I Did Words

Reblog if youd be totally fine with someone you dont know tagging you in a tag game

I had a sweet Nonny the other day asking how to get started, and honestly posts like this are a great way. I know games go kinda fallow during school and events like NaNo, but we can get this one circulating and building up a list of folks to tag when were ready to get back to it :)

writing prompts masterlist

a shit ton of kisses + writing prompts

a shit ton of angsty prompts

a shit ton of enemies to lovers prompts

a shit ton of prompts for slow burn couples

a shit ton of more angsty prompts because writers are evil apparently

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enemies + rivals sentence starters

angsty dialogue for a break up + sentence starters

kisses + sentence starters

even more starters for break ups 

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things fictional couples do that make me lose my mind

a writing guide to rivals (or enemies) to lovers + writing prompts

soft things fictional couples do when going to sleep

friends to lovers, a writing guide

prompts for characters who don’t want to admit they’re in love

friends to lovers + writing prompts

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dumb movie tropes that i love

10 types of kisses + writing prompts

25 date ideas for your characters

cute things your OTP would do during sex

enemies to lovers, when feelings first begin

waking up after a night of drinking, and doing the horizontal tango

dialogue prompts under the cut

Keep reading

[TD: “What’s your TumblrClan Name?

1.First letter of your URL:

A - Crab

B - Shoelace

C - Sexy

D - Blog

E - Dash

F - Yippee

G - Tag

H - Skeleton

I - Like

J - Skrunkly

K - Furry

L - Discourse

M - Blorbo

N - Effervescent

O - EeebyDeeby

P - OP

Q - Color-Theory

R - Anon

S - Cringe

T - Connecticut

U - Block

V - Posts

W - Sky

X - Staff

Y - Blaze

Z - Apollo

2. Last number of your follower count:

0 - Callout

1 - Plinko

2 - Thursday

3 - MeowMeow

4 - Con

5 - Core

6 - Sexyman

7 -Superhell

8 - Sunday

9 - Georg /End ID]

I’ve posted a total of 9 times, mostly writing-related, and i’ve never talked about my writing or shared my writing because i’m too nervous. anyway, so, yeah.

​reblog if you’re a writing blog, i want to follow and make friends with other writers!

and if you turn to ur left you’ll see the emos

Writing 101: Characters with Medical Issues

Part One - Mobility Aids and/or Prosthetics

Aka, me doing research for you!

TW: talks about what leads to a prosthetic… obviously

Ah, yes, I get it. Having more diverse characters, more things that can go wrong, more hurdles — it’s all a nice addition to a story. But slow down! Don’t just shove an issue at a character because you like the idea! You need to research and decide if you actually want them to have that or if you just got a little excited. I’m here to provide you a bit of base research on a commonly used issue. Today: Prosthetics and Mobility Aids.

First of all, mobility aids are exactly what they sound like — things that aid someones mobility. These include wheelchairs, crutches, braces, walkers, canes, forearm crutches, etc.

Prosthetics are artificial devices designed to replace a missing body part. Most commonly, legs and arms.

How Someone Gets Prosthetics or Mobility Aids

The most common way for someone to get a Prosthetic is, obviously, for them to lose or severely damage a limb in an accident. For example, a soldier stepping on a mine, a car crash that completely crushed an arm, heavy machinery full-on chopping off a hand. See: Proctor Ingram, Fallout Four (2015) You can also lose extremities from diseases like bone cancer, where surgeons must remove it to remove the cancer. See: Leo Roth, Red Band Society (2014)

It is more common for people to have mobility aids for temporary amounts of time, for example, a broken leg or twisted ankle resulting in having crutches. For long lasting or life long mobility aids, you’ll need to look into physical disabilities, different types of muscle trauma and nerve damage, or an injury that wasn’t able to heal properly. See: Freddy Freeman, Shazam (2019)

