Writing References: Sex & Love

Writing a Morally gray character

Think about their backstory, what shaped them into who they are? What do they believe in? And, most importantly, what pushes them to get out of bed every morning and keep going? These characters aren’t simple good or bad. They’re caught in the middle, in that murky, complicated space between black and white. That’s where they get interesting because they’re constantly wrestling with themselves, trying to figure out the right choice, or if the “right” choice even exists for them.

You need to show this internal battle. Imagine your character being torn between what they believe is morally right and what they actually want. This is where the real drama comes in, it’s like watching them juggle their principles with their desires in real-time. They’ll mess up, and they’ll make decisions that are sometimes questionable, but that’s what makes them human and relatable. One way to really highlight their complexity is by putting them in situations where there’s no clear answer. You know, those moments in life where everything’s kind of a mess, and you’re stuck trying to figure out what the hell you’re supposed to do? Your character should face situations like that. These gray areas create tension because readers won’t know which direction the character will go, and honestly, your character might not know either.

And don’t forget, growth is a huge part of writing a morally gray character. People aren’t static, they change based on what happens to them, and your character should too. Maybe they start off with a strong sense of morality but, over time, that starts to shift. Or maybe they start with shaky ethics and slowly become a better person as they learn from their mistakes. Growth can also go the other way, they could spiral downward, giving in to darker impulses. Either way, they need to evolve, just like people do in real life. That’s what keeps the story fresh and unpredictable. The last thing you want is a character that stays the same the whole way through.

Also, please, no stereotypes. A morally gray character doesn’t have to be a brooding anti-hero with a tragic past (unless that’s your vibe, but even then, switch it up). Give them quirks that make them unique. Maybe they have unexpected motivations, like they’re doing something shady for a cause they genuinely believe in, or they’ve got a weird sense of humor that throws people off. Whatever it is, make sure they feel like an individual, not just a copy-paste character we’ve all seen a million times.

Even when your character makes decisions that aren’t exactly clean-cut or heroic, the reader still needs to understand why. Show their vulnerabilities, why they doubt themselves, why they hesitate, and why they ultimately make the choices they do. It’s all about making them relatable, even when they’re walking that fine line between right and wrong. People might not always agree with them, but they should at least be able to see where they’re coming from.

And remember, every choice your character makes should have consequences. They don’t exist in a bubble. Their decisions should ripple out and affect not only them but the people around them. Maybe they make a selfish decision, and it ends up hurting someone they care about, or they try to do the right thing, and it blows up in their face. One last thing, just because your character lives in that gray area doesn’t mean they don’t have any sense of right or wrong. They might have their own personal code they follow, even if it doesn’t line up with society’s morals. Maybe they justify their actions in a way that makes sense to them, even if other people wouldn’t agree. It’s all about exploring that space where they’re not totally good, but not totally bad either. That’s where things get really interesting.

Think about where your character is going. Is their journey going to push them to become a better version of themselves? Will they fall back into old patterns and never really change? Or will they stay stuck in that moral gray zone, constantly torn between doing what’s right and doing what feels right for them?

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Romantic Student Things

Locking eyes in the hallway like it’s a damn movie scene, except the only soundtrack is the sound of someone dropping their binder and cursing loudly in the background.

Scribbling little notes in the margins of textbooks, but instead of love letters, they’re inside jokes and sarcastic insults that somehow make them fall harder.

That moment when they both reach for the same book in the library and freeze... her fingers brushing his, the air between them suddenly too much and not enough all at once.

Staying up way too late to study together, but absolutely failing because they keep finding excuses to talk about literally anything else except what’s actually on the exam.

Leaving anonymous notes in each other’s lockers, but instead of sweet nothings, it’s absolute nonsense like “Your hair looked aggressively good today” and “You’re dangerously close to making me fall in love with you, stop it.”

Sitting next to each other in class, acting completely normal, while their knees are pressed together under the desk and their hearts are losing their minds over it.

Having full-on mental breakdowns over finals together, only for one of them to randomly say, “I think I might love you.” Because academic stress and emotional realizations go hand in hand, apparently.

Passing handwritten notes in class, except they’re not just notes, they’re confessions hidden inside random doodles and lyrics that will mean nothing to anyone else but them.

