I'm Trying To Prove A Point.

A Mysterious Thing Called "The Heart": Akutagawa’s Evolution in Bungo Stray Dogs and again not too detailed but a lot of THOUGHTS

In the latest chapters of Bungo Stray Dogs, Akutagawa Ryuunosuke’s character arc has reached a profound turning point (well it usually does, he has a slow and gradual and good development.) After losing his memories or so it seems, he only regains them in the wake of Atsushi’s self-sacrifice, an event that carries immense weight given their history. This development not only ties back to recurring themes in Akutagawa’s story but also resonates with Asagiri’s earlier work on him, particularly the short story The Heartless Cur. The significance of this title alone—"cur" referring to a stray dog, an outcast—echoes his core struggle with identity, worth, and the pursuit of strength. Now, with the latest manga title, A Mysterious Thing Called "The Heart", we see the final steps of this journey: the realization of what it means to protect, to be selfless, and to truly understand one’s own heart.

The Struggle for Worth: From The Heartless Cur to not quite understanding The Mysterious Heart

Akutagawa has long been plagued by the idea that only the strong have value. His harsh upbringing in the slums and Dazai’s ruthless mentorship reinforced this belief, leading him to adopt a mindset where power dictated one’s worth. The Heartless Cur explores this concept deeply, portraying Akutagawa as someone whose existence is defined by violence and survival. The title itself suggests a being without purpose beyond its primal instincts—an apt metaphor for the way Akutagawa saw himself.

Yet, in the present timeline, something shifts. Akutagawa’s repeated confrontations with Atsushi force him to acknowledge a different kind of strength—one rooted not in destruction and not just in protection, but from within oneself. This realization is crucial, as it reframes his view on what it means to live and fight, and importantly get rid of the Dazai obsession to which I am glad he lost that coat, which to me in a way is like the "watch" in beast for Atsushi. The title of the newest chapter, A Mysterious Thing Called "The Heart", directly contrasts his previous mindset. Where once he believed himself heartless, unworthy, and merely a weapon, he now finds himself understanding the weight of sacrifice, the worth of another’s life, and, ultimately, the meaning of his own (hopefully asagiri doesn't mess this up, but I believe in him so I'm sure all will turn out great just with a lot of lore dump and excessive plot armor with no deaths until wayyy later on. Ahem, but anyways.)

From Selfishness to Selflessness: The Parallel Between Akutagawa and Atsushi

One of the most striking aspects of Akutagawa’s sacrifice is how it mirrors Atsushi’s own. Both characters have operated on deeply ingrained selfish desires—Akutagawa seeking validation through strength, Atsushi yearning for affirmation that he deserves to live through saving. Now I know I mentioned this before, and I keep mentioning it, because to me its important to add. Their growth has always been intertwined, clashing and evolving through their battles. However, the defining moment of Akutagawa’s return to consciousness—when Atsushi sacrifices himself and repeats Akutagawa’s words—highlights a crucial transformation: their shift from selfishness to selflessness. In both of them in a way, even if Atsushi has put his life on the line to save others before it was not quite like he did here, without activating his ability (we're not sure if he really could or couldn't in the moment but lets add that here anyways.) to save Akutagawa at the expense of his own life and survival just as Akutagawa did for him, sacrificing his own life, his own selfish need for survival even if he stated he does not mind death for the knowing the value of anothers' life. I know I said this before too but just let me write.

It’s a moment of complete reversal and similarity as these Yin-Yang boys have always shown, proving that the rival enemies have truly come to understand each other. Akutagawa regaining his memories at this precise moment reinforces the idea that it was just that big of a deal and how impactful his own sacrifice and development was and it shows the same for Atsushi.

The Role of Rashomon: A Shield and a Blade

Rashomon has always been more than just an offensive ability. While it is known for its terrifying destructive power, its defensive capabilities reveal another side of Akutagawa’s character. This duality—destruction and protection—mirrors his own self. Initially, he wielded Rashomon purely as a weapon of aggression, but as he evolved, so too did his ability’s purpose. When he shields not just Rashomon shielding himself but when he raises his blade for others, this is a huge change - though I believe Knight Aku has much to explain especially I hope asagiri tells us if this is a singularity of bram and akutagawa or not. Which may take months. 

This theme of protection is not new. In 55 Minutes, after dying in flames, Akutagawa retained memories that should have been erased—a testament to how deeply certain experiences impact him. Likewise, in his vampire state, he still exhibited a sense of control, sparing Aya and ultimately keeping his promise despite being under mind control. Now I know when it said the heartless dog/emotionless child felt emotion for the first time it was hatred before going on that killing spree. But after all this it does show. These moments underscore a crucial truth: Akutagawa has always had a heart, even when he believed himself heartless or is shown to be.  (I will write more on this in another post, I know I keep saying that too, but it will happen and it will have to do with an interesting thing of Akutagawa's character being written and possibly shown in the "Rashomon Effect" you can research it if you don't know it already.)

