Writing a Morally gray character
Think about their backstory, what shaped them into who they are? What do they believe in? And, most importantly, what pushes them to get out of bed every morning and keep going? These characters aren’t simple good or bad. They’re caught in the middle, in that murky, complicated space between black and white. That’s where they get interesting because they’re constantly wrestling with themselves, trying to figure out the right choice, or if the “right” choice even exists for them.
You need to show this internal battle. Imagine your character being torn between what they believe is morally right and what they actually want. This is where the real drama comes in, it’s like watching them juggle their principles with their desires in real-time. They’ll mess up, and they’ll make decisions that are sometimes questionable, but that’s what makes them human and relatable. One way to really highlight their complexity is by putting them in situations where there’s no clear answer. You know, those moments in life where everything’s kind of a mess, and you’re stuck trying to figure out what the hell you’re supposed to do? Your character should face situations like that. These gray areas create tension because readers won’t know which direction the character will go, and honestly, your character might not know either.
And don’t forget, growth is a huge part of writing a morally gray character. People aren’t static, they change based on what happens to them, and your character should too. Maybe they start off with a strong sense of morality but, over time, that starts to shift. Or maybe they start with shaky ethics and slowly become a better person as they learn from their mistakes. Growth can also go the other way, they could spiral downward, giving in to darker impulses. Either way, they need to evolve, just like people do in real life. That’s what keeps the story fresh and unpredictable. The last thing you want is a character that stays the same the whole way through.
Also, please, no stereotypes. A morally gray character doesn’t have to be a brooding anti-hero with a tragic past (unless that’s your vibe, but even then, switch it up). Give them quirks that make them unique. Maybe they have unexpected motivations, like they’re doing something shady for a cause they genuinely believe in, or they’ve got a weird sense of humor that throws people off. Whatever it is, make sure they feel like an individual, not just a copy-paste character we’ve all seen a million times.
Even when your character makes decisions that aren’t exactly clean-cut or heroic, the reader still needs to understand why. Show their vulnerabilities, why they doubt themselves, why they hesitate, and why they ultimately make the choices they do. It’s all about making them relatable, even when they’re walking that fine line between right and wrong. People might not always agree with them, but they should at least be able to see where they’re coming from.
And remember, every choice your character makes should have consequences. They don’t exist in a bubble. Their decisions should ripple out and affect not only them but the people around them. Maybe they make a selfish decision, and it ends up hurting someone they care about, or they try to do the right thing, and it blows up in their face. One last thing, just because your character lives in that gray area doesn’t mean they don’t have any sense of right or wrong. They might have their own personal code they follow, even if it doesn’t line up with society’s morals. Maybe they justify their actions in a way that makes sense to them, even if other people wouldn’t agree. It’s all about exploring that space where they’re not totally good, but not totally bad either. That’s where things get really interesting.
Think about where your character is going. Is their journey going to push them to become a better version of themselves? Will they fall back into old patterns and never really change? Or will they stay stuck in that moral gray zone, constantly torn between doing what’s right and doing what feels right for them?
Kyoto 京都 // JiYeon 지연
Aperture—the opening of a not entirely closed, somewhat rounded space within a character (such as in ‘c’).
Apex—the topmost intersection where two strokes terminate.
Arc—a curved portion of a stroke.
Arm—a horizontal or upward stroke that does not connect with a stem on at least one end.
Ascender—portion of the lowercase that rises above the x-height.
Axis—the imaginary line bisecting the upper- and lowermost points where a stroke becomes thinnest.
Baseline—the line on which the letters of a font seem to rest.
Beak—a serif-like terminal in some serif type designs.
Bowl—the curved part of a letter surrounding a counter.
Bracket—a curved or wedge-like connection between a serif and the main stroke.
Cap height—the distance from the baseline to the top of the uppercase letters.
Character—a symbol with a unique linguistic meaning, such as a letter, number, punctuation mark, etc.
Counter—the typically rounded negative space partially or fully enclosed by part of a letter.
Crossbar—a horizontal stroke bridging two other strokes.
Cross stroke—a typically horizontal stroke crossing the stem of the lowercase ‘t’ or ‘f’.
Crotch—the inner angle where two strokes connect.
Descender—portion of the lowercase which extends below the baseline.
Finial—the tapered terminal of a curved stroke.
Foot—the end of a stem or stroke resting on the baseline.
Gadzook—a decorative detail connecting the letters in a ligature but is not a stroke essential to either letter.
Glyph—a unique drawing of a character or characters as a single unit. (For instance, a single character may have more than one glyph, like the y’s below. Or there may be multiple characters in a single glyph, as in a ligature.)
Ink trap—additional space added where two strokes form an acute angle, done to avoid ink build-up in that spot when the character is printed. It’s a space designed to literally trap excess ink.
Joint—the place where a stroke joins a stem.
Leg—the short, often diagonal, downstroke of letters like ‘R’, ‘K’ and ‘k’, typically resting on the baseline.
Lobe—a curved or rounded projection from the stem or main portion of the letter.
Loop—the bowl below the baseline on a double story lowercase ‘g’.
