Polin Modern aus -
august - Every August the Bridgertons show up in the tiny town at the sea Penelope lives in. And for just that one month, he's hers.
The Wager - Penelope can’t sleep because Colin’s rakish ways in the room next door keep her up at night. So they make a bet.
~ A modern take on Penelope’s request for a kiss ~
Down Bad - Penelope drunkenly confesses her love to her best friend’s brother, leaving her mortified come morning.
Two months later, in a desperate attempt to move on, she brings her new boyfriend to the Bridgerton’s annual weekend away.
But if Colin Bridgerton doesn’t love her back, why does he look like he wants to kill him?
Hickey - Two weeks after their breakup, Penelope shows up with a suspicious love-bite on her neck.
Colin is burning with jealousy thinking of the man he must murder now.
It's You I Like - Colin has finally grown tired of traveling all over the world with nowhere to really call home, so he's moved back home and taken a job at his brother Anthony's company.
On a mission to rescue his stolen car keys from his sister Eloise, he encounters Penelope Featherington for the first time in a few years. They were friends once, but drifted apart when he spent the majority of his time thousands of miles away.
When they find themselves watching a steamy scene on a tv show together, sparks fly unexpectedly. Was it just the heat of the moment? Or could there be more to this red-headed wallflower than meets the eye?
Black and Blue - After Colin goes off to Greece again, leaving Penelope again heartbroken, Penelope decided to move on and is in a relationship with Angus. Penelope has lost her sparkle though, and Eloise is utterly beside herself with worry about her best friend. Can Colin come home and save her?
Can I tell you a secret? (He's not you) - When Colin has too much to drink at a family gathering, Penelope takes him home and a secret is revealed that could change their friendship forever…
My Give's a F*cks Are On Vacation - Penelope has a secret…since the age of 13-years-old, she has been in love with best friend Eloise’s 17-year-old brother Colin. She had always convinced herself she would be happy with her love being unrequited…she’s his little sister’s bestie, anything else would be a bonus.
It’s just a pity that for the last three years, she’s also been Colin’s ‘friends with benefits’ friend. I mean, it’s not like Colin could ever want a relationship…technically he already has a very public girlfriend…his fellow presenter Marina, on his travel log TV show. So what if it is only a showmance with his co-presenter?
However, after their latest hook up, Penelope overhears Colin talking to the press and realises Colin is never going to see her as anything more than a friend and she finally decides to move on with her life. She’s 26 years old…she can’t give the best years of herself to a friend looking for benefits, right?
So what if she decides to take her new boyfriend Alfie Debling on the Bridgerton family vacation and Colin unexpectedly turns up? They were never in a real relationship…it should be perfectly okay…except Colin has a secret too…
Eloise really picked the wrong time to let her ‘Give A Fucks’ go on vacation.
vacay - Penelope and Eloise have been friends for four years now, and this summer she gets invited to the annual "Bridgerton Vacay" (yeah, it's a thing).
or.: Penelope has this huge crush on Eloise's older brother and now has to spend 10 days with him and his family on vacation.
Lady Sings the Blues - Before leaving for India, Colin had a one-night stand with the mysterious lead singer of a band he saw at a local club. Months later, he's back home but still unable to get the mystery woman out of his mind.
When he runs into her again at Benedict's costume party, the pair pick up right where they left off and they end up in bed together again. Only this time, she doesn't disappear in the dead of night. Instead, he finds himself waking up next to none other than his sister's mousy best friend, Penelope Featherington.
cardigan - Penelope Featherington leads a quiet life. She goes to work, she takes care of her family and every Friday evening she meets her friends for dinner.
That is, until, the Colin Bridgerton, famous Hollywood actor, opens the door to her best friend's apartment.
Colin Bridgerton should be happy with the life he's leading. He's famous. He's newly single. He has everything money can buy. But something's missing.
across the hall - “After years of traveling all over the world, seeing incredible things and meeting fascinating people, Colin Bridgerton took everyone by surprise when he said he was coming home and wanted to pursue teaching.
He reached out to Penelope first, asking for advice and a bit of help with the certification process. Penelope was glad to help him; her heart was warmed by Colin’s newfound passion for education, and slowly but surely, Colin was ready to apply for teaching positions. It wasn’t until he had secured a spot at Penelope’s school that she began to grow nervous.”