Accidentally falling asleep next to each other while studying, and waking up to realize their hands are still tangled together like some kind of cruel joke the universe is playing on them.

Finding the one place on campus where they can be alone, an empty classroom, a forgotten stairwell, a rooftop and making it theirs. Because stolen moments always feel more real than anything else.

That absolutely insane moment when they see each other outside of school for the first time, no uniforms, no backpacks, just them, and suddenly, they’re seeing each other differently.

Staying after school to “work on a project”, but the only thing getting worked on is their ability to pretend they’re not completely, recklessly, falling for each other.

Supporting each other during nerve-wracking presentations by holding eye contact across the room, because if one of them crashes and burns, at least they’ll have company in hell.

That heart-stopping moment during graduation when they realize this might be the last time they ever get to see each other like this, in this life, in this stage, before everything changes.

Finally saying screw it and kissing in the middle of campus, because the real test wasn’t their exams, it was this.

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Body type and shape

Lean Having a slender and toned body with minimal body fat.

Muscular Having well-developed muscles and a defined physique.

Slender Having a thin and graceful body shape.

Curvy Having an hourglass figure with well-defined curves, particularly in the hips and bust.

Athletic Having a fit and muscular body, often associated with participation in sports or physical activities.

Petite Being small and slender in stature, usually referring to height and overall body size.

Voluptuous Having full and shapely curves, often emphasizing a larger bust, hips, and thighs.

Stocky Having a compact and solid build with a sturdy appearance.

Thin Having a slim and slender body shape with little body fat or muscle definition.

Well-proportioned Having balanced and harmonious body proportions, with each body part in good proportion to the whole.

Toned Having firm muscles and a defined physique resulting from regular exercise and strength training.

Chubby Having a plump or rounded body shape, often with excess body fat.

Pear-shaped Having a body shape where the hips and thighs are wider than the shoulders and bust.

Hourglass figure Having a curvy body shape characterized by a well-defined waist and proportionate bust and hips.

Apple-shaped Having a body shape where weight is primarily carried around the midsection, resulting in a broader waistline.

Broad-shouldered Having wide and well-developed shoulders in comparison to the rest of the body.

Long-limbed Having long and slender limbs in proportion to the body.

Stout Having a sturdy and robust build, often characterized by a solid and thick physique.

Plump Having a pleasantly full and rounded body shape, often indicating a higher percentage of body fat.

Tall and slender Being tall in height and having a slim and elongated body shape.

༘⋆mon's 500 followers special.ᐟ.ᐟ 500-word prompt roulette⟢

🍓┆a taste of jealousy

choi san x gn! reader

│synopsis: the one with the confession

│genre: fluff, friends to lovers

│trigger warnings: mid jealousy

│ prompt 25 + san + strawberry

Another midweek game night with your friends to unwind from your hectic schedules. Tonight, you'd volunteered to prepare snacks for everyone. The soft melody of a lo-fi playlist hummed through the speakers as you moved around the kitchen.

"Need some help with those?" Wooyoung appeared beside you, eyeing the pile of ingredients on the counter with a mischievous grin.

"Thanks," you smiled, sliding a cutting board his way. "These finger foods won't make themselves."

As Wooyoung began chopping vegetables beside you, he leaned in closer than necessary, his shoulder brushing yours. "You know what they say about the way to a man's heart..." he teased, winking at you.

You couldn't help but burst into laughter. "Is that what I'm doing? And here I thought I was just making snacks."

Wooyoung reached across you for the salt, his hand settling briefly on your waist. "Kitchen's small," he explained, "Need to get around you somehow."

"Somehow indeed," you replied with a raised eyebrow, but didn't move away.

"Open up," he said suddenly, plucking a grape from the fruit bowl and holding it to your lips. "Quality control is essential." You laughed again, opening your mouth as he popped the grape in.

What neither of you noticed was San standing in the doorway, his eyes fixed on the intimate scene. The comfortable gray hoodie he wore looked soft against his skin as he shifted his weight, jaw tightening at the sight.

As Wooyoung fed you another grape, his hand still casually resting on your waist, San cleared his throat loudly.

"Sannie!" you called, brightening at his presence. "Perfect timing. We're almost done with the snacks."

