Writing Worksheets & Templates

"If I don't reply by tomorrow, then consider me dead." It's been two years since you got that message, and you haven't seen them since. Suddenly, your phone lights up: "Sorry, that took longer than I thought."

Two lovers have reincarnated throughout history, destined to find each other and fall in love all over again. There’s also this third guy that reincarnates alongside them… we don’t really know what he does.

"That's the problem with you heroes. All you ever do is react. You fight the symptoms of disease and act as though that's the same as treating it's source."

"Spare me the speech, alright?"

Showing 'Anger' in Writing

Clenched fists and knuckles turning white.

Eyes narrowing to slits, brows furrowed.

Jaw muscles tensing visibly.

Speaking through gritted teeth.

Taking deep, sharp breaths.

Pacing back and forth, unable to stay still.

Pointing a finger accusingly.

Voice raising to a shout or a growl.

Kicking or punching nearby objects.

Lips pressed together in a thin line.

Rapid, agitated movements.

Slamming doors or throwing objects.

Standing with arms crossed tightly.

Glaring intensely without blinking.

Face turning red or flushed.

Breathing heavily and erratically.

Snapping at others for minor things.

Shaking with barely contained rage.

Muttering or growling under their breath.

Eyes blazing with fury.

Tips for writing those gala scenes, from someone who goes to them occasionally:

Generally you unbutton and re-button a suit coat when you sit down and stand up.

You’re supposed to hold wine or champagne glasses by the stem to avoid warming up the liquid inside. A character out of their depth might hold the glass around the sides instead.

When rich/important people forget your name and they’re drunk, they usually just tell you that they don’t remember or completely skip over any opportunity to use your name so they don’t look silly.

A good way to indicate you don’t want to shake someone’s hand at an event is to hold a drink in your right hand (and if you’re a woman, a purse in the other so you definitely can’t shift the glass to another hand and then shake)

Americans who still kiss cheeks as a welcome generally don’t press lips to cheeks, it’s more of a touch of cheek to cheek or even a hover (these days, mostly to avoid smudging a woman’s makeup)

The distinctions between dress codes (black tie, cocktail, etc) are very intricate but obvious to those who know how to look. If you wear a short skirt to a black tie event for example, people would clock that instantly even if the dress itself was very formal. Same thing goes for certain articles of men’s clothing.

Open bars / cash bars at events usually carry limited options. They’re meant to serve lots of people very quickly, so nobody is getting a cosmo or a Manhattan etc.

Members of the press generally aren’t allowed to freely circulate at nicer galas/events without a very good reason. When they do, they need to identify themselves before talking with someone.

Miscommunication Prompts

A character avoids eye contact because they’re nervous, making the other believe they’re hiding something.

A character mistakes someone’s distraction for boredom, assuming they’re not interesting enough.

A character misinterprets kindness as pity, making them defensive.

A character uses a phrase that has multiple interpretations, and the listener takes it in the worst possible way. (“I took care of him.” “You WHAT?”)

A character pulls a harmless prank that spirals out of control until it’s too late to take it back.

The audience knows that two characters are talking about completely different things, but neither of them realises it (dramatic irony).

A character gives a vague or hesitant response out of nervousness, and the other person takes it as rejection.

A text or letter meant for one person gets sent to the absolute worst possible recipient.

A character asks another to do something simple, but their interpretation is wildly different.

Two characters remember an event completely differently, leading to an argument where both are convinced they’re right, but what actually happened is something neither of them recall correctly.

Someone shrinks away from a touch due to past trauma, but the other person assumes it means rejection.

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Neurodivergent assassin who very casually uses their weapons as stim.

Turning on and off the safety of their gun. Tapping and spinning their dagger. Watching the poison in the vial move as they flip in and then back.

Nobody says anything because...well they're an assassin.

Turns on safety, presses trigger, turns off safety repeat.

People around them are in constant fear.

Chewing the end of their poison tipped dagger when they try to figure out a plan.

Wash their hands too much cause they don't like how sticky blood is.

However overtime it becomes a weird single to others.

Everyone is anxious trying to figure something out and they hear a little "click click" and it's just slightly calming to know that they have this person there and they are thinking of a plan.

Someone hands them a drink but it flows just a little too weird and they are like, "hmm that's poison" then chuck it because they have built up immunity.

No table that doesn't have something carved into it.

Never a situation where they don't have enough bullets because this person takes out the cartridge and puts it back as stim.

They take apart their guns and put them back over time being crazy fast and efficient with it.

Just give me a neurodivergent assassin/spy.

You've been chosen as this decade's sacrifice to the Forest God. Everyone believes the sacrifices are simply eaten. You learned the truth—and know why no one wants to return to the village.

20 Flirty Remarks to Build Romantic Tension Without Being Overbearing

Feeling stuck trying to give your characters a good flirty one-liner that doesn't sound cringe/overdone? Here are 20 ideas/dialogue prompts for you (that I may or may not have stolen from my own books): 

“I must warn you: you have a dangerous effect on my heart rate.” / "You have no idea what you're doing to my heart right now."

"If I said I wasn’t thinking about you, I’d be lying. And I’m a terrible liar."

"You know, I could get lost in those eyes, but I'd probably trip over my words trying to find my way back." (could also double as description/inner monologue).

“I can’t tell if you’re really charming or if I’m just easily charmed.”

“You have a knack for making me forget what I was going to say. It’s kind of impressive/infuriating.”

“I think you owe me a drink. When I saw you, I dropped mine.”

“I’ve been trying to find the perfect excuse to hang out, but I keep forgetting everything when I’m around you.”

“I bet you get away with a lot of trouble with that smile.”

“You must be a magician because every time you walk in, everyone else disappears.” (The right character could pull it off I swear)

"I’ve been trying to think of something clever to say, but all my brain can come up with is how much I want to (kiss) you."

"I saw that little glance—you’re not as sneaky as you think."

"How do you manage to make even the most mundane things sound exciting?"

"You do this cute thing with your hands when you’re nervous, you know?"

“One more word, and I might just have to kiss you.”

"Finally, there's that pretty smile of yours. I've been waiting for it all day."

"You keep staring—should I be flattered?" / "Keep looking at me like that and I might start thinking you have a crush on me."

"Do you have any idea how fun it is to watch you try to keep a straight face?"

"I’m pretty sure you could charm the socks off anyone, but I’d like to keep mine on for now."

"If laughter is the best medicine, then I’m pretty sure you’re my favorite doctor."

"Is it bad that I kind of like the way you’re trying to mess with me?"

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most important part of the writing process actually is when you loop a single song on max volume and stare at the word document and imagine the characters doing things for 14 hours. this is known as getting in the zone