If You're An Artist Looking To Diversify Your Faces:

HOW NOT TO DRAW ARCHERY: AN ART TUTORIAL.

DISCLAIMER: I was going to make this “how to draw archery”, but that would probably have taken the rest of my life. This is all stuff I’ve learned from practicing archery in the past, and the tips I’ve given should translate to many, if not all styles of archery. If you take issue with any of the information given here please contact me, as I’m aware I’m not an expert!

Okay, I’ve seen too many bad drawings of archery online. Most of the time I can overlook it, but I’ve made this guide to address drawings where a) the character would hurt/maim themselves if they shot like that, or b) if you tried to shoot like that, the arrow would just make a sad trajectory to the ground, the aerodynamic equivalent of a “WAH-WAH” on a trumpet.

With this in mind:

POINT ONE: WHY IS YOUR ARM LIKE THAT

If successful archery is about one thing, it is about consistency - being able to make your body take exactly the same stance over and over and over again. Your body is a key part of the weapon, and just as you wouldn’t want a gun that had components that wobbled and shifted, you don’t want your body to.

With this in mind, characters shooting, particularly at full draw (this is when the arm pulling the string is stretched all the way back), should have the arm that is holding the bow straight. Not locked - I’ll get into that - but straight. A straight arm is easy to replicate - a bent arm could be at a different angle each time. Simple as that.

POINT TWO: DON’T SHOOT YOUR TIT OFF

See this diagram

the dotted line is the path the string will take. The string is extremely tight - it has to be for the bow to work. It will therefore move extremely fast. Do you want any part of your body to be in the way of that.

if you have any part of your body (elbows and breasts/pectoral muscles tend to be the worst offenders) in the line of the string, they will get hit. And this will hurt. A LOT. Google “archery bruise” to see how. Yikes. Furthermore, if your arm or chest gets in the way, it’ll knock the arrow off course, and in addition to having sliced your nipple off you’ll have missed your shot too. So KEEP STUFF OUT OF THE PATH OF THE STRING.

side note: this is where the myth of amazons chopping their boobs off came from. Also, why archers sometimes wear chest-guards - this looks like a one-cupped unisex bra. Stylish. Also why archers often wear protective gear called a bracer. This goes on the tender inside of the arm and wrist that might get clipped by the string, not the outside that is nowhere near it.

POINT THREE: WHAT ARE YOU DOING WITH YOUR FINGERS STOP THAT

Okay I keep seeing this

Having the fingers clasping the arrow like this makes it highly likely that the pressure from them will send the arrow off-course.

Many modern bows have an arrow rest so you needn’t rest the arrow on your hand at all. If that isn’t the case, it works better to rest the arrow on the first knuckle of the index finger (where it meets the hand). If it’s just being used as a platform, the finger shouldn’t be able to exert enough pressure to make the shot go all over the place. Also you won’t end up shredding your fingers with the fletchings.

Talking of that…

POINT FOUR: DON’T SLICE YOUR FINGERS OFF

remember what I said earlier about how incredibly taut bowstrings are

imagine pulling that back with your soft fleshy fingers

it is basically like cheesewire through…soft fleshy fingers.

Use protection. Illustrated below are the tab and archery glove, or just go to google or something, stop the madness.

POINT FIVE: PHYSICS DOESN’T WORK LIKE THAT

A strung bow is taut. The body of the bow is pulled by the (very tight) string, making a D shape. An unstrung bow will be straighter.

The tension in the string means a string should always be a straight line. If the bow is drawn, it’s two straight lines. 

If there is any curve in the string, the arrow will probably fall limply to the floor.

ALSO. When the string is drawn back, it exerts more pressure on the bow, creating that really exaggerated curve. This is where the power comes from. (I think. I am not physics). Basically, if you’re drawing a character at full draw, the string should be straight and the bow should be curved. If the opposite is true something very wrong has happened and you should be sad.

OKAY! I hope this has been helpful, if you have any questions or concerns let me know. And if in doubt, doctor google will help you - look at olympic or professional archers, and see how they’re standing and how their bows behave.

GOOD LUCK DRAWING!

This nature photography blog is wonderful for references

“Water painting tutorial” by Dżun

Just a little guide. It really bugs me when I see people make those mistakes and it irks me even more when I see people make those mistakes even tho they wear glasses themselves :B

source

Balmain F/W 2016 Menswear Paris Fashion Week

Animated Glitch - Photoshop Action

This Action will generate a video sequence of animated glitch effects from your photos, logo or artwork. The effects are packed in clips and are easy to edit in the Timeline of Photoshop, in few clicks you’ll be able to make many variations and then export the file as a normal image, animated gif or video!

Download it here: http://bit.ly/glitchps

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Check this other cool effect: graphicdesignblg.com/post/130011794003/

Fan Bingbing in Cannes 2015. 范冰冰工作室

Rapier with Scabbard

Dated: 1575-1583

Geography: made in Dresden, Saxony, Germany, Europe

Medium: engraved steel [blade]; blackened iron, pierced and engraved silver, wood, silver wire [hilt]; pierced and engraved silver, wood, leather [scabbard]

Measurements: pommel: 2 ½ × 2 13/16 inches (6.3 × 7.1 cm); blade: 11/16 × 42 3/8 inches (1.8 × 107.6 cm); width (quillons): 9 15/16 inches (25.2 cm); depth: 5 13/16 inches (14.8 cm); scabbard: 2 ½ inches × 7/8 inches × 3 feet 2 ½ inches, 8.1 ounces (6.4 × 2.3 × 97.8 cm, 230g)

The blade of the sword was made by bladesmith Andrea Ferrara, Italian (active Belluno), active 1550 - 1583. The sword features silver mounts of rapier and scabbard probably by silversmith Wendel unter den Linden, German (active Dresden), active 1566 - 1593, died before 1610.

Source: Copyright © 2016 Philadelphia Museum of Art