So with Cass going to her happy place (that is, Steph) one more time, and all the analysis around it right now, I thought it might also be good to talk about Steph's vision of Cass.
As far as I recall, it only happened once -- in Batgirl (2000) #26 -- and it was a very mixed portrayal. For context, I think it's important to remember that this is still very early in their relationship -- this is only the fourth interaction we've actually seen on-panel, in fact, and the first was barely an interaction at all.
And yet it seems that Steph has already embraced Cass in a way that Cass has not yet embraced Steph. In their third interaction, Cass has accidentally almost killed Shadow Thief, and Steph helps her resuscitate him and then immediately agrees not to tell Oracle about what happened. No reservation whatsoever -- a crying, guilty, terrified Cass doesn't even manage to find the words to ask exactly what she wants before Steph understands and gives it to her.
And here, in their fourth interaction, Cass doesn't even know it's occurring. She's recovering from her fight to the death with Shiva, and is asleep for the entirely of the issue. But Steph is extremely concerned about her (moreso than Babs, but to be fair to Babs, she has a lot more experience with how Cass is and is probably just relieved that she's actually resting), despite the fact that they really barely know each other at this point.
Steph goes out to fight Shiva's disciple in Cass's stead, because Cass is still indisposed. She's gung-ho at the start, but upon seeing her opponent, gets cold feet and starts to lose faith in herself. Here's where the Cass-vision starts.
Look at Imaginary Cass hyping her up. She's even smiling under the mask, which isn't something Steph has ever seen her do on-panel. Note how articulate Cass is. At this point in her development, Cass didn't communicate this way. She didn't use long sentences, smoothly strung together, with anyone, and she didn't use them with Steph in particular. In fact, here's the extent of what Cass has said to Steph directly on-panel so far, in their entire relationship: Become faster. Read it. (multiple times) No. (multiple times) When? Quiet. (multiple times) Go home. Then we wait. You take the train. I take the car. Kinsey is here. Get down. The money. Trade? Why? Let's go. Help me. And of course, the above interaction about Shadow Thief. Obviously, not only does Actual Cass have very little to say to Steph, she certainly doesn't have anything encouraging to say! She's outright dismissive of her, at best. And that's just how Cass is as this point in her development -- her speech abilities are still limited, her social development is stunted, and she's just not a cuddly person in general. Combat, and getting the job done, are of utmost importance to her. She's not intentionally cruel, she's just very blunt and calls it like she sees it, and she's like that with pretty much everyone. So we have Imaginary Cass, speaking and behaving in a very un-Cass-like manner... and Steph actually having a conversation with this imaginary Cass out loud. It's a little weird, but it's very in-character for Steph, who is extremely talkative and thrives on interaction. Babbling seems to be an anxiety response for her. She already has a tendency to narrate her own experiences via her diary, so I think it's not a stretch to say that she might try to talk through her own anxiety with herself by imagining that self-conversation being with Cass instead. This differs from Cass's hallucinations in that Steph isn't dead, dying, or drugged. She's wide awake, and she seems to know that Cass is imaginary, because she even recognizes the fact that Cass doesn't normally speak this way to her. Imaginary Cass is just a vehicle for expressing what she's trying to tell herself -- much like Steph will later be a vehicle for Cass to express her feelings to herself in Batgirl (2024) #5. But here we are later, when Steph begins to feel like she's failing:
Imaginary Cass turns disparaging, taunting her, saying all the things that Steph clearly feels about herself: she's not good enough, they were wrong to put their faith in her, she's failed, she's going to die, and worse -- other people are going to die because of her failure, too. (It's worth noting that, in retrospect, this ends up sounding like an entirely unintentional foreshadowing of War Games.) This makes Steph mad (seriously, look how angry her silly mask blob eyes are) and motivates her to ultimately win the battle. Steph gets a lot of motivation from spite, and in this case it's probably helpful that the disparagement is seeming to come from "someone else" (namely imaginary Cass) instead of from herself. It's easier to spite other people than to spite yourself. It's easier to be motivated to prove them wrong. Again, Cass is a vehicle for Steph's internal monologue -- it becomes a dialogue instead, in a way that is helpful to her in the end.
Then there's one more vision:
Look at Steph's face. Just for an instant, she's so happy. She clearly admires Cass, and has expressed it on multiple occasions ever since they met. She's in awe. And she desperately needs someone to believe in her, and be proud of her. If Batgirl, the girl who beat Lady Shiva, could be proud of her, then wouldn't that mean the world?
But it's not to be.
At least not yet.
reblog this post with your (least) favorite downgrades
I’ll go first
If Tumblr goes down, just draw a summoning circle on the ground, I’ll figure it out from there.
Future Freddy after getting powers, spinning in the air: “bILLY heLP!”
Billy: “NUH UH, THIS IS PAY BACK!!!”