The Weight of Words: From the Trembling Dark World

Akutagawa’s theme song, From the Trembling Dark World, captures the essence of his character’s struggles at least what they used to be. The lyrics paint a picture of someone who has always been fighting—against the world, against himself, against the fear of being weak:

"A longing as strong as 

A reason to live even when I’m unable to breathe

From the trembling dark world, always." It may not specifically be his reason to live but this says its "a longing as strong as a reason to live." This reflects the pain and determination that have defined his journey. The idea of pressing forward despite suffering is central to his story, but not just that but it shows just how important again that longing for approval and to be told he is strong and worthy to live is, which we all know funnily enough is what he mocked atsushi for before. Though they are so the same and different and I could go on forever about every little detail of their sentences to each other but not now, unfortunately. Another significant line is:

"Unreachable no matter how much I writhe."

Dazai’s influence is evident here (when is it not when it comes to Akutagawa?). Akutagawa was shaped by the expectation that he had to be strong to matter, that to stop moving forward was to be left behind. Yet, the lyrics also suggest a yearning for something beyond this endless struggle.

The song’s repetitive line is particularly poignant:

"Weak, weak and it's not enough."

This shows us a lot, or well kind of, within the last chapter in the manga and besides his endless yearning for strength and Dazais acknowledgement which is meant by this line in the song back probably around 8 or more years ago... His willingness to die not for power or recognition but for someone else’s survival is the ultimate proof that he has changed. The once "heartless cur" has found his heart—not in words, but in action. Funnily enough before he died he had a nice conversation with Fukuchi on what his last words would be, and he said he prefers actions, but what do we get... "Away with you...you fool." 

Lets also not forget how important this cycles and webs are of connection, manipulation, abuse etc. But considering that, remember how Akutagawa threatened Kyouka with getting thrown into a dark world/slums? How he described it... Well I need to re-read and get a better perspective or coherent thoughts on it but I'm sure it was said that Dazai threatened him with the same thing, to be sent back if he didn't do good. Which would of course make Akutagawa all the more "grateful" for being taken in and trained to be "strong" because like he's seen all his life only the strong survive, and the worthy get to live at the "top" of the world. Its funny how this kind of even gets added into his likes as the things he likes are very refined so to say, to show he is no longer down there. But I see how Dazai probably saw a piece of himself in Akutagawa, killing, empty eyes, looking for a reason to live - and decided to try and give him one in the way he knew too. At that time Dazai was in the Port Mafia he was a very different Dazai from the ADA one, his methods and his ideas...all quite different that its obvious what happened there with him and Akutagawa. And how Akutagawa saw himself in Kyoula (interesting she was 11 or around there when she joined wasn't it or was it 12-13? similarly to when dazai found Akutagawa) he said he saw the same eyes he knows, because he too had the same eyes. But now she has found the light, and a reason for living besides killing, a place to belong that doesn't hurt her constantly. (While he got that yes, but the place he belonged was void of the person he was waiting for approval from, and it definitely did not help in his mental state and health or help him much in any ways as the ADA did for Kyouka as we see his eyes are still the same, dark but now with determination.

Also a random mention to later chapters just because Akutagawas eyes are important to me (as everything in his character is important to me.) 

And perhaps, in the end, he was never truly heartless—he just needed someone to remind him that his heart was always there, waiting to be acknowledged. Kind of like Yosano who was used for her ability, but never had her kindness acknowledged until Ranpo invited her to the Agency. 

(Also random thing to add but I enjoy canon way too much to consume too much fanon content so I prefer keeping away most of the time so I can keep my thoughts and theories/analysis of things clear and to do with canon so things don't get blurred or messed up or have mischaracterization or information errors. But if you do find any or have anything to say about it please do.)

I wrote before about his eyes in another post probably twice or more times as I always like mentioning it... But just to add:

On a side note I feel like Harukawa was talking about Tanizaki who we know will soon probably have more relevance with Naomi or something.

His eyes always turn completely dark. And he was said to be good enough to be in the mafia before. Not to mention when Yosano said she wouldn't go back he offered to go. And reading back Harukawa said that mostly those in the PM are like this. But anyways. Hope the rambling ended up alright, I'll end the series of thoughts and analyzing for now.

~ Hope your brain isn't as fried as mine, end of The Akutagawa Fan, Charkoala, Caldera posting until the next few hours.

Bsd is such an interesting subset of series to me, because it's the type of series where, if you like it, we can sit here for hours and hours talking about the all the characters, the depth, the trauma, the emotion, the significance in the coats, the yin yang symbolism, "away with you, you fool," skk, etc.

But if you don't like it, then you will think it's a badly written silly little detective anime, and I cannot convince you otherwise.

i think this is the only series that could manage to fit all these tags and then some. like where's "detectives" and "time travel"?