But his usual playful smile was missing, "Looks like you two have it handled," he said, voice neutral. "Yunho's setting up the board game." Before you could respond, he turned and disappeared back into the living room.

"What's his problem?" Wooyoung whispered, raising an eyebrow but still not moving his hand from your waist.

"I don't know," you frowned, gently stepping away and wiping your hands on a towel. "He's been weird all week."

Wooyoung leaned closer, lowering his voice. "Well, I'm not sticking around for whatever that was. Take these chips out when you go—and good luck." As Wooyoung slipped away to join the others, you arranged the last snacks on a tray.

When you entered the living room, San was sitting cross-legged on the floor by the coffee table, shuffling a deck of UNO cards with more force than necessary. You set the tray on the coffee table and looked at him, noticing the tense set of his shoulders as he continued to shuffle the cards. The others were engaged in conversation, seemingly oblivious to the tension between you and San. His eyes briefly flickered up to meet yours, and in that fleeting moment, you caught a glimpse of hurt. He quickly looked away, focusing intensely on the cards in his hands as if they held the answers to questions he couldn't bring himself to ask.

"Can we talk?" you finally asked looking attentively at his expression, heart racing as your eyes met. Without answering, San got up and took your hand leading you down the hallway to his bedroom, closing the door behind you both.

"What's going on?" you asked softly, noticing how he couldn't quite meet your eyes.

San ran a hand through his hair, tension rippling across his shoulders. "Can we just be direct with each other?" You nodded in answer, waiting for him to continue. "What's going on with you and Wooyoung?"

"Nothing's going on," you replied honestly, your voice softening. "Wooyoung is just being... Wooyoung. You know how he is."

"He was touching you," San stated plainly, the words hanging heavy between you. A small, conflicted frown crossed your face. This side of San was something new.

"Yes, he was," you admitted, "But he was just being playful," you continued, stepping closer to him. "San, why aren’t you looking at me?" You reached for his hand, intertwining your fingers with his, feeling his reluctant grip tighten around yours.

He let out a heavy sigh, his eyes finally meeting yours. "I..." he started, then shook his head, his grip on your hand tightening. "I can't stand watching him touch you like that," he finally confessed, words tumbling out.

You blinked in surprise, "What are you saying?"

"I didn't mean to—" he started, then stopped, looking almost defeated. "I like you," he blurted out, then immediately backtracked. "No, that's not right. I really, really like you. Have for months now, actually."

Your heart fluttered in your chest as his words sank in. "San..." you whispered, moving closer to him.

"I know he's my best friend," he continued, words rushing out now that the dam had broken. "And I know I have no right to be jealous, but I can't help it. Every time he touches you, every time you laugh at his jokes..." His voice trailed off, eyes dropping to where your hands were still intertwined. "I-I know you probably don't feel the same way. I see how you and Wooyoung get along so well, and he's funnier than me anyway, and probably better looking, and—"

"San—" you tried to interrupt, but he was on a roll.

"—and I totally understand if you want him instead. He's my best friend, and he's great, so I get it. I just couldn't keep pretending that I don't feel anything when I'm around you, and I'm sorry if this makes things weird, but—"

"San!" you tried again, louder this time.

"—I promise I won't make it awkward if you reject me. We can just forget this ever happened and go back to—"

You'd had enough. In one swift movement, you grabbed him by his hoodie and pulled him down to your level. "Kiss me and shut up," you commanded. For a moment, San froze, his eyes wide with shock. Your lips pressed against his, but you felt no response—just the stiffness of surprise as he stood there, completely stunned. You pulled back slightly, his mouth hung slightly open, his breathing shallow as he tried to process what had just happened.

"Did you just...?" he whispered, his voice trailing off as his fingertips touched his own lips in disbelief.

"Yes," you replied softly, suddenly feeling vulnerable. "Maybe I should have waited for your permission first," you finished, heart pounding in your chest with uncertainty. For what felt like an eternity but was barely a second, San remained motionless. Then, slowly, his eyes softened as he leaned in. His hands gently found your waist, touch feather-light and hesitant. When his lips finally met yours, it was tentative at first—a whisper of a kiss that asked a question. The sweet taste of your strawberry lip gloss lingered between you as he pulled back slightly, searching your eyes before continuing. His second kiss was more certain but still gentle, a tender exploration filled with relief and longing. You sighed against his lips, your fingers lightly gripping his hoodie as warmth bloomed in your chest.