Freddy: “aaaAAAAaAAHHH”
Billy hasn’t quiteeee mastered flying in his regular human form yet☁️
(Continuation of my last post ⬇️)
cain and bruce and cass are sooo interesting to me... long rambles (with comic panel receipts!) under the cut (also batgirl 2000 spoilers)
Cain had tried many times before to make The One Who Is All, but Cassandra is special in a way the others weren't because she worked. She didn't defy instructions, she was amazing at combat, she didn't go insane, she was perfect. And David grew to love her in a way he hadn't loved the others, even though he hurt her, because it was the price he had to pay to get his little girl perfect. Yes he shot her, but it was to keep her on her toes, and she had to be that to be perfect - it’s the price he has to pay. He rarely touched her, because it was a price he had to pay, but in the times that he did, he cuddled with her on the rooftop and pointed to the stars. He couldn't talk to her, because it was a price he had to pay, but he could make their own little language and keep her progress on tapes.
And when the time came for her first real foray into being The One Who is All, he dresses her up in a frilly pink dress and pigtails.
And she runs away and David doesn't know what to do. The first kill is always hard, he made her do it too soon, too young, she wasn’t ready, he knows it’s his fault.
And then, years later, when his baby girl is almost an adult (but really he'll always see her as that little girl with pigtails and a bloody pink dress on), he meets her again and she yells at him to stop.
And he cries, because it was the price he had to pay, but his daughter can understand him now, fully, and she's using it to ask him to stop, so how can he say no to that? Now they're dangling over an edge and he's pleading for her to hold on but she can't, she won't, and she survives anyway like she always will but she survives in a cape and ears and a bat across her chest.
David thought that Bruce was perfect when they were training, but he wasn't. He wouldn't kill. But maybe he can be good enough for David's perfect little girl anyway because she won’t either, and god knows David isn't perfect. So he concocts a test, and tries his damndest to keep those tapes of his daughter because that's all he has left of her.
David loves Cass with all of his heart, but his heart isn't big enough to fit things like hugs and speaking and care. The biggest problem is that he sees her as a weapon first, no matter what.
Bruce isn't like that. Cassandra isn't a weapon— she's a bat, of course, she’s perfect for it! And to be the bat, yeah, you have to make sacrifices sometimes. Keeping your identity a secret is much easier when you have no (legal, public) identity to speak of, and he doesn’t understand when Barbara insists on frivolous things like vacations, identities, names, and peace. Why call the girl Cass when she can simply be Batgirl?
If Bruce had a choice, he would just be the bat. And so this girl who is just like him— better, even! Well, of course she’d agree. Yes, she’s young, she’s just seventeen, but… come on. You can barely say a perfect soldier like her is a kid, still. And it’s tragic that Cain made her like this, made her like them, but… it happened. She is like this. So why wouldn’t he help her use it for good?
He never had to teach Batgirl, this girl who is just like him, about the value of life. Her hits are perfect and measured, to knock them out and nothing more. The first thing he noticed about her was her willingness to die and insistence that no one else does, and he encourages these things.
And her death wish is ineffective and annoying and dangerous, but it’s inescapable and she doesn’t let it affect her missions anymore.
Batman asks Batgirl if the dozens of lives saved because of what she did is enough. She says no, and he says good.
When Batgirl loses some of her skills, she runs at an armed man and gets shot 4 times (one in each thigh, one through her shoulder, one in her stomach). But she survives anyway, like she always will, and when she wakes up Batman asked why she did it. She responds instinct. He says, “Good.”
Then he finds out about her upcoming fight with Shiva. Batgirl knows that she will lose. This is not a competition or arrogance for her— this is suicide. She needs to move past this death wish and… well. She might not move… past it, per se, but she will be rid of it, and perhaps the world will become of rid of her. But it’s necessary. So he lets her leave, because he knows she needs to do this. At least she will die with honor.
Later, when she survives even after dying, because she always survives, Batman needs to do something. Something dangerous and reckless and, maybe, a bit suicidal. Batgirl wants to help but he just says “I let you fight Shiva because it was something you had to do for yourself. Don’t say thank you. Return the favor.”
The tragedy of Batman and Batgirl is unlike the tragedy of David Cain and The One Who Is All, where she is only an assassin to her father— not even that, just a killing weapon. It’s unlike the tragedy of Cassandra and Sandra, where she is just a pawn for her mother’s suicide. And it is especially unlike the tragedy of Babs and Cassie, where she is seen by her mom as so much less than she is, as something that she can never be— regular. Normal. Innocent.
No, the tragedy of Batman and Batgirl is that her dad sees Cassandra as, yes, eventually a daughter, certainly a soldier, but most of all, an extension of himself. And he does not treat himself very well, or with much caution, or with any gentleness.
People will hate me for saying that Steph is probably in the top 5 fighters for the Bat-Fam, but she went up against not only Cass and survived but also a literal student of Lady Shiva, lmfao.
