hang on I’m trying to see something
don’t tell me the name of your pet, just tell me in the tags the name you call them that’s got nothing to do with their actual name
Oh, haha- I was gonna request unhinged/creepy Sun- but you beat me to it! Already drawn 😁
Hehehe
Here he goes crazy again
@roach-works // Melissa Broder, "Problem Area" // Mary Oliver, "The Return" // @annavonsyfert // Koyoharu Gotouge, Demon Slayer // Haruki Murakami, Dance Dance Dance // David Levithan, How They Met and Other Stories // Tennessee Williams, Notebooks
Godwyn the Golden: Prince of Death
I don’t know why but death and godwyn lore in elden ring has enraptured me the past week. My favorite theory is that while his soul is dead, his mind/brain along with his body is still alive and he’s aware of what’s happening to him. It’s so perfectly fucked up.
Face close up under the cut
Alright.
You ready for a hard 'tag your oc' challenge?
Tag an oc who doesn't have childhood trauma. At all. Who's family is still alive.
I'll wait.
I wish the person who decided to give us a close up look at Astarion's face when we're entering the dialogue, a very pleasant day :)
For all you Messmer writers/artists fighting with his Shakespearean speech: this guide is straightforward and has multiple parts if you click around. Here’s a small chart with terms of address, examples of word order/basic questions, and some verbs.
Here’s a simple explanation of “-eth” and “-est” verb endings.
Ranni and several other characters also speak this way or in a similar fashion. Something to note is that “you” was used by lower-ranking people to address those of a higher rank/status, and “thou/thee” by higher-ranking people to address those of a lower rank/status. Alternatively, nobles used “you” amongst themselves, which adds some flavor to dialogue.
A lot of Shakespearean dialogue is meant to showcase how performative and ridiculous the nobility or upper-classes were during his time (and still is nothing changed lmao). There are tons of Shakespearean dictionaries as well; a lot of words we use today meant something entirely different then, or had different contextual interpretations. It’s meant to sound flowery and has a particular cadence that I recommend listening to as well. Find a good reading on YouTube and really listen to how the words fit against each other. No, you don’t have to write in metered verse (sweats in iambic pentameter) or rhymed prose, but it helps develop dialogue that flows and feels more natural when you can imagine how it sounds as you write.
Here’s a glossary. Have fun with it, don’t let it roll you. Weak foe ahead.
when will it be my turn for a robot to die above my body while protecting me
Hello! I'll post my writing here whenever I finish them. Find me at Ao3
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