Choosing When to Add Prosthetics or Mobility Aids

First things first — you should design your character with the mobility aid or prosthetic already in mind. They can affect the entire personality of a person, so I wouldn’t recommend creating a character and then deciding their mobility aid. For example, a child with forearm crutches due to a physical disability probably won’t like doing all the same things the other kids do on the playground, or the same sports their friends at school like. There’s also the unavoidable issue of them feeling out of place or “weird” no matter the age. So, obviously, there are some aids more suited for different genres of writing. For example, a long journey like Lord of the Rings would be tough for someone with a wheelchair or walker, but it’d be okay for a romance. That’s why it’s so important you don’t spring something like this on a character in a spur of the moment thing. Here are a few things I’d recommend deciding beforehand: 1 - What type of mobility aid or prosthetic is best for your type of story? You can choose any you like, but it’s good to consider if you want to write everything that comes with pushing a wheelchair to Isengard. 2 - Would your character have access to these aids or prosthetics, or would they have to settle with something else? If your story is post apocalyptic, they probably wouldn’t have access to the same things, or if your story is set in the past, you’d have to research aids and prosthetics from that time period. Even consider characters making their own — which is also a good way to mold it to your needs.

What Comes Along with Prosthetics and Mobility Aids

Okay, so you’ve decided you want your character to have a prosthetic or mobility aid. You’ve weaved it into their personality and your story. Now comes making it realistic… what do people with these things experience? Think about? People with prosthetics have challenges and additional baggage that comes along with having a prosthetic. First of all, if your character just got this prosthetic, it’s gonna be hard to walk on and even harder to wrap their head around. Sometimes, prosthetics hurt. There’s several different kinds and different activities each one can do. They change size as the person changes size. There are many different ways they attach to the body that suit different needs. Mobility aids have their own set of challenges as well. For example, fitting a wheelchair, walker, or crutches through a tight space. Fitting braces under or over clothes. Stairs. You have to think about enclosed spaces like cars, public transport, planes, elevators, bathrooms. These challenges will change with your story. For example, on a long outdoor journey, how will each different aid or prosthetic react to the temperature, humidity? How will the one in the wheelchair or with crutches get up that mountain? While the aids and prosthetics come with their own challenges, new ones are gained based on the genre of your WIP. This includes what your character thinks about. In a post-apocalyptic work, they might not worry about being different or out of place, but they might spend every day hoping and praying their homemade leg brace doesn’t break.

Reminder!

⚠️ DO YOUR OWN RESEARCH IF YOU INTEND TO ADD A CHARACTER WITH THIS INTO A WORK OF YOURS. STUDY HOW THESE THINGS EFFECT THE COMMON LIFE OF A PERSON. IF YOU KNOW SOMEONE WHO HAS ONE OF THESE THINGS, ASK THEM. MURDER YOUR EYEBALLS BY RESEARCHING ON YOUR COMPUTER. WATCH A SHOW WITH A CHARACTER WHO HAS ONE. KNOW YOUR STUFF BEFORE YOU MAKE YOUR CHARACTER, I BEG.

Last Name Masterpost

A

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D

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F

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Creatober 2020!

Rules: -Traditional: One prompt per day, either drawn or written! -Alternative: Pick 3 or more prompts and take the week to draw or write! -Note: The last three days are scenes rather than single word prompts.

October 1st- 7th: (note that the week starts on a Thursday) -Disinterest     -Presence     -Flight     -Dawn     -Drown     -Melancholy -Fracture

October 8th- 14th: -Awareness    -Pressure      -Fight      -Sunrise   -Burn       -Intrigue        -Bruise

October 15th- 21st: -Focus      -Overwhelm      -Freeze      -Sunset       -Trauma   -Surprise -Gash

October 22nd- 28th: -Obsession     -Become     -Repress     -Dusk     -Exsanguination      -Righteousness     -Break

October 29th: A cave with a grove hidden deep within it. Pinpricks of light cast the area in a low haze. There is the smell of loamy soil and copper. A step inside causes a low, almost unnoticeable at first, hum.

October 30th: A party at a stranger’s house. A night of barhopping led here and the world had started tilting on its own hours ago. There is a constant tickle on the back of their neck. Their heart beats speed up.

October 31st: Meeting up with friends in a cemetery, chatting among the tombstones. But someone is missing. Who is it? They count the heads but come up one number more than they had originally. They count again.

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During the month of October I will be looking at the tag #gtpatcreatober so be sure to post your various works under that hashtag! 

Have fun and happy writing! <3

“This is your daily, friendly reminder to use commas instead of periods during the dialogue of your story,” she said with a smile.

How to write your dragon in an accurate way: a rage fueled essay by an environmental science major

first off @camille-the-space-ghost​ thanks for encouraging me

now, this is going to be two major parts (For now i might change it later on). 1. the environment, and 2. the dragon itself. also a lot of these tips can apply to fictional creatures in general, but they’re focused around dragons.

