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Literally the last two episodes of book of boba could have been the start to a new season for mandalorian, we weren’t happy with last episode so u guys panicked and put three favorite characters EXCEPT THE ONE WE WANT into this episode! PAY ATTENTION TO UR FANS
something i drew in the middle of the night after watching mando s2 ep 7
Disney you didn't warn us we gonna cry like bitches, OK?
#canyoujusthearmescreaming
Forgive me if these thoughts are less coherent than usually, I'm pretty freaking tired atm. Thoughts are as much in order as I can manage.
Firstly, this episode was a much needed, lower emotionally charged break from the last...seven episodes of the season. The thing about stories is that they can't be running at warp 9 the entire time. It will burn your audience out. Heck, I'm at a lower energy, transitiatory part of my long fic. So yeah, this episode didn't cause the emotional damage and stress that the last 7 did, but that's a good thing.
Omega has the neurodivergent ✨️leg jiggle✨️
Poor dear needs a hug and for someone to free the Tantiss clones.
PHEE MY QUEEN
Crosshair's face when Omega says 'liberator of ancient wonders' I love him.
Okay, I know that a lot of people are upset about Phee not being more emotional about Tech. I've got a few thoughts on that. My expectations going into the scene with her was that she wasn't going to be mentioning Tech. So when she did, I was really happy. She doesn't need to bring him up in the conversation, but she does.
So let's dive a little deeper into this. There are only two people who have brought up Tech without any prompting so far: Echo and Phee. Omega only mentions him when it's a direct answer to Crosshair's question. Hunter, Crosshair, and Wrecker have not mentioned him once by name. Now, I think this is because Echo and Phee have both known loss and know better how to handle it. The rest of the Batch hasn't, before Tech. We have watched practically all of Echo's loss, but not Phee's. However, we know that Pabu is a place for refugees, which Phee likely is. She's lost at least a home, if not family and friends. Add on top of that Phee is just in general a world wide person, and I think we can assume that she's someone who's got a more healthy way of processing grief than our emotionally stunted soldiers.
Something that you do with people that you've loved and lost is remember them. That's what I see Phee doing here. She's managed to process her grief in the last 4 months, and she's keeping the memory of someone she cared about alive by mentioning him in conversation.
So yeah. I liked that scene and it warmed my Tech/Phee loving heart.
Anyways,
Oooooh Fennec!!!
I love Crosshair not knowing anything but it also makes me sad.
Hunter: try to get Crosshair to get his hand looked at
Omega: what do you mean 'try'
Thoughts on Crosshair and Omega scenes:
What did my poor boy go through????
Poor man is probably resisting the idea that it's in his head because he already HAD a thing in his head that ruined his life
Omega: you don't like anything
Crosshair: true
Your honor I would die for them. Also I find his 'true' to be a little sad (and adorable)
OMG THEY'RE MEDITATING (and they have somehow stolen YET ANOTHER thing from my fic, this time before I've even gotten past the concept stage)
Omega: you missed a lot
Crosshair: I know
He's thinking of Tech in that moment.
Oh my gosh her hand on his and how he lets her move his hand THEY ARE TRYING TO KILL ME.
The Bad Batch says take care of your mental
Thoughts about Space Everglades:
I really loved Wrecker this episode. He really got to shine. He has the most banter with Fennec, he gets to do his demo thing, he freaking curb stomps space alligators, and he's the MVP in getting the bug man. It was really nice. Also, 'YOU HEARD ME!!!!' Let Wrecker go feral.
Bro, I really liked the bar music. I like seeing more of the music that plays in universe.
Wrecker and Hunter are definitely having flashbacks to Cid this entire episode. Except Fennec gives them more intel.
Fennec is a delight as always.
My prediction to who she's selling them out to? Ventress. And I don't think Ventress' intentions are bad.
So yeah, a solid episode! I'm honestly probably going to leave a lot of the star wars subreddits just to avoid everyone and their dog complaining about filler. Which this was NOT.
And as the next episode is called the Harbinger, I feel like this might be one of our last breaths before the plunge and everything goes sideways.
Oh, and in case you forgot. Tech lives ❤️
Who will be the puppeteer?
💗💗💗
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@orangez3st
Love her! Watched her in SO much especially Mulan, ER, and now as our girl!
In celebration of Ming-Na Wen getting a star on the Hollywood Walk of Fame
(gif request by @maos2013)
episode 5 of book of boba fett:
Din: I won the darksaber in battle, it is mine
Paz: nuh uh
YES
I didn't even notice until op said it!
When I was watching that one scene in Avengers it felt so gross, I was immediately disgusted and had such a strong urge to turn it off and forgetforgetforget and pretend I didn't see anything. I guess it worked cause op made me remember it, but if I was asked out of nowhere what the worst show off feminism have you ever seen in cinema I wouldn't be able to tell. The Trauma. Ugh.
Anyway, again, I didn't really see that as something exceptional. It felt so normal and natural to me.
Usually I do pick up on BAD performance and all this bullshit female characters just for check. They don't have a story. They feel empty and unnecessary. The only quality that is important for the story with them is their sex/gender. Or there is nothing important for the story at all.
The point is the Mandalorian did a great job. Its female characters never felt bad like that. That fight included. The performance was good as expected. Therefore it never clicked as something special in modern social media. WHILE IT CERTAINLY IS. It is special!