Neck—also known as a collar or link, the stroke that connects the top and bottom portions of a lowercase ‘g’.
Overshoot—portion of a letter pushing just beyond a line of measurement to achieve the appearance of being the same height as comparable letters.
Sans serif—without serifs.
Serif—a small stroke added to the end of a main stroke.
Shoulder—the curve at the beginning of a downward stroke, such as in ‘m’, ‘n’, or ‘h’.
Spine—the primary curved stroke of the letter ‘S’ or ‘s’.
Spur—a small protrusion off a main stroke.
Stem—the main, typically vertical, stroke of a glyph.
Stroke—a line forming part of a written or printed character.
Swash—an addition at the end of a stroke intended to beautify or add other visual interest to a glyph beyond what is necessary to define a character.
Tail—the descending, often decorative, stroke of the ‘Q’, and sometimes ‘R’ or ‘K’.
Tittle—the dot on the ‘i’ or ‘j’.
Vertex—the bottommost intersection where two strokes terminate.
X-height—the height of the lowercase without ascenders or descenders, usually typified by the height of the letter ‘x’.
Terminal—the end of a stroke:
Abrupt—the stroke ends without taper or embellishment.
Ball—the stroke finishes with a circular shape.
Calligraphic—the stroke finish gives a strong indication of the shape of the writing instrument used to form the letter.
Foxtail—the end of the stoke widens before curving around and ending in a point, similar to the shape of a fox’s tail.
Lachrymal or Teardrop—the stroke finishes in a teardrop shape.
Wedge—the stroke has a serif-like wedge added to it.
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phrases and idioms to try to include in your poem/story
A crying shame - a situation that makes one feel sad or disappointed
Afraid to say - used as a way of expressing one's disappointment, regret, or sorrow
Agonies of guilt/remorse/regret - feelings of guilt, remorse, or regret
(As) happy as a clam - very happy
Beneath contempt - completely bad or worthless—used to describe someone or something that is too bad to deserve any respect
Calm, cool, and collected - not upset; not very bothered by things
Catch (someone or something) by surprise - to happen to (someone or something) unexpectedly; to attack, capture, or approach (someone or something) without warning
Debt of gratitude - appreciation or thanks that someone should give another person
Figure of contempt - a person who is regarded with contempt
Guilt trip - an instance of feeling guilty; a feeling of guilt or blame caused especially by another person's comment or accusation
Held in contempt - considered by the court to have broken the law by disobeying or disrespecting the judge
Jump for joy - to jump up and down because one is very happy
(Many) happy returns - used for wishing someone a happy birthday and to express the hope that he or she will live to celebrate many more birthdays in the future
More in sorrow than in anger - because of sadness or disappointment rather than anger
Poor/sad/sorry excuse for - a poor example of
Pride and joy - someone or something that makes someone very proud and happy
Put on a happy face - to appear happy even when one is not
Sad sack - a blundering, inept person
Scared stiff - very afraid—often + of
Scared to death - very afraid—often + of
Strike fear into the hearts of - to cause (someone) to be very afraid; to frighten
The calm/lull before the storm - a period of quiet that comes before a time of activity, excitement, violence, etc.
Tingle with excitement - to be very excited
To one's amusement - in a way that is amusing to someone; pleasing to someone
To someone's disappointment - causing someone to feel sad, unhappy, or displeased because something was not as good as expected or because something hoped for or expected did not happen
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Hello! I've been getting more and more tips for writing thanks to your post about character flaws in my FYP. I was wondering, do you have any posts about character strengths/virtues? Thanks!
Hey there, fellow writer! 💖 So glad my character flaws post found its way to you! You've asked about one of my FAVORITE topics to explore - character strengths and virtues! And guess what? I've been meaning to write this companion piece for ages, so THANK YOU for the nudge!
Let's dive DEEP into character strengths that go beyond the basic "brave protagonist" or "loyal sidekick" tropes we see everywhere in fiction. Because memorable characters need memorable strengths!
We often focus SO much on giving characters interesting flaws (which, yes, super important!), but their strengths are what make readers root for them and fall in love with their journey. Strengths are what make your character SHINE in those pivotal moments! ✨
The key is making these strengths SPECIFIC, NUANCED, and sometimes even PROBLEMATIC. Yes, strengths can cause problems too - that's where the juicy storytelling happens!
