Toobytoobs - Toobytoobs

toobytoobs - Toobytoobs

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2 months ago

I think new adaptations of “Diana goes to Man’s World in modern times” should have a woman be her guide instead of someone like Steve Trevor. While Steve isn’t a bad person, obviously, I just think it speaks more to Wonder Woman’s core if you have one woman helping another in this strange world.

Plus, there’s a bit of implication about Man helping Woman who is confused about this new country.

I don’t know, does this make sense?

On that note: I think that we should have more scenes of Diana uplifting women instead of “Men is a jerk, Diana breaks his fingers” I like those scenes, but we don’t need to do that every single time?

Give me Diana telling an older woman that she’s beautiful. Okay? Okay, cool.

Thank you for coming to my Wonder Talk.

2 months ago

Yeah I know. ‘Jinx didn’t you already post this?’

I couldn’t stop looking at the original and thinking it wasn’t finished, so I finished it to appease myself

7 months ago

I’m so sick of people judging me based on my gender. From now on my gender is .

I am a .

My pronouns are / .


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1 month ago

So with Cass going to her happy place (that is, Steph) one more time, and all the analysis around it right now, I thought it might also be good to talk about Steph's vision of Cass.

As far as I recall, it only happened once -- in Batgirl (2000) #26 -- and it was a very mixed portrayal. For context, I think it's important to remember that this is still very early in their relationship -- this is only the fourth interaction we've actually seen on-panel, in fact, and the first was barely an interaction at all.

And yet it seems that Steph has already embraced Cass in a way that Cass has not yet embraced Steph. In their third interaction, Cass has accidentally almost killed Shadow Thief, and Steph helps her resuscitate him and then immediately agrees not to tell Oracle about what happened. No reservation whatsoever -- a crying, guilty, terrified Cass doesn't even manage to find the words to ask exactly what she wants before Steph understands and gives it to her.

So With Cass Going To Her Happy Place (that Is, Steph) One More Time, And All The Analysis Around It

And here, in their fourth interaction, Cass doesn't even know it's occurring. She's recovering from her fight to the death with Shiva, and is asleep for the entirely of the issue. But Steph is extremely concerned about her (moreso than Babs, but to be fair to Babs, she has a lot more experience with how Cass is and is probably just relieved that she's actually resting), despite the fact that they really barely know each other at this point.

So With Cass Going To Her Happy Place (that Is, Steph) One More Time, And All The Analysis Around It

Steph goes out to fight Shiva's disciple in Cass's stead, because Cass is still indisposed. She's gung-ho at the start, but upon seeing her opponent, gets cold feet and starts to lose faith in herself. Here's where the Cass-vision starts.

So With Cass Going To Her Happy Place (that Is, Steph) One More Time, And All The Analysis Around It

Look at Imaginary Cass hyping her up. She's even smiling under the mask, which isn't something Steph has ever seen her do on-panel. Note how articulate Cass is. At this point in her development, Cass didn't communicate this way. She didn't use long sentences, smoothly strung together, with anyone, and she didn't use them with Steph in particular. In fact, here's the extent of what Cass has said to Steph directly on-panel so far, in their entire relationship: Become faster. Read it. (multiple times) No. (multiple times) When? Quiet. (multiple times) Go home. Then we wait. You take the train. I take the car. Kinsey is here. Get down. The money. Trade? Why? Let's go. Help me. And of course, the above interaction about Shadow Thief. Obviously, not only does Actual Cass have very little to say to Steph, she certainly doesn't have anything encouraging to say! She's outright dismissive of her, at best. And that's just how Cass is as this point in her development -- her speech abilities are still limited, her social development is stunted, and she's just not a cuddly person in general. Combat, and getting the job done, are of utmost importance to her. She's not intentionally cruel, she's just very blunt and calls it like she sees it, and she's like that with pretty much everyone. So we have Imaginary Cass, speaking and behaving in a very un-Cass-like manner... and Steph actually having a conversation with this imaginary Cass out loud. It's a little weird, but it's very in-character for Steph, who is extremely talkative and thrives on interaction. Babbling seems to be an anxiety response for her. She already has a tendency to narrate her own experiences via her diary, so I think it's not a stretch to say that she might try to talk through her own anxiety with herself by imagining that self-conversation being with Cass instead. This differs from Cass's hallucinations in that Steph isn't dead, dying, or drugged. She's wide awake, and she seems to know that Cass is imaginary, because she even recognizes the fact that Cass doesn't normally speak this way to her. Imaginary Cass is just a vehicle for expressing what she's trying to tell herself -- much like Steph will later be a vehicle for Cass to express her feelings to herself in Batgirl (2024) #5. But here we are later, when Steph begins to feel like she's failing:

So With Cass Going To Her Happy Place (that Is, Steph) One More Time, And All The Analysis Around It

Imaginary Cass turns disparaging, taunting her, saying all the things that Steph clearly feels about herself: she's not good enough, they were wrong to put their faith in her, she's failed, she's going to die, and worse -- other people are going to die because of her failure, too. (It's worth noting that, in retrospect, this ends up sounding like an entirely unintentional foreshadowing of War Games.) This makes Steph mad (seriously, look how angry her silly mask blob eyes are) and motivates her to ultimately win the battle. Steph gets a lot of motivation from spite, and in this case it's probably helpful that the disparagement is seeming to come from "someone else" (namely imaginary Cass) instead of from herself. It's easier to spite other people than to spite yourself. It's easier to be motivated to prove them wrong. Again, Cass is a vehicle for Steph's internal monologue -- it becomes a dialogue instead, in a way that is helpful to her in the end.

Then there's one more vision:

So With Cass Going To Her Happy Place (that Is, Steph) One More Time, And All The Analysis Around It

Look at Steph's face. Just for an instant, she's so happy. She clearly admires Cass, and has expressed it on multiple occasions ever since they met. She's in awe. And she desperately needs someone to believe in her, and be proud of her. If Batgirl, the girl who beat Lady Shiva, could be proud of her, then wouldn't that mean the world?

But it's not to be.

At least not yet.

1 month ago

Canonically we know that Cass pictures what Steph would tell her in those dire moments where she needs to make sense of her emotions

But what if she pictures Steph in those not-so-dire moments too. Like Steph is just the stopper in all her impulsive thoughts

Cass: *sniffs a bath bomb*

Cass: Ooh. Smells like cupcakes.

Steph's voice in her head: Don't.

Cass: *lifts it to her mouth*

Steph with a metaphorical spray bottle: No! Bad girl! Put that down!

Cass, pouting: Fine.

3 months ago

Are you pro or anti bush

he was a bad president

4 months ago

New fic idea! Mary breaks into Uncle E house, beats him up, and then steals all the family documents so she can finally figure out which twin was born first

2 months ago

Valentine’s wardrobe malfunction…

Valentine’s Wardrobe Malfunction…
3 months ago

Barbara Gordon is simultaneously a dork loser and one of the most dangerous people on the planet. You must understand this.

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toobytoobs - Toobytoobs
Toobytoobs

She/HerAutistic, queer, and (according to all the unfinished fics in my docs) an aspiring fanfic author!

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