Childhood friends Colin and Penelope teach in classrooms across the hall from one another. Penelope, in her fourth year of teaching English, shows first-year-teacher Colin the ropes of their now shared profession. As they spend more time together throughout the term, the pair come to see one another in a new light, and the lines between friendship and something more begin to blur.
Fairground Attractions - The day of the Mayfair Fair makes Colin confront his feelings when there is an accident. Eloise has to live with the fact that her last words, full of anger, might be the last she would say to her friend.
Francesca/Penelope friendship era.
What's a Little Sex Between Friends - When Colin learns that Pen's lack of time for a relationship hasn't dimmed her need for sex, he offers up his cock to spare her from the purported dangers of booty calls. Who knows, maybe he can convince her to want more. Specifically, with him. He'll at least have a grand time trying.
Pen has missed out on too much in life because of her blasted unrequited love for Colin. Realising that the only way to be rid of him is to let him break her heart, she decides to stop holding back and freefall into love. And onto his cock. A few orgasms will help hasten her towards her goal, after all.
Swirling sex into friendship poses complications; and between assumptions, equivocations, and a complete inability to ask for what they want, Colin and Penelope find that there is nothing little about 'a little sex between friends.'
invisible string - At ten she first enters his life. At eighteen he falls in love with her. At twenty-six he loses her.
Penelope Featherington and Colin Bridgerton meet at eight and ten. He dreams of making it big as a musician, she dreams of staying close to home. But somehow, something keeps them together, some invisible strings keeping their lives intertwined, even when they don’t want to be.
And isn't it just so pretty to think all along there was some invisible string tying you to me?
It's Just Sex - “Hey,” Colin said sheepishly, anxiously brushing his hand behind his neck. “I’ll take your virginity if — you know — if you want me to.”
Platonic sex, sex between friends, friends having platonic sex.
It won’t be a problem, right?
Or the classic: ‘I’ll take your virginity but don’t fall in love with me” finds everything they’re looking for in a person who ‘just wants to get over with having sex for the first time so they can get over the mental hurdle and start dating around.”
a dozen days in december - Twelve days before Christmas, Penelope joins Colin and his family at Aubrey Hall for their annual holiday celebrations. Festive traditions, close proximity and meddling Bridgertons might finally be enough to push these two horny idiots over the edge.
requested by: anon request: How do I write a good kiss scene? As how do I describe it? What details or words would make it good?
What goes into the writing of a kiss scene?
details to incorporate:
the sensations in their stomach, their chest, and their knees
the way their breathing changes shortly before the kiss
the feeling of the other's hands
the texture of the other's clothing
the moment they realise they've reached the point of no return
the feeling they're left with after the kiss
words to use...
... to describe the kiss:
tentative
tender
hesitant
quick
soft
gentle
delicate
languid
feathery
familiar
exploring
hungry
heated
fiery
frantic
impatient
sloppy
messy
aggressive
... to describe how they feel about the kiss:
nervous
excited
giddy
anxious
apprehensive
ambiguous
surprised
reassured
certain
confident
relieved
eager
greedy
... to show what the lips do:
exploring each other
brushing over each other
locking
devouring
touching
sealing
pressing against each other
capturing
lapping
tasting
crushing together
travelling (the other's body)
trailing (down to the other's chin)
grinning into the kiss
caressing
lingering
... to show how their body reacts:
feeling warm all over
buzzing
humming
pumping/palpitating heart
clenching lungs
joy bubbling up
tingly stomach
warm chest
burning cheeks
sweaty palms
blood rushing through their veins
... to describe what their hands are doing:
tangling in their lover's hair
wrapping their arms around their lover's neck
intertwining their fingers with their lover
resting on their lover's hips
pressing into their lover's shoulder blades
cupping their lover's cheeks
touching their lover's chin
curling their arm around their lover's waist
resting on their lover's shoulders
grabbing their lover's collar
sneaking up under their lover's shirt
brushing over their lover's bare skin
lightly squeezing their lover's butt
focus on:
the sensations instead of what's physically happening. (the protagonists might very well not know themselves what is happening exactly, but they feel very precisely)
I hope this helps <3
Gotta make money somehow
