"You Don't Know Me. I'm Not The Same Person Anymore."

Showing 'Anger' in Writing

Clenched fists and knuckles turning white.

Eyes narrowing to slits, brows furrowed.

Jaw muscles tensing visibly.

Speaking through gritted teeth.

Taking deep, sharp breaths.

Pacing back and forth, unable to stay still.

Pointing a finger accusingly.

Voice raising to a shout or a growl.

Kicking or punching nearby objects.

Lips pressed together in a thin line.

Rapid, agitated movements.

Slamming doors or throwing objects.

Standing with arms crossed tightly.

Glaring intensely without blinking.

Face turning red or flushed.

Breathing heavily and erratically.

Snapping at others for minor things.

Shaking with barely contained rage.

Muttering or growling under their breath.

Eyes blazing with fury.

A horrible monster has been following you for a while now. It finally has you cornered. You hear it speak. "Master… I've finally found you…"

"I knew you were notorious, but how is it we've managed to run into a different enemy of yours wherever we go?"

"Ah, the consequences of living a long, full life."

Miscommunication Prompts

A character avoids eye contact because they’re nervous, making the other believe they’re hiding something.

A character mistakes someone’s distraction for boredom, assuming they’re not interesting enough.

A character misinterprets kindness as pity, making them defensive.

A character uses a phrase that has multiple interpretations, and the listener takes it in the worst possible way. (“I took care of him.” “You WHAT?”)

A character pulls a harmless prank that spirals out of control until it’s too late to take it back.

The audience knows that two characters are talking about completely different things, but neither of them realises it (dramatic irony).

A character gives a vague or hesitant response out of nervousness, and the other person takes it as rejection.

A text or letter meant for one person gets sent to the absolute worst possible recipient.

A character asks another to do something simple, but their interpretation is wildly different.

Two characters remember an event completely differently, leading to an argument where both are convinced they’re right, but what actually happened is something neither of them recall correctly.

Someone shrinks away from a touch due to past trauma, but the other person assumes it means rejection.

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Yay, unsolicited advice time! Or, not really advice, more like miscellaneous tips and tricks, because if there's one thing eight years of martial arts has equipped me to write, it's fight scenes.

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Fun things to add to a fight scene (hand to hand edition)

It's not uncommon for two people to kick at the same time and smack their shins together, or for one person to block a kick with their shin. This is called a shin lock and it HURTS like a BITCH. You can be limping for the rest of the fight if you do it hard enough.

If your character is mean and short, they can block kicks with the tip of their elbow, which hurts the other guy a lot more and them a lot less

Headbutts are a quick way to give yourself a concussion

If a character has had many concussions, they will be easier to knock out. This is called glass jaw.

Bad places to get hit that aren't the groin: solar plexus, liver, back of the head, side of the thigh (a lot of leg kicks aim for this because if it connects, your opponent will be limping)

Give your character a fighting style. It helps establish their personality and physicality. Are they a grappler? Do they prefer kicks or fighting up close? How well trained are they?

Your scalp bleeds a lot and this can get in your eyes, blinding you

If you get hit in the nose, your eyes water

Adrenaline's a hell of a drug. Most of the time, you're not going to know how badly you've been hurt until after the fact

Even with good technique, it's really easy to break toes and fingers

Blocking hurts, dodging doesn't

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Just thought these might be useful! If you want a more comprehensive guide or a weapons edition, feel free to ask. If you want, write how your characters fight in the comments!

Have a bitchin day <3

A monster forcefully switches places with you. You become a horrible creature, and the monster assumes your form. Unfortunately for the monster, your life absolutely sucks—and you have no intention of swapping back.

Two lovers have reincarnated throughout history, destined to find each other and fall in love all over again. There’s also this third guy that reincarnates alongside them… we don’t really know what he does.

"good story ideas seem to come quite literally from nowhere...two previously unrelated ideas come together and make something new under the sun. Your job isn't to find these ideas but to recognize them when they show up."

Stephen King, On Writing, page 37

Some spins on the "mostly male team with a token woman" trope:

The woman is trans and stayed in her old circle of bros even after transition

The woman is the only one in her circle of "girls" who didn't turn out to be a trans man

Soft Gestures for Comfort

Bringing them a blanket when they’re curled up on the couch.

Whispering, "It’s okay, I’m here," when they wake up from a bad dream.

Stroking their hair gently when they’re lying on your lap.

Running a warm bath for them after a tough day.

Holding them close and saying, "I’ve got you," when they’re upset.

Preparing their favorite comfort food when they’re feeling low.

Turning off their alarm and letting them sleep in when they’re exhausted.

Reading their favorite book to them before bed.

Playing their favorite soothing music to help them relax.

Just sitting in silence with them, letting them know your presence is their safe space.