Part 1: environment

Now one of the main things you need to know about the world is that evolution works in niches. An evolutionary niche(Nee-sh) is what your creature specializes in/what makes it distinct. There aren’t any specific terms i’ve learned for them, but for example a rabbit would be a small burrowing ground-based herbivore that specializes in numbers over long lifespans. That sets it apart from say, squirrels, which are tree-dwelling.

There are two types of niches. Fundamental Niches is all the roles a creature COULD fill. in our case, a dragon could conceivably hunt most creatures in a standard irl forest. However, its Realized Niche would probably be large animals like wolves, deer, moose, etc, because while it COULD hunt smaller creatures, it would be less efficient at hunting them, so predators like foxes and wolves would take that up. The difference is a bit more nuanced than that, but it’s not too important. What is important to know is that two species cannot have stable populations while having the exact same niche. Their niches can overlap, but if they have the same niche, eventually one will overtake and outcompete the other. This is one of the reasons why invasive species suck so bad

So if your dragon is a purely water dragon, depending on it’s size, you may want to remove some species from it’s environment. if it’s whale sized, maybe orcas and toothed whales aren’t in that environment, because the dragon eats it’s food (baleen whales are chill though because they eat another food source). Food isn’t the only component of a niche, the available space can impact it too. for instance, if your dragon eats seeds and lives in tree trunks, it might be competing with trunk-dwelling birds for space, even though it eats seeds and those birds might eat insects. in this case, the birds might be chased out if the dragon population gets too big, but if they both stay stable, they could reasonably live in the same space since their food niche is separate.

1.5: environmental storytelling.

Most animals leave impacts in their environment. some are common, like poop or footprints or bite marks. Some are rarer like woodpecker holes or beaver dams. If you want your dragon to fit in, have it make an impact on the world around it. If your dragon is big, maybe it knocked down a tree or to when it was learning to fly. If your dragon is small, maybe it likes to collect a certain color of flower, so all those flowers are picked from its area. If you’re writing your dragon to be sapient (aka thinking like a human), you can have a lot of creativity with this. I reccomend looking up bowerbirds. they have hordes too, and you can get some ideas from them.

2. the dragon

the other half of this equation is the dragon itself. This will mostly focus on behavior and looks. This is important for artists and writers alike.

Behavior: we’re getting this out of the way now.If your dragons are not sapient, take your cues from nature. large herbivores are constantly wary and are some of the most dangerous beasts, since anything is a threat. Think hippo vs lion. Both are terrifying but at least you’re kinda safe around a full lion. A full hippo still thinks you’re a threat. If it’s a smaller animal, then they might be skittish and flee quickly. Think flight vs fight priorities. If a healthy adult could reasonably take it’s main predator, it’ll fight you too. If a healthy adult could NOT take it’s main predator, it’ll flee. (think about how in monster hunter, one of the most dangerous creatures is a herbivore. aka diablos) Obviously this isn’t a constant rule but it’s good enough for most situations. If your dragon is not sapient, note that animals usually eat until they are full. they have no concept of rationing. The reason that they dont exhaust their food source is that eventually their prey gets hard enough to find, and then their populations drop, and prey populations spike again. it’s a constant back and forth, it’s rarely perfectly stable, but usually species can stay extant in the same area without problems, because it’s also rare that animals kill after they’re full.

Now if your dragon IS sapient, then you get to have fun! take your cues from human behavior (with some twists obviously). Have individuals that have eaten all the food in their area foolishly and are known to try and steal from other dragon’s hunting grounds. Have dragons that have made alliances with humans in exchange for gold. Have dragons that have pets because they think it’s cute, and the pets have learned to tolerate them (this doesn’t have to be like how we bred dogs to be tame. look at snakes, individual-wise their behavior is dictated by how much handling they get at a young age. its about tolerance and a lack of fear, not necessarily love). Have dragons that have favorite fishing spots that they SWEAR just has better tasting fish.

also, just a general thing, learn what features are defensive vs offensive. For instance. poison is generally defensive, while venom is generally offensive. think about the situations where an animal would use these features. This is one of the things that pisses me off about MH. Rathalos is a hunter and doesn’t reasonably need venom spikes, fire and talons and teeth work just fine. Rathian, on the other hand, has a completely practical use for them, which is defending the nest. you don’t want to blast the area around your nest with fire, and venom requires less movement to use (using claws could crush an egg on accident)

part 2.5: looks

this is the fun part.TAKE YOUR CUES FROM NATURE. there are animals in every kind of environment, Take inspiration from them. MH does this pretty well, with animals like cephalos, a desert creature, having large fins to cool off, and a relatively aerodynamic body to move through sand.