Impulsiveness : Acts on instinct without careful planning. Perfectionism : Sets unrealistically high standards, leading to self-criticism. Indecisiveness : Struggles to commit to decisions or choose a path. Arrogance : Overestimates one’s abilities and dismisses others. Pessimism : Habitually expects negative outcomes in most situations. Cynicism : Distrusts the motives and sincerity of others. Overconfidence : Places excessive faith in one’s skills, often underestimating risks. Stubbornness : Resists change and refuses to adapt to new ideas. Jealousy : Feels envious of others' success or possessions. Insecurity : Experiences frequent self-doubt and a lack of confidence. Procrastination : Tends to delay tasks, often leading to missed opportunities. Passivity : Avoids taking initiative and relies on others to act. Aggressiveness : Responds with hostility or force rather than reason. Selfishness : Prioritizes personal gain over the welfare of others. Fragility : Is overly sensitive to criticism and easily discouraged. Egotism : Constantly focuses on oneself and one’s own importance. Defensiveness : Quickly rejects or rationalizes away critique or new information. Manipulativeness : Exploits others to fulfill personal needs or desires. Recklessness : Shows a careless disregard for potential risks or consequences. Resentfulness : Holds lingering bitterness and grudges over perceived wrongs. Distractibility : Finds it hard to maintain focus amid competing interests. Impatience : Lacks the willingness to wait, often spoiling opportunities to learn. Perfunctory : Performs actions in a mechanical, uninspired manner. Self-Doubt : Consistently questions personal abilities and decisions. Arbitraryness : Makes decisions based on whim rather than reason or evidence. Rigidity : Is inflexible and unwilling to consider alternative viewpoints. Gullibility : Trusts too easily, often leading to being misled or deceived. Obsession : Becomes excessively fixated on particular ideas or details. Aloofness : Maintains emotional distance, appearing detached or indifferent. Intolerance : Refuses to accept differing perspectives or lifestyles.
Mix genres and time periods: Experiment by combining elements from different eras or genres to create unique settings and narratives.
Use "what if" scenarios: Pose unexpected questions (e.g., What if time travel operated on emotions rather than mechanics?) to spark novel ideas.
Draw from diverse mediums: Engage with art, music, or even scientific papers to inspire unexpected plot twists.
Embrace absurdity: Let illogical or surreal ideas guide you; sometimes the wildest thoughts lead to compelling stories.
Reverse clichés: Identify common tropes in your favorite genres and deliberately invert them to create fresh perspectives.
Incorporate personal anomalies: Transform your idiosyncrasies and personal struggles into rich, multi-dimensional characters.
Use mind-mapping: Visually plot your ideas in a freeform way to uncover hidden connections between disparate elements.
Funniest fandoms are where the fans are like, "I'm obsessed with this. I don't recommend it even slightly."
Yay, unsolicited advice time! Or, not really advice, more like miscellaneous tips and tricks, because if there's one thing eight years of martial arts has equipped me to write, it's fight scenes.
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It's not uncommon for two people to kick at the same time and smack their shins together, or for one person to block a kick with their shin. This is called a shin lock and it HURTS like a BITCH. You can be limping for the rest of the fight if you do it hard enough.
If your character is mean and short, they can block kicks with the tip of their elbow, which hurts the other guy a lot more and them a lot less
Headbutts are a quick way to give yourself a concussion
If a character has had many concussions, they will be easier to knock out. This is called glass jaw.
Bad places to get hit that aren't the groin: solar plexus, liver, back of the head, side of the thigh (a lot of leg kicks aim for this because if it connects, your opponent will be limping)
Give your character a fighting style. It helps establish their personality and physicality. Are they a grappler? Do they prefer kicks or fighting up close? How well trained are they?
Your scalp bleeds a lot and this can get in your eyes, blinding you
If you get hit in the nose, your eyes water
Adrenaline's a hell of a drug. Most of the time, you're not going to know how badly you've been hurt until after the fact
Even with good technique, it's really easy to break toes and fingers
Blocking hurts, dodging doesn't
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Just thought these might be useful! If you want a more comprehensive guide or a weapons edition, feel free to ask. If you want, write how your characters fight in the comments!
Have a bitchin day <3
I present to you, Bucky Barnes wearing a Hitler t shirt.