There's something so interesting about how the ADA is associated with cats the PM is compared to dogs.

How there's Atsushi, who is quite literally a cat (sorry, tiger). How Fukuzawa, the president of the Agency, is obsessed with cats and caring for them.

While characters in the Mafia are dogs. There's Akutagawa, the Rabid Dog of the port mafia. Chuuya, who's loyalty could be considered dogmatic. Who literally wears a choker, or "dog collar."

And then there's the fact that Odasaku constantly compares Dazai to a cat, especially in The Day I Picked Up Dazai. Like a subtle hint that Dazai doesn't belong with the Mafia. As a matter of fact, he hates dogs. He belongs with the Agency, the ones who are associated with cats.

Chapter 121.5 reaction cuz why not.

Spoilers for chapter 121.5.

THE THING HE SAID THE THING-

They make me feral, crazy. Literally screamed. Looks like the power of totally-not-gay-dying-for-your-rival-and-the-person-you-totally- hate-the-most-in-the-world-worked.

Not dead?? what a shocker...

Also, love Atsushi in this moment. "And the most important reason why I did this was because I literally have no other ideas and also I'm going crazy so totally-not-gay-dying-to-protect-the-person-I-hate seemed like the best idea at this moment."

Same place we've been for years, Atsushi, hasn't changed

Obviously, we all knew that, keep up Atsushi, I mean, perfectly clear.

This is random, but I kinda like how it shows Dazai "striding" like he's totally chill with what's going on and I imagine in Atsushi's brain rn it's like "step yep I know how to walk and that's about the only thing I can remember right now so I'm just gonna do that."

SOMEONE GIVE THIS POOR BABY A WARM BOWL OF CHAZUKE AND A HUG, SOMEONE DO IT RIGHT NOW.

Uhm. K. Well, that was a roller coaster. Also, I really don't think having Atsushi relive his past trauma is gonna help rn, we're trying to minimize the breakdowns, feeling strongly to remember the director doesn't feel like the best of ideas right now Dazai, but that might just be me. I mean what's one more emotional breakdown amirite-

And nowwww, we wait.

Concept: After the Guild arc, the news wants to do a live interview with the people directly responsible for stopping the Moby Dick from crashing and saving the city.

AKA. Atsushi and Akutagawa

It takes a bit of deliberation on both parts, but the Agency and Mafia eventually agree, because they feel it will be good PR.

They both get trained, as well as doing some join practices, for how to speak on live tv and not sound like they want to kill each other.

On the actual day of the interview, Atsushi and Akutagawa are there on screen, Dazai and Chuuya are behind the camera to guide their respective orphan's and get them to smile more (or in Akutagawa's case, look a little bit less like he wants to murder the camera), and Mori and Fukuzawa are there as the leaders of the organizations.

So. Three generations of skk under roof while the tv is live? What could possibly go wrong?

(hint the answer is everything)

lol I was rereading Untold Origins, and the whole thing about Ranpo believing he's an ability user is actually so funny, cause the whole time in the present it's sort of made out to be this mystery why he thinks that, what's the deal with the glasses, why did the President, a man who is really calm and wise in our timeline, tell him he was an ability user, there must be some sort of deep explanation for this.

And then Untold Origins is just Fukuzawa have five mental breakdowns, just barely containing himself from tossing Ranpo into the ocean multiple times, and he was literally making schtuff up as he went along. He told Ranpo his "ability" could only be activated through some object, but didn't get far enough as to what it would be. Told him they were more or less "magic" when he got them for cheap from some store, literally knocked him out and went "behold, you are in a new world. Everyone else is stupid. They're babies. You and you alone are smart" and immediately gave this fourteen year old boy a god complex, and every moment afterwards he's just sitting there like "kill me, please someone kill me." Was about to tell him the truth but then Ranpo started blabbering about it to everyone and Fukuzawa was like "ok, I guess I'm taking this secret to my grave now." He's so underratedly funny.

I always find it funny how the Port Mafia was introduced like they were the ultimate evil and at this point, they're practically the good guys. The Agency and Port Mafia's relationship truly is the embodiment of "The enemy of my enemy is my Thematic Parallel™"

"Atsushi is a cinnamon roll ray of sunshine."

WRONG.

Atsushi is a little sass who would do anything he needs to in order to survive. He saved dazai (when he intended to rob him )and then was upset he wouldn't thank him.

He shoved over the trash can in the second episode and basically told dazai to khs.

He had knowledge of the future, a future where four million people were going to die, and deliberately used that knowledge just to mess with Dazai because he could.

He will call you out on your flaws and judge you for them. Sure he's nice and a people pleaser a lot of the time, but inside, he's a little judgy sass and we love him all the more for it.

"Oh my math teacher on the news wanted for mass murder. Who said math teachers are boring?"