Not just "bravery" but courage that manifests in specific contexts:
Social courage (standing up to peer pressure)
Intellectual courage (questioning deeply held beliefs)
Physical courage despite specific fears
Quiet courage (the kind that doesn't look heroic but IS)
Moral courage (doing the right thing when it costs them personally)
Creative courage (risking failure and ridicule for their art/ideas)
Not just "understanding others" but:
The ability to understand even villains' motivations
Cross-cultural empathy that bridges different backgrounds
Empathy that extends to those completely unlike themselves
Empathy that causes them to make difficult choices others wouldn't
Empathy that allows them to anticipate others' needs before they're voiced
Empathy for those society has taught them to fear or distrust
Not just "being smart" but:
Pattern recognition in chaotic situations
Intuitive problem-solving under pressure
Cultural adaptability when thrust into unfamiliar environments
Emotional intelligence that helps navigate complex relationships
Street smarts that complement (or replace) formal education
The ability to translate complex concepts for different audiences
Not just "bouncing back" but:
Finding unconventional solutions to setbacks
Using humor as a coping mechanism during dark times
Transforming trauma into strength without romanticizing it
Building community resilience, not just personal
Learning from failures rather than being crushed by them
Maintaining hope in seemingly hopeless situations
Not just "having values" but:
Knowing which principles to bend and which to hold firm
Adapting moral frameworks to new information
Navigating ethical gray areas without losing their core
Growing their values through experience rather than rigidity
Finding compromise without betraying essential beliefs
Recognizing when rules must be broken for a greater good
Not just "being nice" but:
Kindness that challenges systems of oppression
Unexpected kindness that changes enemies' perspectives
Kindness as a radical choice in brutal environments
Kindness that requires genuine sacrifice
Kindness that sees beyond surface behaviors to underlying needs
Kindness that doesn't expect recognition or reciprocation
Not just "questioning things" but:
The ability to discern truth from manipulation
Healthy doubt of authority without cynicism
Critical thinking that leads to solutions, not just criticism
Questioning their own assumptions first
Seeking multiple perspectives before forming judgments
Recognizing patterns of deception or misinformation
Not just "being open" but:
Knowing when vulnerability creates connection
Sharing weaknesses to build trust at critical moments
Using personal stories to help others feel less alone
Admitting mistakes to model growth for others
Asking for help when independence would be destructive
Showing emotion strategically to influence outcomes
Remember that any strength exists on a spectrum! The most interesting characters have strengths that sometimes function as weaknesses depending on the context.
For example:
Loyalty becomes enabling when taken too far
Curiosity becomes recklessness in dangerous situations
Honesty becomes cruelty without empathy
Ambition becomes destructive when ethics are compromised
Compassion becomes self-destruction without boundaries
Independence becomes isolation when connection is needed
Confidence becomes arrogance without self-reflection
Cautiousness becomes paralysis when action is required
The MAGIC happens when you show how strengths evolve throughout your story:
The Dormant Strength - A character doesn't know they possess it until circumstances force it out
The Misused Strength - They have the strength but are applying it in harmful ways
The Costly Strength - Using this strength requires genuine sacrifice
The Transformative Strength - This strength fundamentally changes who they are
The Shared Strength - They teach/inspire this strength in others
The Rediscovered Strength - A strength they lost faith in that returns when most needed
The Evolving Strength - A strength that changes form as the character grows
The Collaborative Strength - A strength that only emerges when combined with another character's abilities
Take your protagonist and identify:
One strength they've always had and rely on
One strength they don't know they have yet
One strength that's actually causing problems
One strength they'll need to develop to overcome the main conflict
One strength they admire in someone else
One strength they've lost and need to reclaim
These strengths work across ALL genres:
Perceptive Pattern Recognition - Seeing connections others miss
Adaptive Authenticity - Remaining true to themselves while evolving
Constructive Conflict Navigation - Using disagreement to build stronger relationships
Radical Responsibility - Owning their part in problems without self-flagellation
Generative Listening - Hearing beyond words to underlying meanings
Intentional Impact Awareness - Understanding how their actions affect others
Courageous Vulnerability - Risking rejection for authentic connection
Principled Pragmatism - Finding workable solutions that honor core values
Remember that in ANY genre, your character strengths should connect to their internal journey as much as their external conflicts. The most compelling characters have strengths that are tested, lost, rediscovered, transformed, and ultimately deepened through their story arc. 🌟
The most powerful character strengths aren't superpowers or extraordinary abilities - they're deeply human qualities taken to their most compelling expression. They're the things we recognize in ourselves but rarely develop fully. That's why they resonate so deeply with readers across all genres and age categories.
Hope this helps you craft characters with rich, nuanced strengths! Let me know if you want me to dive deeper into any of these - I could talk character development ALL DAY! 💖
~ Rin. T.
Rainy day in Kyoto
⌕ naruto: team kurenai • kiba.
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Word List: Love ⚜ Archaic Words ⚜ Greek Words for Love
Psychological Concepts Related to Love
The Physiology of Love ⚜ The 4 Kinds of Love
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Romantic Characters ⚜ Staying in Love ⚜ Showing Affection
Soulmate ⚜ Twin Flame Connection ⚜ On Intimacy
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In a Relationship...Competition ⚜ ...Insecurities ⚜ ...Red Flags
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Fantasy Romance ⚜ Gothic Romance ⚜ Love-Based Abilities
Wedding...Theme ⚜ ...Timeline ⚜ ...Vow ⚜ ...Words
Hypersexuality ⚜ For Sex Scenes...Words ⚜ ..."Beautiful" Words
Writing Tips for Sex Scenes: Part 1 ⚜ Part 2
Writing Notes for Sex Scenes: Part 1 ⚜ Part 2 ⚜ Part 3 ⚜ Part 4
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All the best with your writing!