Like I feel like people severely underestimate how good she is as fighting.
what if instead of cassandra cain it was cassandra pain and everything was the same
happy birthday cass 💜💜💜
You know what I'm curious about… how does Billy have any sense of time??? When I was a child (I still kinda am) I had no idea what time meant. You could have told me that I would need to wake up at 5:30am tomorrow and I would be awake till 2:00am. I can't imagine what it's like for a homeless kid who has no one keeping him accountable and no routine.
So because of this I think Captain Marvel is sporadic when showing up, none of his villains have any idea when he's going on patrol. They probably think he doesn't sleep at all, he just disappears into a different dimension and then reappears whenever. He'll only start to keep track of time when he joins the justice league so he's not late to meetings or monitor duty.
Hi. I'm not a canon purist and enjoy some fanon content very much, but I do think people in the fandom should at least familiarize themselves with the canon content and source material. It's easier to break the "rules" so to speak and experiment with canon when you know what that actually is. I've noticed a lot of fans that are only familiar with fanon criticise content that doesn't line up with what they believe to be canon but isn't. The Red Hood for example. I've seen writers who portray him as the violent criminal he is in much of the canon be completely decimated by Jason fans who only know fanon and the retconned version of Red Hood and completely deny canon even exists and refuse to even glance at the comics. Transformative works are important and playing in the sandbox is for everyone but fandom literally cannot exist without canon. Canon is important and people can do whatever they want with it but they should respect it enough to at least look at it.
Hi anon, I'm going to hold your hand as I say this, and I will say it as gently as I can: This is still a form of canon purism.
We can absolutely agree that readers shouldn't berate or abuse writers for how they choose to portray characters in fic, whether that's a more canon-faithful characterization or a popular fanon version. If readers don't like how a character is portrayed, we should encourage them to hit the back button instead.
I want to draw your attention to some of the words you used in your ask above: "should" "respect" "decimated" etc. Those are some strong words to describe how you think people need to behave, in order to exist in fandom. Of course, there is no fandom without canon source material -- I'm not denying that. But with such a wide and varied canon, the DC fandom has examples of the Red Hood you mention above, AND the "retconned" version you also reference. Both are canon, as in actually, officially, canon. WFA is canon, and that Red Hood looks very different from the Red Hood you describe.
Now, I think your issue is that you enjoy a certain version of canon, and you're frustrated that the fandom doesn't also, as trends ebb and flow, enjoy that canon as much as you do. Again, I want to acknowledge that just because a certain version is popular, it doesn't give folks the right to berate authors for writing a different version. But again, I don't think that's what we're really talking about here. From your ask's tone, I think you're suggesting that people should, in order to participate in fandom, read that older canon, that different version, or as you say, "glance at it" before enjoying or writing the fanon version.
Guess what? They actually, really, really, don't have to. It sounds like you have some issues with judging your fellow fandom members who don't read what you do or reference certain canon. But the magic of this fandom is, you can enter it at any point. We're a big pool, and if someone's entry point is the Lego Batman movie and that's it, that's still valid.
Fandom stems from canon, yes, but I almost never hear people talk about movies, or web comics, or other media when they talk about "required reading." It's always a comic. I really wish people would reflect on that before suggesting it as the one true path to being a fan.
The other thing I don't see asks like these reference ever is the reality that sometimes a fandom outstrips its canon material, and that that's an eventuality in some spaces. Fanon interpretations become popular, and people write about those specific characterizations or scenarios. They ebb and flow, like I mentioned, and some are more canon-faithful than others. Some completely reject canon, and again -- it's still fandom. It doesn't make it better or worse than a more canon-faithful fic. It's just different.
I had a couple asks about this topic a few weeks ago, and I'm assuming you haven't read those or you likely wouldn't have sent me this ask. But in them, I discuss how sometimes we need to suck it up and be unhappy that canon-faithful fics aren't as popular in a fandom at a specific time, and stop punishing fellow fans for writing and enjoying those fics. And we really need to stop shitting on them publicly on Tumblr.
Because often, what you're really saying is that you wish more people would write more canon-faithful fics, and stop writing ones about fanon topics you don't enjoy or think are accurate. And to that, I again say, there is nothing you can or should do to change that behavior from others. If you want to read it, write it, enjoy it, etc, do it yourself. Build the comic-faithful community here, write fics and promote challenges, create a discord channel and discuss your "required reading" there.
We are all writing and reading fanfiction at the end of the day. It is a great equalizer in many ways. My silly Lego Batman fic is just as valid as a canon-faithful rewrite of a certain Batman issue. One is not better than the other, or more deserving of respect. You will never get me to admit otherwise on this blog.
tl;dr: people should absolutely not berate authors who choose to write canon-faithful characterizations. however, there are layers of judgement and disdain many DC comics canon-faithful authors/readers have for their fellow fans that I think we need to examine critically in order to coexist respectfully.
She/HerAutistic, queer, and (according to all the unfinished fics in my docs) an aspiring fanfic author!
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