So, here are some ideas to make your dragon look like it’s made to live in the environment. These are not set in stone, you can use a couple, or none at all.

Flying-specific: White/blue belly scales to make it hard to spot in the sky. Feathers for warmth,. Tails that can spread out for braking and control. (Toothless did this right). look at hawks

Burrowers: animals that move and hunt through burrowing usually either use their claws to dig, or dig with noses (like hognoses!), look at burrowing snakes and lizards for this. They might also have better smell because they can’t see underground.

Forests: Stripes/spots for camouflage. If it perches on trees, give it bird feet. If it tends to walk on the ground, give it thicker feet for stability. If it uses calls to communicate over long distances, make them simple and LOUD. It’s hard to have detail in sound across distance in forest, the leaves absorb a lot of it. Give it sharp claws if it’s going up trees, as well as a thinner body so the tree can handle it. If it’s a nighttime hunter, give it better smell than sight.

Ocean: Movement is key, you want as aerodynamic a shape as possible. Horns are kinda eh here, fins are better because they can fold flat. Take inspiration from fish, eels, and sharks for movement types. You can also look at species like squids and octopi if you want something new. if you’re looking for camouflage in open ocean, many fish have light bellies and dark tops, so they blend in if looked at from the top or bottom. If you’re camouflaging in a reef, go fucking hog wild. If you want funky colors and shapes, you can look at cuttlefish, and octopi, masters of dynamic camouflage, color changing, and mimicry! If you want to make a species of dragon that swims in schools, give it a very thin stripe down the center! schools of fish actually use those to sense the movement of those around them. Communication in water is deep for long distances but high pitched for close distances. Think dolphins and whales.

                Deep Underwater: many species are blind, and those that have vision can only see specific kinds of light that they use for communication. Bio luminescence is used to communicate. It’s hard to get really big in the depths, there’s massive amounts of pressure, low oxygen, and food is hard to come by. you can do it, but most large deep dwelling creatures are just super long. Now you can have MASSIVE carcasses down there, because that’s where everything falls when it dies! If they live down deep, they’ll probably die when brought to the surface, because everything kinda fails.

Caves: If your dragon just uses caves as a home at night, you might not need many adaptations to the environment. But if your dragon lives deep in dark caves, then you’re gonna have to adapt to a whole new kind of animal. Many cave-dwelling animals are pale and blind, because you don’t get light down there. most eat tiny creatures, and it’s hard to get big down there. similar adaptations to living deep underwater. Limited food and nutrients, no sunlight, etc.

Sandy deserts: cooling down is the biggest focus here. Big fins and ears are what many species use to cool down, circulating blood through them. You also have snakes and lizards that walk weird and “dance” to keep the sand off of most of their body at any time. If your dragon doesn’t have internal heating, they’ll likely burrow at night to conserve heat (sand stays warm for a while). Light colors are common here not just to camouflage, but also to reflect more sunlight. staying under cover is also very important, because of how open it is. Watering holes are peaceful areas, usually, though if your creature dwells in water that’s not gonna be the case (crocodiles)

The Poles: varies depending on if you’re in a tundra or a cold desert (like Antarctica), but some things stay constant. Many species build fat, for insulation. If your species doesn’t have fur, they better be thicc as hell, or I’ll be sad. Most species also have thick fur on their paws to stay warm, as well as claws so they can have traction in icy areas. You want extremities like ears and fins to be small, and shouldn’t exist without a use (Like fins could be used for communication and sensing motion in water, and ears are for hearing). limbs tend to be small and tight to the body to conserve heat. Think about how jackrabbits, a desert species, have long limbs and ears, while arctic bunnies are small and compact. Same with foxes. Tails are also included here, though again if it has a use it can stay (locomotion, and foxes use the tail to cover their face when they sleep). Snouts should also be small. Burrowing is also common here, because snow is a FANTASTIC insulator. if your species has a predator, it’s likely to have light colors because camoflauge is important here.

Alright, that’s all I can think of for now, thanks for reading! feel free to ask me for specifics if you need them, I’m always willing to help