Because right off the bat I can only remember Hannibal was such quality female writing where the were just right. Tbc it also depends on shows writing and perfomance level in general, so there are some more, but imho they are written less great in general.
And the amount of good female writing is truly saddening yet the good news are it grows! With time there is and will be even more great stuff!!
This post contains minor spoilers. Proceed with caution.
In the season two finale of “The Mandalorian” there is a scene near the beginning of the episode in which a strike team (minus Mando himself) storms onto an Imperial ship, blasts stormtroopers, etc. It’s an extended action sequence. Two of the characters are helmeted.
I was well into the scene before it hit me that all four of the characters on this strike team were women.
The fact that there was this all-female action team wasn’t new. I’ve seen that before. What was new about it was that this was the first time I’d seen a team of women that didn’t feel performative.
Remember that scene in “Avengers: Endgame”, the “she’s not alone” scene where All The Lady Characters Assembled, and you could tell the filmmakers were getting some kind of weird boner of “looooook at how many Strong Female Characters we have, let’s put them all together and have them be Strong Female Characters at the same time” and it felt super gross? That was performative.
I’ve heard and used that term before but I’m not sure I really grokked what it meant until I saw what its absence looked like, in “The Mandalorian.”
It didn’t feel performative because each of those characters had been part of the narrative in their own time over the previous two seasons, with their own agencies and backstories. They were characters in the story as it needed to be told, they weren’t Strong Female Characters introduced for the purpose of being that (in a sexy way, of course). There was never a sense of ticking off the “kickass lady character” boxes. When Cara Dune is introduced, or Fennec Shand, or Bo-Katan, there was never that subtext of “Okay here is our Lady Character, isn’t she such a great Lady Character, look look we’re Doing the Thing you want us to do with having Womens in our Boy Stuff.”
No. It was, here’s a Rebel soldier. Here’s an assassin. Here’s a Mandalorian exile. Here’s a Jedi. Here’s a magistrate. They have functions to perform and stories to tell in this narrative. Those functions and stories happen while these characters are women, not because they are women.
And it’s so, so subtle, the difference. It’s hard to put your finger on how it’s usually done wrong until you see it done right. It’s not just the writing although that’s a big part of it. It’s in how they were filmed, framed, shot, costumed, and lit. It’s in how they were directed, how the camera treated them - i.e. no differently than the male characters. None of these women were sexified, either. Not that they weren’t being portrayed by attractive women, but that wasn’t remotely played up or displayed in how they were styled, costumed, and made up.
Unfortunately now that we’ve all seen how non-performative inclusion of women into a narrative can be done right, everything else is going to seem that much more insufferable.
No, no, no, no, NO! Tech is NOT dead and you can’t convince me otherwise!
My proof you may ask? Well here you go…
Dr. Hemlock, while talking to Hunter, claimed that Tech’s broken goggles were all he could salvage. The shattered goggles had no blood, no crimson stains, and getting cut by glass will stain the glass with blood. Agreed? Also Tech was wearing a helmet when he fell, and his goggle are strapped around Tech’s head. How would his goggles come off his head and be the “only thing salvageable” if they were on Tech. Tech has also jumped, been pushed around, and fell several times in the series, but his goggles had never come off once. He has never even taken them off, just adjusted it from time to time. Hemlock also is known to be a liar, as shown that he never intended to take Omega in exchange for her brothers, but capture them all. A likely explanation for Tech’s goggles being found is that either he had taken them off, or had it taken away, or it had actually fallen or washed away from him.
In prior films and shows, characters have been shown to survive impossible situations, like…
Gregor (Clone Wars/Bad Batch)- Gregor survived a large explosion while saving the D-Squad. He promised to make his way back, and he did. While the odds of survival were unlikely, Gregor has reappeared in The Bad Batch with no casualties.
Echo (Clone Wars/Bad Batch)- Echo also survived an explosion with the cost of his legs, arm, and several body systems. He was taken as a Separatist Prisoner by the Skako Union and was used for experimentation and a weapon against the Republic. He was saved by Rex, Anakin, Tech, Wrecker, Crosshair, and Hunter, and survived and is in The Bad Batch.
Fennec Shand (The Mandalorian/Book of Boba Fett)- Fennec Shand was found dead by Boba Fett from a gut-shot blaster wound. She was brought back to life by replacing her damaged systems with mechanical ones. This allowed her to be perfectly fine and make an reappearance later in The Mandalorian and Book of Boba Fett.
Darth Maul (The Phantom Menace/Clone Wars)- Maul was sliced in half by Obi-Wan Kenobi and then presumed dead by everyone. He reappeared to seek revenge roughly 11 or 12 years later, with new mechanical legs.
Anakin Skywalker (Revenge of the Sith)- He had his legs and arm cut off, and then was burned by LAVA. Survival chances were impossible and yet he survived to become Darth Vader, feared Sith Lord.
As an enhanced clone with an Exceptional Mind and Skills, Tech would either be able to survive the fall and escape, or he has been captured by the Empire. Why would Dr. Hemlock waste a chance to unlock more “scientific knowledge” by leaving Tech to die? Why not take him as a hostage like Crosshair and Omega? Hemlock did want to take the rest of the Batch for questioning.
Even if Tech has been captured for an Imperial experiment...HE IS ALIVE. He has a chance. I know it. I’m probably just ranting into the void, but I’m suffering for one of my favorite characters- OK?