"You're being ridiculous," you murmured against his lips. "I've never wanted Wooyoung."

San pulled back just enough to look into your eyes, his breathing ragged. "You don't?"

You shook your head, smiling. "How could I want anyone else when you're all I think about?

"Really? You mean it?"

You nodded. "You're the only one I want. The only one." His face softened in a way you'd never seen before, dimples appearing as his smile widened. Gently, he cupped your face with both hands, thumbs brushing over your cheeks as if you were something precious. The tenderness in his eyes made your heart skip a beat as he leaned in to kiss you again, this time with all the certainty in the world.

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20 Ways to Show Extreme Fear in Your Writing

As I dive into researching signs of fear for my horror WIP, I wanted to share some of the most compelling and visceral reactions I’ve come across. Whether you’re writing a chilling scene or crafting a character’s panic, these 20 signs of fear can help bring tension and realism to your story.

Physical Reactions

Hyperventilating — sucking in air but never feeling like it’s enough

Chest tightens — feels like a weight or hands pressing down

Limbs shaking violently, knees buckling

Complete loss of muscle control — collapsing or unable to stand

Cold sweat soaking through clothes

Heart hammering so hard they feel it in their throat or head

Tunnel vision — the world narrowing down to one terrifying focal point

Ringing in the ears or sudden deafness, like the world drops away

Dizziness / feeling faint / vision blurring

Dry mouth — unable to speak or even scream

Uncontrollable Behavior

Screaming / sobbing / gasping — involuntary vocal outbursts

Panic run — bolting without thinking, tripping over everything

Clawing at their own skin / chest / throat — like trying to escape their body

Begging / pleading out loud even if no one’s there

Repeating words or phrases — “No, no, no” / “This isn’t happening”

Hiding instinctively — diving under tables, closets, or corners

Desperate grabbing — reaching for someone, anything solid

Loss of bladder or bowel control (for extreme terror)

Total mental shutdown — frozen, slack-jawed, staring blankly

Memory blackout — later can’t recall what happened during the worst moment

Writing Notes: Habitats

Coniferous forest - Vast areas of Scandinavia, Russia, Alaska, and Canada are the site of coniferous forests—home to moose, beavers, and wolves.

Mountain - High mountain ranges have arctic climates near the peaks, where few plants grow. Animals must cope in dangerous terrain.

Savanna - These tropical grasslands with wet and dry seasons support huge herds of grazing animals and powerful predators.

Polar ice - The ice that forms on cold oceans is a refuge for animals that hunt in the water. The continental ice sheets are almost lifeless.

Tropical rainforest - The evergreen forests that grow near the equator are the richest of all biomes, with a huge diversity of plant and animal life.

Desert - Some deserts are barren rock and sand, but many support a range of plants and animals adapted to survive the dry conditions.

Tundra - These regions on the fringes of polar ice sheets thaw out in summer and attract animals such as reindeer and nesting birds.

Mediterranean - Dry scrub regions, such as around the Mediterranean, are home to a rich insect life and drought-resistant shrubs and plants.

Temperate grassland - The dry, grassy prairies with hot summers and cold winters, support grazing herds such as antelope and bison.

Deciduous forest - In cool, moist regions, many trees grow fast in summer but lose their leaves in winter. The wildlife here changes with the seasons.

Animals, plants, and all living things are adapted to life in their natural surroundings. These environments are called habitats.

Every living species on Earth has its own favored habitat, which it shares with others. These different species interact with each other and with their natural environment—be it hot or cold, wet or dry—to create a web of life called an ecosystem.

Some ecosystems are very small, but others such as rainforests or deserts cover huge areas. These are called biomes.

Life on Land

Different climates create different types of habitats for life on land. Warm, wet places grow lush forests, for example, while hot, dry regions develop deserts. Each biome consists of many smaller habitats and, in many areas, human activity such as farming has completely changed their character.

Source ⚜ More: Writing Notes & References ⚜ Worldbuilding