-snap just ignites the oxygen. If the air is normal, it’s not going to ignite.
Extra fun fact: you can probably tell if Roy Mustang is about to set you on fire. The air will feel intoxicatingly easy to breathe because it’s pure oxygen. During the war, Ishvalans probably learned to GTFO if they felt heady and energized.
Extra extra fun fact: Roy Mustang doesn’t need to set you on fire to kill you. He can probably just remove all the oxygen from the air around you, and you’ll suffocate.
The point of this post: flame alchemy is both really cool and really simple.
The kicker: to use flame alchemy effectively, you probably have to visualize the shape of the oxygen cloud that’s going to form. This probably requires a lot of focus.
I am: a nerd.
I like how MP100 fully sidesteps the "But Who Deserves Redemption?" question bc honestly it's a bad framing that gets extremely bogged down in philosophical debates about Good and Evil and who gets to make the call and becomes an awful quagmire and is also not necessary. the better questions are:
Is this person capable of change? (Answer: Yes, always.)
Are they actually going to change? (Answer: That's up to them.)
Do you want them in your life? (Answer: That's up to you.)
I’ve always felt like something about the end of the Reigen Manga felt familiar and well I came to the realization
Reigen wondering into the woods to die alone after losing losing everything he had left because what he did that he thought was right was wrong while carrying the burden of dozens of spirits he meant to carry to save someone he cared about was really...
Oh
Do you ever think about how Reigen has like. A really strange belief in The System and How Things Should Be. Like REALLY strange. Whatever he's got going on is so much weirder than "scammer with a heart of gold".
I think it all comes together if you read the 10th Season 3 omake like, seriously interrogate this:
This is normal, if comedically thoughtful and realistic for a shounen character. This guy talks like a mandatory reporter. What's strange is what immediately follows:
"AS A SPIRITUAL SPECIALIST" DOING A LOT OF HEAVY LIFTING HERE REIGEN
Not only did he hunt down the families of the children bullying his client (insane. where did he get that info), he also contacted the school as if he were representing his own son in order to get justice, and then hunted down a source of complaints when the school fell through.
This is like a genuinely bizarre level of commitment to the bit, and the bit is "the system works, and if it doesn't work, we will find a system that does work, and if we cannot, hell or high water it is my PERSONAL RESPONSIBILITY to make the system stop slouching so it works again".
Long thread on the manga with this reading⬇️
Before I start. Reigen adopting Teru is more IC than you think but I don't think it is IC in the way people think it is. I think about this a lot and I think people who do it because they like Reigen aren't understanding how into his bit he is. Guy who talks to social services
So remember the arc that won people over to Reigen despite the fact he's an asshole who takes advantage of Mob and derides him constantly in order to keep him complacent?
He has Mob's phone on his GPS. This makes sense; he's been taking him out and about since he was 11. Very responsible!
Reigen dismisses the "Boss" mistake thinking well, it's a misunderstanding, but it got me in. Yet as soon as he heard they're committing crimes, he VISIBLY puts on his Boss Pants to chastise them. Again, normal so far. I think any scammer with a heart of gold would do this. (And foreshadowing for why he retried reprimanding the Claw Cadres a second time after getting power.)
Again. He's a scumbag. So he leaves Mob to beat their asses using his previous rhetoric. But then!
Reigen's shady morality is more like "people who can take care of things should take care of things". To him, Mob is the Authority on Espers, and can handle conflict like this. Immediately upon becoming aware he can't, Reigen thinks "oh, okay, so the only person who can take care of things is someone who can deescalate". (Pictured: Deescalation)
Okay. Besides the fact this is insufferable as a general concept - YOU just told him to handle it YOU are the source of his stress - his first step in deescalation is to force Mob to back down. Rather than asking him not to fight, he reestablishes "rules" in order to convince Mob he must back down - the same way he tried using what he said to worm his way out of dealing with this shit - and then sets himself up as the authority figure to which the others must obviously defer in matters of His Boy, like a parent accepting criticism at a PTA meeting. This isn't Reigen claiming Mob so much as "in order for them to not attack Mob, they must view me as a representative for Mob".
And like a good authority figure:
Continuing with his phrasing:
If you think about it, this is like...an objectively very strange and incredibly bold approach to this situation. They're homicidal. Reigen is a DERANGED level of Normal Man. He has this image in his head of normalcy, of the world at standard operating procedures, and reinforces it right through an entire conflict. Carceral beliefs don't even factor into this, simply expressing his principles and expecting them to fold.
And they do lol. I keep wondering how Shou must have felt listening to him talk like that
We see a little more of his good side in work; when he was getting so little work it was affecting his grocery bills, this moneygrubbing scammer still asked for like $200 to clear an entire city of hauntings. (His regular exorcisms are around $30). Fair prices are part of his principles of how the business should be. He operates basically at-cost. He mentions he wanted to come out here because he's bored. He's killing time as a career.
Aside:
Just realized he called Mob in last minute so Mob didn't know he accepted crops instead of money. Shigeo didn't like that
So consider that he never got caught here and there was a call on the news to hunt him down at the end of this bit: for the average viewer of the anime, it's just funny, but this is part of the Mogami pre-arc so we've gotten a hold of him by now; he probably holds an inherent belief that the police will intercept him and not Mob. Why wouldn't they? Why would an adult man want to dress up in a highschool girl's uniform? The System will understand.
Not relevant to my point but I like how he realizes what's wrong with Mob way before the final arc, just not why it's happening. Also he doesn't say anything.
With the way his principles are, you really get the feeling that Reigen does his best to avoid culpability specifically because if something happened that was his fault, he'd have to step up to the plate to compensate for that, which is troublesome to him who is a career time-killer. It does not occur to him that an actual bad person and scammer would not step up to the plate as a matter of course. This is his way
What I find really interesting is that this Militant Insane NormalMan does have a sense of wanting something "special", but rather than whip Mob up the way Dimple did Ritsu, he ended up projecting his own values onto Mob, as if he could recreate a special "self" within him. He's always deriding him and baiting him and lying to him in hopes of creating a superb person that a special individual like Mob finds admirable, as if Mob is the authority on his quality of character. Sad! lol
Anyway, it adds a lot more kick to this famous line. Reigen genuinely believes in Authority
Authority works!
And if Mob (the authority on espers) doesn't work, who's the person who MUST step up to the plate [common sense]? You guessed it.
There are other aspects of Reigen's character that everyone and their dog has already picked up on (his self-loathing is the entire reason the way he talked to Mob in Confession arc hit so hard), but this one's my favourite. He's insane
[id: part of the reigen spinoff manga. first panel shows roshuuto walking while on the phone with rusty-sama attached to his body. photos of jodo and his other connections are in the background. second panel shows only his phone and says "no one else would help me. all of my personal connections were for naught." end id]
something something uhh people need other people
mob’s hobbies include
being kind to all of god’s creatures on planet earth
lying to his brother
every once in a while i remember my “???% only appears when mob sustains fatal injuries that otherwise would have killed him because it’s the only time his will supersedes his desire to repress it” theory/headcanon and make myself sad
nora - she/her - yelling about other things in @extra-spicy-fire-noodles
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